‎Manuel du poêlier-fumiste, ou Traité complet de cet art...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1835 1 vol. relié in-16, relié demi-basane havane, dos à nerfs, pièces de titre, XII + 300 pp., 8 grandes planches dépliantes (dos un peu passé). Nouvelle édition augmentée.‎

‎Manuel d'optique, ou Traité complet et simplifié de cette science.‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1833 2 vol. relié 2 vol. in-16, reliés demi-basane fauve, dos lisses ornés de frises et fleurons dorés, IV + 268 et V + 289 pp., 5 planches dépliantes (l'une volante). Edition originale française traduite par Paul Vergnaud.‎

‎OBSERVATEUR AU MICROSCOPE.‎

‎Paris Librairie Encyclopédique Roret, 1843. In-16 broché, 330 pages. Couverture d'époque (dos défraichi), peu de rousseurs. Exemplaire rare dans sa couverture originale conservée. Sans le volume d'atlas.‎

‎Nouveau manuel complet de physique appliquée aux arts et métiers...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" [1853] 1 vol. relié in-16, relié demi-chagrin noir, IX + 327 pp., 3 planches dépliantes de plus de 160 figures (accroc à la coiffe supérieure). Nouvelle édition annotée par M. Terrien.‎

‎Nouveau manuel complet du fabricant et de l'épurateur d'huiles végétales & animales...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1880 2 vol. relié 2 vol. in-16, reliés demi-basane havane, VIII + 352 et 247 pp., 8 planches dépliantes (dos un peu frottés). Tome 1 : Extraction des huiles végétales et animales. Tome 2 : Épuration des huiles végétales et animales. Nouvelle édition revue, corrigée et augmentée par Ad. Dalican.‎

‎NOUVEAU MANUEL COMPLET DE TYPOGRAPHIE.‎

‎Paris Encyclopédie Roret, 1897. Ouvrage in-16 broché, 565 pages, illustrations dans le texte. Couverture bien conservée, intérieur frais. ‎

‎Nouveau manuel complet du chandelier et du cirier...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1870 1 vol. relié 2 tomes en 1 fort vol. in-16, relié demi-basane verte, dos lisse orné de filets dorés, IV + 368 + 268 pp., 9 planches dépliantes (rousseurs). Nouvelle édition corrigée et augmentée par F. Malepeyre.‎

‎Nouveau manuel complet du fabricant de produits chimiques, ou Formules et procédés usuels relatifs aux matières que la chimie fournit aux arts industriels et à la médecine...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1842 3 vol. relié 3 vol. in-16, reliés demi-basane aubergine, dos lisses ornés de filets dorés, VI + 322, 282 et 354 pp., 2 tableaux dépliants, 7 planches dépliantes. Nouvelle édition revue, corrigée et augmentée.‎

‎Manuel de l'artificier, ou L'art de faire toutes sortes de feux d'artifice...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1826 1 vol. relié in-16, relié demi-veau noir, dos lisse orné de filets et frises dorés, XIII + 317 pp., 1 planche dépliante. Edition originale (ne comportant qu'une seule planche malgré l'indication en page de titre).‎

‎A son image. La prodigieuse histoire du premier clone humain‎

‎Grasset. 1978. In-8. Broché. Etat d'usage, Couv. convenable, Dos lisse, Intérieur bon état. 317 pages. Dos frotté sur les mors et les coiffes.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎"MIRACLES DE LA BIOLOGIE (Brave new baby) ""Promesses et dangers de la révolution biologique"""‎

‎EDITIONS J'AI LU N°D43. 1974. In-12. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 249 pages.. . . . Classification Dewey : 570-Sciences de la vie‎

‎"Collection ""J'ai Lu Documents"". Traduit de l'américain par H. Drevet. Classification Dewey : 570-Sciences de la vie"‎

‎Assurances de l'entreprise troisième ed 092796‎

‎Delmas 1997 27x21x4cm. 1997. Relié.‎

‎french édition -livre de bibliotheque recyclé avec couverture plastifiée et étiquette sur dos de couverture - quelques marques plis de lecture et/ou de stockage mais du reste en bon état . Expédition soignée sous blister dans une enveloppe à‎

‎L'OLOGENESE, NOUVELLE THEORIE DE L'EVOLUTION ET DE LA DISTRIBUTION GEOGRAPHIQUE DES ETRES VIVANTS‎

‎Librairie Félix Alcan. 1931. In-8. Broché. Bon état, Couv. légèrement passée, Dos fané, Intérieur acceptable. 368 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 570-Sciences de la vie‎

‎'Bibliothèque de Philosophie contemporaine'. Adapté de l'italien par l'auteur. Classification Dewey : 570-Sciences de la vie‎

‎Visualizing Justice in Burgundian Prose Romance. Text and Image in Manuscripts of the Wavrin Master (1450s-1460s)‎

‎, Brepols, 2020 Hardback, 389 pages, Size:178 x 254 mm, Illustrations:140 col., Language: English. ISBN 9782503586335.‎

‎Summary This is the first monograph devoted to manuscripts illuminated by the mid-fifteenth-century artist known as the Wavrin Master, so-called after his chief patron, Jean de Wavrin, chronicler and councillor at the court of Philip the Good of Burgundy. Specializing in the production of pseudo-historical prose romances featuring the putative ancestors of actual Burgundian families, the artist was an attentive interpreter of these texts which were designed to commemorate the chivalric feats of past heroes and to foster their emulation by noble readers of the day. Integral to these heroes' deeds is the notion of justice, their worth being measured by their ability to remedy criminal acts such as adultery, murder, rape, and usurpation. In a corpus of 10 paper manuscripts containing the texts of 15 romances and over 650 watercolour miniatures, the stylized, expressive images of the Wavrin Master bring out with particular clarity the lessons in justice which these works offered their contemporary audience, many of whom, from the Burgundian dukes downwards, would have been responsible for upholding the law in their territories. Chapters are devoted to issues such as the nature of just war and how it is linked to good rulership; what forms of legal redress the heroines of these tales are able to obtain with or without the help of a male champion; and what responses are available in law to a spouse betrayed by an adulterous partner. The book will be of interest to scholars of medieval art, literature, legal and cultural history, and gender studies. TABLE OF CONTENTS List of figures Foreword and acknowledgements Introduction This chapter sets out the rationale for the monograph. First, it situates its approach to study of the works of the Wavrin Master in relation to past and current scholarship in the field of Burgundian manuscript illlumination. Second, it explains and briefly illustrates the methodology it adopts, this being the analysis of the interplay between text and image in manuscripts of these prose romances, from the particular perspective of how this interplay inflects the issues of justice that are raised in the narrative. Third, it outlines in detail the precise research questions that will be addressed in the monograph and explicates the order of the chapters, justifying which texts have been selected from the corpus for detailed treatment. Chapter 1: Artist, Corpus, Patrons, Court This chapter provides a detailed context for analysis of the manuscripts in the Wavrin Master corpus by outlining who the artist was, what his body of work consisted of, who his chief patrons were, what books they held in their libraries, and how these texts contributed to the wider ideological project of legitimising the Burgundian polity as a personal union between the lord and his subjects, particularly during the reigns of the third and fourth dukes, Philip the Good and Charles the Bold. It thus sees these romances as forming part of a "literature of statecraft" teaching princely virtues, especially on matters of justice, alongside moralising works such as mirrors for princes, military treatises, and the many different types of historiographical texts that found favour at the Burgundian court. Chapter 2: Justice, Warfare, and Rulership in Florimont, the Seigneurs de Gavre and Saladin This chapter focuses on three texts whose presentation of the hero's military exploits can be read as a demonstration of medieval just war theory in action and of the link between just war and just rulership. It argues that the first two tales, Florimont and the Seigneurs de Gavre, can be seen as paradigmatic of the Wavrin Master's corpus in depicting an unequivocally exemplary hero as a just warrior and later ruler pitted against a series of antagonists whose illegitimate wars destroy their credibility as governors of their lands. By contrast, the third text, Saladin, is much more ambivalent in its portrayal of a hero whose undoubted status as a model of just conduct in war is fatally undermined by his reasons for going to war in the first place, being chiefly motivated by an insatiable desire for conquest, a lesson which may well have had a particular pertinence for Charles the Bold whose territorial ambitions far outstripped those of all three of his ducal predecessors. Translating these texts' often abstract ideas about just war and just rulership into the realm of the visual, the Wavrin Master plays with the extent to which the hero as a chivalric leader can be contrasted with his opponents in terms of both his appearance and his physical domination of space as a way of underlining the rightfulness or wrongfulness of the military causes he espouses. Chapter 3: Poor Judgements: Righting Wrongs against Women in G rard de Nevers, the Fille du comte de Pontieu, and Florence de Rome This chapter examines three romances that deal with the righting of wrongs perpetrated by men against women and the ways in which these female victims of injustice find legal redress. In the first of these texts, G rard de Nevers, justice for the wronged heroine is obtained by the male figure who had endangered her in the first place, as he fights a series of judicial duels to clear her name. Nevertheless, the heroine herself is not simply a passive receiver of this justice but herself has to use the workings of the law in order to regain her rightful place in society, in particular through her eloquence in pleading in court. The doubly wronged heroine of the second text, the Fille du comte de Pontieu, victim of a gang-rape and of her own father's punishment of her for having supposedly dishonoured her family, gains legal redress through her own efforts, pardoning the father who had wronged her but also making him swear a solemn oath never to reproach her again for her misfortune. Finally, in Florence de Rome, the heroine is abducted by her brother-in-law and subjected to multiple attempts at rape but eventually attains justice through herself exercising judgement over her transgressors. In his treatment of these women in relation to justice, the Wavrin Master places particular emphasis on representing scenes of crimes so as to establish the heroine's innocence and the different forms of judicial process by which she regains her honour and status. Valorising women in relation to justice through their demonstration of eloquence as well as through their capacity to make just judgements, these romances play their part in legitimising the role that high-status women such as the duchesses in particular were playing de facto in the good governance of the Burgundian polity. Chapter 4: Domestic Betrayals: Adultery and the Problem of Lawful Response in the Chastellain de Coucy and the Comte d'Artois This chapter, which deals with two romances that focus on the question of adultery, seeks to correct a scholarly misconception about the prevalence of extramarital relationships in Burgundian chivalric literature being a reflection of the licence that members of the male elite, particularly Philip the Good himself, allowed themselves in their own adulterous relations. It argues that, in fact, rather than celebrating extramarital love, the Chastellain de Coucy and the Comte d'Artois are concerned to teach their noble readers, both male and female, about the dangers of adultery. In particular, the way in which the domestic betrayals within these romances are treated textually and visually rejects the idea of adultery as an ennobling passion (as found in the Tristan legend, for example) and instead examines the lawful or unlawful response on the part of the betrayed spouse to the fact of their betrayal, thus addressing the wider social and legal repercussions of such extramarital passions. In his treatment of these two texts, the Wavrin Master draws on multiple pictorial traditions and runs a gamut of emotions from the courtly to the bathetic and from the erotic to the tragic in order to show that adultery, as an act of private domestic betrayal, can only lead to further forms of injustice. Conclusion: Text, Image, Ideology, Justice This chapter summarises the case made for seeing the Wavrin Master as a highly original interpreter of an unusually homogeneous body of works, ones in which the interplay of text and image is integral to the way that its lessons in statecraft, particularly on the issue of justice, would have been received at the court of Burgundy by both a male and a female audience. Appendix 1: Corpus of manuscripts Bibliography Index‎

‎Symposium on candida infections‎

‎E. & S. linvingstone ltd 1966 in8. 1966. Cartonné.‎

4 Images

‎intérieur frais couverture un peu défraîchie‎

‎Images, signes et paroles dans l'Occident m di val‎

‎, Brepols, 2022 Paperback, 349 pages, Size:170 x 240 mm, Illustrations:26 b/w, 136 col., 2 tables b/w., Language(s):French, English. ISBN 9782503603988.‎

‎Summary Cet ouvrage rassemble dix contributions qui proposent des perspectives originales pour l'analyse conjointe des modes d'expression figur e de l'Occident m di val. Men es tant par des historiens de l'art que par des historiens , elles abordent la question de l'image-objet, des signes alphab tiques et iconiques, du lieu peint, de la liturgie et de la pr dication. Documents d'archives, ex g se biblique, sermons et r cits hagiographiques sont exploit s de mani re fine et exhaustive pour rendre compte, au plus pr s, du contexte d'ex cution des ?uvres, qu'elles soient inconnues ou c l bres. Ce sont alors les angles d'approches adopt s, comme l'anthropologie des images ou les tudes transgenre, mais aussi les relations complexes entre art, architecture et rites, qui enrichissent ici l'exploration et d'objets de culte - les lipsanoth ques catalanes, les linges de l'autel ou les ex-voto - et de panneaux peints - comme la Flagellation du Christ de Piero della Francesca - et des cycles de peintures d corant la Tour Ferrande Pernes-les-Fontaines, San Pellegrino Bominaco, et cinq chapelles de la Ligurie et du Pi mont. TABLE OF CONTENTS Rosa Maria Dess et Didier M hu : Avant-propos : Images, signes et paroles dans l'Occident m di val Marc Sureda i Jubany : Lipsanoth ques, reliques et autels en Catalogne romane. Vincent Debiais : L' criture sur le tissu de l'autel. Une liturgie dans les plis. Lucy Donkin : Marking the Ground in Liturgy, Scripture, and Learning. Vinni Lucherini : San Pellegrino Bominaco : un programme iconographique pour une salle capitulaire. Clovis Chlo Maillet : Le genre d'une image : tude comparative du frontal de Santa Eug nia de Saga (XIIIe si cle). Giulia Puma : Mis en abyme dans la peinture italienne du XVe si cle : La Manne de saint Andr de C. Braccesco (vers 1490). Thomas Golsenne : Anthropologie des attributs hagiographiques. Germain Butaud : Recherches sur les peintures de la Tour Ferrande de Pernes-Les-Fontaines (c. 1309 ?). Oc ane Acquier : Les capitaines de l'Enfer : de la pr dication aux peintures murales. Images, textes et paroles dans les lieux de culte de Ligurie et du Pi mont la fin du XVe si cle. Rosa Maria Dess : Convenerunt in unum dans l'ex g se et les images : la Flagellation du Christ avec triade de Piero della Francesca.‎

‎Nutrition in Clinical Care‎

‎Mcgraw-hill book compagny 1978 in8. 1978. Cartonné.‎

4 Images

‎Bon état bone tenue couverture un peu défraîchie intérieur propre‎

‎L'aventure du vivant.‎

‎SEUIL. Sept. 1988. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 232 pages. Nombreux dessins en noir et blanc, dans le texte. Nombreux passages dans le texte soulignés au stylo noir.. . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Arte y poesia : El amor y la guerra en el Renacimiento‎

‎, Biblioteca Nacional de Espana, 2002 Softcover, 495 paginas, Spanish, Illustraciones en color y b/n, 280 x 240 x 40 mm, en condiciones excelentes ISBN 9788495486561.‎

‎ Amore nell'arte -- Esposizioni -- 2002-2003 Amore nella letteratura -- Esposizioni -- 2002-2003 Guerra nell'arte -- Esposizioni -- 2002-2003‎

‎Les magnificences de la nature.‎

‎Rouen, Mégard, 1877, gr. in-8°, frontispice + 384 p. + 1 planche (les premieres hommes), rousseurs, reliure en toile originale illustrée, tranches dorées, dos pali.‎

‎ Image disp.‎

‎"Les Magnificences de la Nature (Collection ""Bibliothèque Morale de la Jeunesse"")"‎

‎Mégard et Cie. 1877. In-4. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos abîmé, Papier jauni. 384 pages. Quelques planches de gravures en noir et blanc avec serpente. Frontispice en noir et blanc avec serpente. Rousseurs. Quelques pliures dans le texte. Un billet d'honneur collé sur le 1er contreplat (Académie de Bordeaux, Institution Commerciale). . . . Classification Dewey : 570-Sciences de la vie‎

‎ Classification Dewey : 570-Sciences de la vie‎

‎Le Ciel, la Terre et les mers. ‎

‎Rouen, Mégard, 1870. in-8, 383pp.- 2 planches. Cartonnage de l'éditeur toile rouge gaufrée, médaillon sur le plat. (Collection Bibliothèque Morale de la Jeunesse).‎

‎Vulgarisation scientifique à l'usage de la jeunesse. - Exemplaire offert en prix par le directeur de l'école de dessin de Moulins, J. Bariau, à son élève Brunet : "prix pour le modelage" (ex-dono manuscrit sur la garde). Quelques petites macules, dos légèrement fané.‎

‎[ Recueil de planches : ] Salvator Rosa Invenit (Liber Primus, Secundus, Tertius, Quartus) [ Relié avec : ] [ Recueil de 38 planches en couleurs : Oiseaux par Martinet ]‎

‎1 vol. petit in-8 reliure début XIXe pleine basane racinée, format 17,8 x 11,5 cm (mesures en marges), [ Salvator Rosa : ] A Paris, chez Chéreau rue St Jacques, aux 2 Piliers d'Or, s.d. [ circa 1718-1729 ? ], 60 planches (y compris le titre) ; [Martinet : ], s.n., s.l., s.d. [ circa 1787-1796 ], 38 planches rehaussées en couleurs‎

19 Images

‎Recueil éclectique portant en pièce de titre la mention "Iconologie", et réunissant la belle suite des 60 gravures de Salvator Rosa dans l'édition publiée par le graveur et éditeur François Chéreau (installé rue St Jacques à partir de 1718), et 38 belles planches d'oiseaux rehaussées en couleur, dessinées par François-Nicolas Martinet et extraites pour certaines (et sans doute la plupart) de son "Histoire des Oiseaux, peints dans tous leurs aspects, apparents et sensibles", publiée de 1787 à 1796. Bon état (reliure lég. frottée avec petites épidermures, marges du Rosa souvent courtes, une planche du Rosa renumérotée "31" à la plume, bon exemplaire par ailleurs). ‎

‎"Le tarot des comédiens; tome 2 : vingt-et-un récits et caractères inspirés du théâtre. Bibliothèque des signes."‎

‎Paris, Editions Clancier-Guénaud, 1987. 14 x 21, 158 pp., broché, bon état.‎

‎tome 2 seul.‎

‎L'inscription corporelle de l'esprit‎

‎1993, Seuil, la couleur des idées, in-8 broché de 380 pages, L'inscription corporelle de l'esprit, sciences cognitives et expérience humaine | Etat : Bon état (Ref.: ref85085)‎

‎Seuil‎