, Museum Dr. Guislain 1999, 1999 Softcover, 285 pagina's/seiten/pages, NL/ENG/D/FR, 295 x 240 mm, in good condition, illustraties in colour en b/w,. ISBN 9789076745015.
Geschiedenis van de Psychiatrie
, Berko art, 1986 Hardcover with dusjacket. 108 Pages, Format 29X25cm. Illustrated. Text: French - English./ **NEUF/ New ISBN 9789070481940.
Fernand Toussaint: 1873-1956 The book in the series is devoted to a Belgian artist whose work fully captures the wordly chan of the beyday of the Belle Epoque. // Le livre de la s rie est consacr un artiste belge dont l'?uvre capture pleinement le chan verbal de l' poque de la Belle poque.
, Hannibal Books, 2024 Hardcover, 296 pagina's, met prachtige illustraties, 27c29cm, Nederlandstalige editie. ISBN 9789464941098.
Blik op een vernieuwd Bokrijk, een architecturale heropleving van eeuwenoud vakmanschap Bokrijk is klaar voor de toekomst. Wat begon als een gedurfde visie groeide uit tot een ambitieus project: de restauratie van 124 historische gebouwen in het Openluchtmuseum. Dit boek markeert het hoogtepunt van acht intense jaren van vakmanschap en research. Fotograaf Luc Daelemans brengt het gerestaureerde Bokrijk in beeld in de iconische Becher-stijl. De gebouwen kijken recht in de lens, steeds in dezelfde tonaliteit. Van vierkantshoeve tot zwingelkot of grenssteen, alle bouwwerken en objecten worden als evenwaardige protagonisten verbeeld. Ze komen tot leven in boeiende verhalen over de gebouwen zelf, hun bewoners en de gebruikte restauratietechnieken. Dat alles dankzij nieuw onderzoek met de hulp van lokale erfgoedcommunities uit heel Vlaanderen. De meerjarige restauratiecampagne vormde een uitgelezen kans om de interne expertise en het vakmanschap aan te scherpen en te delen. Het dynamische museum Bokrijk wil zo zijn interne expertise doorgeven aan volgende generaties en zijn rol als kenniscentrum bekrachtigen. Deze publicatie viert de voltooiing van de meerjarige restauratiecampagne van de erfgoedcollectie van Bokrijk in 2024.
, Gourcuff Gradenigo, 2014 Couverture reliee 215 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. 24x30cm bon etat. ISBN 9782353401925.
Aujourd'hui m connu, Am d e de La Patelli re (1890-1932) est une des figures marquantes de l'art fran ais de l'entre-deux guerres. Son oeuvre s' labore sur peine dix ann es. Durant cette courte p riode, il r alise plus de neuf cents tableaux et tudes et s'impose comme l'un des peintres majeurs de sa g n ration, aux c t s d'Andr Dunoyer de Segonzac, Yves Alix, Henry de Waroquier ou Andr Favory. Ces artistes sont marqu s par le r alisme qui est alors la tendance pr dominante dans l'art fran ais. Ils refusent l'acad misme et ont int gr le souci d'ordre et de construction du cubisme. Ils ne forment pas un groupe homog ne mais tous s'affirment comme des ind pendants. Dans cette floraison d'individualit s, La Patelli re occupe une place singuli re. Homme d'une profonde spiritualit , son esth tique est faite de "la coexistence d' l ments contraires - mais non contradictoires" o se m lent ainsi soucis de construction et lyrisme, onirisme et ancrage dans le r el, attachement la figure de Delacroix et attention port e Picasso et Matisse... L'objectif de La Patelli re est de "transposer la nature par des moyens plastiques pour la situer dans un plan spirituel". Refusant tout esprit de syst me, il a d velopp une oeuvre qui se laisse difficilement enfermer dans une cat gorie tant elle appara t vari e dans ses th mes, sa forme et ses ambitions. L'ouvrage Am d e de La Patelli re, Les clats de l'ombre accompagne l'exposition organis e par les mus es de Roubaix, Bergues, Nantes et Beauvais et explore l'ensemble des facettes de cette production foisonnante. Des oeuvres r alis es durant la Premi re Guerre, aux premi res r ussites ancr es dans un r alisme onirique jusqu'aux derniers tableaux, au lyrisme exacerb .
, Norma,Editions 2017, 2017 Hardcover, 176 pages, English, 305 x 235 mm, new book, with dustjacket, . ISBN 9782915542905.
It is a rare species, but it exists, as '60s art critic Pascal Renous pointed out on the subject of artistic couples. This designer-decorator duo of Janine Abraham and Dirk-Jan Rol met at Jacques Dumond's studio in 1955. The couple shares the same love of precision, line and plain colours. Their earliest joint creations were first exhibited at the Salon des artistes decorateurs, in Paris. Their furniture, made of wicker, wood and aluminium, twice won prizes at the Salon des artistes decorateurs (a sideboard in 1956 and an armchair in 1958), garnering notice from the public and professionals alike. Jean Royere did not hesitate to use their emblematic Soleil armchair (gold medal at the 1958 Brussels World's Fair) in the decoration of the palace of the Shah of Iran, in Teheran. Their light and functional designs are available today, re-edited by Yota Design. Abraham & Rol were also interior designers and intervened in this capacity for both individual clients and large corporate clients, such as Yves Rocher and Saint-Gobain, with the same precision and sense of composition that define their furniture pieces. Finally, the couple also expressed their creativity through architecture, their mastery of this discipline enabling them to design some twenty houses from the 1960s through the 2000s in the Ile-de-France region. Their homes are genuine inhabited sculptures, of which certain have become truly emblematic.
, norma editeur., 2017 hardcover with dusjacket, Couverture reliee sous jaquette,184 pages, 230 illustrations, 23 x 30.5 cm. ISBN 9782915542622.
L'oeuvre des freres Cloutier occupe une place singuliere dans la ceramique francaise de la seconde moitie du xxe siecle. Tout a la fois fascinante et deroutante, la production des jumeaux, s?appuyant sur une grande maitrise des savoir-faire, acquise notamment chez Pol Chambost ou Georges Jouve, mele depuis l?ouverture de leur atelier en 1955 necessite interieure, impertinence et humour. Tout en s?inscrivant dans le renouveau de la ceramique francaise, Jean et Robert nous emmenent dans leur terre d?election, un univers onirique en perpetuel mouvement qu?ils vont explorer tout au cours de leur ?uvre, se jouant des modes et des diktats.
Antwerp, Ronny Van de Velde Gallery, 2018 Gebonden, Hardcover 175 pages, very richly illustrated with coloured illustrations. 30x22 cm.
catalogue exposition Ronny Van de Velde Gallery
, Die Gestalten Verlag 2014, 2014 Hardcover, 240 pages, English, 265 x 220 mm, in fine condition, . ISBN 9783899555523.
Celebrating style, individuality, and joie de vivre, this book showcases 80 original men who will inspire readers to lead a less ordinary life. Original Man is a compendium of the stories of extraordinary men. From household names including Andy Warhol, Freddie Mercury, and Yves Saint-Laurent to lesser-known personalities, the 80 men presented here are incredibly diverse, yet all share entirely original lives. Featuring famous hell-raisers such as Iggy Pop, indomitable explorers including Ernest Shackleton, visionaries like Federico Fellini, and some less mainstream personalities such as Quentin Crisp or Takeshi Kitano, these biographies are as gripping as any fiction. This book is the brainchild of UK men's fashion maven Patrick Grant. As set about re-awakening the traditional Saile Row tailoring house of E. Tautz after a thirty-year slumber, he wanted to define the kind of man he aspired to clothe. Original Man is the compelling result of his musings--a collection of portraits of men who go beyond a veneer of stylish attire to wring every last drop out of life with their actions, thoughs, or words in a manner scarcely seen nowadays. These are not the biographies of those the world considers to be the best writers, thinkers, or adventurers (though undoubtedly some arguably are). Rather, this book celebrates those that have lived lives that are genuinely different. Whether in the life of a stylist, a libertine, an artist, or a hero, originality and historical precedence trumps prowess; the manner of their endeavors is what counts, not the end result. Reflecting Grant's personal background and experiences approximately half of the book's notable men come from the UK, a quarter from the US, and most of the remainder from Western Europe. Explaining his strong British bias, Grant states ''we seem to breed original characters (or celebrate them more vocally) at a rate which belies our relatively small population.'' Because a claim to inclusion requires sustained effort, not just a brief burst of activity, few of the men featured in Original Man are young. Some, such as Malcolm X and Ayrton Senna, died young, but had a lasting impact. The book also contains a few men well known for their hedonistic lifestyles such as Ozzy Osbourne and Oliver Reed, but it does not celebrate those who simply fritter their lives away at play unless it is done with the greatest sense of style. Often their tales are rather sad ones, like that of snooker player Alex Higgins, and are included in the hope that they are as precautionary as they are laudatory. Aware that there do not seem to be many equivalents to these stories today, Grant wishes to share these portraits to inspire readers--men and women alike--to try to live more interesting and original lives themselves.
Paris, RMN, softcover, Couverture souple 64 pages nombreuses illustrations en couleurs dans et hors texte. Texte en Francais . ISBN 9782711837342.
Avec envoi et signature de l'auteur.
Odile Jacob, 1996, in/8 broché, 238 pages.
"L'illusion en médecine porte le joli nom de placebo. Elle soigne, guérit parfois. Elle fait disparaître l'eczéma du chien ou dormir le nourrisson insomniaque. Elle calme la toux, apaise l'anxiété ou soulage la douleur. Comment diable une substance inactive, sans effet pharmacologique prouvé, peut-elle avoir un tel pouvoir ? Et pourquoi donc les médecins exploitent-ils si peu, ou avec tant de mauvaise conscience, le phénomène ? C'est une passionnante enquête dans le monde de la maladie et des médicaments que nous propose Patrick Lemoine. Médecin, psychiatre spécialisé dans l'exploration et la prise en charge des troubles du sommeil et de la dépression, Patrick Lemoine est actuellement chef de service à Lyon où il se consacre au problème de la surconsommation des médicaments psychotropes, en France."
, Thames & Hudson, 2016 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500519349.
This book gathers together, for the first time, every Dior haute couture collection, including also ready-to-wear collections after the arrival of John Galliano (when ready-to-wear presentations took on a new importance), and the first two collections designed by creative director Maria Grazia Chiuri, appointed in 2016. It offers a unique opportunity to chart the development of one of the world's most famous fashion brands and discover rarely seen collections. This definitive publication opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically. Each new 'era' in Dior's history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior is the second volume in a series of high-end, cloth-bound books that offer a complete and unrivalled overview of the collections of the world's top fashion houses through original catwalk photography.
, Thames & Hudson, 2016 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500519943.
Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the worlds leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse. This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998-2014, and Nicolas Ghesquiere, who helms the brand Today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book
, Thames & Hudson, 2019 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500022047.
Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the houses first fashion collection in 1988. She would soon transform Prada into one of the worlds most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.
, Thames & Hudson, 2021 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500023808.
'In this book, you find the soul of Versace. I could not be any more proud to share it with the world' Donatella Versace Founded by Gianni Versace in 1978, the family-run fashion house soon grew into a symbol of high glamour and luxury known the world over, dressing the biggest personalities of the 1980s and 1990s, from Madonna to Princess Diana. After Gianni Versace's tragic death in 1997, his sister Donatella became artistic director of the brand, steering it into the 21st century and cementing its legendary status for new generations of fans. This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Gianni Versace and Donatella Versace, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Claudia Schiffer to Jennifer Lopez and Kaia Gerber. A rich reference section, including an extensive index, concludes the book. With 1200 illustrations in colour
, Thames & Hudson, 2021 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500023792.
One of the most thought-provoking and influential designers in the world - she once declared 'the only reason I'm in fashion is to destroy the word conformity ' - Vivienne Westwood has been reinventing, changing and challenging the world of fashion for over five decades. Celebrating 40 years of catwalk collections, this book records the inimitable creations imagined by Vivienne Westwood since her first runway show in 1981, as well as those designed by her husband and long-time collaborator, Andreas Kronthaler. Complete with an introduction and collection texts by Alexander Fury, and biographies written by the designers themselves, Vivienne Westwood Catwalk offers a rare opportunity to chart the development of a uniquely creative fashion house. After Chanel, Dior, Louis Vuitton, Yves Saint Laurent and Prada, Vivienne Westwood - publishing in Spring 2021 - is the sixth new volume in the best-selling Catwalk series, which offers an unrivalled overview of the collections of the world's top fashion houses through original catwalk photography. With 1300 illustrations in colour
, Thames & Hudson, 2016 Hardback, 277x190mm, 632p, 1100 bw and col. illustrations. fine condition. ISBN 9780500022399.
Founded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. these showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
Paris, Gallimard, 2011 Hardcover, 260 pages, FR. edition, 315 x 235 x 30 mm, Tres bon condition, illustrations / images en couleur / n/b., avec quelques pages pliables, tr s int ressant... ISBN 9782070132775.
Du nord au sud de l'Europe, la fin de la Renaissance, surgirent d' tranges endroits : secrets ou visibles, dans des demeures royales comme chez des notables ou des apothicaires, tenant la fois de l'antre du magicien et de l'officine, les cabinets de curiosit s rassemblaient, dans un espace souvent compt , un incroyable capharna m couvrant murs et plafonds, d bordant des tiroirs et des cassettes. S'y c toyaient mappemondes et objets d'ivoire, monnaies antiques et cr nes de singe, dents de g ant et cornes de licorne, pierres magiques et queues de sir ne, sans oublier de fascinants oiseaux de paradis qui passaient leur vie voler, supposait-on, puisqu'ils n'avaient pas de pattes... La nature s'y m lait l'art, ou plut t se transformait en art, et l'art en nature, dans une commune capacit stup fier, faire surgir la merveille. C'est ces th tres du bizarre qu'est consacr le pr sent ouvrage. On y retrace bri vement l'histoire du ph nom ne, on en montre les survivances et les transformations au cours des si cles suivants, on y voque des figures peu connues de collectionneurs et d'amateurs attach s au culte de la curiosit ; on en souligne aussi l'influence sur certains des grands mouvements artistiques du XXe si cle, on en suit quelques-uns des d veloppements dans l'art contemporain ; on consid re enfin les motifs et les formes de la r invention du cabinet de curiosit s dans des d cors et des cadres de vie actuels
, Manteau 2013, 2013 Hardcover, 208 pages, English, 320 x 300 mm, fine copy, lots of illustrations and photographs, . ISBN 9789002252747.
, privaat uitgave, , 2022 hardcover, 240 pagina's met 200 illustraties en reproducties van schilderijen van Henneman. 23x28cm. ISBN 9789081989152.
Wie was Valentin Henneman? Geboren in 1861 in Oostkamp Studeert aan de Academies van Brugge en Antwerpen Wordt een veelgevraagd portretschilder van burgemeesters, schepenen, adellijke families, religieuzen. Exposeert op talloze tentoonstellingen in Brugge, Europa en de VS. Reist voor het eerst naar de Verenigde Staten in 1904. De start van een jaarlijkse Commonwealth Art Colony, een zomerschool voor kunstenaars aan de kust van Maine. Huwt in 1917 in Bangor, Maine (VA). Is er niet alleen bekend omwille van zijn portretten en landschappen, maar ook voor zijn ijs- en sneeuwsculpturen n als begenadigd verteller. Sterft in 1930 in Bangor, laat geen kinderen na.
, Museum van Hedendaagse Kunst Antwerpen, 2001 Hard Cover. Exhibition Catalogue. Text: Dutch / English. 160 p.; ill.; 16 x 24 cm; 490g. Perfect copy. ISBN 9789072828194.
+ fistula expo, dagjesmens in de wereld van de schijn, daytripper in the field of appearances.
, MER Paper Kunsthalle, 2009 SC / 52 pages / 24,5 x 16,5 cm +photo's.
MER. Paper Kunsthalle; Maes & Matthys Gallery
, Patrimoine en Is re 2011, 2011 Softcover, 127 pages, Texte en Francais, 250 x 210 mm, Tres belle exemplaire. ISBN 9782355670565.
, Brepols, 2021 Paperback, 264 pages, Size:210 x 297 mm, Illustrations:5 b/w, 97 col., 9 tables b/w., Language(s):English, French. ISBN 9782503596921.
Summary The Liber floridus is an encyclopedic compilation written in the first quarter of the twelfth century by a canon of Saint-Omer named Lambert. The work was conceived as an illustrated edition combining texts with images, with Lambert collecting earlier sources as well as contemporary literature in his attempt at synthesis and innovation. Time plays an important role, manifested in the liturgical calendar, the idea of the end of time, the movements of planets, the divisions of time in ages and years, local and universal history. Approached from a range of perspectives and from different disciplines, this volume investigates the reception of scientific ideas and the many concepts of time in the Liber floridus, conveyed in its images, texts, and diagrams, while also taking into account the various exegetical and philosophical contexts. The manuscript tradition of the Liber floridus is likewise considered, with particular attention given to the autograph manuscript, now held at the Ghent University Library, and to the oldest and most accurate copy of Lambert's autograph, now at the Herzog August Bibliothek, Wolfenb ttel. TABLE OF CONTENTS Pr face - Patrizia Carmassi Manuscripts Before the Liber floridus: Texts and Compilations about Time in the Early Middle Ages - Patrizia Carmassi The Autograph Manuscript and the Sources of the Liber floridus - Albert Derolez Visual Studies for the End of Time - Hanna Vorholt The Wolfenb ttel Manuscript and the Place and Function of History in the Liber floridus - Christian Heitzmann Texts, Images, Diagrams I. Texts and exegesis Is the End at Hand? Pseudo-Methodius, the Jews and the Liber floridus - Marco Rizzi Temps et apocalypse dans le Liber floridus et dans le cadre de la tradition ex g tique m di vale - Raffaele Savigni II. Images and diagrams Between Text and Image. The Role of Diagrams and the Notion of Time in the Liber floridus - Anja Rathmann-Lutz L'univers du Liber floridus et les lieux des anges, des mes et de la divinit - Barbara Obrist Les anges et leurs images dans le Liber floridus de Wolfenb ttel, entre traditions et innovations iconographiques - Philippe Faure Times and their Declination Time, the Liber floridus and the Science of the Stars in the Twelfth Century - Charles Burnett Le Liber floridus comme encyclop die visuelle : l'occasion d'une enqu te sur les manuscrits du De ordine ac positione stellarum et l'iconographie du Draco inter Arctos - Isabelle Draelants Le temps sacr dans le Liber floridus - Laura Albiero Time in Medieval Philosophy. Concepts and Considerations on a Complex Phenomenon - Hans Otto Seitschek
, Fonds Mercator/ Mercatorfonds, 2025 Hardback with dust jacket, 208 pages, Dimensions 300 x 240 mm, 120 Illustrations 120 col.ill.Language(s) Fr. edition. *new. ISBN 9789462303935.
Le Personnalit au destin hors norme, Artemisia Gentileschi (1593-v. 1656) est l'une des rares artistes femmes de l' poque moderne ayant pu vivre de sa peinture, gr ce une renomm e internationale. N e Rome, cette protagoniste de la peinture caravagesque tait tout particuli rement c l br e pour ses figures d'h ro nes et ses portraits.Mus e Jacquemart Andr , Paris
Patteeuw, V ronique [edit.] Peter Swinnen, Johan Anrys and Freek Persyn
Reference : 58445
, nai010 uitgevers/publishers, 2004 Softcover; Oorspronkelijk uitgevers omslag, 160 full colour pages! fine! .**with heat sensitive cover!!. ***SIGNED by Freek Persyn! ISBN 9789056623593.
Peter Swinnen, Johan Anrys and Freek Persyn call themselves 51N4E, a name that refers to the geographic coordinates of their place of business, located in Brussels, Belgium. The somewhat immodest subtitle that underscores their cryptic collective moniker--Space Producers--has been justified by their transformations of dwelling spaces, their recent renovation of the Groeninge Museum in Bruges, and their most important commission to date, the conversion of an old brewery in Mechelen into a cultural center. One of the most talented and promising architecture bureaus in northern Europe, their collective has recently been awarded the prestigious Maaskant Prize for young architects, the most important prize in the Netherlands. Recent winners include Liesbeth van der Pol, Neutelings Rietdijk, and Adriaan Geuze--all Dutch, as you can see. 51N4E are the first non-Dutch winners ever. In recognition of this honor, 51N4E is being treated to a first monograph; Space Production will present a complete overview of the bureau's work, accompanied by essays about their distinctive design ideas.