‎Nouveaux éléments de dynamique et de mécanique.‎

‎ Lyon, Frères Périsse, 1763 ; in-8. Titre-X-133 pp.-(3 p.)-3 grandes planches dépliantes. Veau brun marbré, dos lisse orné, pièce de titre en maroquin bronze. Mouillure ayant entrainé une déformation légère de la reliure et une ondulation des pages. Très légère auréole sur quelques pages. Mors fendu sur deux centimètres en queue du second plat. ‎

4 Images

‎Relié à la suite : TAYLOR (Brook) - MURDOCH (Patrick) - NEWTON (Isaac). Nouveaux principes de perspective linéaire, traduction de deux ouvrages, l'un anglois du Docteur Brook Taylor. L''autre latin de M. Patrice Murdoch. Avec un essai sur le mélange des couleurs par Newton. Avec figures. Amsterdam, Westein, 1757. 5 ff.-LIV--1 f.-127 p.- 6 planches dépliantes hors-texte. Cet ouvrage avait été publié pour la première fois en anglais en 1715 sous le titre "Linear perspective" ; une édition augmentée incluant le texte de Newton parut en 1719. Le traducteur est généralement admis être Antoine Rivoire. ‎

‎MANUEL PRATIQUE DES MOTEURS A GAZ ET GAZOGÈNES. Guide de l'industriel, de l'ingénieur et du constructeur pour le choix, l'installation, la conduite et l'entretien des moteurs et gazogènes ‎

‎Paris & Liège Librairie Polytechnique Ch. Béranger, Editeur 1904 in 8 (24,5x16,5) 1 volume reliure percaline brique de l'éditeur, dos et plat supérieur titrés en lettres dorées, 32 pages publicitaires, XI et 247 pages, avec 154 figures dans le texte. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Reliure ‎

‎Juan Gris, Rimes de la forme et de la couleur‎

‎, Au fil du temps ditions 2011, 2011 Paperback, 208 pages, Texte en Francais, 290 x 240 mm, bon etat, illustrations et photographes de couleur et n/b, . ISBN 9782918298076.‎

‎Gris a tudi le dessin technique la Escuela de Artes y Manufacturas de Madrid de 1902 1904. Au cours de cette p riode, il a galement r alis des dessins pour des journaux et des magazines locaux. Entre 1904 et 1905, il tudie la peinture avec Jos Maria Carbonero. l'origine, Gris a t influenc par l'Art Nouveau allemand. En 1906, il s'installe Paris, o il se lie d'amiti avec Henri Matisse, Georges Braque et Fernand L ger. En 1915, son ami Amedeo Modigliani fait un portrait de lui. Gris a t guid Paris par son ami et compatriote Pablo Picasso. Bien que Gris ait continu soumettre des illustrations avec une touche d'humour noir des magazines tels que L'Assiette au beurre, Le Charivari et Le Cri de Paris, il a commenc peindre s rieusement en 1910. Ses premi res peintures l'huile ont t cr es en 1911, en utilisant des gris monochromes et tons de terre. En 1913, il commence peindre de mani re plus color e, mais toujours dans un style cubiste. En 1913, Gris a galement commenc utiliser la technique du collage. En 1922, il con oit des d cors et des costumes de ballet pour Sergue Diaghilev. Gris a crit sur sa th orie de l'art. Il donna sa plus importante conf rence sur ce sujet la Sorbonne en 1924, sous le titre Des possibilit s de la peinture. Gris est d c d d'une insuffisance r nale au printemps 1927 l' ge de 40 ans. Il laisse derri re lui sa femme Josette et un fils Georges.‎

‎Leçons élémentaires de mathématiques, par M. l'abbé de La Caille,... Nouvelle édition... augmentée par M. l'abbé Marie,... ‎

‎Paris, Chez Desaint 1770 In-8. Reliure de l’époque veau havane, dos lisse orné de roulettes encadrés de fers dorés, XV-404 pp., 6 planches repliées sur 8. Manque la page de faux-titre.‎

‎ Bon état d’occasion ‎

‎Jacob Jordaens and Spain‎

‎, Brepols, 2019 Hardback, 648 pages, Size:240 x 280 mm, Illustrations:550 col., Language: English.* new ISBN 9788494858536.‎

‎Summary This monograph is dedicated to the painter Jacob Jordaens (Antwerp,1593-1678) and his relationship with Spain. This book is a catalogue raisonn of the painter's preserved works that have had a long and close link with the Court and Spanish patrons, both inside and outside of Spain. His paintings and designs are contemplated in this book in a deep and detailed way. In these pages the reader will find out about Jordaens work method, his sources of inspiration and the solutions he chose for the commissions that he carried out. TABLE OF CONTENTS Jacob Jordaens and Spain The triumphal arch of the Cardinal-Infante in Antwerp Torre de la Parada Alcazar of Madrid Works by Jordaens in the Bourbon era Nobles and clergymen with works by Jordaens in the 17th and 18th centuries Jordaens and the 19th century Jordaens in the 20th century Tapestries and nobility in Spain The themes of Jordaens's works linked to Spain Clarifications and conjecture Influence of Jordaens on Spanish painting Jordaens, criticism and Spanish historical sources Jacob Jordaens and Spain: Catalogue of Paintings List of Works by Jacob Jordaens Linked to Spain Religion (1-18) Mythology and History (19-53) Portraits (54-56) Genre (57-61) Tapestries (T. l-T.48) The Life of Achilles: Jordaens's Tapestry Designs (T.1-T.3) Series: History of Alexander the Great (T.4-T.15) Series: The Riding School (T.16-T.27) Scenes from Country Life or The Art of Hunting as Entertainment for the Game of Love (T.28-T.30) Jordaens and the Proverbs Series (T.31-T.48) A. Copies (A.1-A.10) B. Documented Original Paintings by Jordaens (B.l-B.19) C. Documented Copies of Paintings by Jordaens (C.1-C.2) D. Works Erroneously Attributed to Jacob Jordaens (D.l-D.18) Addenda (1-4) Brief Chronology of Jordaens's Life Documentary Appendices Bibliography Index of Names Rights and Photographic Credits‎

‎La question de la finalité en physique et en biologie. Principes généraux. Lois d'économie, d'extremum, de simplicité -- EDITION ORIGINALE‎

‎P., Hermann, 1937, un volume in 8, broché, couverture imprimée, 45pp.‎

‎---- EDITION ORIGINALE ---- Principes d'économie de matière et d'économie de place - Principe de moindre effort - Principes d'extremum au sens strictement quantitatif - Principe de la moindre contrainte - Principe de simplicité - Sur les diverses expression de l'action**3572/o7ar‎

‎L'incohérence universelle - Le mirage de l'ordre -- EDITION ORIGINALE -- BEL EXEMPLAIRE‎

‎P., PUF, 1956, un volume in 8 broché, couverture imprimée, (2), 151pp.‎

‎---- EDITION ORIGINALE ---- BEL EXEMPLAIRE ---- Les constituants structures de l'univers et les chaines d'êtres (larves d'atomes et d'étoiles, organismes embryonnaires successifs, milieu cosmique et biosphère) - L'univers manifeste-t-il l'existence d'une personnalité consciente, d'une puissance organisatrice et directrice (l'home en face du Cosmos, en quête de traces révélatrices, les concepts-limites, De Natura Deorum, sources diverses d'où l'homme, par une interprétation erronée a tiré l'idée de Dieu, parlaogisme des preuves de l'existence de Dieu, autres sources de la notion de Dieu : les sentiments, source sociale et morale, source linguistique, étude de l'idée divine et des manifestations religieuses à travers l'histoire) - Perspectives sur le passé et sur le lointain futur de l'univers (le passé de l'univers : hypothèses envisagées, le futur lointain et la destinée finale de l'univers, théories de l'évolution du monde sans fin et sans retour, le Cosmos, ensemble disparate - Le changement désordonné et l'incohérence universelle - Le songe de Brahma**7175/Q5DE‎

‎Interprétation philosophique des relations d'incertitude et déterminisme -- EDITION ORIGINALE -- BEL EXEMPLAIRE‎

‎P., Hermann, 1936, un volume in 8, broché, couverture imprimée, 30pp.‎

‎---- EDITION ORIGINALE ---- BEL EXEMPLAIRE ---- Le quantum d'action ; mesure de l'élément ultime d'univers - Durée e étendue minima pour la constitution des processus physiques - Causalité et déterminisme - Liaisons non-holonomes et systèmes héréditaires - Création d'un humanisme scientifique - La quantification du temps**8853/CAV.G4‎

‎"LA QUESTION DE LA FINALITE EN PHYSIQUE ET EN BIOLOGIE - EN 2 VOLUMES : TOME I - PRINCIPES GENERAUX + TOME II - FAITS PARTICULIERS / COLLECTION ""ACTUALITES SCIETIFIQUES ET INDUSTRIELLES N° 467 ET 468."‎

‎HERMANN ET CIE. 1937. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 + 67 pages augmentées de nombreuses figures e nnoir et blanc in texte - Quelques souligneemnts au stylo in texte.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎SOMMAIRE : TOME I : PRINCIPES GENERAUX - Lois d'economie, d'extremum, de simplicité + TOME II : FAITS APRTICULIERS : dispositifs et phénomènes présentés par les Etres vivants - Examen critique des Théories. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES‎

‎Le mouvement scientifique contemporain en France.‎

‎ P., Payot, 1921-1924, 2 volumes petits in 12. ‎

‎Tome 1 - Les sciences naturelles avec 25 figures dans le texte, 160 pages, cartonnage de léditeur.Tome 2 - Les sciences physiologiques avec 30 figures dans le texte, 154 pages broché. ...................... Photos sur demande .......................... ‎

‎Le corps en thérapie‎

‎2011, Chronique sociale, in-8 broché, du plaisir douloureux de la dépendance au plaisir orgastique | Etat : très bon état (Ref.: ref99888)‎

‎Chronique Sociale‎

‎Les Mémoires de Socrate, d'après le manuscrit d'Athènes‎

‎Les Belles Lettres 1983 1983, ed Les Belles Lettres, coll'Confluents'. in-8 broché de 170 pages, couv ill en couleurs. Traduit du grec moderne par Pierre Comberousse. | Etat : TBE général. Occasion. (Ref.: ref8020)‎

‎Le Droit des données personnelles - N 'attendez pas que la CNIL ou les pirates vous tombent dessus !‎

‎2016, Eyrolles, in-8 broché de 230 pages, Le Droit des données personnelles - N 'attendez pas que la CNIL ou les pirates vous tombent dessus ! | Etat : Bon état (Ref.: ref86259)‎

‎Eyrolles‎

‎EX LIBRIS Negentien markante verhalen.‎

‎, private edition Mattelaer, 2023 hardcover, 159 pages, met prachtige illustraties in kleur.‎

‎Overzicht van een markante verzameling Ex Libris van 1530 tot heden.‎

‎Fallus in kunst & cultuur‎

‎, Groeninghe Uitgeveri 2000, 2000 Hardcover, 160 pagina's, Nederlands, 277 x 217 mm, mooi boek, diverse afbeeldingen, . ISBN 9789071868290.‎

‎H ros antiques : La tapisserie flamande face l'arch ologie‎

‎, Cinq Continents, 2014 Hardcover, 192 pages, FR. edition, 310 x 255 x 20 mm, Tres bien etat, illustrations en couleur / n/b. ISBN 9788874395200.‎

‎La tapisserie a longtemps repr sent le summum du raffinement et du faste en termes de d cor d?int rieur. Au-del de la qualit des mat riaux et du tissage qui donnait toute leur valeur ces ?uvres, la s lection op r e dans les collections du Mus e d?art et d?histoire de Gen ve et de la Fondation Toms Pauli de Lausanne montre que l?utilisation et l?interpr tation des grandes figures de l?Antiquit , d?Alexandre Constantin, ne sont pas anodines l? poque baroque. Que connaissait-on au xviie si cle de ces h ros antiques et de leur aspect ? Quel message v hiculaient-ils ? Comment et pourquoi les mod les suivis par les lissiers flamands, entre exactitude historique et allusions contemporaines, ont-ils t cr s ? Ces questions sont autant de d fis. Les ont relev s, avec les conservateurs des institutions mentionn es, des historiens de l?art, sp cialistes de l? poque baroque et de la tapisserie, ainsi que des arch ologues.Antiquit s in dites et moulages, estampes, livres et m dailles permettront d?acc der au monde fascinant des grands mod les de vertu politique et militaire que le si cle de Louis XIV se cherchait dans les h ros de l?Antiquit , apparemment en dehors des luttes religieuses qui avaient longtemps boulevers l?Europe.‎

‎Storia della lauda. Secoli XIII-XVI‎

‎, Brepols, 2021 Paperback, 511 pages, Size:178 x 254 mm, Illustrations:1 b/w, 6 col., Language: Italian. ISBN 9782503596273.‎

‎Summary La lauda, ovvero la poesia religiosa in volgare, soprattutto nella forma del canto collettivo di lode, di confessione e di supplica, un genere letterario-musicale di sfuggente classificazione. L'interpretazione che la vuole sempre arte popolare, priva di eloquenza formale, contraddetta da numerosi esempi di laude d'autore, da Guittone a Iacopone, da Bianco da Siena a Feo Belcari, da Leonardo Giustinian a Lorenzo de' Medici, di profonda raffinatezza intellettuale. Dopo la nascita in Italia centrale e settentrionale nel xiii secolo, nel quadro dei moti popolari penitenziali e alleluiatici e dell'espansione degli ordini mendicanti, la lauda non smette di accompagnare la storia della civilt italiana, generando una tradizione ininterrotta che interseca, nella molteplicit delle sue forme, la storie della letteratura, della musica e della spiritualit . Laude liriche e laude drammatiche, di corte e di piazza, meditative e pubbliche: la lauda si riveste d'abiti sempre nuovi, assecondando lo spirito mutevole dei tempi, capace d'intercettarne i gusti e le aspirazioni senza tradire la propria identit . Questo studio riannoda i fili della straordinaria storia della lauda, per apprezzarne la natura multimediale e proteiforme e la capacit dare voce anche a culture "di margine", dalla spiritualit dei laici a quella delle donne, costituendo una delle pi significative eredit consegnate dalla cultura medievale all'et moderna. TABLE OF CONTENTS 1. Introduzione 1.1 Gli studi sulla lauda, genere "multimediale" 1.2 I fili e la trama: per una storia della lauda 1.3 Nota filologica: il problema della "verit " del testo PARTE I. STORIA E GEOGRAFIA DELLA LAUDA 2. La lauda dal xiii al xvi secolo 2.1 La Preistoria: il retroterra monastico e confraternale 2.2. Da Montecassino all'Umbria: la fase "staminale" 2.3. Il secondo Duecento e la codificazione tra Disciplinati e Laudesi 2.4. La fioritura primotrecentesca: le direttrici di espansione della lauda 2.5. Il secondo Trecento: tra Gesuati, Bianchi e circoli cateriniani 2.6. Primo e pieno Quattrocento: tra Firenze e Venezia 2.7. Il secondo xv e l'inizio del xvi secolo: Savonarola, i Medici e i laudografi tosco-veneti 2.8. Serafino Razzi e la "rivoluzione Gutenberg" 2.9. Il secondo Cinquecento: la lauda "militante" dell'Oratorio 2.10. Le laude nelle scuole della Dottrina cristiana 2.11. L'illanguidimento del genere nel corso del Seicento PARTE II. LE GRAMMATICHE DELLA LAUDA 3. Il testo della lauda: una contaminazione di generi 3.1 Laudate Dominum: il retaggio biblico-liturgico 3.2 Vocazione volgare e osmosi con le letterature profane 3.3 La "predicazione" dello ioculator Domini. 3.4 La codificazione formale: ballata, modo pasquale e modo passionale 3.5 Lauda lirica e lauda drammatica: una categorizzazione sufficiente? 3.6. Le forme in movimento: sperimentazioni tre-quattrocentesche 3.7 Il "classicismo" primocinquecentesco e l'emergere di un "gusto nuovo" 3.8 La Parola in parole: l'irrisolta dialettica tra lauda e linguaggi profani 4. Laude "da vedere": l'intreccio tra parola, immagine e gesto 4.1 Levate gl'ochie et resguardate: il primato del senso della vista 4.2 Le miniature dei laudari di rappresentanza 4.3. L'ispirazione pittorica: la lauda come esegesi iconografica 4.4 "Parole dipinte" e "visibile parlare": la meditazione per immagini 4.5 Una "teologia dell'immagine"? 5. Laude "da cantare": bis orat qui bene cantat 5.1 La monodia due-trecentesca e l'adozione della ballata 5.2 Il pieno Trecento: la tradizione dei travestimenti spirituali 5.3 La nascita della lauda polifonica: tra ars e natura 5.4 Il secondo Quattrocento: fioritura frottolistica e "rassettatura" savonaroliana 5.5 Il primo Cinquecento: l'et del madrigale e la sintesi di Razzi 5.6. La lauda tridentina: le melodie "ariose e cantabili" 5.7 Musica angelorum o musica diaboli? 6. La teologia delle laude: una spiritualit esperienziale e affettiva? 6.1 Gustare e vedere Dio : cristocentrismo e nuove esigenze spirituali 6.2 Danza macabra : la spiritualit ascetico-penitenziale 6.3 Danza mistica : la spiritualit mistico-contemplativa 6.4 Dalla tradizione bonaventuriana alla devotio moderna 6.5 Orazione vocale e orazione mentale: tra formalismo e culto interiore 6.6 La lauda mariana: madonna Teologia 7. Fuori dal coro: voci di laici e di donne 7.1. Dopo lungo silenzio: voci nuove agli albori del basso Medioevo 7.2 L'ideologia delle confraternite: tra "liminalit " e renovatio 7.3 Spontaneit "dal basso" e istanze normative "dall'alto" 7.4 La stra-ordinaria emersione di una religiosit femminile 8. In conclusione Siglario Indice topografico dei manoscritti‎

‎Gio Ponti Fascination for ceramics ‎

‎, Silvana Editoriale, 2011 Softcover, 160 pages illustrations, 23,9 x 17,3 x 1,5 cm.( book = new in cellophane ) ISBN 9788836620647.‎

‎One of the last century?s leading architects and industrial designers, Gio Ponti (1891?1979) was at the helm of Italy?s massive design renaissance in the years following World War Two, becoming particularly celebrated for his incredibly lightweight ?Superleggera? (?Superlight?) chairs of the late 1950s. Ponti initially studied architecture but abandoned it upon graduation to take up a position as art director at the Milanese ceramics manufacturer, Richard-Ginori. He remained at the company for the rest of the decade, designing ceramic, porcelain and majolica vases, bowls, figurines and trays that infused a Wiener Werkst tte elegance with his own love of visual storytelling. Ponti embellished his works with images of shapely women enveloped by tufts of clouds or resting upon classical architecture, animals in flight, and boats sailing upon rough, wave-filled seas. This volume appraises Ponti?s ceramic oeuvre for the first time.‎

‎Loanwords and Native Words in Old and Middle Icelandic. A Study in the History and Dynamics of the Icelandic Medieval Lexicon, from the Twelfth Century to 1550‎

‎, Brepols, 2022 Hardback, 332 pages, Size:156 x 234 mm, Illustrations:1 b/w, 5 col., 36 tables b/w., Language: English. ISBN 9782503598154.‎

‎Summary Anyone familiar with the Modern Icelandic language will know that the country's policy is to avoid borrowing lexemes from other languages, and instead to draw on their own vocabulary. This often results in the formation of a word pair, consisting of a loanword and its respective native equivalent, as the process of borrowing systematically eludes the tight tangles of language policy. But how did this phenomenon develop in the Middle Ages, before a purist ideology was formed? This volume offers a unique analysis of a previously unexplored area of Old Norse linguistics by investigating the way in which loanwords and native synonyms interacted in the Middle Ages. Through a linguistic-philological investigation of texts from all medieval Icelandic prose genres, the book maps out the strategies by which the variation and interplay between loanwords and native words were manifested in medieval Iceland and suggests that it is possible to identify the same dynamics in other languages with a comparable literary tradition. In doing so, new light is shed on language development and usage in the Middle Ages, and the gap between case-study and general linguistic theory is bridged over. TABLE OF CONTENTS List of Figures List of Tables Preface Abbreviations Languages Icelandic Prose Works, Skalds, and Poems Other Abbreviated Bibliographical Sources Abbreviated Dictionaries, Lexica, and Corpora Other Introduction Aim and Scope Review of Previous Research Research Hypothesis Loanwords in Old and Middle Icelandic: A Brief Sketch Theoretical Framework and Methodology of Analysis Corpus, Rationale, and Data Elicitation Terminology Structure of the Present Work Chapter 1: Religious Texts Introduction The Icelandic Homily Book The Old Norse Translation of Honorius Augustodunensis's Elucidarius Stj rn I Oddur Gottsk lksson's Translation of the New Testament Comparative Analysis and Conclusions Chapter 2: Law Texts and diplomata Introduction Gr g s J nsb k and Relative r ttarboetr Diplomata Comparative Analysis and Conclusions Chapter 3: Treatises Introduction Grammatical Treatises (1-4) Medical Texts Algorismus Astronomical and Computistic Texts Comparative Analysis and Conclusions Chapter 4: Historiographical Texts Introduction slendingab k Veraldar saga Kristni saga Comparative Analysis and Conclusions Chapter 5: Hagiographical Texts Introduction Hungrvaka orl ks saga helga Laurentius saga byskups Nikul ss saga af T lent n Comparative Analysis and Conclusions Chapter 6: Sagas of the Icelanders Introduction Egils saga Droplaugarsona saga G sla saga Gunnlaugs saga Grettis saga V glundar saga Comparative Analysis and Conclusions Chapter 7: Kings' Sagas Introduction Sverris saga lafs saga helga (Heimskr.) Kn tlinga saga Comparative Analysis and Conclusions Chapter 8: Chivalric and Legendary Sagas Introduction Alexanders saga Erex saga Fl res saga ok Blankifl r Gibbons saga Sigur ar saga ?gla Sigrgar s saga froekna D nus saga drambl ta V?lsunga saga orsteins saga V kingssonar Hr lfs saga kraka Comparative Analysis and Conclusions Conclusions General Results Word Pair Dynamics Lexical Strategies through the Centuries Word Pairs from 1550 Onwards General Bibliography Manuscripts Primary Sources Dictionaries, Lexica, and Corpora Secondary Works Index verborum‎

‎Iesu (Chris)ti passionis et resurrectionis ere signata monume(n)ta Ad modu(m) ill(ustrissimi) et R.P.D. Evangelista Ballato Montis Olivieti Abbati meretissimo Mattheus Florimus D. D.-‎

‎Slnd. Probablement début XVIIe. Petit in-4 (175 x 222 mm) ensemble de 14 gravures légendées représentant la Passion du Christ, découpées à la cuvette et remontées sur feuilles blanches. Auteurs Andreas Boscolus Pictor, Petro De Iode, scalat. Mattheus Florimus fecit. Dos remonté, première page poussiéreuse, plusieurs taches brunes dans les marges. Ouvrage en assez mauvais état mais fort peu courant.‎

‎Reading Dante with Images: A Visual Lectura Dantis‎

‎, Brepols - Harvey Miller, 2021 Hardback, 416 pages, Size:220 x 280 mm, Illustrations:8 b/w, 224 col., Language: English. ISBN 9781912554508.‎

‎Summary This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired. TABLE OF CONTENTS MATTHEW COLLINS Experimenting with Traditions K.P. CLARKE Inferno 1: Openings and Beginnings GIANNI PITTIGLIO Inferno 6: Una fiera crudele e tanto diversa. Cerberus Illustrated in the Early Manuscripts and Incunabula of the Divine Comedy MICHAEL PAPIO Inferno 10: Heretics in Fiery Tombs PETER S. HAWKINS Inferno 26: Tongues on Fire CHRISTIAN Y. DUPONT Inferno 33: The Power of Grief SILVIA ARGURIO Purgatorio 2: The Angel on the Water DARIO DEL PUPPO Purgatorio 5: An Experimental Visual Interpretation ARIELLE SAIBER Paradiso 28: Entruthing the Image SANDOW BIRK Accidental Dantista: Los Angeles is Not Hell, New York is Not Paradise ROBERT BRINKERHOFF Una selva oscura: Midlife and Metaphor BARRY MOSER On Illustrating the Divine Comedy‎

‎Pierre Bonnard Die Farbe der Erinnerung‎

‎, Hirmer / Kunstforum Wien, 2019 Hardcover 239 pages; Deutsch. 240 Seiten, 200 Abb. (davon 200 farbig). 24,5 x 26,4 cm. 1,5 kg. ISBN 9783777431987.‎

‎Pierre Bonnard (1867?1947) ist einer der geheimnisvollsten Maler des Postimpressionismus. In ber 100 Beispielen von 1900 bis 1947 wird die Vielfalt seines Werks vorgestellt: von den fr hen, im Geiste der Nabis entstandenen Arbeiten bis zu den sp ten, rein aus Farbe aufgebauten Kompositionen, die bis an die Grenze zur Abstraktion gehen. Der Band verdeutlicht die Entwicklung des herausragenden Koloristen zum Meister der Moderne. Bonnards Bilder, komponiert aus den subtilen Mitteln der Farbe, bleiben der Gegenst ndlichkeit verhaftet. Das raffinierte Spiel der Farbwerte ist f r ihn Mittel, um eine ? berwindung der Natur durch die Kunst? zu finden. In seinen farbenfrohen Landschaften und intimen Szenen scheint er die Harmonie der Natur zu preisen ? und stellt sie durch seine differenzierte Auseinandersetzung mit ihr wieder und wieder in Frage. Bonnard wird neu und im Kontext seiner Zeit verstanden. Die Auseinandersetzung mit seinen Malerfreunden und seine Reaktionen auf das politische Geschehen pr sentieren ihn als aktuellen K nstler des 20. Jahrhunderts.‎

‎Carolingian Experiments‎

‎, Brepols, 2022 Hardback, 298 pages, Size:156 x 234 mm, Illustrations:17 col., Language: English. ISBN 9782503594101.‎

‎Summary Carolingian Experiments presents essays exploring how the Carolingians (ca. 700-ca. 900 CE) ? a regime known especially for concerns over imperial power, order, and moral correction ? fostered a remarkable era of experimentation in medieval Europe. The scholars featured here ask new questions and conduct their own methodological experiments to uncover some of the many ways that people innovated within the Carolingian world. To that end, numerous themes are covered in this volume: culture and society, family and politics, religion and spirituality, literature and historiography, law and hierarchy, epistemology and science. This array of scholarly experiments reveals some of the range and depth of Carolingian invention. Furthermore, the essays consider how Carolingian innovation can be found in places both more and less known today, employing novel approaches to unearth some unexpected, even uncanny phenomena. This volume consequently offers a defamiliarizing view of the Franks, unveiling them as a people whose seemingly straightforward imperialism and reform were effective precisely because they stimulated and nurtured potent, creative impulses. In fact, one might argue that the Carolingian world's conservative, moralizing authorities ? despite, or perhaps at times because of, their determination to instil correct thought and behaviour in their subjects ? fostered many varieties of experimentation. Collectively, the authors of this volume seek to inspire new thinking about the Carolingians, while modelling alternative approaches and potential avenues for future research. Carolingian Experiments overall encourages readers to see that much remains unexplored, unknown and even unexpected about the Carolingians and their world. TABLE OF CONTENTS Introducing: Carolingian Experiments ? Matthew Bryan Gillis Part One: Structures Familiar and Otherwise Carolingian Boyhoods ? Valerie Garver Carolingian Experiments with Family ? Paul Edward Dutton The Paper Chase: The Pursuit of Carolingian Legal Innovations ? Abigail Firey Carolingian Imperial Biography and the Memory of Spain ? Anne Latowsky The Historian Hrabanus Maurus & the Prophet Haimo of Auxerre: Experiments, Exegesis, and Expectations Emerging from the Ninth Century ? Matthew Gabriele Strange Natures: Theodulf's Letter to Moduin In Context ? Andrew Romig Part Two: The Struggle Against Sin The Call of the Siren: Sex, Water, and Salt in the Sacramentary of Gellone ? Lynda Coon By the Body Betrayed: Blushing in the Penitential State ? Courtney Booker Why the Carolingians Didn't Need Demons ? Martha Rampton Pleasures of Horror: Florus of Lyons's Querela de divisione imperii ? Matthew Bryan Gillis‎

‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. G nther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance g lasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

‎Préparer autrement les sandwichs et amuse-gueule . Par les rédacteurs des éditions Time-Life‎

‎ ,Amsterdam, Editions Time-Life Collection 'La bonne cuisine santé' 1988, 144 pp., 1 vol. in 4 relié cartonnage éditeur avec couverture illustrée, nombreuses illustrations in texte en couleurs.‎