Fayard, 1981, gr. in-8°, 380 pp, 12 pl. de photos hors texte, broché, bon état
ARCAM. 1980. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 85 pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Groupes de recherches différentielles. Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
, Assouline, 1997 Couverture reliee sous jaquette Etat : Tr s bon tat. In-4 , 321 pp. Illustrations noir & couleurs. Bon etat general d occasion. ISBN 9782908228816.
, TeNeues 2021, 2021 Hardcover, 224 pages/seiten, English / Deutsch, 320 x 250 mm, with illustrations in colour, dustjacket, . ISBN 9783961712779.
From stopwatches and alarms, to world clocks and calendar functions, to tourbillons that counter the effects of gravity, these so-called complications have been the crowning glory of fine watchmaking for centuries. The Watch Book - More than Time is an illustrated compendium of watchmaking that explores these most intricate elements of the horologist's craft through timing, astronomy, and striking. This volume is a unique and impressive addition to the book market and a lavish tribute to the mastery of horology. Text in English and German.
, Edi Arts M tiers Graphique, 1939 Hardcover, 239 pages inclusive 207 illustrations de sculpture, 325 x 255 mm, sans manteau de poussi re, .
, Braus , 1998 Hardcover , 600 Seiten, Deutsch, 305 x 250 x 45 mm, in Sehr Guten Kondition, illustriert Schutzumschlag, illustrationen in Farbe und s/w. ISBN 9783894662165.
Albrecht D rer (N rnberg, 21. Mai 1471 ? N rnberg, 6. April 1528) war ein deutscher Maler, Zeichner, Hersteller von Holzschnitten und Kupferstichen, Kunsttheoretiker und Humanist der n rdlichen Renaissance. Der Aufstieg der Druckgrafik, der mit der Entwicklung des Buchdrucks einherging, machte Albrecht D rer zum beliebtesten und einflussreichsten nordeurop ischen K nstler dieser Zeit. Sein Atelier spezialisierte sich auf Drucktechniken. Vor allem der Kupferstich erm glichte eine gro e Verbreitung
, Stadt Koln 1986, 1986 Hardcover, 466 seiten, 52 tafeln, Deutsche sprache, 245 x 180 mm, in guten zustand,.
Gis le Cl ment, Isabelle Fabre, Gilles Polizzi, Fanch Thoraval (eds)
Reference : 65131
, Brepols, 2021 Paperback, 256 pages, Size:190 x 290 mm, Illustrations:12 col., 7 tables b/w., 20 musical examples, Language(s):French, English. ISBN 9782503596211.
Summary Remarquable par son exceptionnelle qualit - que l'on consid re son ampleur, la vari t de ses pi ces, la complexit de son agencement ou la richesse de son ornementation -, le manuscrit Torino, BNU, J.II.9 constitue un monument po tico-musical qui, bien des gards, reste intriguant. Si son lien avec Janus de Lusignan, roi de Chypre durant le premier tiers du XVe si cle, a t soulign de longue date - et plus r cemment remis en question -, de nombreuses inconnues demeurent quant son objet r el, son contexte de production et sa relation aux traditions continentales. Tandis que celles-ci rel vent autant de l'histoire de la musique que de l'histoire litt raire ou politique, seule la musicologie a jusqu' ce jour tent d'y r pondre. Prenant acte de cette lacune, le projet scientifique et artistique Une voix plurielle. Approche performative des pratiques musicales et litt raires dans les milieux curiaux et cl ricaux en Chypre vers 1430 a voulu, au cours de son colloque conclusif organis Montpellier en 2015 sur le th me Po sie et musique l' ge de l'Ars subtilior. Autour du manuscrit Torino, BNU, J.II.9, r unir des sp cialistes de tous domaines. Sans chercher proposer une interpr tation d finitive du manuscrit J.II.9, les contributions r unies dans ces actes ambitionnent d'en clairer certains aspects : d'abord son environnement historique caract ris par d'importantes circulations d'hommes et d'id es ; ensuite les po tiques du recueil qui t moignent de la continuit d'un h ritage ; enfin les fondements de son r pertoire o l'on d c le des enjeux la fois politiques, religieux et arithmologiques. TABLE OF CONTENTS Illustrations Exemples musicaux Tableaux Abr viations Introduction Gis le Cl ment, Isabelle Fabre, Gilles Polizzi et Fa ch Thoraval L'environnement historique : circulations, cultures, milieux R sonances humanistes la cour de Nicosie (1411-1423) Gilles Grivaud La rh torique humaniste au service des lites chypriotes dans l'Italie septentrionale de la premi re moiti du XVe si cle Cl mence Revest Dans le sillage de Charlotte de Bourbon (1386/1390-1422) : contacts et relations entre le royaume de Chypre et la France Philippe Tr lat King Janus of Cyprus and the Great Schism Apostolos G. Kouroupakis Les Lusignan de Chypre l' poque du premier humanisme fran ais : le cardinal Hugues et la biblioth que d'Anne et Louis de Savoie 67 Evelien Chayes Les po tiques du recueil : tradition, h ritages, mod les A paines puis congnoistre joye d'ire : de Gace Brul au recueil de Chypre Isabelle Fabre Memories of the mainland in the Songs of the Cyprus codex Yolanda Plumley Les rondeaux du codex de Chypre, entre tradition et innovation Christelle Chaillou-Amadieu Raison contre Fortune: ordering and structure in the first ballade gathering of the manuscript Torino J.II.9 Virginia Newes ( ?) Les fondements du r pertoire : politique, religion, arithmologie D votion, liturgie, performativit : religion royale et g ographie religieuse dans les motets du manuscrit Turin J.II.9 et les offices du Saint-S pulcre Fa ch Thoraval La liturgie chypriote et la tradition liturgique hi rosolymitaine Fedon Nicolaou Proportions et structures dans les pi ces profanes du manuscrit de Chypre C cile Beaupain Trasgressione e pentimento di David (Paris, Biblioth que Sainte-Genevi ve, ms. 3354). Un oratorio volgare de Pietro de Nores, mis en musique par Bartolomeo Grassi et d di Louis XIII Angel Nicolaou-Konnari et Kenneth Owen Smith Bibliographie Manuscrits et archives tudes, ressources et documents imprim s Index Index des incipits Index des noms Index des lieux
L'école des loisirs. 1997. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 35 pages. Texte sur 2 colonnes. Nombreuses photographies en couleurs dans et hors texte. Quelques salissures sur les contre plats. Couverture avec film plastique adhésif et etiquettes de code collées sur le 1er plat.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
ARCHIMEDE / L'ECOLE DES LOISIRS. 2004. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 45 pages. Nombreuses photos en couleurs dans le texte et hors texte de l'auteur. Ouvrage de bibliothèque avec une couverture plastique transparente sur la couverture originale.Tampons de bibliothèque sur la page de titre. Une étiquette de code en pied du dos et en pied de la première de couverture. Légères mouillures sans taches en marges des pages.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Imprint unknown 1980 528 pages in4. 1980. Cartonné. 528 pages. iconographie en noir et blanc
Bon état général cependant présence d'annotations passages soulignés et pages cornées
, TASCHEN, 2023 Hardcover | Duits, Engels, Frans | 40th Edition , 163 mm x 224 mm , 448 pages, . ISBN 9783836593786.
The Wunderkammer, or "cabinet of curiosities," saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind's knowledge in a single room. From the Grand Duke Francesco I de' Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world--spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history. Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed "Coburg ivories," an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born. These marvelous cabinets of curiosities can now be explored by all in this collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeous photographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.
, Brepols, 2024 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:10 b/w, Language: English. ISBN 9782503606026.
Summary Published anonymously in 1733, Memoirs of the Twentieth Century is one of the earliest futuristic novels known in Anglophone and Euro-American literature. It foregrounds an acceleration of history brought about by an increasing degree of global interconnectedness, and the exclusion of prophetism and astrology as credible ways to know the future. The work of Samuel Madden, an Irish writer and philanthropist of Whig sympathies, it consists of a collection of diplomatic letters composed in the 1990s, which the narrator claims were brought to him from the time to come by a supernatural entity. Through these correspondences, twentieth-century world scenarios are spread out before the reader, in which British naval power rules the waves and international commerce, while the transnational scheming of the Jesuits threatens the independence of weaker European courts. This book - which includes a study followed by an annotated edition of the text - assesses the cultural significance of this literary work, as an apt observatory on how historical time as a cultural construction was shaped, during the eighteenth century, by new forms of transnational circulation of information, and by the dubious space carved out in European culture by seventeenth- and early eighteenth-century debates on the nature of historical knowledge. Through and by means of the Memoirs case study, this volume aims to contribute to a wider cultural history of the future and speculative fiction. The novel's ironic distancing of beliefs considered to be superstitious and absurd - such as divination techniques and occult and magical disciplines - offers an exceptional testimony to the negotiation of the boundaries of verisimilitude and credibility within a religious enlightenment. TABLE OF CONTENTS Introduction: Knowledge, Power, and Time in the Age of the Enlightenment Part I. Samuel Madden's Eighteenth-Century Memoirs from the Future I. Where was the Future? II. When was the Future? III. An Irish Whig between Philanthropism and Literature IV. An Eighteenth-Century Twentieth Century V. An (Unreliable) Historian of the Future VI. A 'good genius' and the 'scene of things below' VII. Empirical Science, Global Consciousness, and 'the History of Future Times' VIII. Blurring the Dichotomy between History and Fiction IX. Satirising Past Futures X. 'Publishing' the Letters XI. 'This prodigious society': Anti-Jesuit Satire XII. Whose Credulity, whose Credibility XIII. Bookish Mysteries and an 'alternate George VI' XIV. Concluding Remarks Part II. Memoirs of the Twentieth Century A Note on the Text Samuel Madden, Memoirs of the Twentieth Century Notes to the Text Bibliography Index
, Brepols, 2021 Hardback, 483 pages, Size:216 x 280 mm, Illustrations:121 b/w, 140 col., Language(s):Italian, English. ISBN 9782503593098.
Summary For manuscript historians, the Bible in the form of a codex represents a handcrafted object of the utmost importance: it was the sacred text par excellence and served as a vital reference point in the lives of medieval monks. In addition, it functioned as an indispensable tool for daily liturgical celebration, and as a study text and individual reading book for the purpose of moral edification. The manuscript collection of the Montecassino Abbey presents an exemplary case study, both for the total number of biblical manuscripts it preserves (just under a hundred, and for the diversity of types (complete 'monolithic' Bibles, Old and/or New Testament sequences of varying size and physiognomy, and individual glossed books with commentary beside the text), as well as for the presence of a significant group of codices in Beneventan minuscule produced for internal use within the same Abbey or in its dependencies in a period centered around the eleventh century (with sporadic extensions into the twelfth and thirteenth). The present catalogue aims to deepen our current knowledge of the presence, transmission and reception of the Bible in one of the most important and emblematic medieval Benedictine monasteries. TABLE OF CONTENTS La Bibbia a Montecassino Preface Montecassino e la Bibbia. Forme, contenuti, decorazione / Montecassino and the Bible. Forms, content and decoration Le Bibbie di Montecassino. Protocollo catalografico / The Montecassino Bibles. Cataloguing protocol Abbreviazioni dei libri biblici / Abbreviations of Bible books Bibbie. Catalogo / Bibles. Catalogue Bibbie glossate. Censimento / Glossed Bibles. Census Compactiones Bibliografia / Bibliography Indices Indice dei contenuti non biblici / Index of non Biblical contents Indice dei manoscritti / Index of manuscripts Indice delle Illustrazioni / Index of illustrations Tavole / Plates
, Brepols, 2020 Hardback, 406 pages, Size:240 x 340 mm, Illustrations:61 b/w, 556 col., Languages: English, Italian. ISBN 9782503582856.
Summary Resulting from the international conference "The Italian Maiolica in the Renaissance. Studies and Research" (Assisi, 9-11 September 2016), this volume brings together contributions by experts from various national and international institutions, and in particular from museums housing dedicated collections of Renaissance ceramics. The volume, edited by Giulio Busti, Franco Cocchi e Mauro Cesaretti, thus provides a state of the art on historical and ceramological research about Italian Renaissance majolica. Two opening essays by professor emeritus Bruno Toscano and professor Timothy Wilson (Ashmolean Museum, Oxford) set the stage for the three thematic sections that follow. The contributions gathered in these sections respectively offer (1) a new interpretation of collections, collectors and museums, (2) a discussion of current tendencies in the research, and (3) an exploration of ceramic production before and after the Renaissance. Risultato del convegno internazionale La maiolica italiana del Rinascimento. Studi e ricerche (Assisi, 9-11 settembre 2016), questo volume raccoglie contributi di specialisti provenienti da numerose istituzioni nazionali e internazionali, e in particolare da musei che hanno specifiche sezioni di ceramica rinascimentale. Il volume, curato da Giulio Busti, Franco Cocchi e Mauro Cesaretti, fornisce pertanto lo stato dellarte della ricerca storica e ceramologica relativa alla maiolica italiana rinascimentale. Due saggi di apertura del professore emerito Bruno Toscano e del professore Timothy Wilson dellAshmolean Museum di Oxford introducono alle tre sezioni tematiche successive. I contributi raccolti in queste sezioni offrono rispettivamente: (1) una nuova interpretazione delle collezioni, dei collezionisti e dei musei; (2) un dibattito sulle attuali tendenze della ricerca; (3) un'analisi della produzione ceramica prima e dopo il Rinascimento. TABLE OF CONTENTS Prefazioni / Forewords Giorgio Bonamente Giampiero Bianconi Interventi di apertura / Opening lessons Dieci immagini del Cinquecento (Bruno Toscano) Riflessioni sull'attbribuzione e datazione della maiolica istoriata rinascimentale (Timothy Wilson) I musei dell'Umbria per la ceramica (Antonella Pinna) Sessione I: Collezioni, Collezionisti e musei: una rilettura / Session I: Collections, collectors and museums reviewed (Franco Cocchi) Ancora sull'Orsini Colonna: qualche nuova idea da sviluppare in un contesto internazionale, dall'Aquila a Campli, da Bucciarelli ai Lazzarelli, nella stagione del governo di Margherita d'Austria (Lucia Arbace) A curiosity from the Calamelli workshop. A recent acquisition in the context of the British Museum's collection (Dora Thornton) Frammenti di maiolica italiana dalle raccolte didattiche del MIC di Faenza (Valentina Mazzotti) Maioliche del Rinascimento nei Musei della Fondazione Lungarotti (Maria Grazia Marchetti Lungarotti) Una saliera derutese per i Reali d'Inghilterra (Elisa P. Sani) Maiolica veneziana nelle collezioni polacche. Nuove attribuzioni, iconografia, interpretazioni (Ewa Katarzyna Swietlicka) Valorizzazione e svalutazione del Museo della Ceramica di Montelupo: una lezione per il presente e per il futuro (Fausto Berti) La raccolta di maiolica rinascimentale nel Museo Regionale della Ceramica di Deruta (Giulio Busti) Sessione II: Nuove emergenze: studi e ricerche dai territori / Session II: New findings: Studies and research from the production territories (Franco Cocchi) Maioliche di Faenza dal Rinascimento al Manierismo. Un breve profilo attraverso opere inedite (Carmen Ravanelli Guidotti) Majolica made in Spoleto finally identified. A preliminary report (Sir Timothy Clifford) Trasmissioni, contaminazioni e innovazioni nei decori a lustro di area fiorentina (Marino Marini) Francesco Durantino e Fedele Fulmine (Luca Pesante) Note sugli istoriati "a due orizzonti" (Ettore A. Sannipoli) Un'inedita maiolica roveresca: il calamaio del Duca (Claudio Paolinelli) Ceramica per l'architettura nella Orvieto del Cinquecento (Alberto Satolli) Perugia nel primo Cinquecento: il commercio della ceramica in citt (Alberto Maria Sartore) Sessione III: Rinascimenti: prima e dopo / Session III: Renaissances: before and after (Franco Cocchi) Dopo il primato della maiolica: una riconversione industriale nel Valdarno (Hugo Blake) Due interessanti maioliche bassanesi del Seicento nelle collezioni del Mus e national de C ramique di S vres (Raffaela Ausenda) "Alcuni cenni storici delle maioliche di Deruta". Un manoscritto inedito di Giuseppe Fabretti (Clara Menganna) La ceramica di Esanatoglia: considerazioni su alcuni recenti ritrovamenti (Clarissa Sirci) Maioliche liguri istoriate: vasi di farmacia policromi con scene tratte dall'Antico Testamento (Cecilia Chilosi) Girolamo Diruta e la Madonna della Navicella di Chioggia (Giulio Busti, Franco Cocchi) La rappresentazione della musica nella ceramica italiana del Rinascimento (Pier Maurizio Della Porta) Estratti / Abstracts Apparati / Annexes Bibliografia / Bibliography Indice dei nomi / Index of names Indice dei maestri vasai, botteghe/famiglie/manifatture, ceramisti, decoratori e pittori di oggetti ceramici / Index of master potters, workshops/families/manufactures, ceramists, decorators and painters of ceramic objects Indice dei luoghi / Index of places
Edité par Museo Civico di Storia Naturale, Milan, 1993. In-4 broché. 556pp. Reliure fragile. Inscription manuelle sur le dos (titre). Bon état. Passages en langues italienne, anglaise et française. Published by Museo Civico di Storia Naturale, Milan, 1993. In-4 paperback. 556pp. Fragile binding. Handwritten inscription on spine (title). Good condition. Passages in Italian, English and French. Pubblicato dal Museo Civico di Storia Naturale, Milano, 1993. In-4 brossura. 556pp. Legatura fragile. Iscrizione manoscritta sul dorso (titolo). Buono stato. Passi in italiano, inglese e francese.
, Brepols, 2023 Paperback, 288 pages, Size:180 x 265 mm, Language(s):Syriac, Italian. ISBN 9782503606491.
Summary D j consid r anciennement comme le grand th oricien de la mystique syro-orientale, Joseph Hazzaya (VIIIe si cle) est n en Perse d'une famille mazd enne, puis s'est converti au christianisme et s'est fait moine. Fils de la r forme d'Abraham de Kashkar, il est spirituellement apparent Isaac de Ninive et Jean de Dalyatha. Sur la base d'une quinzaine de manuscrits, les Chapitres de connaissance dit s et traduits en italien dans ce fascicule font partie d'une ?uvre dans laquelle Hazzaya d ploie son enseignement sous une forme expressive qui, depuis vagre le Pontique, a connu une grande diffusion. TABLE OF CONTENTS Introduzione Abbreviazioni e sigle Bibliografia Testo e traduzione - Centuria I (Primo discorso) - Centuria II (Secondo discorso) - Centuria III (Terzo discorso) - Centuria IV (Capitoli di conoscenza disposti in ordine alfabetico e per ogni lettera dieci capitoli) - Centuria V (Secondo discorso [posto] secondo le lettere dell'alfabeto. [Dalla] lettera Lamed) Indice biblico Indice dei termini siriaci Indice degli autori antichi Indice onomastico e tematico
Nijmegen, Vantilt, paperback, rijk geillustreerd 224 pagina's. ISBN 9789077503812.
Culturele verscheidenheid is iets moois. Toch we willen ook weten wat ons bindt. Daarom vinden we dat kinderen moeten kennismaken met de grote namen en gebeurtenissen uit het vaderlandse verleden. En dan komt de literatuur eveneens aan bod, met de wens dat er weer gedegen literatuuronderwijs moet komen, -zoals vroeger-. Waar hebben we het dan over? Gert-Jan Johannes laat zien dat het onderwijs in de vaderlandse letterkunde pas rond 1800 ontstond. Maar toen ging het ook snel. Literatuurgeschiedenis rukte op in klaslokalen, met lucide titels als Schets van de geschiedenis der Nederlandsche letterkunde, Beknopte geschiedenis van de Nederlandsche letterkunde of zelfs Schets van de beknopte geschiedenis der Nederlandsche letterkunde. Tientallen bloemlezingen presenteerden de teksten uit heden en verleden. Kreten als 'Jantje zag eens pruimen hangen', 'Constantijntje, saligh kijndje' of 'Hoofden van Lebak!' galmden uit talloze jonge monden. Intussen was het vaak niet zo duidelijk wat het literatuuronderwijs nu eigenlijk beoogde. Wat moesten de kinderen weten en waarom? Feitelijk duurt die onduidelijkheid tot op de dag van vandaag voort. Het is daarom hoog tijd dat er helderheid wordt geschapen. Dit moet u niet onverschillig wezen!
, Brussel, Paleis der Academien, 1963., Gebrocheerd, originele uitgeversomslag, 18x26cm, 84 p., 48 fig., 5 tab.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 71.
, Brussel, Paleis der Academien, 1972., Gebrocheerd, originele uitgeversomslag, 18x26cm, 49 p., tab., schema?? s.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 125.
Université Louis Pasteur. 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 20 pages dactylographiées agrafées, quelques illustrations en noir et blanc dans et hors texte - tampon sur le 1er plat.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES
Paul Montel 1977 in8. 1977. Cartonné.
Bon état de conservation couverture défraîchie intérieur propre
Clermont-Ferrand, S.A. du "Moniteur du Puy-de-Dôme" et des imprimeries Mont-Louis, 1910 gr. in-8, 57 pp., ill. in-t., planche dépliante, broché.
- - VENTE PAR CORRESPONDANCE UNIQUEMENT
, Brussel, Paleis der Academien, 1978., Gebrocheerd, originele uitgeversomslag, 18x26cm, 62 p., 5 tab., 13 fig.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Natuurwetenschappen, tweede reeks, n? 148.
Paris, Gutenberg Reprint 1980, 180x113mm, 394pages, broché. Réédition de l’édition de Paris, Jean d’Houvry, 1668. Très bel exemplaire.
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