Publications Francis-Day, 1939. In-4 broché (27 x 21,5 cm), 12 pages de partitions.-55g.L. - - Mouillure au coin de la page du sommaire. Assez bon état.
Partitions sur l'École Beuscher Paul 1946
Très bon état Petit format
Adison Fred,Mingand Pierre - Arlys Fred,Coste Marius - Elloy Max,Bonnot André
Reference : 20854
(1942)
France Mélodie 1942
Bon état Petit format
Adrius Adrien,Dalt André,Mareuil Jacques - Jonard René - Mareuil Jacques
Reference : 21266
(1946)
[Charles Delaunay] - [Affiche] Delaunay, Charles (d'après)
Reference : 4448
(1986)
Paris Bibliothèque nationale 1986 aucune reliure Paris, Bibliothèque nationale, 1986 (imp. Harpo). 60 x 40 cm, affiche en couleurs tirée en offset.
L'affiche reprend l'illustration de Charles Delaunay pour l'affiche du label Swing en 1939. Bel état. Très bon
Partitions sur le Mauvais garçon,Partitions sur les Guinguettes et bal musette Cidale 1942
Bon état Petit format
Partitions sur le Mauvais garçon,Partitions sur les Guinguettes et bal musette Cidale 1942 approx.
Bon état Petit format
Aznavour Charles,Hélian Jacques,Roche Pierre - Roche Pierre - Aznavour Charles
Reference : 76602
(1948)
, Delmonico Books / Prestel, 2016 Hardcover, dustjacket, 250pp., ills., 26x31cm. ISBN 9783791355108.
This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works?from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis?s unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz?his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.
Refrains de Paris 1944
Etat moyen Petit format
Brun Philippe,Gasser Mireille - Brun Philippe - Salvet André
Reference : 77549
(1948)
Robert-Trebor 1940 approx.
Bon état Petit format
Chappell 1942
Bon état Grand format Piano
Couverture souple. Revue brochée 130 pages. Défraîchie, tachée.
Périodique. Editions Mon Journal, Août 1982.
Couverture souple. Revue brochée 130 pages. Défraîchie, tachée.
Périodique. Editions Mon Journal, Juin 1983.
Paris, Fluide glacial, 2001; in-4, 52 pp., cartonnage de l'éditeur. EO tome 26 de la série édika.
EO tome 26 de la série édika.
Partitions sur la Mode et accessoires Mottart Louvain 1945 approx.
Etat moyen Petit format
1942 broché petit in-octavo (paperback in-octavo), dos marron clair (brown spine), couverture imprimée (cover printed), tranches non rognées (edges no smooth), sans illustration (no illustration), 256 pages, 1942 à Paris Editions Denoël,
légèrement défraîchi (lightly fair condition)