Anvers, Editions EPO, 1983. 12 x 20, 96 pp., illustrations en N/B, broché, bon état.
Louvain, Publications Universitaires de Louvain 1970 xxxvi + 203pp.+ portrait, avec bio-bibliographie de Pauwels, 25cm., br.orig., non coupé, bel état, dans la série "Université de Louvain. Recueil de travaux d'histoire et de philologie" 4e série fasc.46
Antwerpen, Museum voor Religieuze Kunst 1993 200pp.rijkelijk geïll.in kleur & zw/w, in-4, mooie staat, Tentoonstellingscatalogus van gelijknamige tentoonstelling: Kathedraal Antwerpen 26 mei-3 oktober 1993, B43492
Amsterdam, De Salamander, 1974. No Jacket 12mo-over 6Ÿ"-7Ÿ" tall. in Dutch.
Good copy (clean pages). [VAR]
Gembloux, Imprimerie J. Duculot, éditeur, 1928, broché, 12,5x19 cm , 86 pages, un plan de Dinant sur double page et une figure, contient la liste des 669 victimes.
Gembloux imprimerie duculot éditeur 1929 2eme édition in 12 broché 86 pages
concerne le massacre de 674 dinantais dont les noms sont rappelés en fin de volume. la plaquette porte la mention au crayon épuisé très rare.
Bruxelles, Vromant 1922, 253x155mm, 78pages, broché. Envoi de l’auteur. Bel exemplaire.
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Den Haag, Martinus Nijhoff 1926-1935 Complete in 3 volumes: viii,vii,18 + xxiii,40 + ix,11 pp. + 465 unbound plates (facsimiles of 2272 examples of typography and woodblock illustrations from the period 1500-1540 in the Netherlands), in 3 uniform cloth-backed portfolio's from the publisher (with a few traces of use), text in French, limited edition (most probably 200 copies), rare complete set in very good condition, weight: 10 kg., [Content: Vol.I: Les Pays-Bas septentrionaux, II: Les Pays-Bas meridionaux, 3: Supplement], S102956
Phone number : +32476917667
Hasselt, Provincie Limburg 1990 xx + 263pp., 21cm., gebroch., in de reeks "Bibliografische analyses" nr.10, 2 stempeltjes op achterzijde titelblad, verder in zeer goede staat, L86131
Sint-Truiden, Erfgoedcel Sint-Truiden 2008 46pp.geïll. in kleur, 24cm., mooie staat, L73727
Sint-Niklaas, 1993 247pp., met illustraties in en buiten tekst, bevat biografieën en oeuvre-catalogus, 24cm., originele omslag, gepubliceerd in "Annalen van de Koninklijke oudheidkundige kring van het Land van Waas" Jaarboek deel 96-1 (1993), goede staat, S95721
Leuven/ Den Haag, Acco 2010 lvi + 304pp., 22cm., illustrated softcover, in the series "Fasti Academici" no.4, text in English, ISBN 978-90-334-7985-4, very good condition, [contains a list with description of 1171 Irish students at the University of Leuven (Belgium), period 1548-1797], B97963
, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.
, Phoebus Focus XXIV, 2021 Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129.
Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils B ttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. B ttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, B ttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.
, Electa, 2022 Paperback, 416 pages, ITA., 280 x 240 x 35 mm, in good condition, illustrated in colour / b/w. ISBN 9788892822795.
The volume is the catalogue of the homonymous exhibition held in Genova at Palazzo Ducale from 6 October 2022 to 22 January 2023, an extraordinary exhibition to tell the greatness of the most important Baroque painter ever: Peter Raul Rubens and his relationship with the city. The project was born on the occasion of the fourth centenary of the publishing in Antwerp of the Rubens? famous volume of Palazzi di Genova (1622). Rubens stayed on several occasions in Genova between 1600 and 1607 and thus had direct contacts relations ? in some cases very close ? with the city?s richest and most influential aristocrats. In exhibition and in the catalogue are presented more than 150 works, including more than twenty Rubens works, playing the role of protagonists, from European and Italian museums and collections (with some very significant ?re-entries?), which sum up to the ones present in the city, reaching a number such as there has not been since the end of the 18th century in Genova; since, that is, the crisis of the aristocracy with the repercussions of the French Revolution triggered an inexorable diaspora of masterpieces towards the collections of the world. From the Rubensian nucleus, the story of the cultural and artistic context of the city in the period of its utmost splendour is completed by paintings by artists whom Rubens certainly saw and studied (Tintoretto and Luca Cambiaso); whom he met in Italy and in particular in Genoa during his stay (Frans Pourbus the Younger, Sofonisba Anguissola and Bernardo Castello) or with whom he collaborated (Jan Wildens and Frans Snyders). Drawings, engravings, tapestries, furnishings, antique volumes, even clothes, feminine accessories and jewels allow to celebrate the grandeur of an artistic capital visited by one of the major artists of all times and confirm that appellation of Superb, given to Genoa. The catalogue is richly illustrated and gives account of the long path of studies and scientific insights by the curators and the thematic essays see contributions from a consistent number of international scholars. The exhibition guide and the guide to the Rubens? Genoa, a fascinating urban itinerary on the trail of Rubens? masterpieces, complete the proposal for the visitors and enthusiasts.
Liège, Dessain 1898 217pp., avec qqs. ills., 19cm., reliure cart., 19cm., bon état, R117174
, 72pp.avec ills., Reprint (Bruxelles 1996) de l'édition originale (Bruxelles, Schepens, 1904), bel état
, 436pp.avec qqs. ills., Reprint (Bruxlles 1996) de l'édition originale (Liège-Malines, 1906), brochure originale, bel état, R45459
Ninane, L. [edit.] Folie, J. [Folie, Jacqueline] [edit.] Sonkes, M. [edit.]
Reference : 53540
, Bruxelles : Minist re de l' ducation nationale et de la culture, 1964 Couverture souple 50 pp ill b/n Texte en Francais.
Cath drale [Tournai] [Kathedraal [Doornik] Expo / Tentoonstelling: Cath drale [Tournai]. 1964/11/15 - 1964/12/15
Gand, W. Siffer, Imprimeur, 1928. "14 x 22, 21 pp., 8 planches, broché, etat moyen (couverture défraîchie; cachets de l'Ecole des Hautes Etudes à Gand)."
Gand, W. Siffer, Imprimeur, 1928. "14 x 22, 21 pp., 9 planches, broché, état moyen (couverture abîmée; cachets du Collège jésuite Saint Stanislas à Mons; 1 petit manque à la page de titre)."
Tielt, Imp. Eric Veys 1978 289pp., avec quelques illustrations en n/bl, 24cm., brochure originale, bon état, B115722
Bruxelles, P. Maes, sans date (1886). Hardback in-4°, 544 pages, illustrations, e. a. par Franz Gailliard. Reliure demi-percale, plats marbres.- RARE.
Bon exemplaire (quelques rousseurs, bords frottés, dos passé). [BU-1] La « Bibliographie de Belgique » nous apprend que le livre sort en livraisons à partir de décembre 1886.
, Bruxelles, Hauman et Cie. 1839, 312pp., couv.peu salie et usagée, A23476
Paris, Renouard, s d (1835). Grand in-8, (4) ff., 408 pp., reliure éditeur usagée (manque le dos).
Titre gravé et 25 vues gravées sur acier : Strasbourg, Heidelberg, Francfort, Bingen, Falkenbourg, Coblentz, etc... Quelques piqûres sans gravité. L'exemplaire se dérelie.