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O Heer, geeft mij een suyver gemoet Limburgse kluizenaars en hun begeleiders in het minderbroedersklooster in Sint-Truiden in de 19de eeuw
Sint-Truiden, Erfgoedcel Sint-Truiden 2008 46pp.geïll. in kleur, 24cm., mooie staat, L73727
De beeldhouwers Adrianus Nijs (1683-1771) en Philippus Nijs (1724-1805)
Sint-Niklaas, 1993 247pp., met illustraties in en buiten tekst, bevat biografieën en oeuvre-catalogus, 24cm., originele omslag, gepubliceerd in "Annalen van de Koninklijke oudheidkundige kring van het Land van Waas" Jaarboek deel 96-1 (1993), goede staat, S95721
Rubens prive De meester portretteert zijn familie
, Editions Marot , 2015 Hardback, 290x245mm, 272p, 200 colour illustrations, Dutch (NL) edition. ISBN 9782930117478.
In het voorjaar van 2015 loopt een unieke tentoonstelling over Peter Paul Rubens als portretschilder. Rubens had naar eigen zeggen een hekel aan het schilderen van portretten. En het stond in zijn tijd niet hoog aangeschreven in de kunsttheorie. Maar toch is Rubens een van de knapste portrettisten van zijn tijd. Zijn allermooiste en meest intieme portretten zijn ongetwijfeld de beeltenissen van zijn familie: zijn beide echtgenotes - de jong gestorven Isabella en beeldschone Helena -, zijn kinderen, zijn schoonzussen en zijn zwagers. En natuurlijk portretteerde de meester ook zichzelf. Deze werken werden niet in opdracht maar uit liefde geschilderd en dienden voor de memorie. Voor het eerst worden deze verbluffende kunstwerken gezamenlijk getoond en wel op de plaats waar zij thuishoren: de voormalige woning van Rubens in Antwerpen. De tentoonstelling is samengesteld door internationale Rubensspecialisten en laat een vijftigtal schilderijen en tekeningen zien, uit topmusea, waaronder de Uffizi in Florence, het British Museum in Londen, het Musee du Louvre in Parijs, de Hermitage in Sint-Petersburg, en de collecties van de Prins van Liechtenstein en de Engelse koningin.
Medici Series Corpus Rubenianum Ludwig Burchard XIV.1 The Medici Series 14.1
, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.
Portrait of Emperor Servius Sulpicius Galba : Peter Paul Rubens (1577-1640) and the Series of Roman Emperors
, Phoebus Focus XXIV, 2021 Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129.
Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils Büttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. Büttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, Büttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.
Rubens a Genova
, Electa, 2022 Paperback, 416 pages, ITA., 280 x 240 x 35 mm, in good condition, illustrated in colour / b/w. ISBN 9788892822795.
The volume is the catalogue of the homonymous exhibition held in Genova at Palazzo Ducale from 6 October 2022 to 22 January 2023, an extraordinary exhibition to tell the greatness of the most important Baroque painter ever: Peter Raul Rubens and his relationship with the city. The project was born on the occasion of the fourth centenary of the publishing in Antwerp of the Rubens? famous volume of Palazzi di Genova (1622). Rubens stayed on several occasions in Genova between 1600 and 1607 and thus had direct contacts relations ? in some cases very close ? with the city?s richest and most influential aristocrats. In exhibition and in the catalogue are presented more than 150 works, including more than twenty Rubens works, playing the role of protagonists, from European and Italian museums and collections (with some very significant ?re-entries?), which sum up to the ones present in the city, reaching a number such as there has not been since the end of the 18th century in Genova; since, that is, the crisis of the aristocracy with the repercussions of the French Revolution triggered an inexorable diaspora of masterpieces towards the collections of the world. From the Rubensian nucleus, the story of the cultural and artistic context of the city in the period of its utmost splendour is completed by paintings by artists whom Rubens certainly saw and studied (Tintoretto and Luca Cambiaso); whom he met in Italy and in particular in Genoa during his stay (Frans Pourbus the Younger, Sofonisba Anguissola and Bernardo Castello) or with whom he collaborated (Jan Wildens and Frans Snyders). Drawings, engravings, tapestries, furnishings, antique volumes, even clothes, feminine accessories and jewels allow to celebrate the grandeur of an artistic capital visited by one of the major artists of all times and confirm that appellation of Superb, given to Genoa. The catalogue is richly illustrated and gives account of the long path of studies and scientific insights by the curators and the thematic essays see contributions from a consistent number of international scholars. The exhibition guide and the guide to the Rubens? Genoa, a fascinating urban itinerary on the trail of Rubens? masterpieces, complete the proposal for the visitors and enthusiasts.
Fleurs cisterciennes en Belgique
Liège, Dessain 1898 217pp., avec qqs. ills., 19cm., reliure cart., 19cm., bon état, R117174
L'église de Villers - Étude archéologique et historique, avec en appendice un manuscrit du XVIIIe siècle décrivant les sépultures
, 72pp.avec ills., Reprint (Bruxelles 1996) de l'édition originale (Bruxelles, Schepens, 1904), bel état
Mgr. Scheppers fondateur des frères et des soeurs de Notre Dame de Miséricorde
, 436pp.avec qqs. ills., Reprint (Bruxlles 1996) de l'édition originale (Liège-Malines, 1906), brochure originale, bel état, R45459
Ninane, L. [edit.] Folie, J. [Folie, Jacqueline] [edit.] Sonkes, M. [edit.]
Reference : 53540
Hommage à Roger de le Pasture-van der Weyden, 1464-1964
, Bruxelles : Ministère de l'éducation nationale et de la culture, 1964 Couverture souple 50 pp ill b/n Texte en Francais.
Cathédrale [Tournai] [Kathedraal [Doornik] Expo / Tentoonstelling: Cathédrale [Tournai]. 1964/11/15 - 1964/12/15
"L'Eglise Saint-Jacques à Gand. Ecole des Hautes Etudes de Gand; Institut d'Histoire de l'Art et d'Archéologie."
Gand, W. Siffer, Imprimeur, 1928. "14 x 22, 21 pp., 8 planches, broché, etat moyen (couverture défraîchie; cachets de l'Ecole des Hautes Etudes à Gand)."
L'église Saint-Jacques à Gand. Ecole des Hautes Etudes de Gand, Institut d'histoire de l'art et d'archéologie, III.
Gand, W. Siffer, Imprimeur, 1928. "14 x 22, 21 pp., 9 planches, broché, état moyen (couverture abîmée; cachets du Collège jésuite Saint Stanislas à Mons; 1 petit manque à la page de titre)."
De la grandeur et de la vanité& nobiliaires ou la confession d'un généalogiste
Tielt, Imp. Eric Veys 1978 289pp., avec quelques illustrations en n/bl, 24cm., brochure originale, bon état, B115722
Souvenirs de voyage - Tome II.Angleterre & Belgique et Prusse
, Bruxelles, Hauman et Cie. 1839, 312pp., couv.peu salie et usagée, A23476
Promenades d'un artiste. Bords du Rhin ; Hollande ; Belgique.
Paris, Renouard, s d (1835). Grand in-8, (4) ff., 408 pp., reliure éditeur usagée (manque le dos).
Titre gravé et 25 vues gravées sur acier : Strasbourg, Heidelberg, Francfort, Bingen, Falkenbourg, Coblentz, etc... Quelques piqûres sans gravité. L'exemplaire se dérelie.
Croquis de Fribourg.
Paris/Fribourg, Librairie Rouart (Déposé à la) 1918 (date des planches) 250x220mm, série de 15 planches dans un cartable, les reproductions de l’artiste sont collées sur une feuilles cartonnée noire, le bord encadré d’un trait doré. Le texte des légendes est également doré, certaines planches sont rehaussées à la plume. Sur la couverture supérieure du cartable, texte du titre doré, au centre un dessin original à la plume (figurant dans les planches), certaines lettres dorées sont un peu effacées. Pierre Nisot, peintre belge né à Charleroi à la fin du XIXe siècle, reçoit une formation artistique en Suisse avec Hodler et Farquet... (Bénézit, tome 7, p. 730).
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Le Droit des armoiries.. Essai de systématisation et de construction théorique. Préface de M. C. Terlinden
Bruxelles, Dykmans, 1924 in-8, 189 pp., broché.
Saffroy, I, 8842 : "Capacité héraldique, droit et acquisition du droit aux armoiries au point de vue de la loi belge." - - VENTE PAR CORRESPONDANCE UNIQUEMENT
Geloven in de Lage Landen. Scharniermomenten in de geschiedenis van het christendom
Leuven, Davidsfonds 2004 203pp.rijkelijk geïll., 28cm., B77159
2e congrès de l'Association des Cercles francophones d'Histoire et d'Archéologie de Belgique. Congrès de Nivelles : actes I.
Nivelles, 23-26 août 1984 15 x 24, 440 pp., quelques illustrations photo. N/B, broché, état neuf
Binamé Payis d'Sâm', photographies d'autrefois.
Robert Nizet, éditeur, 1983. 21 x 28, 160 pp., nombreuses illustrations en N/B, broché, très bon état.
100 jaar Sint Amedeus 1895-1995 [Mortsel]
Tielt, Lannoo 1995 174pp. rijkelijk geïllustreerd, gecart.band, goede staat, B81734
125 jaar basisschool in de Crevestraat te Moerbeke-Waas (1879-2004)
Moerbeke-Waas, Heemkundige Kring Moerbeke-Waas s.d. [+/-2004] 136pp., 30cm., goede staat, B73752
1321-1921 Le VIme centenaire de Dante Alighieri en Belgique. Rapport sur les travaux du comité Danté de Bruxelles
Bruxelles, Institut Saint-Louis 1921 32pp., br.orig., 21cm., bel état
150 jaar Oud-Turnhout. Oud-Turnhout en zijn bestuurders
Oud-Turnhout, Heemkundekring Corsendonca 2010 491pp.rijkelijk geïllustreerd in kleur, gecart., 30cm., zeer goede staat, B85405
