Couverture légèrement frottée mais intérieur en (très) bon état ; DX2-C49 ; porte signature d'un propriétaire sur la couverture, C, F, Peters, Leipzig
Assez bon
ERATO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, petite biographie dérrière la pochette et à l'intérieur de la pochette aussi de JOELLE CAULLIER.Ensemble Orchestral de Paris, direction: JEAN-PIERRE WALLEZ. Disque en anglais.. . . . Classification : 410-33 Tours
Disque n° 75028 Classification : 410-33 Tours
ERATO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Ensemble Orchestral de PAris, direction: JEAN-PIERRE WALLEZ. Un texte de JOELLE CAULLIER à l'intérieur de la pochette et deux petit textes derrière la pochette.. . . . Classification : 410-33 Tours
Disque n° 75028 Classification : 410-33 Tours
LA VOIX DE SON MAITRE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie à l'intérieur de la pochette et quelques photos en noire et blanc. The London Symphony Orchestra, direction: RAFAEL FRUHBECK DE GURGOS.. . . . Classification : 410-33 Tours
Disque n° C 069-02266 Classification : 410-33 Tours
DEUTSCHE GRAMMOPHON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Berliner Philarmoniker, direction: HERBERT VON KARAJAN. Texte de HELLMUH CHRISTIAN WOLFF à l'intèrieur de la pochette.. . . . Classification : 410-33 Tours
Disque n° 2721 107 Classification : 410-33 Tours
HUNGAROTON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie de DOBSZAY AGNES dérrière la pochette. Disque en allemand.. . . . Classification : 400-Diplomes / Prix
Disque n° SLPD 12660 Classification : 400-Diplomes / Prix
RICHAULT.. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 11 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
577. R. Classification Dewey : 780.26-Partitions
Leipzig c.f peters 130 pages in4. Sans date. Relié. 130 pages.
Etat Correct page garde déchiré reliure visible
MUSIDISC. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre Symphonique de Vienne dirigé par EDOUARD VAN REMOORTEL et MATHIEU LANGE. Biographie dérrière la pochette.. . . . Classification : 410-33 Tours
Disque n° 30 RC 892 Classification : 410-33 Tours
TRIANON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Société des Concerts du Conservatoire, direction: CONSTANTIN SILVESTRI. Au violon: LEONIDE KOGAN. Biographie de TOLIA NIKIPREWETZKY dérrière la pochette.. . . . Classification : 410-33 Tours
Disque n° C 045-10607 Classification : 410-33 Tours
Mis 2000 14x13x1cm. 2000. CD.
- expédié soigneusement depuis la France dans enveloppe à bulles
Carl Rühles Musik Verlag Leipzig "Revue "" Musikalische bibliothek - 20 Pfennig - N°16 - 539 - 15 - 627 - 1168 - 1339 - 1161 - Belle reliure en percaline verte et dos en cuir avec dorures - Coins écornés"
Bon État
ALFRED IKELMER & Cie. Non daté. In-4. En feuillets. Etat d'usage, Couv. défraîchie, Dos frotté, Rousseurs. 7 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
A.I.et.Cie.2548.bis Classification Dewey : 780.26-Partitions
A. DURAND & Fils. Non daté. In-4. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 9 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
D.et.F.3309 Classification Dewey : 780.26-Partitions
HORTENSIA. 1992. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 61 pages de partitions. Couverture en couleur.. . . . Classification Dewey : 780.26-Partitions
EMH. 755 Classification Dewey : 780.26-Partitions
RCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, festival de musique classique légère.. . . . Classification : 410-33 Tours
Disque n°l7OP-5503 Classification : 410-33 Tours
Breslau, Gottl. Löwe, 1789, 8vo. Very beautiful contemporary red full calf binding with five raised bands and gilt green leather title-label to richly gilt spine. elaborate gilt borders to boards, inside which a ""frame"" made up of gilt dots, with giltcorner-ornamentations. Edges of boards gilt and inner gilt dentelles. All edges gilt. Minor light brownspotting. Marginal staining to the last leaves. Engraved frontispiece-portrait of Spinoza, engraved title-vignette (double-portrait, of Lessing and Mendelssohn), engraved end-vignette (portrait of Jacobi). Frontispiece, title-page, LI, (1, -errata), 440 pp. Magnificent copy.
First edition thus, being the seminal second edition, the ""neue vermehrte Auflage"" (new and expanded edition), which has the hugely important 180 pp. of ""Beylage"" for the first time, which include the first translation into any language of any part of Giordano Bruno's ""de Uno et Causa..."" (pp. 261-306) as well as several other pieces of great importance to the ""Pantheismusstreit"" and to the interpretation of the philosophy of Spinoza and Leibniz, here for the first time in print. The present translation of Bruno seems to be the earliest translation of any of Bruno's works into German, and one of the earliest translations of Bruno at all - as far as we can establish, the second, only preceded by an 18th century translation into English of ""Spaccio della bestia trionfante"". It is with the present edition of Jacobi's work that the interest in Bruno is founded and with which Bruno is properly introduced to the modern world. Jacobi not only provides what is supposedly the second earliest translation of any of Bruno's works ever to appear, he also establishes the great influence that Bruno had on two of our greatest thinkers, Spinoza and Leibnitz. It is now generally accepted that Spinoza founds his ethical thought upon Bruno and that Lebnitz has taken his concept of the ""Monads"" from him. It is Jacobi who, with the second edition of his ""Letters on Spinoza..."", for the first time ever puts Bruno where he belongs and establishes his position as one of the key figures of modern philosophy and thought. Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."", ""There appears in this new edition, under the title of Appendices (""Beylage""), different essays, of which I will here first give an account. The first Appendix is an excerpt from the extremely rare book ""De la causa, principio, et Uno"", by Jordan Bruno. This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" also Bayle had, of Bruno's metaphysical works, himself also merely read this work, of which I here provide an excerpt."" (Vorrede, pp. (VII)-VIII - own translation from the German). Jacobi continues by stating that although everyone complains about the obscurity of Bruno's teachings and thoughts, some of the greatest thinkers, such as Gassendi, Descartes, ""and our own Leibnitz"" (p. IX) have taken important parts of their theorems and teachings from him. ""I will not discuss this further, and will merely state as to the great obscurity (""grossen Dunkelheit"") of which people accuse Bruno, that I have found this in neither his book ""de la Causa"" nor in ""De l'Infinito Universo et Mondi"", of which I will speak implicitly on another occasion. As to the first book, my readers will be able to judge for themselves from the sample (""Probe"") that I here present. My excerpt can have become a bit more comprehensible due to the fact that I have only presented the System of Bruno himself, the ""Philosophia Nolana"" which he himself calls it, in its continuity... My main purpose with this excerpt is, by uniting Bruno with Spinoza, at the same time to show and explain the ""Summa of Philosophy"" (""Summa der Philosophie"") of ""En kai Pan"" [in Greek characters - meaning ""One and All""]. ... It is very difficult to outline ""Pantheism"" in its broader sense more purely and more beautifully than Bruno has done."" (Vorrede pp. IX-XI - own translation from the German). So not only does Jacobi here provide this groundbreaking piece of Bruno's philosophy in the first translation ever, and not only does he provide one of the most important interpretations of Spinoza's philosophy and establishes the importance of Bruno to much of modern thought, he also presents Bruno as the primary exponent of ""pantheism"", thereby using Bruno to change the trajectory of modern thought and influencing all philosophy of the decades to come. After the second edition of Jacobi's ""Ueber die Lehre des Spinoza"", no self-respecting thinker could neglect the teachings of Bruno"" he could no longer be written off as having ""obscure"" and insignificant teachings, and one could no longer read Spinoza nor Leibnitz without thinking of Bruno. It is with this edition that the world rediscovers Bruno, never to forget him again.WITH THE FIRST EDITION OF ""UEBER DIE LEHRE DES SPINOZA"" (1785), JACOBI BEGINS THE FAMOUS ""PATHEISMUSSTREIT"", which focused attention on the apparent conflict between human freedom and any systematic, philosophical interpretation of reality. In 1780, Jacobi (1743-1819), famous for coining the term nihilism, advocating ""belief"" and ""revelation"" instead of speculative reason, thereby anticipating much of present-day literature, and for his critique of the Sturm-und-Drang-era, had a conversation with Lessing, in which Lessing stated that the only true philosophy was Spinozism. This led Jacobi to a protracted and serious study of Spinoza's works. After Lessing's death, in 1783 Jacobi began a lengthy letter-correspondende with Mendelssohn, a close friend of Lessing, on the philosophy of Spinoza. These letters, with commentaries by Jacobi, are what constitute the first edition of ""Ueber die lehre des Spinoza"", as well as the first part of the second edition. The second edition is of much greater importance, however, due to greatly influential Appendices. The work caused great furor and the enmity of the Enlightenment thinkers. Jacobi was ridiculed by his contemporaries for attempting to reintroduce into philosophy belief instead of reason, was seen as an enemy of reason and Enlightenment, as a pietist, and as a Jesuit. But the publication of the work not only caused great furor in wider philosophical circles, there was also a personal side to the scandal which has made it one of the most debated books of the period: ""Mendelssohn enjoyed, as noted at the outset, a lifelong friendship with G. E. Lessing... Along with Mendelssohn, Lessing embraced the idea of a purely rational religion and would endorse Mendelssohn's declaration: ""My religion recognizes no obligation to resolve doubt other than through rational means"" and it commands no mere faith in eternal truths"" (Gesammelte Schriften, Volume 3/2, p. 205). To pietists of the day, such declarations were scandalous subterfuges of an Enlightenment project of assimilating religion to natural reason... While Mendelssohn skillfully avoided that confrontation, he found himself reluctantly unable to remain silent when, after Lessing's death, F. H. Jacobi contended that Lessing embraced Spinoza's pantheism and thus exemplified the Enlightenment's supposedly inevitable descent into irreligion.Following private correspondence with Jacobi on the issue and an extended period when Jacobi (in personal straits at the time) did not respond to his objections, Mendelssohn attempted to set the record straight about Lessing's Spinozism in ""Morning Hours"". Learning of Mendelssohn's plans incensed Jacobi who expected to be consulted first and who accordingly responded by publishing, without Mendelssohn's consent, their correspondence - ""On the Teaching of Spinoza in Letters to Mr. Moses Mendelssohn"" - a month before the publication of ""Morning Hours"". Distressed on personal as well as intellectual levels by the controversy over his departed friend's pantheism, Mendelssohn countered with a hastily composed piece, ""To the Friends of Lessing: an Appendix to Mr. Jacobi's Correspondence on the Teaching of Spinoza"". According to legend, so anxious was Mendelssohn to get the manuscript to the publisher that, forgetting his overcoat on a bitterly cold New Year's eve, he delivered the manuscript on foot to the publisher. That night he came down with a cold from which he died four days later, prompting his friends to charge Jacobi with responsibility for Mendelssohn's death.The sensationalist character of the controversy should not obscure the substance and importance of Mendelssohn's debate with Jacobi. Jacobi had contended that Spinozism is the only consistent position for a metaphysics based upon reason alone and that the only solution to this metaphysics so detrimental to religion and morality is a leap of faith, that salto mortale that poor Lessing famously refused to make. Mendelssohn counters Jacobi's first contention by attempting to demonstrate the metaphysical inconsistency of Spinozism. He takes aim at Jacobi's second contention by demonstrating how the ""purified Spinozism"" or ""refined pantheism"" embraced by Lessing is, in the end, only nominally different from theism and thus a threat neither to religion nor to morality."" (SEP).The Beylagen, which are not included in the 1785 first edition and only appear with the 1789 second edition, include: I. Auszug aus Jordan Bruno von Nola. Von der Ursache, dem Princip und dem Einen (p. 261-306) II. Diokles an Diotime über den Atheismus (p. 307-327) translation of Lettre ... sur l'Athéisme by F. Hemsterhuis.
Paris, Editions du Seuil, 1977. 12 x 18, 192 pp., nombreuses illustrations en N/B, broché, très bon état.
JACQUARD (Léon), violoncelliste et compositeur français (1826-1886).
Reference : 67C21
Belle lettre. Il adresse à son destinataire « une petite liste de trios et quatuors » qui lui semble être les meilleures et les plus belles œuvres du répertoire. Parmi les trios, son choix irait vers ceux de « Hummel, Weber, Mayseder, Schubert, Mendelssohn, Schumann. ». Pour les quatuors, « Mendelssohn, Weber et Schumann. ». Si l’année prochaine ses « engagements en Allemagne » ne le retiennent pas trop longtemps, il espère pouvoir retourner dans le « Blésois ».
GRUS. MARS 1913. In-Folio. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 6 pages de partitions - clé de sol et clé de fa. Illustration sur le 1er plat de Damblans. . . . Classification Dewey : 780.26-Partitions
Classification Dewey : 780.26-Partitions
SOCIETE DE TYPOGRAPHIE ET D'EDITION MUSICALES. Non daté. In-Folio. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 28 pages de partitions, couverture illustré des représentations de 3 des auteurs.. . . . Classification Dewey : 780.26-Partitions
S T 581 E M Classification Dewey : 780.26-Partitions
Kant Erhard Hamann Herder Lessing Mendelssohn
Reference : R320179469
(1974)
ISBN : 3150097142
Philipp Reclam jun.Stuttgart. 1974. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 85 pages - ouvrage en allemand - quelques phrases soulignées au crayon à papier à l'intérieur du livre sans conséquence sur la lecture.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Universal-Bibliothek nr.9714 - ouvrage en allemand - Herausgegeben von Ehrhard Bahr. Classification Dewey : 430-Langues germaniques. Allemand
Hachette 1966
Bon état
Mann Thomas (Auteur) ; Simon Robert (Traduction) ; De Mendelssohn Peter (Sous la direction de)
Reference : 136384
(1985)
ISBN : 2070703673 9782070703678
Gallimard 1985 In-folio broché 20.5 cm sur 14 . 655 pages. Bon état d’occasion.
Bon état d’occasion