éditions “Le Triangle”, impr. Impprimerie Ars, à Paris 1928 In-folio. Broché, couverture imprimée et rempliée, LII-84 pp., 30 planches en noir & blanc hors texte. Tête et pied de dos frottés, intérieur frais. Bon exemplaire.
Ouvrage tirés à 875 exemplaires. Bon état d’occasion
Paris, Editions Le Triangle 1928, 330x255mm, 52pages, 42 planches en n/b (dont 6 portraits des artistes), broché. Couverture rempliée. Bel exemplaire.
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, Freren, Luca Verlag, 1990 Hardcover, 436 pages, ENG. edition, 290 x 250 x 35 mm, illustrated dustjacket, beige cloth with brown imprint, illustrated in color / b/w., book is in Fine order. ISBN 9783923641338.
Vincent Willem van Gogh - (30 March 1853 ? 29 July 1890) was a Dutch post-Impressionist painter whose work had far-reaching influence on 20th-century art. His paintings include portraits, self portraits, landscapes, still lifes, olive trees and cypresses, wheat fields and sunflowers. He was largely ignored by critics until after his early death in 1890. The only substantial exhibitions held during his lifetime were showcases in Paris and Brussels. The first published full-length article came in 1890, when Albert Aurier described him as a Symbolist. The widespread and popular realisation of his significance in the history of modern art did not begin until his adoption by the Fauves and German Expressionists in the mid-1910s. Vincent van Gogh was born to upper middle class parents and spent his early adulthood working for a firm of art dealers before travelling to The Hague, London and Paris, after which he taught in England at Isleworth and Ramsgate. Although he drew as a child, he did not paint until his late twenties; most of his best-known works were completed during the last two years of his life. He was deeply religious as a younger man and aspired to be a pastor and from 1879 worked as a missionary in a mining region in Belgium where he sketched people from the local community. His first major work was 1885's The Potato Eaters, from a time when his palette mainly consisted of sombre earth tones and showed no sign of the vivid colouration that distinguished his later paintings. In March 1886, he relocated to Paris and discovered the French Impressionists. Later, he moved to the south of France and was influenced by the region's strong sunlight. His paintings grew brighter in colour, and he developed the unique and highly recognizable style that became fully realized during his stay in Arles in 1888. In just over a decade, he produced more than 2,100 artworks, including around 860 oil paintings and more than 1,300 watercolours, drawings, sketches and prints. After years of anxiety and frequent bouts of mental illness he died aged 37 from a self-inflicted gunshot wound. The extent to which his mental health affected his painting has been widely debated. Despite a widespread tendency to romanticize his ill health, art historians see an artist deeply frustrated by the inactivity and incoherence wrought through illness. His late paintings show an artist at the height of his abilities, completely in control, and according to art critic Robert Hughes, "longing for concision and grace".
, Ministerie van Cultuur / Koninklijk Museum voor Schone Kunsten Antwerpen, 1974, Geillustreerde groene kartonomslag, 205 x 210mm., geen paginanummering, uitgebreide z/w illustratie.
Retrospectieve tentoonstelling 11 mei tot 16 juni 1974. In goede staat.
Antwerpen, Museum van Schone Kunsten Antwerpen, 1981 softcover onder geillustreerde kartonomslag, 240 x 25mm., 107pp. tekst met illustraties en z/w
Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Museum 13 juni -13 september 1981.
Art Lys, 1994. Format 22x29 cm, broche, 77 pages. Bon etat, petites traces d'usage sur un livre d'occasion.
P., Bornemann, 1976, grand in 8° broché, 90 pages ; nombreuses illustrations, dont 27 planches en couleurs ; couverture illustrée en couleurs.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
S. Bornemann. 1962. In-4. Broché. Etat d'usage, Couv. fraîche, Coiffe en tête abîmée, Intérieur frais. 88 pages. Illustré de nombreux dessins en couleur et en noir et blanc hors texte.. . . . Classification Dewey : 751-Technique de peinture
Paysage, L'Abreuvoir. Fleurs, Les Roses. Fruits, Figues et Raisins... Classification Dewey : 751-Technique de peinture
Bruxelles, Paul Legrain, 1979. grand in-8°, 111 pages illustrees dans le texte, rel. cartonnage ill. plast.
Bel exemplaire. [WE-3]
Bruxelles, Arts & Voyages, 1969. in-8°, 147 pages, ill. hors texte N&B, rel. simili ed., jaq. ill. plast.
Traces de mouillures au 2e plat et au dos de la jaquette sinon bel exemplaire. [NV-8] [F]
Paul legrain 1978 in4. 1978. cartonné. 145 pages. Bon Etat intérieur propre
Bruxelles, Gallery Dieleman, Art et Bronze International, 1989. 25 x 22, sans pagination, 74 illustrations en couleurs et en N/B, reliure d'édition pleine toile, bon état (manque l'image sur la couverture).
"Ouvrage en français, préface quadrilingue; N° 60 sur 2500 exemplaires numérotés."
Bruxelles, Paul Legrain s.d. [+/- 1970's] 152pp.richement ill., couv.cart.ill., 25cm.
Paris Les Editions d'art 1935. grand in-8 carré broché 70pp. Orné d'un plan dans le texte et 24 planches hors texte.
Ce prieuré du Loir et Cher est célèbre pour ses peintures intérieures. Ronsard en fut Prieur de 1566 à 1585.
Paris, E.F.F.A., 1988 Bound, brown canvas with gold printing, colored jacket, oblong format: 295 x 215mm., Pages not numbered, a lot of color illustrations. TEXT in English / Japanese.
Exhibition at Gallery One in New York. inscription and signed by the artist. Good condition.
1984 Waser Verlag, Zurich, 1984. Un fort volume in-4 oblong "à l'italienne" relié pleine toile beige sous jaquette illustrée, 171 pages. Tirage limité à 1000 exemplaires. Large envoi et crayonné original de l'artiste. Bel état.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
Einsiedeln, Eidolon / Lugano-Castagnola, Fond. Thyssen-Bornemisza, 1990, in-4°, 164 p., ill. with 66 mostly coloured paintings, orig. ill. paperback.
Phone number : 41 (0)26 3223808
Einsiedeln, Eidolon / Lugano-Castagnola, Fond. Thyssen-Bornemisza, 1990, in-4°, 163 p., ill. with 66 most. coloured paintings, clothbound, orig. ill. jacket.
Phone number : 41 (0)26 3223808
Evanston Ill. Terra Found. for the Arts 1992 21x29x1cm. 1992. Relié.
tranches léhçremrnt fânées intérieur propre bonne tenue
Evanston, Illinois Terra Foundation for the Arts 1992 in 4 (29,5x23,5) 1 volume reliure toilée verte de l'éditeur, 285 pages, avec de nombreuses reproductions en noir et blanc et en couleurs. Envoi autographe signé par Daniel and Judith Terra. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Pas de jaquette Couverture rigide
PML 1996 25x34. 1996. Reliure editeur+jaquette. 144 pages. Très Bon Etat de l'ensemble
Nieuwkoop, B. De Graaf, 1969. 16 x 24, 72 pp., quelques illustrations, reliure d'édition pleine toile, très bon état.
Paris, Bloud, collection "Art et littérature - science et religion, études pour le temps présent", 1907, 1 br. in-8 de 72 pages non coupées ;
Phone number : 06 80 15 77 01
Paris Henri Laurens, editeur sd 124p 1 volume IN8 broché. H.T en noir. Collection les grands artistes.
Bruxelles, G. Van Oest, 1909. 15 x 21, 127 pp., nombreuses planches, broché, bon état.