‎Le meuble. II : XVIIe - XVIIIe et XIXe siècles.‎

‎ P., Quantin (Bibliothèque de l'Enseignement des Beaux Arts), 1885, in 8° relié pleine percaline rouge décorée de l'éditeur, 318 pages ; dos défraichi et rendu muet. ‎

‎Illustré de très nombreuses figures. ...................... Photos sur demande ..........................‎

‎Le meuble. Nouvelle édition.‎

‎ P., Société d'Editions d'Arts (Bibliothèque de l'Enseignement des Beaux Arts), 1885, 2 volumes in 8° brochés ; couvertures renforcées. ‎

‎Tome 1 : Antiquité, Moyen Age et Renaissance, 320 pages, 75 figures. Tome 2 : XVIIème -XVIIIe et XIXe siècles, 320 pages, 108 figures. ...................... Photos sur demande ..........................‎

‎Le Meuble, TOME 1 : Antiquité, Moyen Âge et Renaissance.‎

‎MAY L.-HENRY. 1885. In-12. Cartonnage d'éditeurs. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 320 pages. Nombreuses illustrations en noir et blanc, dans le texte.. . . . Classification Dewey : 749.1-Meubles anciens‎

‎Bibliothèque de l'Enseignement des Beaux-Arts. Classification Dewey : 749.1-Meubles anciens‎

‎LE MEUBLE, TOME II, XVIIe, XVIIIe ET XIXe SIECLES‎

‎A. Quantin, Libraire-Editeur. 1885. In-8. Relié. Etat d'usage, Tâchée, Dos frotté, Intérieur bon état. 318 pages. Illustré de nombreuses gravures en noir et blanc dans et hors texte. Titre, tomaison et filets dorés sur le dos. Numéro doré et étiquette de bibliothèque annotée sur le dos. Coin supérieur de la 1re page manquant, altérant la lecture.. . . . Classification Dewey : 749.1-Meubles anciens‎

‎'Bibliothèque de l'Enseignement des Beaux-Arts', publiée sous la dir. de M. Jules Comte. Gravures de L. Libonis et Petit. Classification Dewey : 749.1-Meubles anciens‎

‎Les Arts du bois, des tissus et du papier‎

‎A. Quantin, imprimeur-éditeur 1883 In-4 relié 27,5 cm. Ouvrage illustré de 338 ill. 338 illustrations. Bon état d’occasion.‎

‎Publication de l’Union centrale des arts décoratifs. représentations de objets présentésà la 7e exposition. Bon état d’occasion ‎

‎Le mobilier flamand -‎

‎ Paris, Imp. de la Cour d’appel, 1949 - 40 planches, sous portefeuille cartonné‎

‎Le Mobilier flamand‎

‎Ch. Massin & Cie, Editeurs, collection de l'art régional en France, Paris, 1926. Grand in-4, cahier et feuilles dans un portefeuille à lacets illustré en noir, dos et coins toile rouge, 10 pp. - 40 pl. Introduction, par V. Champier - Table des planches - Planches.‎

‎Avec 40 planches en noir et blanc en hors-texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Importante Vente Dimanche 29 Octobre 1978 à 14 heures‎

‎2, rue du Docteur Leray, Enghien hôtel des Ventes 1978 Catalogue de vente par Maitres Champin & Lombrail. In-4 broché 29 cm sur 21. 76 pages. Bon état d’occasion.‎

‎Lots vendus Mobilier Louis majorelle, Grand verriers 1900, Tableaux orientalistes. Affiches Art Nouveau. Bronzes animaliers Jouve et Bugatti.... Sculptures de Barrias, meubles orientalistes,... Bon état d’occasion ‎

‎Meubles paysans du Jura. Photos de Marcel Fähndrich - dessins de l’auteur et de Chantal Chappuis.‎

‎Numéro spécial de L’Hôtâ, 1979, in-8vo, 54 p. ill., brochure originale illustrée.‎

‎Guide pratique des meubles de Suisse Romande. ‎

‎Lausanne, Edita, 1981, in-4to, 242 p., richement ill. de photos n/b et croquis (tirées en héliogravure), reliure en toile originale avec jaquette ill.‎

‎Guide pratique des meubles de Suisse Romande. ‎

‎Lausanne, Edita, 1981, in-4to, 242 p., richement ill. de photos n/b et croquis, reliure en toile originale avec jaquette ill.‎

‎Guide pratique des meubles de Suisse romande.‎

‎Lausanne, Edita, (1981). In-4°, 240p. Reliure pleine toile d'éditeur.‎

‎Ouvrage de références sur le sujet comportant 250 illustrations en noir dans le texte. Manque la jaquette, sinon à l'état de neuf.‎

‎Guide pratique des meubles de Suisse romande‎

‎Lausanne, EDITA 1981 In-4 cartonné 28 cm sur 22,5. Pas de jaquette. 239 pages. Très bon état d’occasion. Poids sans emballage : 1512 grammes.‎

‎ Très bon état d’occasion ‎

‎ARLES. Son histoire, ses monuments, ses musées.‎

‎Bloud Et Cie, Editeurs - "Bibliothèque Régionaliste" Paris 1914 In-4 carré ( 255 X 200 mm ) de 226 pages, broché. 8 illustrations dans le texte, 51 reproductions en héliogravure hors-texte, 6 fac-similés. Très bel exemplaire.‎

‎Intérieurs rustiques.‎

‎Paris, Charles Moreau, éditeur d'art, [s.d, 1928 ?] 1 volume In-folio (32 x 44cm) En feuilles en portefeuille à ruban; dos percaliné beige, 1er plat illustré. 2 feuillets dont 1 titre orné d'une vignette, 32 planches. Bon état (déchirures sans conséquences au papier collé au verso du dos du portefeuille).‎

‎53 vues d'intérieurs en phototypie (en 32 planches: 1 à 2 par planche) précédées de leur liste précisant les noms des architectes ou décorateurs et d'une introduction de l'écrivain régionaliste occitan Jean CHARLES-BRUN, Majoral du Félibrige (1870-1946): des "intérieurs meublés, avec goût, à "l'ancienne mode"", réunissant et mettant en valeur de "belles pièces d'époque". Exemplaire bien complet des 32 planches. ‎

‎Josef Albers Life and Work‎

‎, Thame and Hudson, 2018 Hardcover with dusjacket,. ISBN 9780500519103.‎

‎While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.‎

‎EAMES: BEAUTIFUL DETAILS‎

‎, Ammo Books, 2012 Hardcover, 410 pages, ENG, 430 x 310 x 55 mm, NEW !, Full Page illustrations in colour / b/w, XX Large Edition, for protection in a strong wooden case ! . ISBN 9781934429747.‎

‎"Eames: Beautiful Details" celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband-and-wife team and as designers unrestricted by traditionally profesionally boundaries. Select details of their life and work, from their refined designs to to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually created the Eameses' life and work by taking the viewer through a delightful joruney, focusing on their "beautiful details." The packaging design of the "Eames: Beautiful Details" slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser-known, designs for children, simply called, "the toy." It also pays homage to the patterns they used on their well-loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid-century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre-fab construction, using off-the-shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory-like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense.‎

‎Victorian designs for the home.‎

‎London, V and A Publications, 1999 Softcover, 144pp., 21x27cm., ills. in col. and b/w., as new. ISBN 9781851772896.‎

‎A survey of Victorian style and design, covering key movements and featuring seminal work by key designers - from Morris and de Morgan to Voysey and Mackintosh. The Victorian period (from 1837 to 1901) produced a wealth of innovative design. It was characterised by diversity and conflicting desires for tradition and progress which gave rise to a rich variety of styles such as revivals of Gothic and Rococo, a new fascination with the East in Japonisme and the appearance of Art Nouveau and the Arts and Crafts Movement. Elaborate designs for furniture by Pugin and Burges, or ceramics and silver by Mackintosh and Knox, are seen alongside actual pieces as they were eventually created, while a range of room designs reflect changing tastes in form and colour and different lifestyles.‎

‎Charles Percier : Architecture and Design in an Age of Revolutions ‎

‎, Yale University Press 2016, 2016 Hardcover, 304 pages, English, 295 x 255 mm, new book with dustjacket, . ISBN 9780300221589.‎

‎Handsomely designed and richly illustrated, this publication surveys the magnificent spectrum of projects undertaken by French architect and interior designer Charles Percier (1764-1838). After gaining an illustrious reputation for supervising the scenery at the Paris Opera during the French Revolution, Percier was later appointed by Napoleon Bonaparte. With the Emperor's support, he developed the opulent versions of neoclassicism closely associated with the Napoleonic era, and now known as Directoire style and Empire style. Percier worked on the renovation or redecoration of many of France's royal palaces, including the Louvre, the Tuileries, and the chateaux of Malmaison, Saint-Cloud, and Fontainebleau. The full scope and variety of Percier's design projects are revealed in this book, which also includes archival material detailing Percier's relationships with patrons and peers.‎

‎Charles Spindler - Jugendstil im Elsass. Mathildenhöhe Darmstadt, 14. Dezember 1983 - 29. Januar 1984‎

‎Darmstadt, 1984, in-4, broché, 78 pages. Bon état. ‎

5 Images

‎ NB. Les commandes sont traitées endéans 2-3 jours et seront expédiées à partir du 10 février. Merci. ‎

‎Scandinavian Design. 40th Ed.‎

‎, Taschen, 2024 Hardcover, 15.6 x 21.7 cm, 1.11 kg, 512 pages ENGLISH ED. ISBN 9783836598422.‎

‎Scandtastic! The best design from the Nordic region Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies. Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, M rta M s-Fjetterstr m, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen. What makes Scandinavia such a hotbed of design talent and innovation? Explore masterful forms and lyrical lines from across Norway, Sweden, Denmark, Iceland, and Finland in this stylish book. Bridging the gap between crafts and industrial production, organic forms and functionality, this must-have guide includes in-depth entries on 125 designers.‎

‎Modern Chairs‎

‎, Taschen 2002, 2002 Softcover, 160 pages, English /Francais/ Deutsch, 250 x 190 mm, very richly illustrated with coloured illustrations, in Fine condition/ bon etat /in guten zustand,. ISBN 9783822820278.‎

‎This contemporary, highly practical language course is for professional adults at intermediate level. A grammar syllabus gives students the structured language input they need to improve confidence and competence, while up-to-the-minute business content provides a context for activities.‎

‎Splendeurs du mobilier russe, 1780 - 1840. Avec la collaboration d’Emmanuel Ducamp.‎

‎ Paris, Flammarion 1989, 300x265mm, 312pages, reliure d'éditeur sous jaquette. Bel exemplaire.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Made in Mali : Cheick Diallo : Designer‎

‎, Silvana Editoriale , 2012 Hardcover, 144 pages, English/Francais, 225 x 197 x 18 mm, fine copy , richly illustrated with coloured illustrations, . ISBN 9788836623440.‎

‎Cheick Diallo, (n au Mali en 1960) d couvre le design dans les ann es 1980 lors de ses tudes d'architecture en France. Il oeuvre la fois en France et au Mali. Cette premi re monographie du designer accompagne une exposition au mus e Mandet de Riom (France) qui pr sente une r trospective de son travail depuis 25 ans. On y trouve ses premi res pi ces bas es sur le principe de la r cup ration : biblioth ques, tables et si ges en bo tes de conserve mais aussi sa ligne de mobilier tress de fils de nylon et une multitude de meubles et d'objets reposant sur le d tournement de techniques traditionnelles : de l'impression de cire sur du cuir la cr ation d'objets pr cieux m lant le savoir-faire des bijoutiers touaregs ceux des sculpteurs sur b ne pour des coffrets, des lampes et des couverts. Pr fac par Marie-Jos e Linou, Conservateur en chef du patrimoine, directrice des mus es de Riom Communaut , l'ouvrage donne la parole des sp cialistes du design et de l'art contemporain africain, travers un cheminement tr s richement illustr , o les objets racontent une histoire.‎

‎ALDO ROSSI DESIGN 1980-1997‎

‎, Silvana Editoriale, 2022 HB, 280 x 240 mm, 304 pages, ENG edition. ISBN 9788836651184.‎

‎Aldo Rossi (1931-1997) added to his successful activity as architect, professor and theorist, also that - equally well known - of designer: in this field he continued with great professionalism and passion until his untimely death in 1997, collaborating with some of the most important Italian and international manufacturers, such as Alessi, Artemide, Bruno Longoni Atelier d'Arredo, Molteni, Rosenthal and Unifor. The volume investigates Aldo Rossi's activity in the design sector in its entirety, presenting the furnishings and objects designed and manufactured from 1960 to 1997. Among these, some pieces well known to the public stand out, such as the La Conica and La Cupola coffee makers by Alessi, the Cabina dell'Elba by Bruno Longoni Atelier d'Arredo or the Paris chair by Unifor, just to name a few. The analysis of this production, which also includes unpublished projects and prototypes, highlights the continuous and constant relationship with architecture, while the technical drawings and photographic and archival documentation help to restore the history of each piece. The volume includes a critical essay by Domitilla Dardi.‎