‎100 X CONGO Een eeuw Congolese kunst‎

‎Antwerpen , BAI, 2020 Hardcover HB, 280 x 210 mm, 352 pages, NL edition. ISBN 9789085868101.‎

‎Congolese en Belgische auteurs blikken in dit boek voor het eerst samen terug op de historische banden tussen Antwerpen en Congo. Het resultaat is een bijzondere reeks bijdragen over een gedeelde en beladen geschiedenis. De band tussen Antwerpen en Afrika ontstond in de zestiende eeuw, toen de eerste handelsrelaties werden aangeknoopt, en loopt via de kolonisatie van Congo door tot vandaag. Gebouwen, monumenten en straatnamen in de Scheldestad herinneren nog aan dat verleden. Tegelijk hebben de Belgische missionering en kolonisering de Congolese culturen onmiskenbaar be nvloed. Honderd jaar geleden, in volle koloniale tijd, kwamen voor het eerst Congolese kunst- en gebruiksvoorwerpen in het bezit van de stad Antwerpen. Die voorwerpen maken nu deel uit van de collectie van het MAS. Een selectie van honderd blikvangers staat in deze publicatie centraal. Congolese onderzoekers namen die onder de loep en beschrijven hier hun eigen erfgoed. **** Dans cet ouvrage, des auteurs congolais et belges se penchent ensemble pour la premi re fois sur les liens historiques qui se sont tiss s entre Anvers et le Congo. Ces contributions tr s document es relatent une histoire partag e et parfois douloureuse. Les liens entre Anvers et l?Afrique remontent au XVIe si cle, lorsque les premi res relations commerciales ont t tablies, avant de se poursuivre, travers la p riode de colonisation du Congo, jusqu?aujourd?hui. Des b timents, des monuments et des noms de rues de la cit scaldienne continuent en effet nous rappeler ce pass . Dans le m me temps, la colonisation et les missions belges ont ind niablement influenc les cultures congolaises. Il y a cent ans, en pleine poque coloniale, ces ?uvres d?art et ces objets utilitaires congolais sont entr s pour la premi re fois en possession de la Ville d?Anvers. Ils font d sormais partie de la collection du MAS. Une s lection de cent pi ces remarquables constitue le c?ur de cette publication. Les chercheurs congolais qui les ont tudi es attentivement nous d crivent ainsi leur propre patrimoine. ‎

‎Vatican II After Sixty Years. Developments and Expectations Prior to the Council‎

‎, Brepols, 2023 Paperback, 348 pages, Size:156 x 234 mm, Illustrations:2 b/w, 2 tables b/w., Language(s):English, French. ISBN 9782503607726.‎

‎Summary This volume is the result of a workshop organized in Leuven within the context of the Australian Catholic University-KU Leuven-Tilburg University project on Vatican II (1962-1965). This volume focuses on the preparatory period of the Council and its broader context, for many renewal movements were underway decades before the Council's opening. The preparation of the Council was also a period of intense consultation of bishops and male superiors of religious orders and congregations. Indeed, John XXIII aimed at introducing an aggiornamento in the Roman Catholic Church, taking into account the wishes and the needs of bishops and superiors. The volume presented here offers new insights about this period on the basis of archives and other materials insufficiently consulted to date. The papers presented are the result of research by both senior scholars and junior researchers. They focus on the following issues: revelation, ecclesiology, ecumenism, and education. TABLE OF CONTENTS List of Contributors Introduction Part One: Historiography of Vatican II Chapter One: Historia, quae vitae magistra est (John XXIII): The History of Vatican II between Past and Future of Christian Faith Michael Quisinsky Part Two: Revelation Chapter Two: Some Pre-Conciliar Background to Dei Verbum: The Neo-Scholastic Manuals and Their Implied Models Ormond Rush Chapter Three: 'Throwing the Faith to Relativism?' On Understanding Scripture, Tradition, and Authority in the Long Run to Vatican II Karim Schelkens Chapter Four: Beyond the Scripture Sufficiency Debate: The Contribution of Yves Congar Andrew Meszaros Part Three: Church Chapter Five: The Vota of the Prelates of the Southern Cone Region on Ecclesiology and Laity Sandra Arenas Chapter Six: The Vota of the Episcopate of the Andean Region on Ecclesiology and Laity Rolando Iberico Ruiz Chapter Seven: The Australian Pre-Conciliar Ecclesiological Imagination: Exploring Metaphors of the Church from Vatican I to Vatican II in the Australian Landscape Antonia Pizzey Part Four: Eastern Catholic Churches and Ecumenism Chapter Eight: Le Cardinal Li nart et le Tout Action Catholique Catherine Masson Chapter Nine: The Vota of the Eastern Catholic Churches and the Reform of Eastern Canon Law Jose Maripurath Devassy, Astrid Kaptijn, Peter De Mey Chapter Ten: Universality in Time and Space: The Salvation Historical Turn in Catholic Ecclesiology against the Background of Pre-Conciliar Ecumenism Simon Beentjes Chapter Eleven: The Catholic Conference for Ecumenical Questions: A Representative Summa of Pre-conciliar European Catholic Ecumenism? Saretta Marotta Part Five: Education Chapter Twelve: Religious Education and the Re-Christianization of Western Europe in the Long 1950s: A Missed Opportunity? Stephen G. Parker Chapter Thirteen: Catechesis, Seminary Formation, and Schools on the Threshold of Vatican II: Expectations within the Vota Antepraeparatoria Isaak Deman Chapter Fourteen: De Scholis Catholicis: The Preparation of the Decree on Catholic Schools in the Preparatory Period Mathijs Lamberigts Index of Names‎

‎REPERTORIUM VAN DE HOGERE HEERLIJKHEDEN VAN HET GRAAFSCHAP VLAANDEREN - 2 DELEN : Deel I: A-M + Deel II: N-Z‎

‎, Skribis, 2023 Hardcovers, 2 vols. 1368 pag. NL.,250 x 165 x 90 mm, Nieuw, . ISBN 9789464445770.‎

‎Heerlijkheden waren enclaves in een vorstendom waarbij delen van de overheidsmacht niet werden uitgeoefend door een vorst, maar door de priv persoon of instelling die een eigendomsclaim had op die heerlijkheid. Waar lage heerlijkheden hoofdzakelijk economische rechten en bevoegdheden hadden, werden de hogere heerlijkheden gekenmerkt door zeer uitgebreide bestuurlijke en gerechtelijke bevoegdheden die van groot belang waren voor de lokale gemeenschap. Dit naslagwerk biedt een overzicht van de ongeveer achthonderd hogere heerlijkheden die in Dietstalig Vlaanderen bestonden tussen het uitbreken van de Zwarte Dood in het midden van de veertiende eeuw tot aan de vooravond van de Beeldenstorm en de Nederlandse Opstand. Per hoge heerlijkheid worden de belangrijkste primaire bronnen opgelijst, evenals gegevens over de geografische situering, de leenrechtelijke positie, de precieze heerlijke rechten, en de beschikbare gegevens over de heren en vrouwen, aangevuld met de gerichte verwijzingen naar de beschikbare literatuur. Dit repertorium is het werk van een team van historici die hoofdzakelijk verbonden zijn aan de Universiteit Gent en de Vrije Universiteit Brussel onder leiding van Frederik Buylaert. Hij doceert sociale geschiedenis aan de Universiteit Gent en publiceerde al eerder een repertorium over de adellijke families die over de Vlaamse heerlijkheden regeerden in deze periode.‎

‎DICTIONNAIRE d'ARCHITECTURE‎

‎Un ouvrage de 126 pages, format 125 x 190 mm, illustré, broché, publié en 1999, Editions J.P. Gisserot, bon état‎

‎Juan Gris, Rimes de la forme et de la couleur‎

‎, Au fil du temps ditions 2011, 2011 Paperback, 208 pages, Texte en Francais, 290 x 240 mm, bon etat, illustrations et photographes de couleur et n/b, . ISBN 9782918298076.‎

‎Gris a tudi le dessin technique la Escuela de Artes y Manufacturas de Madrid de 1902 1904. Au cours de cette p riode, il a galement r alis des dessins pour des journaux et des magazines locaux. Entre 1904 et 1905, il tudie la peinture avec Jos Maria Carbonero. l'origine, Gris a t influenc par l'Art Nouveau allemand. En 1906, il s'installe Paris, o il se lie d'amiti avec Henri Matisse, Georges Braque et Fernand L ger. En 1915, son ami Amedeo Modigliani fait un portrait de lui. Gris a t guid Paris par son ami et compatriote Pablo Picasso. Bien que Gris ait continu soumettre des illustrations avec une touche d'humour noir des magazines tels que L'Assiette au beurre, Le Charivari et Le Cri de Paris, il a commenc peindre s rieusement en 1910. Ses premi res peintures l'huile ont t cr es en 1911, en utilisant des gris monochromes et tons de terre. En 1913, il commence peindre de mani re plus color e, mais toujours dans un style cubiste. En 1913, Gris a galement commenc utiliser la technique du collage. En 1922, il con oit des d cors et des costumes de ballet pour Sergue Diaghilev. Gris a crit sur sa th orie de l'art. Il donna sa plus importante conf rence sur ce sujet la Sorbonne en 1924, sous le titre Des possibilit s de la peinture. Gris est d c d d'une insuffisance r nale au printemps 1927 l' ge de 40 ans. Il laisse derri re lui sa femme Josette et un fils Georges.‎

‎Jacob Jordaens and Spain‎

‎, Brepols, 2019 Hardback, 648 pages, Size:240 x 280 mm, Illustrations:550 col., Language: English.* new ISBN 9788494858536.‎

‎Summary This monograph is dedicated to the painter Jacob Jordaens (Antwerp,1593-1678) and his relationship with Spain. This book is a catalogue raisonn of the painter's preserved works that have had a long and close link with the Court and Spanish patrons, both inside and outside of Spain. His paintings and designs are contemplated in this book in a deep and detailed way. In these pages the reader will find out about Jordaens work method, his sources of inspiration and the solutions he chose for the commissions that he carried out. TABLE OF CONTENTS Jacob Jordaens and Spain The triumphal arch of the Cardinal-Infante in Antwerp Torre de la Parada Alcazar of Madrid Works by Jordaens in the Bourbon era Nobles and clergymen with works by Jordaens in the 17th and 18th centuries Jordaens and the 19th century Jordaens in the 20th century Tapestries and nobility in Spain The themes of Jordaens's works linked to Spain Clarifications and conjecture Influence of Jordaens on Spanish painting Jordaens, criticism and Spanish historical sources Jacob Jordaens and Spain: Catalogue of Paintings List of Works by Jacob Jordaens Linked to Spain Religion (1-18) Mythology and History (19-53) Portraits (54-56) Genre (57-61) Tapestries (T. l-T.48) The Life of Achilles: Jordaens's Tapestry Designs (T.1-T.3) Series: History of Alexander the Great (T.4-T.15) Series: The Riding School (T.16-T.27) Scenes from Country Life or The Art of Hunting as Entertainment for the Game of Love (T.28-T.30) Jordaens and the Proverbs Series (T.31-T.48) A. Copies (A.1-A.10) B. Documented Original Paintings by Jordaens (B.l-B.19) C. Documented Copies of Paintings by Jordaens (C.1-C.2) D. Works Erroneously Attributed to Jacob Jordaens (D.l-D.18) Addenda (1-4) Brief Chronology of Jordaens's Life Documentary Appendices Bibliography Index of Names Rights and Photographic Credits‎

‎CHAPELLE DU ROSAIRE DES DOMINICAINES DE VENCE‎

‎Vence. 1951. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Env. 40 pages. Illustré de nombreuses reproductions en noir et blanc hors texte. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Chapelle du rosaire des dominicaines de Vence‎

‎Vence. 1955. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 40 pages environ - nombreuses photos en noir et blanc hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Chapelle du Rosaire des Dominicaines de Vence‎

‎ VENCE, 1953 - In-8 - Broché - Nombreuses planches NB hors texte - Non paginé (environ 44 pages) - Très propre, très bon exemplaire‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Chapelle du rosaire des dominicaines de Vence.‎

‎ Vence, 1951, in-8, br., couv. illustrée en jaune et bleu, (48 pp.). Reproductions et photographies de cette Chapelle décorée par Matisse. Imprimé par Mourlot.‎

‎fente et petit manque bord 1er plat couverture,dans l'etat Remise de 20% pour toutes commandes supérieures à 200 €‎

‎CHAPELLE DU ROSAIRE DES DOMINICAINES DE VENCE PAR HENRI MATISSE.‎

‎ Éditions Mourlot. Août 1951, in-8 broché, non paginé, illustré, couverture de Matisse sur fond jaune citron. Bon état. ‎

‎ Franco de port France jusqu'à 30 euros. MONDIAL RELAY pour : FRANCE, Portugal, Pologne, Espagne, Allemagne, Autriche, Pays Bas, Luxembourg, Italie, Belgique. Toutes les étapes sont accompagnées. Achat, estimations et listages France / Suisse (sur rdv). ‎

‎Matisse: Fleurs, feuillages, dessins‎

‎Le Cateau-Cambr sis, Mus e Matisse, 1989 Couverture souple, 135 pages, 28 x 25 cm, Fran ais. * tat bien. ISBN 9782907545099.‎

‎Mus e Matisse, Le Cateau-Cambr sis 8 juillet 30 septembre 1989‎

‎Habitations et habitat d'Asie du Sud-Est continentale. Pratiques et représentations de l'espace‎

‎L'harmattan, coll. « Recherche Asiatiques » 1992 In-8 broché 24 cm sur 16. 431 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Les églises baroques de Corse. A la découverte d’un langage oublié.‎

‎DCL éditions, 2000, in-4to, XVI + 132 p., richement ill. couleurs, brochure originale.‎

‎L'architecte. Collection : Les métiers.‎

‎Paris, Editions du Cercle d'Art, 1942. 11 x 18, 58 pp., 16 planches en N/B, reliure d'édition carton, bon état.‎

‎Fallus in kunst & cultuur‎

‎, Groeninghe Uitgeveri 2000, 2000 Hardcover, 160 pagina's, Nederlands, 277 x 217 mm, mooi boek, diverse afbeeldingen, . ISBN 9789071868290.‎

‎Heresy of the Brothers, a Heterodox Community in Sixteenth-Century Italy‎

‎, Brepols, 2022 Hardback, 221 pages, Size:156 x 234 mm, Illustrations:12 b/w, 8 col., 3 tables b/w., Language: English. ISBN 9782503593296.‎

‎Summary Around the mid-sixteenth century, one of the largest Italian heterodox communities developed in Modena: the community of 'Brothers'. At the beginning of the century, a flourishing humanistic tradition had inspired protests against the authority of the Church and had led many of the city's prominent figures to sympathize with Luther and the Reformation. Over the following decades, such positions became more extreme: most of the 'Brothers' held radical convictions, ranging from belief in predestination to contestation of the Antichrist pope. In some cases, the 'Brothers' even went so far as to deny the value of baptism. This heterodox community in Modena created a hidden network for the free expression of its reformed faith. Within twenty years, however, the election of Pope Pius V (1566-1572) and the consolidation of the Holy Office led to a harsh campaign to disperse dissenters in the city. Despite the protection of illustrious members of the Roman Catholic hierarchy, the bishops of Modena, and the dukes of Ferrara, the Holy Office succeeded in repressing the community. The history of the 'Brothers' of Modena therefore provides a case study for understanding how the Inquisition influenced the balance of religious Italy, changing the face of the Peninsula forever. TABLE OF CONTENTS Abbreviations, List of Illustrations Introduction Chapter 1. The Face of Heresy: Protagonists and Scenarios of Dissent The context: a city in sixteenth-century Italy From the Academy to the 'Brothers': two generations Faith and commerce: the structure and places of heresy Private meetings and public protests: secrets, uproar and the spread of the community The leaders of the 'sect': hierarchies, welfare and roles in the heterodox movement The origins of the community: Camillo Renato, Bartolomeo Fonzio and Bartolomeo della Pergola Chapter 2. The Timeframe and Methods of Justice: Religious and Political Authorities confronted with Heresy The conduct of bishops in the face of religious dissent The trials conducted by the Inquisition (1546-1568) The final dispersion of the community (1568-1570) Conflicts between the political authorities and the courts of faith: the defence of municipal autonomy Impossible compromises: Community, Court and Inquisition The final defeat: the Magnavacca case Chapter 3. Dangerous Books: The Texts and Readings of the Modenese Brothers From Bible translations to Erasmus of Rotterdam Satires, catechisms and anti-Catholic pamphlets Methods of circulating, distributing and concealing forbidden books Chapter 4. Faith and works: The doctrines and practices of the heterodox movement Saving the soul: justification, free will and predestination Criticism of baptism and the spread of antitrinitarian doctrines Signs of God: eucharistic symbolism and celebration of the Lord's Supper Confessing sins Papist inventions: priesthood, confirmation, extreme unction and marriage Prayers for the living, prayers for the dead The worship of saints and images Fighting the Antichrist Chapter 5. Beyond the Community: Persecution and Survival Feeling persecuted: inquisitorial repression and expectations of freedom * Pursuing heresy: outlying territories Monitoring affections: family networks Beyond the border: inquisitorial networks against the Brothers Conclusions Appendix?I. Series of Bishops of Modena, Roman Pontiffs, and Dukes of Ferrara Appendix?II. Documents Works Cited Index‎

‎H ros antiques : La tapisserie flamande face l'arch ologie‎

‎, Cinq Continents, 2014 Hardcover, 192 pages, FR. edition, 310 x 255 x 20 mm, Tres bien etat, illustrations en couleur / n/b. ISBN 9788874395200.‎

‎La tapisserie a longtemps repr sent le summum du raffinement et du faste en termes de d cor d?int rieur. Au-del de la qualit des mat riaux et du tissage qui donnait toute leur valeur ces ?uvres, la s lection op r e dans les collections du Mus e d?art et d?histoire de Gen ve et de la Fondation Toms Pauli de Lausanne montre que l?utilisation et l?interpr tation des grandes figures de l?Antiquit , d?Alexandre Constantin, ne sont pas anodines l? poque baroque. Que connaissait-on au xviie si cle de ces h ros antiques et de leur aspect ? Quel message v hiculaient-ils ? Comment et pourquoi les mod les suivis par les lissiers flamands, entre exactitude historique et allusions contemporaines, ont-ils t cr s ? Ces questions sont autant de d fis. Les ont relev s, avec les conservateurs des institutions mentionn es, des historiens de l?art, sp cialistes de l? poque baroque et de la tapisserie, ainsi que des arch ologues.Antiquit s in dites et moulages, estampes, livres et m dailles permettront d?acc der au monde fascinant des grands mod les de vertu politique et militaire que le si cle de Louis XIV se cherchait dans les h ros de l?Antiquit , apparemment en dehors des luttes religieuses qui avaient longtemps boulevers l?Europe.‎

‎Storia della lauda. Secoli XIII-XVI‎

‎, Brepols, 2021 Paperback, 511 pages, Size:178 x 254 mm, Illustrations:1 b/w, 6 col., Language: Italian. ISBN 9782503596273.‎

‎Summary La lauda, ovvero la poesia religiosa in volgare, soprattutto nella forma del canto collettivo di lode, di confessione e di supplica, un genere letterario-musicale di sfuggente classificazione. L'interpretazione che la vuole sempre arte popolare, priva di eloquenza formale, contraddetta da numerosi esempi di laude d'autore, da Guittone a Iacopone, da Bianco da Siena a Feo Belcari, da Leonardo Giustinian a Lorenzo de' Medici, di profonda raffinatezza intellettuale. Dopo la nascita in Italia centrale e settentrionale nel xiii secolo, nel quadro dei moti popolari penitenziali e alleluiatici e dell'espansione degli ordini mendicanti, la lauda non smette di accompagnare la storia della civilt italiana, generando una tradizione ininterrotta che interseca, nella molteplicit delle sue forme, la storie della letteratura, della musica e della spiritualit . Laude liriche e laude drammatiche, di corte e di piazza, meditative e pubbliche: la lauda si riveste d'abiti sempre nuovi, assecondando lo spirito mutevole dei tempi, capace d'intercettarne i gusti e le aspirazioni senza tradire la propria identit . Questo studio riannoda i fili della straordinaria storia della lauda, per apprezzarne la natura multimediale e proteiforme e la capacit dare voce anche a culture "di margine", dalla spiritualit dei laici a quella delle donne, costituendo una delle pi significative eredit consegnate dalla cultura medievale all'et moderna. TABLE OF CONTENTS 1. Introduzione 1.1 Gli studi sulla lauda, genere "multimediale" 1.2 I fili e la trama: per una storia della lauda 1.3 Nota filologica: il problema della "verit " del testo PARTE I. STORIA E GEOGRAFIA DELLA LAUDA 2. La lauda dal xiii al xvi secolo 2.1 La Preistoria: il retroterra monastico e confraternale 2.2. Da Montecassino all'Umbria: la fase "staminale" 2.3. Il secondo Duecento e la codificazione tra Disciplinati e Laudesi 2.4. La fioritura primotrecentesca: le direttrici di espansione della lauda 2.5. Il secondo Trecento: tra Gesuati, Bianchi e circoli cateriniani 2.6. Primo e pieno Quattrocento: tra Firenze e Venezia 2.7. Il secondo xv e l'inizio del xvi secolo: Savonarola, i Medici e i laudografi tosco-veneti 2.8. Serafino Razzi e la "rivoluzione Gutenberg" 2.9. Il secondo Cinquecento: la lauda "militante" dell'Oratorio 2.10. Le laude nelle scuole della Dottrina cristiana 2.11. L'illanguidimento del genere nel corso del Seicento PARTE II. LE GRAMMATICHE DELLA LAUDA 3. Il testo della lauda: una contaminazione di generi 3.1 Laudate Dominum: il retaggio biblico-liturgico 3.2 Vocazione volgare e osmosi con le letterature profane 3.3 La "predicazione" dello ioculator Domini. 3.4 La codificazione formale: ballata, modo pasquale e modo passionale 3.5 Lauda lirica e lauda drammatica: una categorizzazione sufficiente? 3.6. Le forme in movimento: sperimentazioni tre-quattrocentesche 3.7 Il "classicismo" primocinquecentesco e l'emergere di un "gusto nuovo" 3.8 La Parola in parole: l'irrisolta dialettica tra lauda e linguaggi profani 4. Laude "da vedere": l'intreccio tra parola, immagine e gesto 4.1 Levate gl'ochie et resguardate: il primato del senso della vista 4.2 Le miniature dei laudari di rappresentanza 4.3. L'ispirazione pittorica: la lauda come esegesi iconografica 4.4 "Parole dipinte" e "visibile parlare": la meditazione per immagini 4.5 Una "teologia dell'immagine"? 5. Laude "da cantare": bis orat qui bene cantat 5.1 La monodia due-trecentesca e l'adozione della ballata 5.2 Il pieno Trecento: la tradizione dei travestimenti spirituali 5.3 La nascita della lauda polifonica: tra ars e natura 5.4 Il secondo Quattrocento: fioritura frottolistica e "rassettatura" savonaroliana 5.5 Il primo Cinquecento: l'et del madrigale e la sintesi di Razzi 5.6. La lauda tridentina: le melodie "ariose e cantabili" 5.7 Musica angelorum o musica diaboli? 6. La teologia delle laude: una spiritualit esperienziale e affettiva? 6.1 Gustare e vedere Dio : cristocentrismo e nuove esigenze spirituali 6.2 Danza macabra : la spiritualit ascetico-penitenziale 6.3 Danza mistica : la spiritualit mistico-contemplativa 6.4 Dalla tradizione bonaventuriana alla devotio moderna 6.5 Orazione vocale e orazione mentale: tra formalismo e culto interiore 6.6 La lauda mariana: madonna Teologia 7. Fuori dal coro: voci di laici e di donne 7.1. Dopo lungo silenzio: voci nuove agli albori del basso Medioevo 7.2 L'ideologia delle confraternite: tra "liminalit " e renovatio 7.3 Spontaneit "dal basso" e istanze normative "dall'alto" 7.4 La stra-ordinaria emersione di una religiosit femminile 8. In conclusione Siglario Indice topografico dei manoscritti‎

‎Gio Ponti Fascination for ceramics ‎

‎, Silvana Editoriale, 2011 Softcover, 160 pages illustrations, 23,9 x 17,3 x 1,5 cm.( book = new in cellophane ) ISBN 9788836620647.‎

‎One of the last century?s leading architects and industrial designers, Gio Ponti (1891?1979) was at the helm of Italy?s massive design renaissance in the years following World War Two, becoming particularly celebrated for his incredibly lightweight ?Superleggera? (?Superlight?) chairs of the late 1950s. Ponti initially studied architecture but abandoned it upon graduation to take up a position as art director at the Milanese ceramics manufacturer, Richard-Ginori. He remained at the company for the rest of the decade, designing ceramic, porcelain and majolica vases, bowls, figurines and trays that infused a Wiener Werkst tte elegance with his own love of visual storytelling. Ponti embellished his works with images of shapely women enveloped by tufts of clouds or resting upon classical architecture, animals in flight, and boats sailing upon rough, wave-filled seas. This volume appraises Ponti?s ceramic oeuvre for the first time.‎

‎Loanwords and Native Words in Old and Middle Icelandic. A Study in the History and Dynamics of the Icelandic Medieval Lexicon, from the Twelfth Century to 1550‎

‎, Brepols, 2022 Hardback, 332 pages, Size:156 x 234 mm, Illustrations:1 b/w, 5 col., 36 tables b/w., Language: English. ISBN 9782503598154.‎

‎Summary Anyone familiar with the Modern Icelandic language will know that the country's policy is to avoid borrowing lexemes from other languages, and instead to draw on their own vocabulary. This often results in the formation of a word pair, consisting of a loanword and its respective native equivalent, as the process of borrowing systematically eludes the tight tangles of language policy. But how did this phenomenon develop in the Middle Ages, before a purist ideology was formed? This volume offers a unique analysis of a previously unexplored area of Old Norse linguistics by investigating the way in which loanwords and native synonyms interacted in the Middle Ages. Through a linguistic-philological investigation of texts from all medieval Icelandic prose genres, the book maps out the strategies by which the variation and interplay between loanwords and native words were manifested in medieval Iceland and suggests that it is possible to identify the same dynamics in other languages with a comparable literary tradition. In doing so, new light is shed on language development and usage in the Middle Ages, and the gap between case-study and general linguistic theory is bridged over. TABLE OF CONTENTS List of Figures List of Tables Preface Abbreviations Languages Icelandic Prose Works, Skalds, and Poems Other Abbreviated Bibliographical Sources Abbreviated Dictionaries, Lexica, and Corpora Other Introduction Aim and Scope Review of Previous Research Research Hypothesis Loanwords in Old and Middle Icelandic: A Brief Sketch Theoretical Framework and Methodology of Analysis Corpus, Rationale, and Data Elicitation Terminology Structure of the Present Work Chapter 1: Religious Texts Introduction The Icelandic Homily Book The Old Norse Translation of Honorius Augustodunensis's Elucidarius Stj rn I Oddur Gottsk lksson's Translation of the New Testament Comparative Analysis and Conclusions Chapter 2: Law Texts and diplomata Introduction Gr g s J nsb k and Relative r ttarboetr Diplomata Comparative Analysis and Conclusions Chapter 3: Treatises Introduction Grammatical Treatises (1-4) Medical Texts Algorismus Astronomical and Computistic Texts Comparative Analysis and Conclusions Chapter 4: Historiographical Texts Introduction slendingab k Veraldar saga Kristni saga Comparative Analysis and Conclusions Chapter 5: Hagiographical Texts Introduction Hungrvaka orl ks saga helga Laurentius saga byskups Nikul ss saga af T lent n Comparative Analysis and Conclusions Chapter 6: Sagas of the Icelanders Introduction Egils saga Droplaugarsona saga G sla saga Gunnlaugs saga Grettis saga V glundar saga Comparative Analysis and Conclusions Chapter 7: Kings' Sagas Introduction Sverris saga lafs saga helga (Heimskr.) Kn tlinga saga Comparative Analysis and Conclusions Chapter 8: Chivalric and Legendary Sagas Introduction Alexanders saga Erex saga Fl res saga ok Blankifl r Gibbons saga Sigur ar saga ?gla Sigrgar s saga froekna D nus saga drambl ta V?lsunga saga orsteins saga V kingssonar Hr lfs saga kraka Comparative Analysis and Conclusions Conclusions General Results Word Pair Dynamics Lexical Strategies through the Centuries Word Pairs from 1550 Onwards General Bibliography Manuscripts Primary Sources Dictionaries, Lexica, and Corpora Secondary Works Index verborum‎

‎Der Wasserbau. III. Teil des Handbuchs der Ingenieurswissenschaften. Zweiter Band: Stauwerke. Bearbeitet von P. Gerhardt, K. E. Hilgard, E. Mattern und Th. Rehbock. Zweite Abteilung: Die Talsperren. Bearbeitet von E. Mattern, hrsg. von Th. Rehbock. Vierte, vermehrte Auflage. Mit 351 Textabbildungen, vollständigem Sachregister und 2 lithographierten Tafeln.‎

‎Leipzig / Berlin, Wilhelm Engelmann, 1913, in-4to, XII (Textmarkierung am Rand bei VII + VIII) + 706 S., ill. mit 351 Abb. + 14 Falttafeln + 2 lith. Tafeln (Gotthardbau Tunnel v. Nord u. Sud. Seite. Tafeln sind lose beigelegt), Original-Halblederband.‎

‎A travers les villes mortes de Haute Syrie. Promenades archéologiques en 1928, 1929, 1931‎

‎Beyrouth, Imprimerie Catholique 1933 175 [i] pp.avec 36 figures dans le texte + 48 planches hors-texte, br.orig. qqs.traces d'usage), 25cm., bon état, rare, dans la série "Mélanges de l'Université Saint-Joseph, Beyrouth (Liban)" Tome 17 fasc.1, X77310‎

‎Maisons et Chalets Suisses.‎

‎ La Chaux-de-Fonds, G. Dubois 1916, 240x165mm, 24pages, broché. ‎

‎ petites photos n/b in texte, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Reading Dante with Images: A Visual Lectura Dantis‎

‎, Brepols - Harvey Miller, 2021 Hardback, 416 pages, Size:220 x 280 mm, Illustrations:8 b/w, 224 col., Language: English. ISBN 9781912554508.‎

‎Summary This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired. TABLE OF CONTENTS MATTHEW COLLINS Experimenting with Traditions K.P. CLARKE Inferno 1: Openings and Beginnings GIANNI PITTIGLIO Inferno 6: Una fiera crudele e tanto diversa. Cerberus Illustrated in the Early Manuscripts and Incunabula of the Divine Comedy MICHAEL PAPIO Inferno 10: Heretics in Fiery Tombs PETER S. HAWKINS Inferno 26: Tongues on Fire CHRISTIAN Y. DUPONT Inferno 33: The Power of Grief SILVIA ARGURIO Purgatorio 2: The Angel on the Water DARIO DEL PUPPO Purgatorio 5: An Experimental Visual Interpretation ARIELLE SAIBER Paradiso 28: Entruthing the Image SANDOW BIRK Accidental Dantista: Los Angeles is Not Hell, New York is Not Paradise ROBERT BRINKERHOFF Una selva oscura: Midlife and Metaphor BARRY MOSER On Illustrating the Divine Comedy‎