Bruxelles, Credit Communal, 1996 cartonnage illustre de l'éditeur, pages 414, 24 x 16 cm. ISBN 5411572080942.
Industrie et Société en Hainaut et en Wallonie du XVIIe au XXe Siècle, Recueil d'articles de Marinette Bruwier.
Venise, Ardo, Editions d'art, 1979. 19 x 24, 58 pp., nombreuses illustrations en couleurs, broché,très bon état.
texte en français.
Milan, Kina Italia, 2000. 19 x 24, 61 pp., très nombreuses illustrations en couleurs, broché, très bon état.
Ardo 1979 in4. 1979. Broché.
Bon Etat de conservation intérieur propre propre accroc sur le haut du premier plat petite tache sur la première page
, Skira, 2015 Hardcover with dusjacket 448 pages, Illustrated. 39x31cm. *Fine. ISBN 9788857222479.
The refined output of vases and bowls by the great architect and designer for the long-standing Venetian glasshouse. An architect, designer, interior decorator, and columnist for Domus magazine, Tomaso Buzzi (1900?1981) was one of the most important trendsetters for Italian taste in the 1930s and 1940s. This volume provides a complete overview of the refined oeuvre of Buzzi, who worked in close partnership with Venini & Co. in 1932 and 1933
, Prestel, 2025 Three Volumes in a Slipcase, hardcovers, 1712 pages, 30,0 x 32,0 cm, 3,285 color illustrations. ISBN 9783791377391.
This magnificent and unprecedented three-volume set showcases one of the world?s most important collections of twentieth-century Venetian glass?1.000 masterpieces marvelously photographed and cataloged by a renowned expert in the field. Celebrated for its exceptional craftsmanship, artistic mastery, and iconic design, Venetian glass has a rich historical legacy. The techniques developed by Venetian glassmakers have influenced glassmaking worldwide. Presented in three impressive volumes, this private collection includes works by thirty of the most influential artists, artisans, and studios from 1895?1970. Through Marino Barovier?s expertly insightful texts, readers will learn the evolution of the techniques, forms, colors, and tastes in Venetian glass during the Novecento?a century of sociopolitical, historical, and cultural change of egregious magnitude. Each glass object is described in terms of its aesthetic beauty, style and proportions, artistic quality and rarity. The author describes the technical difficulties of the realization and the perfection of the technique that went into each piece. He also considers the designer?s standing; the significance of the manufacturers and glass masters; and their historical importance. Photographed with exceptional clarity and quality, the works are presented in remarkable full-page spreads, grouped by manufacturer, designer and type. The result is an impeccable and invaluable reference work reflecting the latest scholarship, that will appeal to glass experts, collectors, and anyone interested in modern glass art and design.
Skira, 1996. Format 29x28 cm, reliure souple a rabats, 79 pages. 4eme de couverture tachee. Bon etat.
Paris, Berger-Levrault, 1980, in-4, relié sous jaquette éditeur, 433 pages. Bon état. Ill. (photos et plans) N/B. Index. Importante bibliographie.
, Silvana Editorale, 2024 PB, 310 x 260 mm, 112 pages, 60 Color illustrations, EN-IT edition. ISBN 9788836657896.
This volume accompanies the exhibition Belle Haleine by German artist Georg Baselitz (1938) - a leading figure in the world of contemporary art - hosted in the splendid setting of the Galleria degli Antichi in Sabbioneta (Mantua), the Ideal City founded by Vespasiano Gonzaga Colonna. Among the works presented - chosen from among the most significant in his artistic career - are imposing sculptures, large paintings on canvas, and the ten provocative engravings collectively entitled Belle Haleine in homage to Marcel Duchamp, an artist to whom Baselitz - provocatively - often refers in his work, and first exhibited in 1963. The volume offers a broad view of the multifaceted nature of the pioneer of neo-expressionist art, whose hallmark is to reproduce figures "upside down".
, Hamlyn 1970, 1970 Hardcover, 75 pages, English, 290 x 230 mm, Fine copy., very richly illustrated with coloured illustrations !!.
Zwolle, Waanders & De Kunst, 2024 Oorspronkelijk uitgevers omslag, 184 pagina's, 29 x 23.5 cm. ISBN 9789462625709.
Ruim 200 jaar geleden waren er in het Mauritshuis niet één, maar twee musea te bezoeken. Op de bovenverdieping bevond zich het Koninklijk Kabinet van Schilderijen, terwijl op de begane grond duizenden objecten van allerlei aard tentoongesteld waren in het Koninklijk Kabinet van Zeldzaamheden. Dit zeldzaamhedenkabinet sloot in 1875 en de objecten werden verdeeld over verschillende Nederlandse instellingen. Bij de tijdelijke tentoonstelling Het verdwenen museum over dit Koninklijk Kabinet
, Brepols, 2020 Paperback, 424 pages, Size:156 x 234 mm, Language: French. ISBN 9782503584430.
Summary Par quel prodige une philosophie matérialiste et naturaliste qui posait tout à la fois l'unité du continuum cosmique et l'existence du destin a-t-elle pu donner naissance à une conception forte de l'individu, et de cet individu singulier qu'est le sujet humain? Tel est le paradoxe que nous cherchons ici à éclairer. Sur près de cinq siècles, le stoïcisme construit en effet une conception unifiée de l'individu, depuis sa forme commune à tous les vivants jusqu'à la spécificité radicale de l'individuation humaine, celle de la subjectivité. C'est cette genèse dans laquelle le passage du stoïcisme à Rome a joué un rôle décisif que nous nous attachons à reconstruire.
1 vol. in-8 reliure bradel demi-percaline marron, A. Aubry, Paris, Chaumas-Gayet, Bordeaux, 1861-1865, 549 pp.
Important ouvrage qui évoque exclusivement le patrimoine religieux bordelais. Charles Marionneau évoque successivement la Cathédrale Saint-André, l'Eglise Saint-Bruno, Sainte-Croix, Saint-Eloi, Sainte-Eulalie, Saint-Louis, Saint-martial, Saint-Michel, Notre-Dame, Saint-Paul, Saint-Pierre, Saint-Seurin, les chapelles d'établissements publics et les crois de cimetières ou de carrefours... Bel exemplaire en parfait état, du premier ouvrage important de l'historien de l'art Charles Marionneau (1823-1896)
Paris, A. Aubry, Bordeaux, Chaumas-Gayet, 1861-65 in-8, viij-550 pp., avec un tirage photographique en guise de portrait-frontispice, maroquin havane, dos à nerfs orné de pointillés, filets et caissons dorés richement ornés, encadrement de triple filet doré sur les plats, double filet doré sur les coupes, tranches dorées, large guirlande en encadrement sur les contreplats, première couverture conservée (Capé).
Tirage limité à 212 exemplaires. Un des deux seuls exemplaires sur papier rose. Il était destiné à Mme Marionneau (Anne-Aimée Chevalier, 1802-1874), et fut à ce titre spécialement truffé d'un tirage photographique contrecollé sur papier blanc et représentant l'auteur, avec un envoi autographe "A ma chère mère". Unique édition de la seule partie parue, qui concerne uniquement les édifices religieux.Peintre et historien de l'art, Charles Marionneau (1823-1896) était le fils du peintre François Marionneau (1795-1867) ; après une formation à Paris, il revint s'installer dans sa ville natale en 1860 et y mena une carrière exclusivement régionale, très axée sur l'archéologie et l'histoire des monuments de Bordeaux.Exemplaire de Pierre Bonnal, de Bordeaux, avec vignette ex-libris contrecollée sur les premières gardes. - - VENTE PAR CORRESPONDANCE UNIQUEMENT
Phone number : 06 46 54 64 48
, Thames & Hudson, 2019 hardcover, 312 pages Illustrated. 32x25cm, Language English, *New. ISBN 9780500021934.
Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists. Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, László Moholy-Nagy, and Josef Albers. Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus' influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.
EDITIONS DES DEUX COQS D'OR. 1965. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. Nombreuses illustrations en couleur, dans le texte, par Peter Spier.. . . A l'italienne. Classification Dewey : 720-Architecture
Librairie de l'Amateur. Classification Dewey : 720-Architecture
Roma, Istituto poligrafico dello Stato, Libreria dello Stato, 1966. 13 x 18, 191 pp., 18 illustrations dans le texte, 114 hors texte, 2 plans, broché, bon état.
Sint-Niklaas,, uitgever niet gekend, 1984 , Gebonden, Hardcover 125 p. : ill. .
Antwerp, Phoebus Focus XII, 2019 Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337.
Phoebus Focus 12 - Madonna met Kind. Jan II Borman (gest. ca. 1520) Vroeg zestiende-eeuwse beeldhouwkunst op haar best
, Brepols 2020, 2020 160 p., 28 b/w ills, 39 col. ills, 216 x 280 mm, English, Hardcover,. ISBN 9782503580272.
An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Tom Verschaffel is professor in cultural history at KU Leuven. His research concerns the intellectual and cultural history of the eighteenth and nineteenth centuries, and more specifically the history of historical writing, the popular representation of history and cultural nationalism, the history of cultural infrastructure and of cultural transfers. Art historian Marjan Sterckx is associate professor in Art History at Ghent University, where she recently launched the research group ThIS: The Inside Story: Art, Interior design & architecture 1750-1950. Her research concerns the intersections between sculpture, gender, photography and the interior.
Marjan Sterckx (UGent) Eve Brems, Devilles, De Vos, Levine, Van Gelder
Reference : 57419
, Erfgoedcel leuven, 2005 Softcover, 201 pages, Illustrated.
, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language ENGLISH ed. ISBN 9789462626317.
Holland was a popular travel destination for artists in the last quarter of the nineteenth century. American artists Gari Melchers and George Hitchcock also visited our country in the 1880s. In 1884, they settled in Egmond aan Zee. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on fellow professionals. Desire for Egmond offers an overview of the developments in the artist colony of Egmond and the key role Hitchcock and Melchers played there.
, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language Dutch (NL) ed. *nieuw ISBN 9789462626171.
Nederland was in het laatste kwart van de negentiende eeuw een populair reisdoel voor kunstenaars. Ook de Amerikaanse kunstenaars Gari Melchers en George Hitchcock bezochten in de jaren 1880 ons land. In 1884 vestigden ze zich in Egmond aan Zee. De aanwezigheid van Melchers en Hitchcock in Egmond oefende een grote aantrekkingskracht uit op vakbroeders. Verlangen naar Egmond biedt een overzicht van de ontwikkelingen in de kunstenaarskolonie Egmond en de sleutelrol die Hitchcock en Melchers er vervulden.
, Brepols, 2022 Hardback, 288 pages, Size:225 x 300 mm, Illustrations:3 b/w, 150 col., Language: English. ISBN 9781909400955.
Summary Around 1600, a new style of sculpture started to evolve and flourish in Central Europe and in the German-speaking lands. Dramatic wood and stone figures peopled the palaces, gardens and churches of Munich, Berlin, Dresden, Düsseldorf, Vienna and Prague. These great works of art are little known outside Germany and Austria, partly because their colour and vivacity are so astoundingly different from the sculpture that was being produced in Italy, France and elsewhere in Northern Europe at that time. They are overpowering, and amongst the greatest works of art produced in Europe in the seventeenth century. This groundbreaking book explores their history and conveys their visual power. TABLE OF CONTENTS List of Illustrations Introduction CHAPTER ONE Sculpture in South Germany 1600-40: Antecedents and International Currents CHAPTER TWO Small-Scale Sculpture and Patronage in Berlin and Vienna: 1630-1700 CHAPTER THREE The Court of Saxony in the Late Sixteenth and Early Seventeenth Centuries CHAPTER FOUR Munich and Bavaria in the Late Seventeenth and First Half of the Eighteenth Century CHAPTER FIVE The Mid-Eighteenth Century in Bavaria CHAPTER SIX Sculpture in Prague c. 1650-1750 CHAPTER SEVEN Sculpture in Vienna, Gurk, Würzburg and Trier. Ceramics. Appendix I: Biographical List of Artists Appendix II: List of Rulers and Patrons Bibliography Index
, Brepols, 2022 Hardback, 442 pages, Size:156 x 234 mm, Illustrations:17 b/w, 7 col., Language: English. ISBN 9782503599571.
Summary Across three thematically-linked sections, this volume charts the development of competing geographical, national, and imperial identities and communities in early medieval England. Literary works in Old English and Latin are considered alongside theological and historical texts from a range of disciplinary perspectives. Accounts of travel, foreign contacts, conversion, migration, landscape, nation, empire, and conquest are set within the continual flow of people and ideas from East to West, from continent to island and back, across the period. The fifteen contributors investigate how the early medieval English positioned themselves spatially and temporally in relation to their insular neighbours and other peoples and cultures. Several chapters explore the impact of Greek and Latin learning on Old English literature, while others extend the discussion beyond the parameters of Europe to consider connections with Asia and the Far East. Together these essays reflect ideas of inclusivity and exclusivity, connectivity and apartness, multiculturalism and insularity that shaped pre-Conquest England. TABLE OF CONTENTS Acknowledgments, List of Figures, List of Abbreviations Introduction: Foreign Contacts, Landscapes, and Empire-Building ? MARK ATHERTON, KAZUTOMO KARASAWA, AND FRANCIS LENEGHAN Here, There, and Everywhere? Alfred and the East ? DANIEL ANLEZARK The Wanderings of Saturn: Psychogeography, Psalms, and Solomon and Saturn ? RACHEL BURNS Otherwheres in the Prose Texts of the Nowell Codex ? S. C. THOMSON Rome away from Rome: India, Rome, and England in Ælfric's 'Life of St Thomas' ? LUISA OSTACCHINI Christ Embracing the World: Ælfric's Description of the Crucifixion in 'De Passione Domini' ? KAZUTOMO KARASAWA A Place in the World Babel and Beyond: Thinking Through Migration in Genesis A ? DANIEL THOMAS The Sound-World of Early Medieval England: A Case Study of the Exeter Book Storm Riddle ? BRITTON BROOKS The Place of Stillness: Greek Patristic Thought in Cynewulf's Juliana ? ELENI PONIRAKIS St Rumwold in the Borderland ? HANNAH BAILEY The World of Ealdorman Byrhtnoth: A Landscape Biography ? MARK ATHERTON Nation and Empire Mapping Empire: Two World Maps in Early Medieval England ? HELEN APPLETON Good Neighbours? Representations of Britons, Welsh, Picts, and Scots in Pre-Conquest English Sources ? CAITLIN ELLIS From (North-)East to West: Geographical Identities and Political Communities in the Ninth- to Eleventh-Century Anglo-Scandinavian World ? RYAN LAVELLE Kings, People, and Lands: The Rhetoric of The Battle of Brunanburh?PAUL CAVILL End of Empire? Reading?The Death of Edward?in MS Cotton Tiberius B I ? FRANCIS LENEGHAN Index