‎Augustin ex g te et pr dicateur dans les Sermons sur Matthieu‎

‎, Brepols, 2021 Paperback, 722 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213037.‎

‎Summary In his preaching, does Augustine of Hippo adapt his biblical commentaries and, if so, according to what criteria? To answer this question, this book studies the exegesis of some twenty sermons preached on the Gospel of Matthew. The first chapter places them in their historical, geographical, polemical and liturgical contexts. The following chapters investigate the patristic tradition and the Augustinian works in order to shed light on the specificity of the interpretations; the rhetorical dimension is also taken into account. Through their scriptural interpretations, these sermons assume the concrete situation of the audience and are inserted into the dynamics of the liturgy from which they receive the material for the commentary and the finality that guides it. Their exegesis is situated at the intersection between the Word of God which it extends and implements (chapters 2 to 4) and the responses it seeks to elicit from the listeners (chapters 5 to 7). This desire to edify the listeners, both personally and communally, while aiming at spiritual progress and orthopraxis rooted in the confessed truth, helps to enlighten the preacher's adaptation of the Sermons on Matthew. Dans sa pr dication, Augustin d'Hippone adapte-t-il ses commentaires bibliques et, si oui, selon quels crit res ? Pour r pondre cette question, cet ouvrage tudie l'ex g se d'une vingtaine de sermons pr ch s sur l' vangile de Matthieu. Un premier chapitre les replace dans leurs contextes d' nonciation, historiques, g ographiques, pol miques et liturgiques. Les chapitres suivants proc dent une enqu te dans la tradition patristique et dans l'oeuvre augustinienne pour, le cas ch ant, mettre en lumi re la sp cificit des interpr tations ; la dimension rh torique est aussi prise en compte. Ces sermons assument par leurs interpr tations scripturaires la situation concr te de l'assembl e et s'ins rent dans la dynamique de la liturgie dont ils re oivent la mati re du commentaire et la finalit qui l'oriente. Leur ex g se se situe l'intersection entre la Parole de Dieu qu'elle prolonge et met en oeuvre (chapitres 2 4) et les r ponses qu'elle cherche susciter de la part des auditeurs (chapitres 5 7). Cette volont d' difier les auditeurs, la fois personnellement et communautairement, en visant tout autant un progr s spirituel et une orthopraxie d coulant de la v rit confess e, contribue clairer l'adaptation du pr dicateur dans les Sermons sur Matthieu. TABLE OF CONTENTS Ante omnia Sigles Introduction Chapitre 1. Prol gom nes. Contextes des Sermones in Matthaeum Premi re partie: Per ministrum sermonis. La m diation du pr dicateur Introduction Chapitre 2. M diations et annonce (S. 66). Mt 11, 2-11. Lc 7, 18-28 Chapitre 3. Ministerium sermonis. Le minist re du pr dicateur Chapitre 4. "Petite! Quaerite! Pulsate!" Enseigner l'ex g se Per ministrum sermonis. Conclusion Seconde partie: Fructus quaeritur. Les fruits de la pr dication Introduction Chapitre 5. Images bibliques de la fructification Chapitre 6. Fides. La foi, fruit de la pr dication Chapitre 7. Caritas. L'amour de Dieu et du prochain, fruits de la pr dication Fructus quaeritur. Conclusions Conclusion Annexes Indices‎

‎Chromo-Architecture - L'art de construire en couleur‎

‎Edité par Editions Alternatives, Paris, 2007. Broché avec rabats, 22 x 24 cm. 160pp. Nombreuses illustrations en couleurs. Très bon état. ‎

5 Images

‎Construire aujourd'hui, et demain ? Liberte, responsabilite & engagement de l'architecte - rapport d'activite avril 2023‎

‎STRASBOURG ecole d'architecture. 2023. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages - quelques illustrations en couleur. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Art Belge II / Belgische Kunst II‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Art Belge II / Belgische Kunst II - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎BLINKY PALERMO‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 diteurs originaux, couverture cartonn e, 21 x 15 cm. 20 pages. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS BLINKY PALERMO CATALOGUE DE L'EXPOSITION‎

‎Cadere / K pcke / Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Cadere / K pcke / Coleman CATALOGUE DE L'EXPOSITION‎

‎David Lamelas‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1991 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS David Lamelas CATALOGUE DE L'EXPOSITION‎

‎Jacques Charlier‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Jacques Charlier CATALOGUE DE L'EXPOSITION‎

‎James Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Coleman CATALOGUE DE L'EXPOSITION‎

‎James Ensor‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1989 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Ensor CATALOGUE DE L'EXPOSITION‎

‎Koroliov / Tzereteli / Zamkov / Zhilinksy‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Koroliov / Tzereteli / Zamkov / Zhilinksy CATALOGUE DE L'EXPOSITION‎

‎Marina Abramovic - Becoming Visible‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Marina Abramovic - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Paysages - Landschappen‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Paysages - Landschappen CATALOGUE DE L'EXPOSITION‎

‎Peter Archer‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Peter Archer CATALOGUE DE L'EXPOSITION‎

‎Piero Manzoni ‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Piero Manzoni - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Wolfgang Laib‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Wolfgang Laib CATALOGUE DE L'EXPOSITION‎

‎#07 Anne Rondia architecte et paysagiste‎

‎, Archidoc, 2023 Paperback, 320 pages, Texte en Francais , 190 x 150 x 24 mm, Tres bien condition, illustr. / foto's en couleur / n/b. ISBN 9782960192278.‎

‎Architecte et paysagiste form e l?Institut d?architecture Saint-Luc de Li ge, Anne Rondia d veloppe une pratique professionnelle qui l?am ne aborder tant l?insertion paysag re d?infrastructures de transport en divers milieux que la conception et la gestion d?espaces publics d? chelles et de natures tr s vari es en milieu urbain, principalement en tant qu?auteur de projet au sein de la Ville de Li ge (1994-2017). Son apport dans la red finition des espaces publics est fondamental. Il se caract rise entre autres par une vision soci tale engag e, orient e vers les pratiques habitantes, respectueuse du contexte historique et paysager tout en soutenant l?int gration d??uvres d?art dans l?espace public. Les am nagements port s par Anne Rondia sont nombreux : quai des Tanneurs, place mile Wiket, cour du Cin ma Sauveni re? Mais c?est surtout en remportant le concours pour le parc Saint-L onard (en association avec Arlette Baumans et Aloys Beguin, 1994) et avec les projets du parc Sainte-Agathe (Prix de l?urbanisme, 2015) et de valorisation touristique des Coteaux de la Citadelle Li ge qu?Anne Rondia touche la reconnaissance tant de la critique que du grand public. Ce dernier projet obtient en 2016 le prix du paysage de Wallonie et une mention sp ciale pour la participation du public, au prix europ en du paysage 2017. De 1980 2013, Anne Rondia partage ses exp riences et son expertise en tant qu?assistante puis chef de travaux Saint-Luc puis la facult d?architecture de l?Universit de Li ge et exerce actuellement en tant que conseill re ou partenaire pour le paysage dans le cadre d? quipes pluridisciplinaires.‎

‎Sublime Truth and the Senses: Titian's Poesie for King Philip II of Spain‎

‎, Brepols - Harvey Miller, 2019 Hardback, iv + 232 pages, Size:220 x 280 mm, Illustrations:71 b/w, 77 col., Languages: English, Italian, Latin. ISBN 9781909400276.‎

‎Summary The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.‎

‎L'HISTOIRE EN SAVOIE, REVUE TRIMESTRIELLE HISTORIQUE, N°31/32, MAI 1981. NUMERO HORS SERIE: CHAMBERY, UN CERREFOUR, UNE CAPITALE, UN STYLE.‎

‎AU BUREAU DE LA REVUE. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages. Premier plat illustré en couleurs. Quelques photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215)‎

‎, Brepols, 2019 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503581514.‎

‎Summary The Fourth Lateran Council (1215) was groundbreaking for having introduced to medieval Europe a series of canons that sought to regulate encounters between Christians and Jews and Muslims. Its canon 68 demanded that Jews and Muslims wear distinguishing dress, in order to prevent Christians from entering into illicit sexual relations with them, restricted the movement of Jews in public spaces during Holy Week, and exhorted secular authorities to punish Jews who in any way "insult" or blaspheme against Christ himself. Other canons sought to exercise greater control over moneylending, to provide relief to Christian borrowers, to extract tithes from Jews who held Christian properties as pledges, and prohibited Jews from exercising power as public officials over Christians. The canons condemned converts who preserved elements from their former religion, promoted a fifth Crusade to the East, exempted Crusaders from taxes and from interest payments to Jewish moneylenders, restricted trade with Muslims or Saracens, and condemned Christians who provided arms or assistance to Saracens. The Council's canons affected the missionary efforts of the late medieval Church and its attempts to convert Jewish and Muslim minorities, and established essential guidance on minority relations not to be surpassed until Vatican II in the 1960s. TABLE OF CONTENTS John Tolan, Introduction Part I-Jews under the Fourth Lateran Council Valerie Ramseyer, Wellesley College, Rethinking Boundaries between Christian, Jewish, and Muslim Communities in Pre-Lateran IV, Southern Italy Alex Novikoff, Kenyon College, Performance and the Audio-Visual Jew in the Age of Pope Innocent III Irven Resnick, University of Tennessee-Chattanooga, The Jews' Badge Anna Sapir Abulafia, Lady Margaret Hall, Oxford University, The Fourth Lateran Council through the Lens of Jewish Service Rebecca Rist, University of Reading, From a Jewish Text: Anti-Jewish Papal Policy of the Lateran IV Decrees Part II-Muslims under the Fourth Lateran Council Ryan Szpiech, University of Michigan, Saracens and Church Councils, from Nablus (1120) to Vienne (1313-1314) Giulio Cipollone, Pontificia Universit Gregoriana, Christian and Muslim Captives Taken in Crusades and Jih?d: Not a Single Word Spoken at the Fourth Lateran Council Yvonne Friedman, Bar-Ilan University, The Crusade/Peacemaking Dichotomy: A Nuanced Approach Clara Almagro Vidal, Universidade de vora/CIDEHUS, Military Orders, Muslims, and the Fourth Lateran Council in Castile Ana Echevarria, Universidad Nacional de Educaci n a Distancia, The Marks of the Other: The Impact of Lateran IV in the Regulations Governing Muslims in the Iberian Peninsula Josep Hernando Delgado, Universitat de Barcelona, From Islam to Christianity: Preaching, Conversion, and the Religious Practices of Muslim Slaves from the Fourth Lateran Council through the Fifteenth Century Appendix Bibliography Index‎

‎ Baga, Visions of Africa‎

‎, 5 Continents, 2019 softcover, 148 pages, 72 ills. 16,5 x 24 cm., test in English, *new. ISBN 9788874398201.‎

‎The Baga, along with the Nalu and the Landuma, are a small rice-growing community living along the coast of Guinea, in West Africa. They became famous following the discovery of their extraordinary sculptures by explorers, colonial administrators, ethnologists, collectors, and art dealers towards the end of the nineteenth century. Nowadays, the art of the Baga is admired in the public and private collections of northern European countries. Their works consist mainly of different types of wooden masks and statues of various sizes, as well as wonderful percussion instruments, chiefs' seats, and other skillfully carved utilitarian objects. All these sacred objects were once created and used as important features in their ritual behavior based on the manifestation of their divinities, ancestor worship, rites of passage, secret brotherhoods, and the performance of important social ceremonies like weddings, funerals, and harvesting. But more recently they have also included entirely new sculpted works created by talented, highly skilled craftsmen who were influenced by colonization and newly introduced religions, while at the same time finding inspiration in traditional myths and legends. Fascinating examples of this eclecticism are the figures of colonists depicted standing, on horseback, or riding birds, the many different kinds of female busts representing Mami Wata, the sea goddess, winged figures, bestiaries associated with tales and legends, and the personifications of the heroic founders of their villages.‎

‎La décoration monumentale des églises de la France septentrionale du XIIe au XIIIe siècles. Thèse pour le doctorat, Université de Paris.‎

‎Couverture souple. Broché. 234 pages.‎

‎Livre. Editions Ernest Leroux, 1911.‎

‎Mens Acris in Corpore Commodo. Festschrift in Honour of the 70th Birthday of Ivan Matej?i?‎

‎, Brepols, 2023 Paperback, 452 pages, Size:200 x 280 mm, Illustrations:74 b/w, 238 col., Language(s):English, Italian. ISBN 9789538250163.‎

‎Summary This volume, dedicated to Ivan Matej?i?, a distinguisehd Croatian art historian and conservator, in honour of his 70th birthday, contains thirty articles covering the fields of art history, archaeology and history. These are all original contributions to debates regarding mostly the period from Late Antiquity to the Renaissance, but not disregarding the Baroque and thus reflecting the broad interests of the celebrant. While several contributions discuss themes related to Dalmatia or Italy, the foucs of the volume is on istria, the meeting point of Central, Mediterranean and Southeast Europe, which was also the region to which Ivan Matej?i? dedicated most of his outstanding work. Therefore it will, withouth doubt, find an interested readership among scholars from many different counries and fields of interest, Byzantine and Carolingian Europe being only the two most prominent. - Prof Neven Budak, University of Zagreb The reviewed book presents more than 30 original scientific papers dealing mostly with Middle Ages and the Renaissance, practically all in the field of art history or archaeology, authored by some of the most qualified international researchers in these fields. It includes diachronical research related to medieval architecture and liturgy, ecclesiastic history, medieval paintings mostly focusing on Christian history and material culture. Most topics published in this book are presented for the first time. The interest of the scientific immunity will be visible in the use of new methodologies in a quite prolific number of papers, with new interpretations of old known material. All former studies of the topics elaborated in this volume are questioned - providing andwers and new perspectives of old problems, while giving new methodologies of interpreting the past. - Prof. Alexandra Chavarria Arnau, University of Padova TABLE OF CONTENTS Miljenko Jurkovi? - Marijan Bradanovi?, Predgovor / Foreword Marijan Bradanovi?, ?ivjeti povijest umjetnosti, raditi ?uvaju?i ba?tinu / Living Art History - Working Preserving Heritage Bibliography of Ivan Matej?i? Branko Orbani?, Gard Ivana Matej?i?a u borbi za ba?tinu / Fighting for Heritage - the Stance of Ivan Matej?i? Gaetano Ben?i?, Parenzo dal IV al VII secolo alla luce delle evidenze archeologiche Pascale Chevalier, Antonivs, Eufrasivs, Frvgifervs, Probinvs, Helias : des v ques b tisseurs et leurs sceaux de pierre Ivan Josipovi?, Et Verbum caro factum est - Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Pore? in the Context of a Final Confrontation with Arian Heresy Ranko Starac, La basilica in localit ?Mire? a Ba?ka sull'isola di Krk (Veglia) Morana ?au?evi? Bully, S bastien Bully, Jessy Crochat, avec la collaboration de Pascale Chevalier, Quelques consid rations sur l'architecture et les installations liturgiques de l' glise pal ochr tienne de Martin??ica (Punta Kri?a, le de Cres) Gian Pietro Brogiolo, Santa Giustina di Padova, sepolture presso il sacello Michelle Beghelli, On the Road and in the Tavern. Practical Aspects of the Master Builders' Mobility: Distances, Journey Durations, Stopovers and Hospitality, Costs (7th-9th c.) Miljenko Jurkovi?, Carolingian Istria - an Introduction to a Renaissance of the Late 8th Century Ivan Basi?, Patriarch or Bishop? Aemilianus of Pula at the Turn of the 9th Century Ante Milo?evi?, Early Medieval Belt Strap-end from Dubrovnik between the West and the East Josip Bani?, Marchionatus Istrie origo mythosque Wodalrici marchionis: (Re)interpreting the Genesis of the March of Istria and the Socio-Genealogical Background of its First Margraves (c. 1060 - c. 1100) Nikolina Marakovi? - Sun?ica Musta?, I capitelli della chiesa di S. Martino a San Lorenzo del Pasenatico nel contesto della scultura del primo romanico nel Nord Adriatico Nata?a Nefat, Due absidi per il professor Matej?i? - contributo allo studio del gruppo di chiese biabsidiali in Istria ?eljko Pekovi?, Fortification Architecture on the Islet of St. Mary on the Island of Mljet Jean-Pierre Caillet, La tavola Bembo attribu e Paolo Veneziano : contextualisation hagiographique et typologique Nikola Jak?i?, Sant'Oronzo nei reliquiari medievali a Zara e Nona Zoraida Demori Stani?i?, The Icon of Virgin Glykofilousa in Vodnjan Marijan Bradanovi?, Andanti e in moleca per Ivan Matej?i? Danijel Cikovi?, Tre aggiunte al catalogo della bottega di Paolo Campsa Giovanna Valenzano, Primizie da un restauro in corso: le sante dipinte da Giotto sull'intradosso della cappella di Santa Caterina al Santo di Padova ?eljko Bistrovi?, Gotische Wandmalereien in der Kapelle der Hl. Dreifaltigkeit des ehemaligen Augustinerklosters des Hl. Hieronymus im mittelalterlichen Sankt Veit am Pflaum (heutiges Rijeka in Kroatien) Goran Nik?i?, Creation of the World on the Fa ade of the Kor?ula Cathedral Josip Belamari?, The Church of St Jerome on Marjan Hill - a Renaissance camera picta Predrag Markovi?, The Relief of St John the Evangelist from Marjan (Split) - At Least ?the First Consideration? Samo ?tefanac, Nuove osservazioni sull'architettura del duomo di Ossero Xavier Barral i Altet, Ravenne tardo-antique et m di vale comme nouvelle J rusalem : propos d'une vue de la ville de 1664 Radoslav Tomi?, Il pittore Giovanni Francesco Fedrigazzi: nuove opere a Tra Vinni Lucherini, Due lettere inedite per l'edizione muratoriana (1725) della Cronaca altomedievale dei vescovi di Napoli Jasenka Gudelj, Il cerimoniale e la storia: le committenze del vescovo Marino Bozzatini (1742-1754) a Cittanova e Buie Mirjana Repani?-Braun, Caspar Franz Sambach's Painting on the High Altar of the Cathedral of St Theresa in Po?ega‎

‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

‎Philippe Van Snick the project‎

‎, S.M.A.K. - Stedelijk Museum voor Actuele Kunst Gent, 2019 softcover, 142 pag. met illustraties, 29.5x23.5cm. ISBN 9789075679571.‎

‎Philippe Van Snick (1946-2019) is een Belgisch kunstenaar die woonde en werkte in Brussel, waar hij jarenlang lesgaf aan de kunsthogeschool Sint Lukas.Hij was in de jaren 60 en 70 actief als een conceptueel en minimalistisch kunstenaar en werkte met diverse materialen zoals film, fotografie, en installaties. Weerkerende thema's zijn de ellips, het dualisme, en het decimaal systeem. Vanaf 1979 en vooral in de jaren 80 en 90 zal hij zich vooral wijden aan de abstracte minimalistische schilderkunst. Bekende motieven van Philippe Van Snick zijn dan het dag-nacht motief, gesymboliseerd in de kleuren blauw en zwart, en het tiendelige kleurenpalet met de kleuren rood, geel en blauw (als hoofdkleuren),oranje, groen en violet (als secundaire kleuren), goud en zilver (als kleuren met fysische waarde) en wit en zwart(als niet-kleuren). Aan dit boek werd heel geconcentreerd samengewerkt door de reeds terminaal zieke kunstenaar en grafisch ontwerpster Inge Ketelers. Helaas heeft hij de gedrukte publicatie niet meer in handen kunnen nemen.‎