‎Recueil général des mosaïques de la Gaule. II : Province de Lyonnaise (4 Tomes ) 1 : Lyon ; 2 : Partie Sud-Est ; 3 : Partie Centrale ; 4 : Partie occidentale, cités des Carnutes, Turons, Andécaves, Cénomans, Diablintes, Namnètes‎

‎Xe supplément à Gallia, 4 vol. in-4 br. sous couv. illustrée, Editions du Centre National de la Recherche Scientifique, CNRS, Paris, 1967, 1975, 1977, 1991. Rappel du titre complet : Recueil général des mosaïques de la Gaule. II : Province de Lyonnaise (4 Tomes ) 1 : Lyon ; 2 : Partie Sud-Est ; 3 : Partie Centrale ; 4 : Partie occidentale, cités des Carnutes, Turons, Andécaves, Cénomans, Diablintes, Namnètes‎

8 Images

‎Bon ensemble (couv. lég. frottée) réunissant les 4 premiers volumes (sur 5) consacrés aux mosaïques de la Province lyonnaise, dont le rare tome premier consacré à la cité de Lyon. ‎

‎"DER SCHNEEMANN". Le bonhomme de neige.‎

‎S.N. Givors 1991 Catalogue in-4 ( 260 X 210 mm ) de 263 pages, agrafé sous couverture illustrée. Nombreuses illustrations hors-texte. Trés bel exemplaire enrichi d'une carte postale signée de Jean STERN.‎

‎RESOLUTIONS 1989.‎

‎Musée Cantonal Des Beaux-Arts Sion 1989 Catalogue in-12 ( 190 X 130 mm ), agrafé. Illustrations en couleurs hors-texte. Trés bel exemplaire enrichi d'un envoi autographe signé de Jean STERN.‎

‎NEW YORK 1960. Architecture and Urbanism between the Second World War and the Bicentennial.‎

‎New York, Monacelli Press, Stern, 1995, in-4 hardcover, dj, 1374 pp, illustrations. In english. 4kg. ‎

‎ Livres Lourds(>1kg): ETRANGER: Supplément postal possible en fonction du poids et de la destination (nous consulter préalablement par mail). FRANCE : Expédition par Mondial Relais ou Chronopost sans supplément. Supplément à prévoir en cas de livraison postale.‎

‎Aspect de l'âme romaine.‎

‎Liège, H. Dessain, 1960. 16 x 21, 50 pp., broché, très bon état.‎

‎Versions latines coordonnées par W. Sternon pour les 3 classes supérieures.‎

‎CHANGING CONCEPTS OF ART‎

‎Haven publications; 1983 ; in-8 softcover, illustrations. 738 pp . In english. Cover rubbed. Markings inside. Used condition. ‎

‎Die Kunstdenkmäler des Kantons Aargau, Band 1: Die Bezirke Aarau, Kulm, Zofingen. ‘KDS’, 21.‎

‎Basel, Birkhäuser, 1948, in-4°, XI + 427 S., mit 326 Abbildungen, Original-Leinen.‎

‎Die Kunstdenkmäler des Kantons Aargau, Band 2: Die Bezirke Lenzburg und Brugg. ‘KDS’, 29.‎

‎Basel, Birkhäuser, 1953, in-4°, XII + 480 S., mit 430 Abbildungen, Original-Leinen.‎

‎Spirit of the Wild‎

‎, Thames & Hudson, 2006 Hardcover, 128 pages, ENG , 310 x 260 x 20 mm, dustjacket, in very good condition, Full Page photographs in sharp colours, the lyrics with every photo are as wise and beautifull . ISBN 9780500513200.‎

‎Steve Bloom's goal has been to search for the spirit of the world?s wildlife: the tiger?s eyes gleaming brightly in the jungles of India; polar bear cubs seeing the world for the first time; the few mountain gorillas left in Africa. The result is a perpetual dance for the eye which reveals not only the animals but much that is new to us about ourselves. Accompanied by his own commentaries, as passionate as they are informed, and thought-provoking quotes from legendary figures such as Mahatma Gandhi, Gerald Durrell and Emily Dickinson, Spirit of the Wild brings to the fore the common experiences of all living beings. These unforgettable images will astonish and inform anyone who sees them as the full force of man?s environmental destruction of the planet and its creatures is revealed.‎

‎Hôtels Insolites‎

‎Editions Jonglez 2007 in4. 2007. Broché. 231 pages. Bon Etat‎

‎Du créateur biblique au démiurge gnostique. Trajectoire et réception du motif du blasphème de l'Archonte‎

‎, Brepols, 2021 Paperback, 864 pages, Size:156 x 234 mm, Illustrations:38 tables b/w., Language(s):French, Hebrew, Greek. ISBN 9782503584966.‎

‎Summary L'auteur de ce livre propose la comparaison critique de toutes les utilisations attestées du motif gnostique du blasphème de l'Archonte et l'étude de la transformation de la citation du texte d'Isaïe dans les textes gnostiques en examinant les particularités de chaque attestation. Cette approche permet, entre autres, de bien distinguer les différentes versions du blasphème de l'Archonte et de retracer, autant que possible, les différentes étapes de sa diffusion dans la littérature gnostique. Toutes ces variantes sont précieuses, car elles permettent de préciser les destinataires visés par les différentes oeuvres et les contextes socioreligieux spécifiques à chacune de celles-ci. L'Archonte apparaît tantôt comme un modèle de conversion à imiter, tantôt comme un anti-modèle à rejeter, comme le type de l'impiété religieuse. Ces présentations impliquent des destinataires et des situations communautaires différents, si bien que les origines du motif du blasphème de l'Archonte sont diverses, mais doivent être situées à l'intérieur du cadre de la construction du discours interreligieux. Le blasphème de l'Archonte apparaît alors comme un des volets de la crise identitaire du christianisme au IIème siècle, qui s'est cristallisée, entre autres, autour de la question de la véritable connaissance de Dieu. TABLE OF CONTENTS Préface par Paul-Hubert Poirier Avant-propos Table des matières Partie I : Introduction Prologue Chapitre I : Fondement scripturaire du blasphème de l'Archonte Partie II : Les versions ophites du blasphème de l'Archonte Chapitre II : Le blasphème de Yaldabaôth de la notice d'Irénée sur les ophites Chapitre III : Le blasphème du Grand Géniteur Yaldabaôth dans l'Écrit sans titre Chapitre IV : Le blasphème de Samaël-Sakla-Yaldabaôth dans l'Hypostase des archontes Chapitre V : Le blasphème du Grand Géniteur dans la Sagesse de Jésus-Christ Chapitre VI : Le blasphème du Cosmocrator dans le Deuxième traité du Grand Seth Partie III : Les versions barbélo-séthiennes du blasphème de l'Archonte Chapitre VII : Le blasphème du Protarchonte de la notice d'Irénée sur les barbéliotes Chapitre VIII : Le blasphème du Protarchonte Yaldabaôth dans l'Apocryphon de Jean Chapitre IX : Le blasphème du Grand Démon Sakla dans la Prôtennoia trimorphe Chapitre X : Le blasphème de Sakla dans le Livre sacré du Grand Esprit invisible Partie IV : Les versions valentiniennes du blasphème de l'Archonte Chapitre XI : Le blasphème du Démiurge de la Grande Notice d'Irénée et la réfutation des livres II et IV Chapitre XII : Le blasphème du Démiurge dans l'Adversus Valentinianos de Tertullien Chapitre XIII : Le blasphème du Démiurge de la notice sur Valentin de l'Elenchos Partie V : Les « autres » versions du blasphème de l'Archonte Chapitre XIV : Le blasphème de l'Archonte dans L'Adversus Marcionem de Tertullien Chapitre XV : Le blasphème du Cosmocrator de la notice contre Marcion d'Eznik de Ko?b Chapitre XVI : Le blasphème d'Élohim de la notice sur Justin de l'Elenchos Chapitre XVII : Le blasphème du Grand Archonte de la notice de l'Elenchos sur Basilide Chapitre XVIII : Le blasphème de l'Archonte de la notice d'Épiphane contre les nicolaïtes Chapitre XIX : Le blasphème de l'Archonte dans la Seconde Apocalypse de Jacques Partie VI : Conclusion Épilogue Annexe I. La source commune à l'Écrit sans titre et à l'Hypostase des archontes Annexe II. Les matériaux communs à la Sagesse de Jésus-Christ et à Eugnoste Bibliographie Index des auteurs modernes Index des sources anciennes‎

‎Steve McCurry : the Ungarded Moment : Thirty Years of Photographs by Steve McCurry‎

‎, Phaidon, 2009 Hardcover, 128 pages, ENG, 390 x 285 x 25 mm, dustjacket, as New, Full Page coloured photographs!. ISBN 9780714846644.‎

‎This striking new publication, a companion to Phaidon's 2000 bestseller South Southeast, is a new selection of the very best of Steve McCurry's beautiful and powerful photographs from around the world, taken over the last thirty years.‎

‎Steven Holl : Heart - Herning Museum of Contemporary Art‎

‎ Editions Hatje Cantz - 1 vol in-4 - cartonnage éditeur illustré - 2009 - 95 pages - Illustrations en couleurs - ‎

‎Très bon état - ‎

‎Renée Lorie Noctuary‎

‎, Posture Editions Nr 32, 2019 PB, 297 x 210 mm, 96 pages, Illustrated.ENG-NL edition. ISBN 9789491262333.‎

‎Noctuary ? the first publication of Renée Lorie (b. 1989), a Brussels based photographer ? is a photografic journey into undefined landscapes and interiors. The black and white photographs are full of magical moments, uncertain feelings and surreal light. "A lot of images you see here were made during the end of a period of loss. Close beloved ones that passed away. When you go through this intense process of letting go, looking back, trying to hold on, forever is a strong compulsion. You want to latch onto these past certainties, in order to avoid the confrontation of constant change and dissociation, processes unique to life. Photography serves as a consolation to impossibly embrace what was."‎

‎BOOK TOWER IMAGES. Visualizing Henry van de Velde's Ghent University Library Tower‎

‎, A-S books, 2023 softcover , 270 x 200 mm, 168 pages , 210 colour illustrations, EN edition. ISBN 9789076714691.‎

‎The Ghent University library with its famous "Book Tower" was designed by Henry van de Velde in the 1930s. It re-opened recently after a long restoration process under the supervision of Robbrecht en Daem architecten. Book Tower Images focuses on the rich artistic imagery of the monument. Over the years, leading artists and photographers such as Frans Masereel, Lucien Hervé, Candida Höfer, and Carl De Keyzer have visualized it abundantly. Jan De Cock, Marie-Jo Lafontaine, Anne Teresa De Keersmaeker and others realized installations or dance performances in the building that were documented with the help of photographs and films. Juxtaposing multiple images of the same building, Book Tower Images deals with various models of architectural representation: from typical modernist architectural photographs by Emile Sergysels from the 1940s to recent explorations by Dirk Braeckman, Geert Goiris, Aglaia Konrad, and Walter Vorjohann among many others. Book Tower Images combines architectural photography with a myriad of other artistic and photographic practices such as documentary photography, street photography, fashion shoots, photojournalism, amateur photography, painting, drawing, video, film et cetera - with, of course, the Book Tower as leitmotiv. De Gentse Universiteitsbibliotheek met de beroemde Boekentoren, die door Henry Van de Velde in de jaren 1930 werd ontworpen, werd onlangs heropend na een lange restauratiecampagne. Hoewel de tentoonstelling Beelden van de Boekentoren inspeelt of dit heuglijke feit, schenkt zij niet zozeer aandacht aan het gebouw zelf maar eerder aan de rijke beeldvorming ervan. De bibliotheektoren werd in de loop der jaren immers uitvoerig gevisualiseerd door toonaangevende fotografen zoals Lucien Hervé en Candida Höfer terwijl kunstenaars als Jan De Cock en Anne Teresa De Keersmaeker er installaties of dansvoorstellingen realiseerden die met behulp van foto's en films werden geregistreerd. Door meerdere beelden van hetzelfde gebouw te confronteren maakt deze expositie een veelvoud aan architecturale representatietechnieken duidelijk: van de typische modernistische architectuurfoto's die Emile Sergysels in de jaren 1930 maakte tot de recente exploraties door Aglaia Konrad. Daarnaast koppelt de expositie architectuurfotografie aan een ruime waaier van andere artistieke en fotografische praktijken zoals documentaire fotografie, street photography, modefotografie, fotojournalistiek, amateurfoto's, schilderkunst, video, et cetera - met, uiteraard, de Boekentoren als rode draad. Met werk van Kristien Daem, Jan De Cock, Walter De Mulder, Carl De Keyzer, Geert Goiris, Lucien Hervé, Candida Höfer, Jan Kempenaers, Aglaia Konrad, François Schuiten, Emile Sergysels en vele anderen. Dit project werd gerealiseerd in samenwerking met de Centrale Bibliotheek van de Universiteit Gent en de Archives et Musées de la littérature te Brussel en met de genereuze steun van Art Mentor Foundation Lucerne‎

‎BOOK TOWER IMAGES : Visualizing Henry van de Velde's Ghent University Library Tower ‎

‎, A-S Books, PB+, 270 x 200 mm, 168 p, 210 Kleurenillustraties, EN edition, NEW. ISBN 9789076714691.‎

‎The Ghent University library with its famous "Book Tower" was designed by Henry van de Velde in the 1930s. It re-opened recently after a long restoration process under the supervision of Robbrecht en Daem architecten. Book Tower Images focuses on the rich artistic imagery of the monument. Over the years, leading artists and photographers such as Frans Masereel, Lucien Hervé, Candida Höfer, and Carl De Keyzer have visualized it abundantly. Jan De Cock, Marie-Jo Lafontaine, Anne Teresa De Keersmaeker and others realized installations or dance performances in the building that were documented with the help of photographs and films. Juxtaposing multiple images of the same building, Book Tower Images deals with various models of architectural representation: from typical modernist architectural photographs by Emile Sergysels from the 1940s to recent explorations by Dirk Braeckman, Geert Goiris, Aglaia Konrad, and Walter Vorjohann among many others. Book Tower Images combines architectural photography with a myriad of other artistic and photographic practices such as documentary photography, street photography, fashion shoots, photojournalism, amateur photography, painting, drawing, video, film et cetera - with, of course, the Book Tower as leitmotiv.‎

‎Werk in architectuur Paul Robbrecht en Hilde Daem ‎

‎BE, Ludion, 1998 Gebonden met stofomslagl, 156 pagina's geïllustreerd. ISBN 9055440906.‎

‎Prachtig geïllustreerd overzicht van het oeuvre van dit toonaangevende architectenduo dat met zijn realisaties de band tussen beeld en ruimte, tussen kunst en architectuur concretiseert.‎

‎Raoul De Keyser: Early Works. Catalogue of Paintings 1964-1980‎

‎, Walter Koenig Verlag , 2024 Hardcover, dusjacket, 256 pages, ca. 800 illustrations color and b/w. Language: English text ISBN 9783753305608.‎

‎This publication was made possible thanks to the generous support of Zeno X Gallery Antwerp, David Zwirner Gallery New York, Barbara Weiss Gallery Berlin, Ghent University Central Library, and the Dekeyser family---Het boek belicht het weinig bestudeerde vroege werk van De Keyser en omvat onder meer een rijk geïllustreerde catalogue raisonné van de schilderijen gemaakt tussen 1964 en 1980. Raoul De Keyser (1930-2012) start met schilderen als jongeman in de jaren 1940. Al in de vroege jaren 1950 breekt hij zijn artistieke loopbaan af voor een job als ambtenaar en journalist. Pas in 1964 manifesteert hij zich opnieuw als kunstenaar met werken die aanvankelijk de nieuwe trends in de figuratieve schilderkunst (Pop Art, nouveau réalisme) oproepen, terwijl ze later aansluiten bij het Amerikaans modernisme (Colorfield Painting, Post-Painterly Abstraction, Hard Edge). In de jaren 1970 vertoont De Keysers werk sterke overeenkomsten met zowel de Minimal Art als de Fundamentele schilderkunst. De tentoonstelling in VANDENHOVE focust op deze vroege periode in De Keysers werk en bestaat uit een twintigtal schilderijen die nooit eerder werden geëxposeerd of die niet meer werden getoond sinds de jaren 1960 en '70. Naast enkele jeugdwerken omvat de expositie een uitzonderlijke selectie schilderwerken uit privé-collecties, van werken uit de jaren 1960 die representatief zijn voor de zogenaamde Nieuwe Visie tot gelaagde schilderijen uit de jaren 1970. Zij vertonen de vertrouwde landschappen, kamers, krijtlijnen, tenten en wolken, soms in verrassende kleuren die afwijken van zijn meer bekende werken. Sommige schilderijen lijken bovendien bepaalde thema's of gevoeligheden aan te kondigen die later in zijn loopbaan verder werden uitgewerkt. Samen tonen ze een traject doorheen de motieven, variaties, hernemingen en overschilderingen die het hele oeuvre van De Keyser tekenen. Naast deze nooit of zelden getoonde werken, omvat de tentoonstelling stukken uit het archief van Raoul De Keyser, dat deel uitmaakt van de collectie van de Centrale Bibliotheek van de Universiteit Gent. Installatiezichten, posters, folders, schetsen en aantekeningen (waarvan vele nooit eerder werden gepubliceerd) werpen een nieuw licht op De Keysers vroege artistieke ontwikkelingen, met aandacht voor onder meer zijn activiteiten als sportjournalist en kunstcriticus, zijn connecties met Nederlandse musea en galeries, zijn affiniteiten met grafische vormgeving, zijn atelier als tentoonstellingsruimte en zijn niet aflatende belangstelling voor het 'object-karakter' van zijn schilderijen. De expositie Lang niet gezien: Raoul De Keyser 1946-1964-1980 grijpt plaats ter gelegenheid van het verschijnen van twee publicaties over de jonge De Keyser [EN] A leading exponent of European painting from the late 1980s to the early 2000s, Belgian artist Raoul De Keyser (1930-2012) started his career much earlier. This book focuses on De Keyserâ?Ts hitherto understudied early works, including a catalogue raisonnà of the paintings made between 1964 and 1980. De Keyser started painting in the 1940s but aborted his artistic career in the early 1950s, becoming a civil servant and journalist. Only in 1964, he took up painting again with works blending the inï¬,uence of Raveel, Dine, Held, and Noland. Soon, he developed his own idiom, evolving into a more subdued and abstract style in the 1970s. Based on extensive archival research, this book contains a wealth of artworks, photographs, posters, and documents that never have been published before.‎

‎Post ex sub dis Urban fragmentations and constructions‎

‎, 010 Publishers, 2002 Paperback, 312 Pagina's, ENG, 235 x 175 mm, illustrations in colour / b/w . ISBN 9789065404787.‎

‎Post, ex, Sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown, and disrubia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyze contemporary cityscape. To many observers, urban evironments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflextions on ruban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with work by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings toghether a series of essays on spatial, social, and cultural issues written by distinguished scholars and practioners from unusual variety of disciplines. It wil be especially usefull to students of urban planning, architecture, sociology, literature and the arts.‎

‎Post ex sub dis Urban fragmentations and constructions **SIGNED‎

‎, 010 Publishers, 2002 Paperback, 312 Pagina's, ENG, 235 x 175 mm, illustrations in colour / b/w **** SIGNED Met handgeschreven opdracht en gesigneerd, gedateerd door de auteur . ISBN 9789065404787.‎

‎Post, ex, Sub and dis - these are but a few of the prefixes that have been used to compose neologisms for describing the contemporary cityscape in Western Europe and North America. Terms such as posturban space, postsuburbia, exurbia, exopolis, suburban downtown, and disrubia are part of a dizzying collection of often hotly contested labels. The plethora of neologisms demonstrates how difficult it has become to name, map and analyze contemporary cityscape. To many observers, urban evironments and urban society have come to evince a radically chaotic and fragmented structure. This book explores how in recent decades the notion of fragmentation - a mainstay already of reflextions on ruban modernity - has acquired new meanings and how, within the current decentralized and centrifugal context, the urban landscape is constantly being deconstructed and reconstructed, both materially and discursively. Richly illustrated with work by artists and photographers who have visualized various new kinds of urban fragmentation, the volume brings toghether a series of essays on spatial, social, and cultural issues written by distinguished scholars and practioners from unusual variety of disciplines. It wil be especially usefull to students of urban planning, architecture, sociology, literature and the arts.‎

‎Science in the Monastery. Texts, Manuscripts and Learning at Saint-Bertin‎

‎, Brepols, 2020 Paperback, 352 pages, Size:216 x 280 mm, Illustrations:15 col., 6 tables b/w., Language: English. ISBN 9782503585635.‎

‎Summary The traditional view of monastic orders in late-medieval scholastic culture has been relatively muted. Beyond the Franciscan and Dominican orders, and to a far lesser extent, the Augustinians and Cistercians, the older monastic orders (and especially the Benedictines) played a smaller role in the university during the thirteenth through the fifteenth centuries. Yet if the library collection of Saint-Bertin is examined more carefully, one finds that many of the books were added by alumni of the University of Paris and Louvain, and in one instance, Cologne, and that as a whole, the monastery's collection reflected the changing currents within late medieval intellectual society. Science in the Monastery proposes to analyze Benedictine science using Saint-Bertin as a vehicle. TABLE OF CONTENTS Introduction Three celebrated manuscripts Leiden, Universiteitsbibliotheek, Voss.Lat.Q.94: Lucretius' De rerum natura Wolfenbüttel, Herzog August Bibliothek, Gud. lat. 105: Agrimensores veteres Boulogne-sur-Mer, Bibliothèque des Annunciades 188: Aratea phaenomena Saint-Bertin and Eleventh-Century Christian Humanism Saint-Bertin at the University Networks of Bookmen: Pierre d'Allouagne Is there a Doctor in the House? Medical Books at Saint-Bertin New Alternatives: The University of Louvain Mathematics and Optics Benedictine Science at Saint-Bertin Plates Catalogue Boulogne-sur-Mer, Bibliothèque Municipale des Annonciades Bibliothèque d'Agglomération du pays de Saint-Omer Appendices Saint-Bertin Manuscripts with Fifteenth-Century Secundo Folio References Concordance of Eighteenth-Century Inventory Numbers and Modern Shelflist Numbers Select Bibliography Indexes Index of Authors, Titles and Subjects Initia Index of Named Scribes and Artists Index of Previous Owners, Donors and Users Index of Watermarks Manuscripts cited‎

‎portretschilder, Frans Hals en zijn wereld.‎

‎Antwerpen , Atlas Contact, 2023 Hardcover, 352 pagina's, 24 x 16 cm. Nederlandstalige tekst. Oorspronkelijk verschenen in het Engels als: 'The Portraitist and his world'. Nieuw. ISBN 9789045049960.‎

‎Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter?s animated presence captured with energy and immediacy. This is the first full-length biography of Hals in many years. It offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. Nadler tells the story not only of Hals?s life, but also of the artistic, social, political, and religious worlds in which he lived and worked. ‎

‎Eighteenth Century English Furniture : Norman Adams Collection‎

‎, ACC Art Books 1983, 1983 Hardcover, 489 pages, ENG, 280 x 220 mm, book is in fine order, with dozens of pictures / images in colour and b/w of the finest English furniture, . ISBN 9780902028883.‎

‎English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion. There were significant regional differences in style, for example between the North Country and the West Country. Salisbury and Norwich were prominent early centres of furniture production‎

‎THE AMERICAN HOSPITAL OF THE TWENTIETH CENTURY.‎

‎, New York, The Architectual Record Company, 1921., Bound, bleu cloth, gilt title on plate, gilt title on spine, 18,5x25,5cm, 380pp, illustrated b/w.‎

‎Revised edition. A treatise on the development of medical institutions, both in Europe and in America, since the beginning of the present century.‎

‎Canaux et rivières d’Anvers à Compiègne‎

‎Nouvelle Société des éditions Encre 1985 In-8 cartonnage éditeur, 24 cm sur 15,5. 183 pages. Nombreuses illustrations en noir et blanc et hors-texte. Cartonnage légèrement marquée par les lectures, sans gravité. Intérieur frais. Bon état d’occasion.‎

‎ Bon état d’occasion ‎