, Norma Editions, 2024 HardbackDimensions 250 x 205 mm, Illustrations 120 col.ill., 80 Pages, Language(s) Fr. edition. ISBN 9782376661009.
Marc Held, designer et architecte, est surtout connu par certaines oeuvres emblématiques: le fauteuil Culbuto ou Utopia, la fameuse maison en acier Corten à Gif-sur-Yvette. Engagé pour l'écologie dès les années 60, Marc Held va faire deux rencontres essentielles. René Dumont en 1967, auteur du fameux L'afrique noire est mal partie puis, en 1979, le grand Hassan Fathy avec qui il passera une semaine inoubliable en Corse.
, Brepols, 2023 Paperback, 724 pages, Size:156 x 234 mm, Illustrations:30 b/w, 35 col., 18 tables b/w., Language: French. ISBN 9782503603377.
Summary Prajñ?ra?mi (1518-1584), ou « Lumière de Sagesse », est le nom de plume sanskrit d'un auteur tibétain qui vécut durant une période de crise politico-religieuse située entre la pleine assimilation du bouddhisme indien par les Tibétains et l'instauration du régime des Dalaï-Lamas. Dans ce contexte d'instabilité, Prajñ?ra?mi se distingua par une formation éclectique exceptionnelle et un enseignement qui, centré sur l'idée de sagesse - ou gnose -, chercha à montrer l'unité des différentes traditions du bouddhisme au Tibet. Ses grands textes sont présentés et traduits dans cet ouvrage, notamment l'Ambroisie de l'étude, de la réflexion et de la méditation, et la Lampe qui illumine les deux vérités, qui traite de la philosophie de la voie du milieu (Madhyamaka). Sa biographie, ainsi que l'étude de son oeuvre et de son héritage, révèlent une filiation entre les renouveaux de l'école des Anciens (Rnying ma pa) durant la réunification du Tibet sous le Ve Dalaï-Lama (xviie s.), la nouvelle révélation de 'Jigs med gling pa (xviiie s.), et la floraison du mouvement « impartial » (ris med, xixe siècle) avec la collection transsectaire du Trésor des instructions spirituelles. Il se dessine ici une quête tibétaine de la sagesse qui, conjuguant l'histoire des traditions, le discours philosophique, le yoga et la contemplation, visait à une liberté intérieure conçue au-delà de tout parti pris, « intention unique » de tous les enseignements du Bouddha, ou, selon sa propre lignée de la Grande Perfection (Rdzogs chen), « sphère de la libération ». TABLE OF CONTENTS Introduction Partie I. L'homme Portrait et sources Maîtres spirituels et cheminement Activités et transmission Partie II. L'?uvre L'?uvre de Prajñ?ra?mi L'unification du bouddhisme au tibet selon les étapes du développement de la sagesse : l'ambroisie de l'étude, de la réflexion et de la méditation La sagesse du milieu: la lampe qui illumine les deux vérités, suivie d'instructions sur la contemplation L'aspiration aux vertus et à la sagesse de tous les véhicules du bouddhisme : les souhaits des s?tras et des mantras Partie III. L'héritage La filiation de 'Phyong Rgyas Dpal Ri Les renouveaux de l'école ancienne aux XVIIe s. Et XVIIIe s La floraison du mouvement « impartial » (ris med) au XIXe s. Conclusion Annexes Bibliographie
, Brussels, La Connaisance,, 1973 Hardcover with dusjacket 142 pages, Illustrated. b/n. bon etat.
Brugge, Stichting Kunstboek, 1996 Paperback, 210x148mm, 151 pages , English/ Dutch (NL) edition. ISBN 9789074377386.
, Thunder Bay Press, 2010 Hardcover, 144 pages, ENG, 290 x 250 x 20 mm, dustjacket, in a perfect condition, illustrated in fabulous colours of a fabulous city !. ISBN 9781607101130.
With its dramatically lit skyscrapers, twinkling bridges, neon lights, and yellow cabs streaking down Broadway, it's no wonder that New York is the city that never sleeps! From the awesome golden sunsets over the Hudson River to the pale yellow sunrise breaking over the East River, you'll see the world's most popular city illuminated like never before. New York City at Night is a stunning blend of aerial photographs of the city's iconic skyline and most famous landmarks as seen through the lens of world-famous aerial photographer Evan Joseph. During the daytime, the Empire State Building is a large-shouldered, gray giant on the horizon; but at nighttime, this 120-story Art Deco gem is enchanting. See this landmark building all lit up, and enjoy sparkling views from the deck of its Observatory and beyond. A tourist book to break the mold! New York City at Night offers a dramatic new perspective of the world's favorite destination.
LEMERCIER IMPR 1878 35.5/ 27.5 Année 1878 planche n°20 du Moniteur des Architectes - bon état - dim extérieures 36.50cm x 27.5 cm - cadre blanc de quelques cm -
Bon Pas de jaquette
, Brepols, 2025 Hardback, 820 pages, Size:210 x 297 mm, Illustrations:124 b/w, 277 col., 46 tables b/w., 2 tables col., Language: English. *new ISBN 9782503616773.
Summary How did societies change between the Early Bronze Age and the Early Iron Age? And what was the impetus that led to these changes - social contacts and innovation, intergenerational contacts, or perhaps simply adaptation? Taking these questions as its starting point, this richly detailed volume explores four different regions of southern Poland to compare and contrast the mechanisms that drove socio-cultural change in the region between the second and the first half of the first millennium BC. Drawing on standardized sets of archaeological data, the chapters gathered here examine the interplay of different factors influencing cultural change across five key parameters: environment; settlement patterns; settlement organization; economy; and material culture. The result is a beautifully illustrated volume that offers important insights into Central and Eastern European prehistory, made accessible for an English-speaking audience. TABLE OF CONTENTS Introduction, Marcin S. Przybyla, Karol Dziegielewski Part 1. Analysis of Source Data 1.1. Geographical Location of the Study Region and Test Areas, Karol Dziegielewski, Marta Korczynska-Cappenberg 1.2. Timeline 1.2.1. Bronze and Early Iron Ages Around the Western Carpathians: Civilizational Transformations in Central Europe in the 2nd and 1st Millennia BC, Jan Chochorowski, Karol Dziegielewski, Marcin S. Przybyla 1.2.2. Periodisation of the Bronze and Early Iron Ages on the Upper Vistula River, Karol Dziegielewski 1.2.3. Periodisation of the Bronze and Early Iron Ages in the Dunajec Valley, Marta Korczynska-Cappenberg, Marcin S. Przybyla 1.3. Transformations of Natural Environment 1.3.1. Environmental Changes in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Michal Wasilewski, Anna Gawlik 1.3.2. Environmental Changes in the Bronze and Early Iron Ages in the Upper Vistula Valley near Kraków (Test Area 2), Karol Dziegielewski, Dorota Nalepka, Maria Litynska-Zajac 1.3.3. Environmental Changes in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Katarzyna Korzen, Magdalena Moskal-del Hoyo, Maria Litynska-Zajac 1.3.4. Environmental Changes in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Katarzyna Korzen, Magdalena Moskal-del Hoyo 1.4. Settlement Network 1.4.1. Methodology of Fuzzy Logic Mapping, Geostatistical Analyses and Cartographical issues, Marta Korczynska-Cappenberg, Klaus Cappenberg 1.4.2. Settlement Network in the Bronze and Early Iron Ages in Loess Areas of the Upper Vistula Basin (Test Area 1), Anna Gawlik 1.4.3. Settlement Network in the Bronze and Early Iron Ages in the Upper Vistula Valley near Kraków (Test Area 2), Michal Mazur, Karol Dziegielewski 1.4.4. Settlement Network in the Bronze and Early Iron Ages in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.4.5. Settlement Network in the Bronze and Early Iron Ages in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Joanna A. Markiewicz 1.5. Settlement Structure and Organisation 1.5.1. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Anna Gawlik, Michal Mazur 1.5.2. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Tobias L. Kienlin 1.5.3. Organisation of Intra-settlement Space in Bronze and Early Iron Age Settlements from the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla 1.6. Subsistence Economy 1.6.1. Late Bronze Age and Early Iron Age Farming and Animal Husbandry in the Loess Areas of the Upper Vistula Basin (Test Area 1), Krystyna Wasylikowa, Magdalena Moskal-del Hoyo, Dalia Pokutta, Anna Gawlik 1.6.2. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Upper Vistula Valley near Kraków (Test Area 2), Karol Dziegielewski, Maria Litynska-Zajac, Ulana Gocman, Michal Mazur 1.6.3. Bronze Age and Early Iron Age Farming in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg, Maria Litynska-Zajac, Magdalena Moskal-del Hoyo, Katarzyna Cywa 1.6.4. Bronze Age and Early Iron Age Farming and Animal Husbandry in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla, Ulana Gocman, Aldona Mueller-Bieniek 1.7. Pottery Manufacture 1.7.1. Notes on the Method of Classification of Ornaments and Morphological Features of Ceramic Vessels, Marcin S. Przybyla, Karol Dziegielewski, Anna Gawlik, Marta Korczynska-Cappenberg, Michal Mazur 1.7.2. Continuation and Change in Pottery Manufacture in the Upper Vistula Basin (Test Areas 1 and 2), Karol Dziegielewski, Michal Mazur 1.7.3. Continuation and Change in Pottery Manufacture in the Middle Dunajec Basin (Test Area 3), Marta Korczynska-Cappenberg 1.7.4. Continuation and Change in Pottery Manufacture in the Mountain Section of the Dunajec Valley (Test Area 4), Marcin S. Przybyla Part 2. Comparative Analyses 2.1. Interconnectivity: Geographic and Social Space, Marcin S. Przybyla, Marta Korczynska-Cappenberg, Klaus Cappenberg, Joanna A. Markiewicz, Karol Dziegielewski 2.2. Economy: Trends of Diachronic Changes and Local Specificity, Marta Korczynska-Cappenberg, Marcin S. Przybyla, Karol Dziegielewski, Klaus Cappenberg 2.3. Thoughts on Wealth and Social Differentiation, Consumption of Bronze, and Craft Specialisation, Karol Dziegielewski, Marcin S. Przybyla, Marta Korczynska-Cappenberg Part 3. Concluding Remarks 3.1. From Pots and Farmsteads to Demography: Exploring the Interplay of Cultural Transmission Patterns, Marcin S. Przybyla, Karol Dziegielewski Part 4. Specialist Analyses 4.1. Micromorphology and Physico-chemical Properties of Soils and Sediments from Maszkowice and Janowice Sites, Magdalena Makiel, Wojciech Szymanski, Mateusz Stolarczyk 4.2. Analysis of Animal Bone Remains from Trench 9 on Site 6 at Janowice (AZP 106-65/61), Plesna Commune, Ulana Gocman References Appendices: Lists of Bronze Age and Early Iron Age Sites Included in the Project List of Radiocarbon Dates used in the Chronometric Analysis for the Upper Vistula Area (Chapter 1.2.2)
Editions Robert Laffont, 1974, collection "Les Enigmes de l'Univers", bibliographie, broché, 350pp. très bon état, 215x135 . (p4)
Dédicace manuscrite de l'Auteur .
Phone number : 33 05 49 26 70 36
, Société des Editions Mengès, 1999 Couverture reliee sous jaquette? 2 VOLS in original slipcase. 679 pages Illustrated. 28.2 x 7.9 x 33.1 cm **TRES BON ETAT. ISBN 9782856204122.
L'art de Rome 2 VOLUMES
, Brepols, 2023 Hardback, 156 pages, Size:240 x 340 mm, Illustrations:60 col., Language: English. ISBN 9782503593517.
Summary This volume traces Egisto Macchi's creative process for the soundtrack of The Assassination of Trotsky directed by Joseph Losey (1972). Through a close reading of the sources preserved at the Egisto Macchi Collection at the Institute of Music, Fondazione Giorgio Cini, (Venice) and at the Joseph Losey Collection at the British Film Institute (London), the book sheds light on the first collaboration between Losey and Macchi, which continued in the following years for the film Mr. Klein (1976). Why did Losey choose this apparently unknown composer? How did an avant-garde composer approach the cinematic system? What kind of audio-visual experience did Macchi and Losey explore through this film? To answer these questions, the volume deals with different aspects of the creative process, combining letters, notes, drafts, sketches, and the final orchestral scores. The introductory essay presents Egisto Macchi within the context of the Roman avant-garde and the cinematic environments of the Sixties and early-Seventies. The volume is complemented by a wide selection of sources reproduced in facsimile.
Milano, Silvana, 2012 Paperback with flaps, 280x220mm, 192p, 150 colour illustrations. ISBN 9788836622498.
In Spring 2012 the Museo d'Arte of Lugano will present in Villa Ciani a wide retrospective of the work of Tony Cragg (Liverpool, 1949), one of the most significant artists in the contemporary scene. Through some forty sculptures and assemblages, and a hundred drawings and etchings, the exhibition will retrace the artist's creative history from the late Seventies up to the most recent works. The exhibition in Lugano, and its accompanying catalogue, will however not be a simple presentation of the wide range of visual ideas and forms generated by the artist in the course of the years. The selection of the works on display and their sequence will also allow, together with the works on paper, to grasp the logic and the creative processes which lie at the basis of the most revolutionary shapes in contemporary sculpture. The catalogue will also include texts by Marco Franciolli and Guido Comis, as well as an interview to Tony Cragg never published before. English/ IT edition
, Brepols, 2019 Paperback, 304 pages, Size:178 x 254 mm, Illustrations:32 b/w, Languages: English, French, Italian. ISBN 9782503582429.
Summary In the essays collected in this volume, leading scholars from Croatia, the Czech Republic, and Poland, as well musicologists from Western Europe, take on the challenge of fulfilling a historiographical and cultural gap in music history by restoring the place of the countries of Central Europe that, as Milan Kundera put it succinctly, 'vanished from the map of the West'. The opportunity to consider 'other' renaissances enlarges the historiographical perspectives of Renaissance musicology, going beyond the traditional focus on the Franco-Flemish or Franco-Italian axis, and opens new scenarios on unexplored Renaissance music. What was it that happened on a cultural and musical level on the Dalmatian coast - influenced by the economic boost of a powerful Venice? The same question emerges when considering Habsburg Prague and its renewed, central role in the European political theatre, and as a reaffirmed capital that inaugurated a period of economic and cultural renaissance for the Bohemian Kingdom. How did the secularization process evolve in these territories, caught between the religion wars following the Counter-Reformation in the West, and the Turkish threat on the East? What peculiar features does the musical production of these territories reveal? The preference accorded to the expression Renaissance Music is not to be intended as a shortcut. The intention of the contributing scholars is to focus on, and to handle independently, the endogenous cultural production without considering it only as a phenomenon of importation or as the mere imitation of an existing model. In this way, borders reveal a dialectical function in the context of musical Humanism, revealing here, maybe for the first time, an authentic European dimension. The essays in this volume were undertaken within the framework of the European programme EACEA - Culture Programme 2007-2013 Aux confins de l'Humanisme musical: monde slave et culture méditerranéenne, developed between 2010 and 2012 by the Centre d'études supérieures de la Renaissance in Tours, the Matica Hrvastka - Ogranak Dubrovnik (Mediterranean Study Centre of Dubrovnik), the Univerzita Karlova v Praze, and the University of Palermo. TABLE OF CONTENTS On Historical, Musicological and Cultural Borders in Renaissance Central Europe - Marco Gurrieri & Vasco Zara The Tradition of Liturgical Polyphony on the Eastern Adriatic Coast - Hana Breko Kustura The Reception of Marsilio Ficino's Work in the Æsthetic and Political Philosophy of Nicolò Vito di Gozze - Grantley McDonald Some Fragments on Renaissance Music in Dubrovnik - Ennio Stip?evi? Lambert Courtoys the Elder - Flemish in Dubrovnik - Ivana Petravi? La mauresque sur scène et les contacts musico-théatraux entre l'Italie et la ville de Dubrovnik au XVIe siècle - Ivano Cavallini The Jesuits for Society. The Soundscape of the Jesuits in post-Tridentine Silesia - Tomasz Je? Provenienza dei musicisti e rapporti di parentela alla corte dell'imperatore Rodolfo II d'Asburgo (1576-1612) - Michaela ?á?ková Rossi The Migration of Czech Musicians toward German Lands at the Turn of the Sixteenth-Century: The Study Case of Eusebius Bohemus - Marco Gurrieri Twin Treatises on Music: Exploring Anglo-Bohemian Connections of Kepler and Fludd and their Struggle for Modernity - Elina G. Hamilton Music in Between?: Sacred Songs in Bohemia, 1517-1618 - Erika Supria Honisch Da pacem Domine: The Desire for Peace in Rudolfinian Music - Christian Thomas Leitmeier Furor turcicus. The Turkish Threat and Musical Culture of the Czech Lands during the Sixteenth and Early Seventeenth Centuries - Jan Bat'a
Modena, Franco Cosimo Panini, 1994 Cloth bound with dustjacket, 355 pages, illustr. 31 x 25.5 cm. ITAL TEXT * very fine condition ISBN 9788876864544.
Selinunte: Le metope dell'Heraion (Italian Edition)
Cambridge, Cambridge University Press, 2007 Hardcover with dustjacket, 352 pages, 130 illustrations, 26 x 15.5 cm. ENG text fine! ISBN 9780521857970.
In this book, Clemente Marconi provides a new interpretation for the use of figural decoration in Greek temples of the archaic period, through a study of the archaic metopes of Selinus. The study of figural decoration on Greek temples has traditionally been identified with the broader study of architectural sculpture. At the same time, the original, articulated appearance of archaic temples has been fragmented into a discussion of individual types. Marconi argues against both the typological approach and the tendency to investigate style and iconography as two aspects unrelated to the cultural and social background within which temple decoration operated. He explores the relation between style and function and examines the function of figures on temples within the cultural and social context of the communities for which these images were created. Critical to this exploration are the reintegration of the figures into the fabric of buildings, the space of archaic sanctuaries and cities, and the ritual dimension that represented the context for the reception of the figural decoration of Greek temples.