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DANTE'S GODDELIJKE KOMEDIE UITGELEZEN
Leiden, Primavera Pers, 2004 Paperback, 304 blz, Nederlands, . ISBN 9789059970199.
Het is bedoeld voor drie groepen lezers. De eerste bestaat uit degenen die Dante?s Komedie graag zouden lezen maar bij wie het om de een of andere reden maar nooit van de lectuur van het hele werk wil komen. De tweede groep wordt gevormd door lezers die het hele werk inderdaad willen gaan lezen en zich daar goed op willen voorbereiden. De derde groep bestaat uit lezers die de Komedie al eens gelezen hebben, maar op herhaling willen en nogmaals de hoogtepunten willen beleven.
DE GODDELIJKE KOMEDIE : Volledige Italiaans-Nederlandse uitgave
Leiden, Primavera Pers, 2016 Hardcover, 1128 blz, Nederlands./ nieuw. ISBN 9789059972223.
Deze band bevat de volledige vertaling van de Goddelijke Komedie in het Nederlands, met daarnaast de oorspronkelijke Italiaanse tekst. Rob Brouwer koos voor een vertaling in versmaat maar zonder Dante?s eindrijm. Elk canto wordt voorafgegaan door een uitgebreide synopsis en afgesloten met een verhelderend commentaar. Brouwer schetst uitgebreid bronnen, achtergronden en samenhangende historische gebeurtenissen, waardoor de lezer vanzelf de wereld van Dante en zijn tijdgenoten wordt binnengeleid. Deze Komedie-vertaling als geheel wordt voorafgegaan door een inleiding, geschreven door Ronald de Rooy, verbonden aan de Universiteit van Amsterdam, en afgesloten met verhelderende schema?s en een register met namen van de optredende personen
Journal de la jurisprudence de la Cour d'Appel d'Alger et de législation algérienne. Année 1886.
Alger, Impr. Gojosso, 1886. Fort in-8 demi-basane violine, dos lisse, 596 pp.
Coins usés, dos émoussé et frotté, reliure défraîchie. Papier jauni, 1 f. déchiré sans manque, ex. correct. -
Neujahrsblatt der Künstlergesellschaft in Zürich für 1841 - enthaltend eine kurzgefasste Lebens- und Charakterschilderung des Malers Leopold Robert auas La Chaux de Fonds.
(Zürich), J.J. Ulrich, 1841. 4°. 12 S. Mit 1 lithogr. Porträt von G. Balder und 1 Kupferstich von R. Denzler nach Leopold Robert. Orig.-Heft (leicht bestossen). = "Der neuen Reihenfolge I".
Rohr 1002. - Minim stockfleckig.
Neujahrsblatt der Künstlergesellschaft in Zürich für 1874 - enthaltend das Leben des Malers Aurel Robert von La Chaux-de-Fonds.
(Zürich), J.J. Ulrich, 1874. 4°. 28 S. Mit 1 Porträt des Künstlers in Lichtdruck und 1 Tafel. Orig.-Broschur (Rücken angeplatzt sowie oben und unten mit Fehlstelle). = "Der neuen Reihenfolge XXXIV".
Rohr 1035. - Porträttalfel stärker, sonst minim stockfleckig.
Robert A.M. Stern, Mellins Thomas, Fishman David
Reference : 60280
(1997)
ISBN : 3822877417
New York 1960 : Architecture and urbanism between the Second world war and the bicentennial
Taschen GmbH 1997 In-4 relié 28,6 cm sur 23,2. 1374 pages. Très bon état d’occasion.
Très bon état d’occasion
Millennium Mode : Fashion Forcasts from 40 Top Designers
, Rizzoli International Publications 1999, 1999 Hardcover, 112 pages, English, 310 x 245 mm, fine copy, . ISBN 9780847821143.
Leading designers, including Donna Karan, Issey Miyake, Manolo Blahnic, and others, offer their ideas for women's fashions of the future
Catastrophes and the Apocalyptic in the Middle Ages and Renaissance
, Brepols, 2019 Hardback, xii + 207 pages, Size:156 x 234 mm, Illustrations:21 b/w, Language: English. ISBN 9782503582979.
Summary In the twenty-first century, insurance companies still refer to 'acts of God' for any accident or event not influenced by human beings: hurricanes, floods, hail, tsunamis, wildfires, earthquakes, tornados, lightning strikes, even falling trees. The remote origin of this concept can be traced to the Hebrew Bible. During the Second Temple period of Judaism a new literary form developed called 'apocalyptic' as a mediated revelation of heavenly secrets to a human sage concerning messages that could be cosmological, speculative, historical, teleological, or moral. The best-known development of this type of literature, however, came to fruition in the New Testament and is, of course, the Book of Revelation, attributed to the apostle John, and which figures prominently in the Middle Ages and Renaissance. This collection of essays, the result of the 2014 ACMRS Conference, treats the topic of catastrophes and their connection to apocalyptic mentalities and rhetoric in the Middle Ages and the Renaissance (with particular reference to reception of the Book of Revelation), both in Europe and in the Muslim world. The twelve authors contributing to this volume use terms that are simultaneously helpful and ambiguous for a whole range of phenomena and appraisal. TABLE OF CONTENTS Introduction - ROBERT E. BJORK The Rhetoric of Catastrophe in Eleventh-Century Medieval Ireland: The Case of the Second Vision of Adomn n - NICOLE VOLMERING The Virgin Mary and the Last Judgment in the Old Norse-Icelandic Mar u saga - DANIEL NAJORK Personalized Eschatology and Lorraine Apocalypses, ca. 1295-1320 - KARLYN GRIFFITH William Langland's Uncertain Apocalyptic Prophecy of the Davidic King - KIMBERLY FONZO Res papirea and the Catastrophic Arrival of the Antichrist - ALISON BERINGER Consider this Tomb: An Unedited Italian Sonnet about Death and Final Judgment -FABIAN ALFIE "The Lesser Day of Resurrection": Ottoman Interpretations of the Istanbul Earthquake of 1509 - H. ERDEM IPA Pieter Bruegel's Towers of Babel: Spirals toward Destruction CATHERINE SHULTZ MCFARLAND Inhuman Rage: Linguistic Apocalypse in a Sixteenth-Century Huguenot Poetic Commemoration of the Sack of Lyon - EVAN J. BIBBEE Fire in the Sky: Celestial Omens of Catastrophe in a French Renaissance Painting - KATRINA KLAASMEYER The Wrath of God and the Soul on Trial: Late Medieval and Puritan Eschatological Fears and the Clerical Uses of Apocalyptical Imagery - JOANNA MILES (LUDWIKOWSKA) The Apocalyptic Legacy of Pseudo-Ephraem in Russia: The Sermon on the Antichrist - J. EUGENE CLAY Notes on Contributors Index
Late Gothic Architecture , Its Evolution, Extinction and Reception ,
, Brepols 2018, 2018 Paperback x + 552 pages ., 337 b/w ills, 32 col. ills, 216 x 280 mm, English, , . ISBN 9782503568942.
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told?and left untold, in many accounts of the ?Northern Renaissance??can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Painting as a Modern Art in Early Renaissance Italy
, Brepols - Harvey Miller, 2020 Hardback, 366 pages, Size:220 x 280 mm, Illustrations:11 b/w, 115 col., 1 tables b/w., Language: English. ISBN 9781912554003.
Summary Concepts of modernity have played a constitutive role in the canon of European art history at least since Giorgio Vasari, who looked back upon Giotto as the founder of "modern art" (arte moderna). The aim of this book is to establish a prehistory of Vasari's view. Was Vasari merely projecting a sixteenth-century concept of artistic modernity onto the fourteenth and fifteenth centuries, or were the artists of that period guided by some notion of modernity as well? Brennan argues that discussions of "modern art" were in fact widespread during Giotto's time, according to the broad, medieval definition of "art" (ars) that encompassed activities as diverse as arithmetic, poetry, carpentry, music, and preaching. Within this discourse, to make an art "modern" meant setting it on a new foundation in "science" (scientia) and rationalizing it accordingly. By the year 1400, Florentine writers such as Cennino Cennini and Franco Sacchetti were applying these same terms and principles to Giotto. In doing so they shed light not only on the structure of artistic development in the fourteenth century, but also on the way Giotto's legacy shaped the prerogatives of artists in the early fifteenth - that is, in the generation of Brunelleschi, Donatello, and Masaccio.
Places of delight : the pastoral landscape
, National Gallery of Art 1988, 1988 Paperback, 270 pages, English, 300 x 230 mm, . ISBN 9780517569795.
Rembrandt Harmenszoon van Rijn, -- 1606-1669. Watteau, Antoine, -- 1684-1721. Constable, John, -- 1776-1837.
Le Mont Saint-Michel
1 vol. in-12 reliure de l'époque demi-chagrin brun, dos à 5 nerfs orné, Michel Lévy Frères, Librairie Nouvelle, 1876, 2 ff., 306 pp.
L'auteur retrace en 24 chapitre l'histoire du Mont-Saint-Michel, en autant de brefs récits historiques romancés (les Rois au Mont, la Forteresse, la lutte contre les Anglais, le siège par les Calvinistes, l'abolition des ordres religieux, les prisonniers de 1830, etc...). Etat très satisfaisant (rouss. parfois fortes, une carte postale ancienne du Mont montée en seconde garde volante, bon état par ailleurs) pour cet exemplaire bien relié.
Hanneke Beaumont
, Cercle d'Art, 2008 Hardcover, 240 pages, TEXT ENG / FR, 300 x 250 mm, dustjacket, in fine condition, illustrated in colour. ISBN 9782702208465.
Au vu de la nature des mat riaux - terre cuite, acier, fonte ou bronze - les figures de Hanneke Beaumont vibrent d'une l g ret paradoxale. Toute sa conception et tout son processus de r alisation sont marqu s par sa qu te d'un arrangement syntaxique m me de conf rer aux diff rentes parties de l'?uvre une unit de composition travers un subtil jeu d' quilibre spatial. Le message de l'artiste n'est pas, et ne se veut pas, ouvertement politique. Ses sculptures repr sentent autrement l' tre humain ; les figures ne sont pas simplement formes mais signifiants de l'esprit et du corps, de l'humanit luttant pour faire de la pens e un sentiment et pour d couvrir, simultan ment, le sentiment au travers de la pens e. C'est leur imm diatet intuitive et spontan e qui en fait des figures " universelles ".
Traité élémentaire d'Archéologie. Etude des divers styles de l'architecture en France. Antiquité, Moyen-Age. Renaissance.
St Etienne, L'Auteur, 1887, plaquette in 8°, 31 pages ; figures dans le texte.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
intieme interview Robert Devriendt
, Borgerhoff & Lamberigts, 2024 Paperback,117 pagina's. 20x13cm. ISBN 9789464778366.
Na de breuk met haar vriendin heeft Kaja, een kunsthistorica, nood aan een nieuwe uitdaging. Ze besluit een interview af te nemen van een oudere kunstenaar wiens werk haar al een hele tijd intrigeert. De chte drijfveren van de kunstenaar, die wil Kaja op papier zetten, maar helaas laat de kunstenaar Kaja slechts schoorvoetend toe in zijn leven. Toch komen na verschillende korte gesprekken, op allerhande plaatsen in de buurt van zijn besloten atelier, de innerlijke worstelingen van de kunstenaar aan het licht. Kaja raakt erg gehecht aan de ontmoetingen met de kunstenaar, maar wordt uiteindelijk geconfronteerd met een wrange realiteit.s
Biblical Humanism in Bohemia and Moravia in the 16th Century
, Brepols, 2017 Hardback, 329 p., 156 x 234 mm, Illustrations:30 tables b/w., English, Czech, Latin. *NEW. ISBN 9782503551814.
Bohemia and Moravia are extraordinarily important in the history of biblical translation into the Slavic languages. In the mid-14th century the first complete translation of the Bible into a national Slavonic language, namely the Old Czech, appeared in Bohemia. Other works that exerted influence on translations of the Bible into Polish, Lusatian, or Ruthenian originated in the Bohemian Lands in the 14th to 16th centuries. The Old Czech biblical tradition found its successors in the 16th century producing a number of translations of the Bible or its parts into the Czech language. The present volume follows the transmission of the biblical text in the 16th century focusing on those translators who exploited incentives of the biblical humanism and, as a consequence, deviated to a various degree from the Latin Vulgate tradition. The pioneering work of the N m??? New Testament translation of 1533, closely linked to the first grammar of the Czech language issued in the same year, was followed shortly after by others and found its peak in the monumental Six-Volume Kralice Bible which originated between 1579 and 1594 and decisively influenced Modern Standard Czech. The present volume brings bio-bibliographical information about the authors of the translations, translatological analyses of the works examined, characterization of their Czech language and new findings about the sources for the translations. The breadth and depth of analysis are unprecedented in the scholarship dealing with 16th century Czech translations of the Bible. he book is divided into two parallel and mutually linked parts (I. Biographical sketches of translators and bibliography of prints, II. Linguistic analysis), each consisting of seven chapters (see below). The structure of the book, selection of prints examined and editorial note are described in an introductory part. Individual chapters describe biblical translations or their parts into Czech which were influenced by biblical humanism. The chapters are ordered chronologically according to the first edition of the translations described. The biographical information consists of information about the translation (period reports and reception, realization of the translation, copies preserved until today) and the translator (his studies, professional occupation, intellectual skills, confession and genres of his works important for the context of the work described and bibliography). The linguistic analysis aims at determining the sources of the translation, the translation strategy, the Czech of the translation and the impact of further tradition. The following works are analyzed: 1. New Testament (printed in N m??? 1533) by Bene? Opt t and Petr Gzel. The first Czech biblical translation to deviate intentionally from the Vulgate, translated from Erasmus? Latin New Testament version. The translators were non-conformist Utraquists residing in Moravia. The translation is unique as the translators created a lot of neologisms while trying to express the etymology of some religious terms. The translation was made use of in Jan Blahoslav?s works including his New Testament of 1564 and 1568. 2. The second Severin Bible of 1537 printed in Prague. It is a revised text of the first edition of 1529 and a very important text for further development of the Czech biblical translation. In both the Old and the New Testaments it deviates from the Vulgate to a certain even though limited degree. This Bible became the textual model for Melantrich?s editions of the Bible. 3. Paraphrase on the Gospel of St Matthew (Leitmeritz 1542) and translation of the Old Testament by Jan Vartovsk of Varta. The paraphrase is a translation of Erasmus? paraphrase of the Gospel according to Matthew. Vartovsk , a trilingual utraquist scholar and a Prague citizen, was also an author of an unpreserved translation of the Old Testament from original texts. 4. Netolick and Melantrich Bibles (1549?1577). The translation or modification of older versions was partially prepared by Sixt of Ottersdorf, a Reformation humanist and a well-known historian who prepared the translation of the Third Book of Maccabees (for the first time in a Czech version issued in the Netolick Bible of 1549) and also took part in modification of the New Testament. The Melantrich Bibles represent the official and most widespread Czech translation of the second half of the 16th century. 5. ?alt ? svat ho Davida, translated by Mat?j ?ervenka and released in 1562 possibly in Prost?jov. It is the first translation of the Unity of Brethren to include numerous non-Vulgate readings even though it was translated from a Latin version. The translation was fiercely criticized in Jan Blahoslav?s grammar but in some readings it did influence the translation of Psalms in the Kralice Bible. 6. Two New Testament translations (printed in Ivan?ice in 1564 and 1568, respectively) by Jan Blahoslav, a bishop of the Unity of the Brethren, strongly influenced by Melanchthonian Reformation humanism. The translation was based on Greek-Latin versions of the Bezan and Erasmian tradition and quoted also the Greek text. It is a direct predecessor to the Six-Volume Kralice Bible. It originated as a counterpart to the N m??? New Testament of 1533 and translations following the Vulgate. During the translation, Jan Blahoslav prepared a grammar of Czech intended also as a manual for future translation of the Old Testament. In the grammar various biblical sources and humanistic translations are mentioned which help us reconstruct the sources for the translation. 7. The Six-Volume Kralice Bible (1579?1594) and its reeditions before 1613. This Bible is the largest Czech humanistic translation and the first complete biblical translation into Czech to have been translated from the original languages (Hebrew, Aramaic, Greek). It was prepared by a group of scholars and priests of the Unity of the Brethren. The first edition was printed in six volumes in which the biblical translation was supplemented by extensive philological and theological commentaries. These should compensate for exegetical works. The translation reflects influences of Reformation confessional culture and in the following centuries it decisively influenced the Standard Czech. The Kralice Bible and Blahoslav?s New Testament are therefore treated in the prepared publication most extensively. New findings enable to give a more accurate account of the whole process of translation and its cultural context.
Photo Magazine Special ROBERT DOISNEAU avec Tirage argentique 1995 - Neuf -
, , 1995 Magazine neuf dans son plastique de protection d'origine.
Magazine PHOTO ROBERT DOISNEAU Octobre 1995 Sp cial Robert Doisneau avec un tirage argentique tamponn du photographe offert
Doisneau Portraits of the Artists
, Editions Flammarion 2008, 2008 Hardcover, 192 pages, English, 315 x 250 mm, Fine Copy, Illustrated.,. ISBN 9782080300645.
An intimate window into the secret lives of more than seventy - five great artists by one of France's most successful and best-known photographers. During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the key figures working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau's intimate view on the work and lives of these artists. Many remain famous-Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita-while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist's social status-whether major luminary of the day or struggling newcomer- Doisneau approached each subject with the same humble eye. His signature black-andwhite photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world's finest art. This book, published in conjunction with Doisneau's daughters, is a fascinating document of the daily lives of artists by one of the world's most famous and popular photographers.
ROBERT DOISNEAU : MUSIC
, Flammarion (Thames), 2018 Hardcover, 191 pages, ENG, 250 x 195 x 25 mm, NEW, sharp photos in b/w. ISBN 9782080203748.
With camera in hand, master photographer Robert Doisneau crisscrossed Paris to capture intimate moments with star musicians such as Eartha Kitt in a jazz club, Django Reinhardt at home, and Yehudi Menuhin backstage, or with locals at a neighborhood dance or jamming together in a brass band. He was commissioned for portraits of Georges Brassens, Juliette Gr co, Charles Aznavour, or Claude Fran ois, and he immortalized a new generation of musicians in the 1980s including Rita Mitsouko, Les N gresses Vertes, Pierre Schaeffer, and Pierre Boulez. Doisneau's lifelong friend Maurice Baquet with his cello formed a photogenic duo on impromptu outings that gave rise to iconic images. Doisneau's passion for the energy and joy inherent in the music world comes alive on the page in images that cover the musical spectrum, from classical and jazz to be-bop to the roots of modern rap and alternative rock. This book?curated by the photographer's granddaughter to accompany an exhibition at the Philharmonie de Paris that will include music by Moriarty and scenography by Stephan Zimmerli? features more than one hundred photographs, many previously unpublished, that showcase the artist's mastery in editing, special effects, photomontage, collage, photo distortions, and splits.
Doisneau - Paris les Halles.
, Flammarion, 2011 hardcover, 162 pages - 232 x 283 mm fine!. ISBN 9782081266766.
En 1971, les pelleteuses se sont attaqu es la destruction des pavillons Baltard, victimes d?une politique jug e excessive et brutale. l? poque, les Parisiens ont tout fait pour s?opposer ce massacre architectural, parmi eux se trouvait Robert Doisneau. En 2011, le chantier du r am nagement des Halles commence. Ce livre propose de replonger dans l?atmosph re de l? poque.
CARACTERISTIQUE des STYLES
Un ouvrage de 220 pages, format 155 x 220 mm, illustré, broché couverture couleurs, publié en 1988, Editions Flammarion, bon état
Edition revue et corrigée par Jean-François Boisset
Phone number : 04 74 33 45 19
Caractéristique des styles
Flammarion 1952
Bon état Broché.illustré de 392 gravures et 18 reproductions photographiques des différents styles dameublement et darchitecture depuis lart egyptien jusquau style empire . 186 pages. format : 22 cm x 15,5 cm. - largeur/hauteur : x cm - poids : g - nombre de pages : p. - langue :
Parsing the Turing Test. Philosophical and Methodological Issues in the Quest for the Thinking Computer.
, Springer-Verlag New York, 2009 Hardcover, 517 pages, 24x16cm, ENGLISH. . ISBN 9781402067082.
An exhaustive work that represents a landmark exploration of both the philosophical and methodological issues surrounding the search for true artificial intelligence. Distinguished psychologists, computer scientists, philosophers, and programmers from around the world debate weighty issues such as whether a self-conscious computer would create an internet 'world mind'. This hugely important volume explores nothing less than the future of the human race itself.
EGLISES ET ABBAYES DE L'ANJOU
J. DELMAS ET Cie. 1969. In-4. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 151 pages. Jaquette illustrée en couleurs, légèrement abîmée. Nombreuses photos en couleurs et noir et blanc dans et hors texte. Toilé blanc.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Robert Frank, Arthur Elgort, Josef Koudelka, Saul Leiter, Peter Lindbergh, Mike and Doug Starn, Issey Miyake, Lucie Rie
Reference : 65384
Sixth Sense N 3 (SIX)
Tokyo, Comme Des Gar ons, 1989 Stapled binding, approx. 144 pages, 39.5 x 30 cm. Black and white front cover. Rear cover blank. Unpaginated. Some wear to white back and front.
Black and white photography by Robert Frank, Arthur Elgort, Josef Koudelka, Saul Leiter, Peter Lindbergh, Mike and Doug Starn, Issey Miyake meets Lucie Rie & a small section of ads at the rear.
