‎Cathédrales et monastères d'Espagne. Trad. de l'allemand par Monique Bittebierre.‎

‎ P., Arthaud, 1965. In-8 reliure éditeur pleine toile sous jaquette illustrée en coul., étui cart. muet, 339 pp., 1 carte dépl. h.-t., 167 héliogr. dans le texte, bibliogr., index. (Art et paysages, 25). ‎

‎ Très bonne condition. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Die mittelalterlichen Kunstdenkmäler des Cantons Solothurn. 'Beilage zum Anzeiger für schweizer. Alterthumskunde, 1983', Nr. 2 und ff.‎

‎Zürich, Vlg. d. Antiquar. Gesellschaft, 1893, in-4to, 240 S. mit 115 Textabb., + 1 doppelblätt. Situationsplan, gest. Ex-Libris ‘Ch. Guillaume Perrot’, Halbleder gebunden, Rücken mit Titel- und Kantonsschild. Schönes Exemplar.‎

‎ image-disp‎

‎Die Glasgemäde in der Rosette der Kathedrale von Luasanne. Ein Bild der Welt aus dem XIII. Jahruhundert. - Das glückhafte Schiff von Zürich. Nach den Quellen des Jahres 1576.- Die mittelalterlichen Wandgemälde in der italienischen Schweiz.- Das Schloss Vufflens.‎

‎Zürich, Orell Füssli, 1879 - 1882. 4°. 29 - 58(2) S., 85 - 139(1) S., 29(1) S., 59 - 84 S. Mit 17 zum Teil farbigen Tafeln. Orig.-Halbleinenband.‎

‎Aus der Reihe: "Mittheilungen der antiquarischen Gesellschaft in Zürich." Band XX, Abtheilung I, Heft 2; Band XX, Abtheilung 2, Heft 2; Band XXI, Heft 2 und Heft 3. - Eine Tafel mit Einriss. Mit handschr. Eintrag auf dem Vorsatzblatt sowie gestempelt. Einband berieben.‎

‎Die Kunstdenkmäler des Kantons Thurgau, Band 5: Der Bezirk Diessenhofen. ‘KDS’, 85.‎

‎Basel, Wiese, 1992, in-4°, XV + 431 S., mit 430 schwarzweissen und 8 farbigen Abbildungen, Original-Leinenband. Ill. Orig. Umschlag.‎

‎Die Kunstdenkmäler des Kantons Thurgau, Band 5: Der Bezirk Diessenhofen. ‘KDS’, 85.‎

‎Basel, Wiese, 1992, in-4°, XV + 431 S., mit 430 schwarzweissen und 8 farbigen Abbildungen, Original-Leinenband, farbig ill. OU.‎

‎I campanili d'Italia. Cento favole d'arte di Aldo Raimondi. A cura di Ernesto Caballo. ‎

‎ Genova, Saiga Paragorn, 1967, in 4, reliure de léditeur, 119 pages et une suite de 8 gravures couleur ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

‎Opera latina XL (76-79). Parisiis anno 1298 composita‎

‎, Brepols, 2024 Hardback, lxxxv + 610 pages, Size:155 x 245 mm, Illustrations:1 col., 3 tables b/w., Language(s):Latin, Spanish, German. ISBN 9782503606385.‎

‎Summary During his second stay in Paris (1297-1299), Ramon Llull developed an extraordinary literary activity writing 16 works, some of them of considerable length. His attention was once again focused on the presentation of the Art, either to summarize it in accordance with the new changes he had introduced (beginning with the Tabula generalis, op. 53, ROL XXVII), or to present it as a method of renewal of the particular sciences (astronomy and geometry) or as an instrument in the debate on the errors condemned by the bishop of Paris in 1277. The four works presented in this volume are examples of this activity. The Disputatio Eremitae et Raimundi (op. 76) not only represents Llull's closest approximation to the university style of studying the science of theology, based on the Sentences of Peter Lombard, but also the most radical application of his Art as opposed to any discussion fed by the exegesis of "auctoritates". In Arbor philosophiae amoris (op. 77), on the other hand, the application of the Art follows the intent of his previous Ars amativa boni (op. 46, ROL XXIX), thus revealing the intimate connection between the austerity of the artistic language and the exuberance of the contemplative language, the true hallmark of Lullian mysticism. The Consolatio Venetorum (op. 78) illustrates the innovative approach that the Lullian project offers for the moral and political life of the Church. There is no medieval Latin manuscript tradition of the Cantus Raimundi (op. 79). TABLE OF CONTENTS Vorwort Introducci n general (Jordi Gay Estelrich) Elenchus codicum (Fernando Dom nguez Reboiras) Opera et catalogi Textus Disputatio Eremitae et Raimundi (op. 76) (Jordi Gay Estelrich) Arbor philosophiae amoris (op. 77) (Fernando Dom nguez Reboiras) Consolatio Venetorum (op. 78) (Fernando Dom nguez Reboiras) Cantus Raimundi / Cant de Ramon (op. 79) (Fernando Dom nguez Reboiras) Indices Index locorum S. Scripturae Index nominum Index titulorum operum Raimundi‎

‎Opera latina XXXIX (64). Ars ad faciendum et solvendum quaestiones‎

‎, Brepols, 2021 Hardback, lxxxv + 788 pages, Size:155 x 245 mm, Illustrations:3 b/w, 1 col., Language(s):Latin, Spanish. ISBN 9782503586779.‎

‎Summary This work by Ramon Llull, originally composed in Catalan ('Art de fer e solre questions'), was written in Rome in 1295. It is also known as Lectura super Artem inventivam et Tabulam generalem, as it attempts to make the Ars inventiva veritatis (op. 44) and Tabula generalis (op. 53) more approachable. In the prologue Llull expresses his wish for this work to be translated into Latin. It belongs to the so-called encyclopaedic writings in the Lullian production, and the author announces a thousand questions related mainly to theology. The present work aims to provide a general technique applicable to any subject, a practical usage of the Ars inventiva veritatis and the Tabula generalis. In general, Llull develops some aspects dealt with in op. 44 and op. 53 in order to solve possible objections or to experiment with new procedures. It is another step in the great epistemological project of the Majorcan: to establish a new general science that overcomes the difficulties inherent in scholastic-Aristotelian science, to apply its method to the articles of the Christian faith, and to create a universal scientific system as a solid basis for the other sciences.‎

‎Leonardo-Überzeichnungen.‎

‎Wien, Vlg. Löcker & Wögenstein, 1977. 4°. (130) S. Mit 61 Abb. Orig.-Broschur mit Schutzumschlag in Schuber (berieben, bestossen und mit Einrissen).‎

‎Mit gelöstem Buchrücken.‎

‎Art and Science of Ernst Haeckel‎

‎, Taschen, 2016 Hardcover, 706 pages, ENG / FR / GER, 405 x 295 x 65 mm, NEW / NEU / NOUVEAU, Full Page Illustrations in colour / b/w, XX Large Edition, Heavy !, for protection in a original illustrated cardboard box ISBN 9783836526463.‎

‎Ernst Haeckel (1834?1919) was a German-born biologist, naturalist, evolutionist, artist, philosopher, and doctor, who spent his life researching flora and fauna from the highest mountaintops to deepest ocean. A vociferous supporter and developer of Darwin?s theories of evolution, he denounced religious dogma, abandoned an early career in medicine, authored philosophical treatises, gained a doctorate in zoology, and coined scientific terms which have passed into common usage, including ecology, phylum, and stem cell. Haeckel?s colossal legacy has fascinated, confounded, and polarized generations. But what was at the heart of his extraordinary life?s work? Rather like his intellectual forebear, Alexander von Humboldt, Haeckel was motivated not only to discover but also to explain. To do this, he created hundreds of detailed drawings, watercolors, and sketches of his findings which he published in successive volumes during the 20th century, including several marine organism collections and the majestic Kunstformen der Natur (Art Forms in Nature), which could serve as the cornerstone of Haeckel?s entire life project. Like a meticulous visual encyclopedia of living things, Haeckel?s work was as remarkable for its graphic precision and meticulous shading as for its understanding of organic evolution and cellular development. From bats to the box jellyfish, lizards to lichen, and spider legs to sea anemones, he emphasized the essential symmetries and order of nature, and found biological beauty in even the most unlikely of creatures. The prints not only furthered the study of natural history but also influenced generations of 20th-century artists and architects, from the emerging proponents of Art Nouveau to architects such as Hendrik Petrus Berlage, whose Amsterdam Commodities Exchange was inspired by Haeckel?s illustrations. In this book, we celebrate the scientific, artistic, and environmental importance of Haeckel?s work, with a collection of prints from several of his most important tomes on marine biology, including Die Radiolarien, Monographie der Medusen, Die Kalkschw mme: eine Monographie, and Kunstformen der Natur. At a time when biodiversity is increasingly threatened by human activities, the book is at once a visual masterwork, an underwater exploration, and a vivid reminder of the precious variety of life.‎

‎Porsche Racing Moments (XL) ‎

‎Keulen, Taschen, 2024 Hardcover, 36 x 30.3 cm, 4.04 kg, 356 pages. EN . ISBN 9783754401330.‎

‎It?s not just flashing, snarling Porsche cars that racing photographer Rainer W. Schlegelmilch captures in these shots from 1963 to 1988 ? though his zoom effect lifts them dramatically off the page. It?s his story over the years, it?s the reality of the track, drivers? conversations, mechanics? dirty hands. Feel the vibrations and smell the oil!‎

‎ANTONI GAUDÍ‎

‎1988 / 239 pages. Broché. Editions Taschen.‎

‎Bel état malgré le dos légèrement cassé.‎

‎Les chroniques des chateaux de la Loire .‎

‎ jouve éditeur 1952 bon état 329 pages in 8.exemplaire de bibliotheque.‎

‎"Le Monastère bouddhique; Sites sacrés."‎

‎MLP Editions, 1998 23 x 31, 96 pp., très nombreuses photographies couleurs, cartonnage éditeur + jaquette, très bon état‎

‎Dada Afrika Dialog mit dem Fremden.‎

‎, Museum Rietberg. Scheidegger & Spiess, 2016 Hardcover, 244 pages, 241 Abb. (davon 203 farbig und 38 s/w). 23 x 28 cm. 1,3 kg German text. fine. ISBN 9783940208422.‎

‎At its height, the Dada movement not only upended European art, it also brought that tradition into unprecedented dialogue with non-European forms of expression. This book offers the first extended analysis of Dada?s exploration of non-Western art and culture. Richly illustrated essays present close analyses of artifacts from Africa, Asia, and Oceania in the context of Dada and through an ethnological lens. Contributors also investigate the ways in which the influence of Dada can be seen in postcolonial discourse and in the context of cultural transfer. Featuring works by Jean Arp, Hugo Ball, George Grosz, Raoul Hausmann, Hannah H ch, Man Ray, Sophie Taeuber-Arp, Tristan Tzara, and many other artists, this is a major work that will enable a broad rethinking of Dada?s aims and achievements. With essays by Johannes Beltz, Jody Blake, Peter Bolz, Ralf Burmeister, Uwe Fleckner, Nanina Guyer, Christian Kaufmann, Walburga Krupp, Axel Langer, Alexis Malefakis, Fran ois Mottas, Michaela Oberhofer, Valentine Plisinier, Kathryn Smith, H l ne Thi rard, Esther Tisa Francini, Khanh Trinh, Mona de Weerdt, Michael White, and Roger Van Wyk. The book is published in conjunction with exhibitions at Museum Rietberg Z rich and Berlinische Galerie, Berlin in spring and summer 2016.‎

‎Cultures du spectacle baroque. Cadres, exp riences et repr sentations des solennit s religieuses entre Italie et anciens Pays-Bas‎

‎, Brepols, 2019 Paperback, 364 pages, Size:190 x 255 mm, Language: French. ISBN 9789074461931.‎

‎Summary Le pr sent volume rassemble une s rie d' tudes qui ont t men es et/ou pr sent es dans le cadre du programme de recherche Cultures du Spectacle Baroque entre Italie et anciens Pays-Bas financ par la Politique scientifique f d rale belge. Il se donne pour ambition de renouveler l'analyse historique et th orique des solennit s spectaculaires en s'int ressant tout particuli rement aux effets produits par les dispositifs d ploy s lors de ce type de manifestations. Par ailleurs, soucieux d' largir le champ d j bien explor des rituels civiques ou monarchiques, il porte essentiellement l'accent sur les solennit s religieuses. Tout en tenant compte de la circulation l' chelle europ enne et m me mondiale des mod les festifs, il veille galement privil gier la comparaison entre deux espaces culturels, les anciens Pays-Bas et l'Italie, qui, bien qu'ils d veloppent des cultures festives propres ancr es dans des traditions locales, n'entretiennent pas moins des changes qui s'acc l rent partir du XVIe si cle. Il ne s'agit cependant moins d'envisager les traces de ces influences que de mieux comprendre la fa on dont ces deux cultures ont pu construire, ind pendamment l'une de l'autre et/ou au contact l'une avec l'autre, de m mes conceptions de l'exp rience festive, au-del de la diff rence des moyens mis en oeuvre.‎

‎ARCHITECTURAL WORKING DRAWINGS‎

‎John Wiley & sons, no date (1983), 2nd ed, in-4 hardcover, no dustjacket, 394 pp, illustrations. In english. Cover Used, inside very good.‎

‎Tupperware von Bruegel, Aertsen & Co: Raerener und Rheinisches Steinzeug auf niederl ndischen Gem lden der Renaissance und des Barock - - stoneware - Baardmankruiken- Steinzeug‎

‎, T pfereimuseum Raeren, 2022 Hardcover, 530 pages, Text Deutsch / DE, 300 x 215 x 35 mm, sch ne farbige Illustrationen Neu. . ISBN 9783982012469.‎

‎Das T pfereimuseum in der Burg Raeren wartet in diesem Herbst und Winter mit einer ganz besonderen Ausstellung auf: 80 Gem lde der bekanntesten Vertreter der sogenannten niederl ndischen Genremalerei werden als hochwertige Reproduktionen in Originalgr e gezeigt. Der Clou dabei: Auf allen sind Raerener P tte abgebildet, so wie sie von den Menschen des 16. -18. Jahrhunderts verwendet wurden. Nat rlich zeigt das Museum dazu auch die Originale aus seinen eigenen Best nden. Zur Ausstellung gibt es ebenfalls einen mehr als 500 Seiten starken Katalog mit mehr als 600 solcher Gem lde und umfangreichen Erl uterungen. --- The Pottery Museum in Raeren Castle is presenting a very special exhibition this autumn and winter: 80 paintings by the best-known representatives of so-called Dutch genre painting are being shown as high-quality reproductions in their original size. The highlight: all of them depict Raeren pots as they were used by the people of the 16th-18th centuries. Of course, the museum is also showing the originals from its own collection. The exhibition is also accompanied by a catalogue of more than 500 pages with more than 600 such paintings and extensive explanations. Baardmankruiken. stoneware Steinzeug‎

‎Cloches de France et d’ailleurs‎

‎LTA _ Le Temps Apprivoisé 1996 In-4, cartonnage éditeur, couverture légèrement insolee. Tres bon état.‎

‎ Très bon état d’occasion ‎

‎Cloches de France et d'ailleurs‎

‎ Le Temps Apprivoisé Le Temps Apprivoisé 1993, In-4 cartonnage éditeur illustré. 240 pages. Nombreuses photos et dessns. Etiquette et tampons de bibliothèque. Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎L'hôtel de ville de marseille. Répertoire numérique des dossiers d'architecture 1790-1990 / 1M 120-377 et 910w‎

‎Archives de la ville de marseille 1994 185 pages Marseille. in-4. 1994. broché. 185 pages. Avec des illustrations en noir et en couleurs‎

‎Très bon état‎

‎Doorgelicht. Glaskunst Informatie- en Documentatiecentrum. Colloquium / gebrandschilderd glas ‎

‎Antwerp, G.I.C, 1999 Paperback, 83 pagina's, NL, 300 x 210 mm, in goede staat, ill. in z/w.‎

‎Congres: Antwerpen, 10-11 oktober 1996 / Glaskunst Informatie- en Documentatiecentrum. Colloquium / gebrandschilderd glas glasschilderen ‎

‎Diafaan 6: Chemie van Glas. Biennale glastentoonstelling Diafaan in het Groot Begijnhof Sint-Elisabeth te Sint-Amandsberg (Gent), 3-26 juli 2014.‎

‎, Vzw Begijnhof Sinte-Elisabeth , 2014 Oorspronkelijk uitgevers omslag, 48 pp., ill. (overwegend kleur), 33,5 x 24 x 0,5 cm. Als nieuw. ISBN 9789082092929.‎

‎ Mooie stukken uit 3 privecollecties: Willy Van den Bossche (Antieke gebruiksflessen 1500-1850), Guy Embrechts & Adhemar Ryckaert (Studioglas) & Dirk Schrijvers (Studioglas Richard Meitner en Mieke Groot) en werk van Belgische studenten glaskunst. Uitgave van Vzw Begijnhof Sinte-Elisabeth te Sint-Amandsberg, Gent, ‎

‎ARCHITECTURE DES ORIGINES A NOS JOURS‎

‎HACHETTE Collection Le Petit Guide n°143. 1968. In-16. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 235 pages illustrées en couleur et noir et blanc dans le texte. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Architecture des origines à nos jours - Collection le petit guide n°143.‎

‎Hachette. 1968. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 235 pages - nombreuses photos en noir et blanc et en couleurs dans et hors texte - texte sur deux colonnes.. . . . Classification Dewey : 720-Architecture‎

‎Collection le petit guide n°143. Classification Dewey : 720-Architecture‎