‎Music and Institutions in Fascist Italy‎

‎, Brepols, 2024 Hardback, xxx + 416 pages, Size:210 x 280 mm, Illustrations:30 b/w, 4 tables b/w., 10 musical examples, Language(s):English, Italian. ISBN 9782503611846.‎

‎Summary In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: Fascism is a great orchestra, where everyone plays a different instrument . A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world. TABLE OF CONTENTS Luca L vi Sala, Pre-Fascist Ideology, Politics and the Seizure of Culture Music and Institutions Davide Ceriani, Italian Instrumental Music as Fascist Propaganda in the United States during the Interwar Period: The View from the Ministero degli affari esteri and from the Press Isabella Abbonizio, Le armi dello spirito . Music in Mussolini's Imperialist Propaganda: Competitions and Awards in the Mid-1930s Beatrice Birardi, Corporate State and Musical Organization: The Action of the Fascist Syndicate of Musicians in Apulia between Bureaucracy and Search for Consensus Paola Cossu, Venetian Musical Institutions in the Transition from Fascism to the Republic Dario De Cicco, Educating and Refining the Pupils : Music Education and Fascist Culture (1921-1943) Music and Mass Media Francesco Finocchiaro, Music in the Luce Films of the Fascist Ventennio Antonio Ferrara, Che non sia tolto il pane al musicista italiano . Propaganda e corporativismo del Sindacato Fascista dei Musicisti a contatto con cinema di regime Valerio Morucci, Tuning in Radio Fascism: Censorship, Race, and Music in Fascist Propaganda Propaganda and Reception Erik Levi, The Ambiguous Reception of Alfredo Casella's Music in Nazi Germany Franco Sciannameo, Stile littorio as Research between Music and Architecture: Goffredo Petrassi and Nino Rota Giorgio Farabegoli - Piero Garofalo, Fascism's Influence on Catholic Faith Sites: A Case Study of Aielli's Church of Sant'Adolfo Jewish Composers and Musicians Annalisa Capristo, Primary Sources for the History of Fascist Persecution against Jewish Musicians, Composers, Singers, and Music Critics Raffaele Deluca, Musica internata. Nuove acquisizioni biografiche sul compositore Isko Thaler nel carteggio con Joachim Stutschewsky Jesse Rosenberg, The Teatro delle Novit and Mario Jacchia's La Stella d'Oriente Abstracts and Biographies Index of Names‎

‎Music Criticism 1950-2000‎

‎, Brepols, 2019 Hardback, xxiv + 420 pages, Size:220 x 280 mm, Illustrations:20 b/w, Languages: English, Italian, Spanish. ISBN 9782503584423.‎

‎Summary This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century. The articles are divided into five sections: 'Music Criticism and its Roles', 'Music Criticism and Italian Film Music', 'Music Criticism and Ideology', 'Music Criticism and the Web', and 'Case Studies' (Amiri Baraka, Astor Piazzolla, Louis Andriessen, Dieter Roth, John Cage, and Stravinsky). TABLE OF CONTENTS Massimiliano Locanto Introduction. Music Criticism and Musicology: Depolarising the Debate Aknowledgements Music Critics and Their Roles Abdullah Essa Jamal Khalaf Alan Rawsthorne: The Neglected Chopin Critic Massimiliano Locanto Brother Criticus : Stravinsky 'the Serialist' against Music Criticism H ctor Gasol Calvo Manuel R. de Llauder y la cr tica musical en Barcelona durante los a os '60. Un compositor y cr tico contempor neo de Xavier Montsalvatge David Hurwitz The Twentieth-Century Recording Explosion: Challenges and Opportunities for Criticism Music Criticism and Ideology Lee Ellen Martin Sing a Song of Freedom: Civil Rights and the Reception of Race and Gender in the Music of Lambert, Hendricks & Ross Carla Cuomo Massimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta Lada Durakovi! Musica e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia Marita Fornaro Bordolli Criticism, Power and Canon in Uruguay (1950-2000): Between Conservatism and Avant-Garde Music Criticism and Music for Film in Italy Umberto Fasolato Il contributo della critica cinematogra?ca militante italiana alla de?nizione del paesaggio sonoro nei ?lm degli anni Cinquanta Kristjan Stopar - Francesco Verona La musica per ?lm nelle riviste cinematogra?che italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica Antonio Ferrara La musica nel ?lm (1950): la prima monogra?a italiana sulla musica cinematogra?ca Roberto Calabretto Le pubblicazioni di Sergio Miceli quale parte del dibattito storiogra?co sulla musica per ?lm in Italia Music Criticism and the Web Pedro Ord ez Eslava Facebooking Musicology: apuntes para una ( nueva?) cr tica musical 2.0 Giacomo Albert How are Social Media Reshaping the Critical Debate around Contemporary Music? Stefano Lombardi Vallauri Il trattamento della musica nei blog culturali generalisti italiani Marida Rizzuti La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii Case Studies Siegwart Reichwald Making it in the Big Apple: Piazzolla's 1980s New York Experience in the Words of The New York Times Ryan Bruce Amiri Baraka's Black Music as an Avant-Garde Manifesto in Jazz Helena Mart n-Nieva Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 Lorenzo De Donato Il suono 'inaudito'. Il fenomeno musicale nell'opera di Dieter Roth Eric Taxier Object-Oriented Music Criticism: On Louis Andriessen's De Staat Abstracts Biographies Index of Names‎

‎GIOTTO. LA CHAPELLE SCROVEGNI A PADOUE‎

‎EDITIONS ARNAUD. 1956. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 22 pages + environ 30 pages de planches d'illustration en noir et blanc, quelques couleurs. Frontispice en noir et blanc. Illustration en couleurs contrecollée sur le premier plat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎MIAMI, TRENDS AND TRADITIONS‎

‎EVERGREEN. NON DATE. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 240 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs dans et hors texte. Texte en anglais/allemand/français. Jaquette légèrement abîmée.. Avec Jaquette. . A l'italienne. Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Mon village entre les lignes.‎

‎Editions jean pierre gyss 1990 In-8 relié sous jaquette ; livre recouvert d’un film transparent‎

‎ Bon état d’occasion ‎

‎Reconversions. Adaptations‎

‎ Paris, Editions du Moniteur Paris, Editions du Moniteur, 1989. In-4 carré broché de 119 pages. Nombreuses photos. Edition bilingue Anglais - Français. Parfait état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Reconversions / Adaptations.‎

‎ Edition du Moniteur, "Architecture thématique" 1988 1 vol. broché in-4, broché, 119 pp., nombreuses reproductions en noir et en couleurs. Edition bilingue français-anglais. Très bonne condition.‎

‎Victorine Restoration. Essays on Hugh of St Victor, Richard of St Victor, and Thomas Gallus‎

‎, Brepols, 2021 Hardback, 376 pages, Size:156 x 234 mm, Illustrations:15 b/w, 2 col., 4 tables b/w., Language: English. ISBN 9782503585130.‎

‎Summary The Victorines were scholars and teachers of philosophy, liberal arts, sacred scripture, music, and contemplation at the Abbey of Saint-Victor in Paris. This collection focuses on the three greatest Victorines: Hugh (d. 1141), who established the direction of the school; Richard (d. 1173), who developed Victorine contemplation; and Thomas Gallus (d. 1246), who culminated Victorine contemplative thought and transmitted it to other schools, especially the Franciscans. They offer an innovative revival of the Christian spiritual and intellectual tradition for their reforming pastoral mission in their urban setting and for the Church. Their contemporaries saw the Victorines as beacons of spiritual love and intellectual richness. Later reformers and thinkers held their writings as touchstones of contemplative love, including, for example, Bonaventure, Thomas Aquinas, Jean Gerson, Thomas Kempis, the Devotio Moderna, and many others. The writings of the Victorines found broad appeal among later medieval readers, as well as praise among early modern reformers, Protestant and Catholic alike. In recent decades, the Victorines have returned to scholarly attention and renewed appreciation. Scholarly studies, critical editions, and translation projects reveal the treasures of Victorine thought and spirituality. This volume showcases the findings of recent research and scholarly advances in Victorine studies, offering new readers a status quaestionis of the field. It also features new research by eminent experts in Victorine thought that points out promising directions for future research, thus offering important new findings for established specialists. TABLE OF CONTENTS Acknowledgements, List of Illustrations, List of Abbreviations Introduction: Regular Canons, Restoration, and Reform - ROBERT J PORWOLL Hugh A Trinitarian Introduction to Hugh of St Victor's Exegesis: Texts, Purpose, Reception- ANDREW BENJAMIN SALZMANN The Sacraments of Christian Faith: A Key Concept within Hugh of St Victor's Doctrine - RAINER BERNDT (TRANSLATED BY JONATHAN S KING) 'In Its Extraordinary Arrangement': Hugh of Saint Victor, the History of Salvation, and the World Map of The Mystic Ark- CONRAD RUDOLPH Hugh's Commentary on the Celestial Hierarchy- DOMINIQUE POIREL (TRANSLATED BY DAVID ALLISON ORSBON) Richard 'After the Manner of a Contemplative, According to the Nature of Contemplation': Richard of Saint-Victor's De contemplatione- INEKE VAN'T SPIJKER Restoration Through Experiential Exegesis: A Study of Richard of Saint-Victor's Benjamin Minor- DAVID ALLISON ORSBON From Triad to Trinity: Richard of St Victor and the Renaissance of Trinitarian Theology in the Twelfth and Twentieth Century- NICO DEN BOK Free and Abundant Love: Constructive Considerations on the Four Degrees of Violent Love- KYLE RADER Thomas Gallus Thomas Gallus: Dionysian Commentator and Spiritual Author- CSABA N METH Thomas Gallus' Explanatio and Dionysian Thought- KATHERINE WRISLEY SHELBY *** Bibliography Index‎

‎Sites bibliques. Les sites les plus importants de la Bible ressuscités par des reconstructions vivantes sur transparent.‎

‎Couverture rigide. Cartonnage de l'éditeur. 144 pages. 24 x 23 cm.‎

‎Livre. Editions Könemann (Collection : Hier et aujourd'hui), 1998.‎

‎Sites bibliques. Les sites les plus importants de la Bible ressuscités par des reconstructions vivantes sur transparent.‎

‎Couverture rigide. Cartonnage de l'éditeur. 144 pages. 24 x 23 cm.‎

‎Livre. Editions Könemann (Collection : Hier et aujourd'hui), 1998.‎

‎Hulde aan Paul Delvaux - 8 juli-25 september 1977‎

‎Brussel, Koninklijke Musea voor Schone Kunsten, 1977 Oorspronkelijk uitgevers omslag, niet genummerd, 21 x 19 cm. Nederlandstalige tekst. Goede staat.‎

‎Hulde aan Paul Delvaux‎

‎Van Lint, monograph. peinture.‎

‎, Ministere de la Communaute Francaise, 1983 Couverture reliee sous jaquette 182 pages, illustree. 200 illustrations. + BRIEVEN ***avec la lettre originale VAN LINT et deux lettres de Madame VAN LINT ajout es.‎

‎Louis Van Lint was een Belgisch kunstschilder. Van Lint studeerde aan de Academies des Beaux-arts de Bruxelles in Sint-Joost-ten-Node. Hij begon te schilderen in een expressionistische schilderstijl‎

‎Bruxelles, fin de siècle.‎

‎Paris, Flammarion, 1994. 24 x 32, 279 pp., très nombreuses illustrations en couleurs et en N/B, très bon état (1 cachet et 1 signature d'ex-particulier sur la page de faux-titre).‎

‎Bradley Kronz Long Hallway + Bonus Exhibition 24. 06. 2018 - 29. 07. 2019‎

‎Knokke Heist, Mulier Gallery, 2019 softcover, 70 pages, Illustrated. color, text in English. ISBN 9789082530148.‎

‎First Exhibition catalogue‎

‎A SHORTER HISTORY OF GREEK ART.‎

‎Cambridge Univ. Press, ; 1987 ; in-4 softcover, illustrations. 240 pp, . In english. Good condition.‎

‎East Central Europe and Ireland. Political, Economic, and Social Interconnections, 1000-1850. ‎

‎, Brepols, 2024 Hardback, 203 pages, Size:156 x 234 mm, Illustrations:18 b/w, 2 tables b/w. Language: English. ISBN 9782503604329.‎

‎This book explores the broad scope of political, economic, and social aspects of relations between Central Europe (focused on Poland and the lands of the Czechs) and Ireland. Taking a longitudinal approach, this study charts the interaction between the western and the central-eastern peripheries of Europe from the Middle Ages to the period after the Third Partition of Poland-Lithuania in 1795. The authors examine how the relationship between the geographically opposite ends of Europe evolved. Shaped by the shifts of political tectonic plates they argue that the evolution can be described in general terms: from a largely unidirectional to an interconnected chain of events. This book demonstrates similarities and analyses differences in a complex, yet unexplored, past of the three emergent nations; nations which in the public perception were overshadowed by their mighty neighbours for far too long.- Chapter 1. The Middle Ages Christianity in Ireland, Poland, and the Bohemian Principality The Earliest References and Research Chapter 2. Selected Seventeenth-Century Relations Religious Matters and Irish Martyrs as Models of Holiness in Seventeenth-Century Poland External Travel Destinations for the Polish and Czech Nobility Seats of Learning as Centres of Mutual Interest Czech Protestants and the Idea of Settlement in Ireland The Conquest of Ireland Unitas Fratrum in the Polish-Lithuanian Commonwealth The Issue of Emigration and Oliver Cromwell Looking for a New Homeland: The English Proposal Conclusion Chapter 3. Towards Self-Governance in the Nineteenth Century The Irish, Poles, and Czechs at the End of the Eighteenth and the Start of the Nineteenth Centuries Mutual Interests In the Parliament of the United Kingdom The Period of European Revolutions Conclusion Appendix 1. Information Concerning Ireland Included in Polish Encyclopaedias Appendix 2. Selected Irish Biographies‎

‎Am nophis IV et les pierres du soleil‎

‎, Arthaud 1997, 1997 Hardcover, 198 pages, Texte en Francais, 260 x 255 mm, Tres belle exemplaire ! beaucoup illustrations!. ISBN 9782700311495.‎

‎Hebraism in Sixteenth-Century England: Robert and Thomas Wakefield‎

‎, Brepols- PIMS, 2024 Hardback, 348 pages, Size:152 x 229 mm, Language: English. ISBN 9780888442314.‎

‎Summary Robert Wakefield and his brother Thomas were pioneers in the study and teaching of Hebrew in early modern England. Robert was trained at Cambridge, acquired expertise in Aramaic, Hebrew, and Arabic, and obtained professorial status in Louvain, Cambridge, and Oxford. Thomas took possession of his brother's books and manuscripts upon his death; he enjoyed long tenure as praelector in Hebrew at Cambridge and was a compulsive annotator of his books. This volume draws together the political, linguistic, and bibliographical materials that shaped the careers of these two scholars, revising previous claims and producing a compelling analysis of Hebrew learning in sixteenth-century England. TABLE OF CONTENTS List of Figures Abbreviations Preface 1 James P. Carley and Charles Burnett Introduction 2 James P. Carley Robert and Thomas Wakefield: A Biographical Sketch 3 Jessica Crown Robert Wakefield's Inaugural Orations in Context 4 Joanna Weinberg The Remarkable Hebraism of Robert Wakefield 5 Charles Burnett Robert Wakefield and Arabic 6 Richard Rex Robert Wakefield and the King's Great Matter 7 Saverio Campanini The ?Ezra Scroll? of Bologna in the Crossfire of the Royal Divorce: John Fisher, Robert Wakefield and an Erased Text 8 Judith Olszowy-Schlanger ?My Silent Teachers?: Hebrew Manuscripts as the Source of Robert Wakefield's Hebraism 9 James P. Carley Robert Wakefield's Manuscript Collections and the English Monastic Libraries: A Parallel to John Leland's Mission 10 James P. Carley Books Owned or Annotated by the Wakefield Brothers 11 Benjamin Williams ?Great Mountains Suspended from Every Single Letter?: Thomas Wakefield and His Hebrew Bibles 12 Herbert L. Kessler Thomas Wakefield's ?Antiquissimus Codex? and San Marco's Musivum Novissimum Appendix 1 David R. Carlson Robert Wakefield, ?Oratio Oxonii habita in Collegio Regio? (1532) Appendix 2 Joanna Weinberg A Hebrew Responsum about Levirate Marriage (1530) Bibliography Contributors Index of Manuscripts Indexes of Printed Books General Index ‎

‎Memoirs relating to European and Asiatic Turkey ; edited from manuscript journals‎

‎London ; Longman, Hurst, Reese, Orme, and Brown ; 1817 - 1st edition - 4to, hardcover, VIII+607 pp. contains maps, plans, engraved plates, panoramic views... state: acceptable /// édition originale - fort in-4, reliure cartonnée demi toile marron, titre doré sur pièce de dos, VIII+607 pages et cartes, vues panoramiques, plans, gravures... - état d'usage, plats très frottés, dos abimé, intérieur assez propre mais qqs pages roussies‎

‎ALSACE ROMANE ‎

‎ Reliure éditeur avec jaquette - 17 x 22 - 350 pp - année 1965- 4ème édition - Collection La Nuit des Temps n°22 - Editions Zodiaque - illustrations ‎

‎EGLISES ET SANCTUAIRES D'ALSACE. MILLE ANS D'ARCHITECTURE SACREE‎

‎EDITION DES DERNIERES NOUVELLES. 1969. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 210 pages + 122 planches en noir et blanc. Nombreuses illustrations en noir et blanc, dans le texte. Quelques planches en couleurs. Jaquette défraichie.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Préface de Robert Heitz. Classification Dewey : 720-Architecture‎

‎Interacting with Saints in the Late Antique and Medieval Worlds‎

‎, Brepols, 2023 Hardback, 282 pages, Size:156 x 234 mm, Illustrations:7 b/w, 20 col., Language(s):English, French. ISBN 9782503605586.‎

‎Summary The cult of saints is one of the most fascinating religious developments of Late Antiquity and the early Middle Ages. Christians admired martyrs already in the second century, but for a long time they perceived them only as examples to follow and believed they could pray directly to God, whom they addressed as 'Our Father'. A new attitude toward saints, now considered above all as powerful friends of God and efficient intercessors, started to emerge in the third century. Once this process gained momentum in the Constantinian era, the cult of saints constantly changed and rapidly adapted to new conditions and demands. This evolution highlighted many factors: the popularity of specific saints and the different types of sanctity, the spread of cults and customs, and the ways in which the saints were described, visualised, and represented. This volume seeks to capture the dynamic of these adaptations, showing both those aspects of cult which evolved quickly and those which remained stable for a long time. It studies the evolution of the cults in a broad period from the third to the seventh centuries and in various regions from Gaul to Georgia, with a particular interest in the two greatest centres of the cult of saints: Rome and Constantinople. In response to changing needs and different circumstances, new generations of believers repeatedly modified the cults of established saints, even as they introduced new saints. TABLE OF CONTENTS Robert Wi?niewski: Introduction I. Seeing and Hearing the Saints Robin M. Jensen: Icons as Relics: Relics as Icons Maria Lidova: Placing Martyrs in the Apse: Visual Strategies for the Promotion of Saints in Late Antiquity Julia Doroszewska: Saintly In-betweeners: The Liminal Identity of Thekla and Artemios in their Late Antique Miracle Collections Arkadiy Avdokhin: Resounding Martyrs: Hymns and the Veneration of Saints in Late Antique Miracle Collections Xavier Lequeux: Les saints myroblytes en Orient et en Occident jusqu' l'an mil: Prol gom nes l'histoire d'un ph nom ne miraculeux II. Local and Cosmopolitan Cults Andr s Handl: Reinvented by Julius, Ignored by Damasus: Dynamics of the Cult of Callixtus in Late Antique Rome Stephanos Efthymiadis: The Cult of Saints in Constantinople (Sixth-Twelfth Century): Some Observations Anna Lampadaridi: The Origins and Later Development of the First Italo-Greek Hagiographies: The Dossiers of the Sicilian Martyrs Agatha, Lucia, and Euplus III. Constructing Paradigms Ian Wood: The Lives of Episcopal Saints in Gaul: Models for a Time of Crisis, c. 470-550 Micha? Pietranik: Saints and Sacred Objects in Eastern Roman Imperial Warfare: The Case of Maurice (582-602) Nikoloz Aleksidze: Martyrs, Hunters and Kings: The 'Political Theology' of Saints' Relics in Late Antique Caucasia‎

‎Ordinary People : Borotov Photography ‎

‎, Lannoo, 2024 Hardcover, 320 pag. NL / ENG. edit.,260 x 205 x 27 mm, Nieuw / New, afb. in colour / b/w. ISBN 9789401497114.‎

‎Uniek licht op de twintigjarige carri re en werkwijze van de fotograaf, waarin de mens steeds centraal staat Ordinary People is het eerste overzichtswerk van Rob Hornstra. De Nederlandse fotograaf heeft tijdens zijn carri re wereldfaam bereikt met zijn maatschappelijk betrokken projecten. In de rijke traditie van de humanistische fotografie - waar onder anderen grootheden als Henri Cartier-Bresson, Dorothea Lange, Walker Evans en Ed van der Elsken toe behoren ? legt hij zich er op toe om een menselijk beeld van zijn eigen tijd te schetsen. Dat doet hij - ge nspireerd op de Duitse fotograaf August Sander - al twintig jaar aan de hand van een zelf gedefinieerde lijst van categorie n die als wegwijzer fungeert in de productie van nieuw werk. Dit boek geeft een verrassende inkijk in het twintigjarige oeuvre van een bevlogen fotograaf.‎

‎NORMANDIE. La vieille France.‎

‎Paris A la Librairie Illustrée sans date vers 1890. In-4 3 feuillets non chiffrés 2-331pp. Cartonnage éditeur de percaline grise, dos et plats ornés en noir et doré de monuments normands, non rogné. Belles et nombreuses illustrations par Robida dans le texte, à pleine page et 40 lithographies hors texte. Légère usure du cartonnage sur les coiffes et les coins, le décor restant frais; cahiers légèrement déboîtés, intérieur en bon état et complet.‎

6 Images

‎Les vieilles villes d’Espagne. Notes et souvenirs. Ouvrage illustré de 125 dessins à la plume par A. Robida reproduits en fac-simile.‎

‎ Paris, Maurice Dreyfous, éditeur 1880, 260x180mm, 324pages, Plat supérieur et dos richement illustrés d’ornementations à froid et dorées. Tranches dorées. Bel exemplaire. Belle reliure.‎

‎ reliure cartonnage orné de l’éditeur, Rousseurs marginales. Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎