‎Compagnie Générale Transtlantique. Chemise pour Menu avec eau-forte en couleurs par Georges Plasse : Château de Chenonceau‎

‎1 menu en un feuillet double format petit in-4, Compagnie Générale Transtlantique, French Line, s.d. [ circa 1933 ]‎

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‎Beau porte-menu dessiné par Georges Plasse (sans le menu proprement dit, chemise décorative seule) en très bon état.‎

‎Nos Moulins à vent‎

‎Montréal Editeur officiel du Québec 1977 ‎

‎In-plano, 40 cm, comprenant 20 reproductions des aquarelles de Gill Plasse, avec un cahier de 12p. illustré de facsimilés, plans et photos (vues et détails). :: Collection : La Documentation québécoise. :: En feuilles sous portefeuille titré. Bon état. ‎

‎L’Art de Bâtir en France des Romains à l’An 1100, d’après les Monuments anciens de la Touraine de l’Anjou et du Vendômois‎

‎Les éditions d’Art et d’Histoire 1939 In-4. Broché, couverture rempliée, 228 pages, 17 planches hors-texte et 40 figures dans le texte. Couverture poussiéreuse. Bon exemplaire.‎

‎ Bon état d’occasion ‎

‎L'Art de bâtir en France des Romains à l'An 1100, d'après les monuments anciens de la Touraine, de l'Anjou et du Vendômois.‎

‎ Paris, Les Éditions d'art et d'histoire, 1939. In-4 br., couv. brune rempliée, 228 pp., 17 pl. h.t. en héliogravure. ‎

‎ Tout petit manque à la couverture, bon ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎L'art de bâtir en France des romains à l'an 1100 d'après les monuments anciens de la Touraine, de l'Anjou et du Vendomois.‎

‎Paris Les éditions d'art et d'histoire 1939, grand in-4, 228 pages, 17 planches hors(texte et 40 figures dans le texte. Broché, petits manques au dos, plat supérieur prêt à se détacher.. Tampon de bibliothèque.‎

‎Préface de Marcel Aubert.‎

‎ATLAS DE L'HOMME MEDIEVAL‎

‎ 1981 SEuil 1981 Colin Platt. ATLAS DE L'HOMME MEDIEVAL. Seuil,1981, in4° relié, jaquette illustrée, 256pp. Abondance d'illustrations,cartes, dessins.. Très bon état. Suivant le poids et la destination les envois sont expédiés par transporteur ou par la poste . Si vous désirez néanmoins la Poste, merci de nous contacter. ‎

‎L'Eglise et l'Art des Origines à nos Jours‎

‎Broché couverture rempliée 239 pages, Editions du Cerf 2008. Vingt siècles d'architecture et de peintures chrétiennes. Traduit de l'espagnol par Camila Gross. Parfait état. Fort volume 1kg400.‎

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‎Frais de port compris‎

‎Josip Plecnik: An architect of Prague Castle.‎

‎, Prague Castle Administration / Eigenverlag, 1997 Hardcover. 663 pages, Illustrated. fine condition! English text. ISBN 9788090205154.‎

‎Josip Plecnik: An architect of Prague Castle. 1/1500ex.‎

‎Plecnik. The complete works‎

‎London, Academy Editions, 1993, 23 x 30,5, 256 pages sous percaline éditeur et jaquette illustrée. Iconographie noir & blanc et couleurs - 328illustrations. ‎

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‎Très bon état.‎

‎histoire de l'Architecture en Occident et en Proche-Orient du IV è au XV è siècle, de P. Lelièvr(Deuxième cycle - Figures - Cours professé à l'ecole nationale supérieure des beaux-Arts)‎

‎ PARIQS, C.D.G.M. - Sans date - In-' - Broché - 176 pages de dessinsd - Bel exemplaire‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎"Le timbre-poste touristique en Belgique; patrimoine architectural; année académique : 1985-1986. Isnstitut supérieur de Tourisme International et de Culture, ISTIC."‎

‎Bruxelles, Vincent Plennevaux, éditeur, 1986. 21 x 29, 141 pp., très nombreuses illustrations, broché, bon état (tranche légèrement piquée).‎

‎ouvrage polycopié.‎

‎Manuel complet de fortification. 2e édition‎

‎Paris-Nancy, Berger-Levrault et Cie 1890 In-8 22,5 x 14 cm. Cartonnage éditeur percaline vert foncé, XIII-724 pp., 26 planches, certaines repliées, 280 figures, table analytique des matières, répertoire alphabétique. Exemplaire en bon état.‎

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‎Contient : Fortifications passagères - Fortification permanente - Attaque et défense des places - Organisation et services du Génie - etc. Bon état d’occasion ‎

‎Robert Motherwell. ‎

‎, , 1989 reliure d' diteur sous jaquette. Avec emboitage.243 pages, 315x250mm, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. *Tres Bon etat.‎

‎Exemplaire accompagn d'une lithographie de Robert Motherwell. Collection: Histoire et Philosophie de l'Art.‎

‎Praha ve fotografii - Prague en images‎

‎Praha, Panorama, 1991. Grand In-8 (340x250mm) relié en dtoile d'éditeur sous jaquette, 261 p. Nombreuses photographies en noir. Très bon état. ‎

‎Obsessie‎

‎Gent, Uitgeversfirma Snoeck-Ducaju en Zoon, 1941 Oorspronkelijk uitgevers omslag, 287 pagina's, met illustraties van Jozef Cantr . 21.5x16cm.‎

‎Mooi exemplaar. ‎

‎Majesteit!: correspondentie met keizer Trajanus ‎

‎Amsterdam, Athenaeum, 2018 Hardcover, 230 pagina's, 18 x 12 cm. NL. *nieuwstaat ISBN 9789025309626.‎

‎Majesteit!: correspondentie met keizer Trajanus ‎

‎Early Modern Urbanism and the Grid, Town Planning in the Low Countries in International Context. Exchanges in Theory and Practice 1550-1800‎

‎, , 2011 272 p., 220 x 280 mm, Languages: English,Paperback. ISBN 9782503540733.‎

‎From the late sixteenth century until around 1800, new ideas and practices of urban planning and the implementation of public buildings, water works and fortifications from the Low Countries were disseminated across Europe and America. Engineers, mathematicians and other scientists in the Low Countries applied methods of design and land surveying that were gradually assimilated and often modified following exchanges within local practice. In some cases, models were projected onto the existing situation. This phenomenon of disseminating and exchanging theoretical models and practical methods between the Low Countries, Europe and its colonies during this period developed into a new Early Modern Urbanism movement within the Western World. Grid-like plans figured prominently in these processes of dissemination and exchange. In the Low Countries, grid-like structures allowed a comprehensive approach to a multitude of complex problems in urban planning (for example, the connection of canals, streets and fortifications) in parts of existing towns, as well as in city extensions and ex novo cities. Moreover, the experimental approaches in Antwerp and other urban laboratories resulted in new theories on town planning and fortification as well. Given the distinct cultures of the Catholic Spanish Southern Netherlands and the Republican, Dutch Calvinist Northern Netherlands, the Low Countries provide an excellent case for studying the identity of urban forms. Both engaged in enormous expansion overseas, and the simultaneous exchange of practices between the southern and northern parts of the Low Countries lead to the combination of identities. In this new volume in the Architectura Moderna series, various scholars examine the dissemination of practical methods and theoretical models of urban planning from the Northern and Southern Low Countries, in addition to exchanges with local practices in Northern and Central Europe and in the New World. ‎

‎Early Modern Urbanism and the Grid. Town Planning in the Low Countries in International Context. Exchanges in Theory and Practice 1550-1800,‎

‎Turnhout, Brepols, 2011 Paperback, XIV+408 p., 300 b/w ill., 220 x 280 mm. ISBN 9782503540733.‎

‎From the late sixteenth century until around 1800, new ideas and practices of urban planning and the implementation of public buildings, water works and fortifications from the Low Countries were disseminated across Europe and America. Engineers, mathematicians and other scientists in the Low Countries applied methods of design and land surveying that were gradually assimilated and often modified following exchanges within local practice. In some cases, models were projected onto the existing situation. This phenomenon of disseminating and exchanging theoretical models and practical methods between the Low Countries, Europe and its colonies during this period developed into a new Early Modern Urbanism movement within the Western World. Grid-like plans figured prominently in these processes of dissemination and exchange. In the Low Countries, grid-like structures allowed a comprehensive approach to a multitude of complex problems in urban planning (for example, the connection of canals, streets and fortifications) in parts of existing towns, as well as in city extensions and ex novo cities. Moreover, the experimental approaches in Antwerp and other urban laboratories resulted in new theories on town planning and fortification as well. Given the distinct cultures of the Catholic Spanish Southern Netherlands and the Republican, Dutch Calvinist Northern Netherlands, the Low Countries provide an excellent case for studying the identity of urban forms. Both engaged in enormous expansion overseas, and the simultaneous exchange of practices between the southern and northern parts of the Low Countries lead to the combination of identities. In this new volume in the Architectura Moderna series, various scholars examine the dissemination of practical methods and theoretical models of urban planning from the Northern and Southern Low Countries, in addition to exchanges with local practices in Northern and Central Europe and in the New World. New.‎

‎Hans Vredeman De Vries And The Artes Mechanicae Revisited ,‎

‎Turnhout, Brepols, 2005 Paperback, XII+261 pages ., 157 b/w ill., 220 x 280 mm.*NEW ISBN 9782503518138.‎

‎In this publication, attention is devoted to the technical aspects in the work of Hans Vredeman de Vries. Throughout his long career, he has perfected his skills as a painter, architect, fortification engineer and hydraulic engineer. Those technical aspects are considered not so much as discrete characteristics, but rather as a particular way in which this late sixteenth- century artist from the Low Countries typically dealt with a number of disciplines of the technical and applied arts. Indeed, from a predominantly traditional approach to his work, too much emphasis has until now been placed on his highly personal contribution to the dissemination of ornamental elements, whereby typical Renaissance characteristics, such as technical innovation and engineering, are relegated to the background. During Hans Vredeman de Vries's lifetime, attempts began to be made to define the arts and the sciences. Defining the demarcation criteria of the sciences would continue to gain in importance especially at the beginning of the seventeenth century. With his work, Vredeman de Vries raised Architectura together with all its technical acquisitions to the level of both the Artes and the Scienciae. Attempts were even made to establish some kind of hierarchy. Yet the artist never strictly separated fine and applied arts, nor did he explicitly distinguish between theory and practice. It was the intention of Vredeman de Vries to aim towards an equilibrium between the sciences and the arts. A team of thirteen distinguished art and architectural historians from North America, Germany, the Netherlands and Belgium focus upon Vredeman de Vries's diverse manifestations of knowledge: urbanism, fortification works, hydraulics, interior decoration, architecture (its practical and technical aspects), inlay work and furniture, tapestry and the use of scientific instruments. One author points out that the similarity between such 'technical' practices and the structure of, for example, sixteenth-century rhetorical practices, forces us to consider Vredeman de Vries not simply as an architect, an engineer, or a designer, but above all as an experimenter in multiple disciplines and various fields. New.‎

‎Innovation And Experience In Early Baroque In The Southern Netherlands. The Case Of The Jesuit Church In Antwerp. ‎

‎Turnhout, Brepols, 2008 Paperback, original editor's jacket, english, 22x28 cm., 266 pp., 186 b/w + 16 colour illustrations.*NEW ISBN 9782503523880.‎

‎ Architectura Moderna ARCHMOD 6. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. ‎

‎Innovation and Experience in Early Baroque in the Southern Netherlands. The Case of the Jesuit Church in Antwerp,‎

‎Turnhout, Brepols, 2008 Paperback, 266 p., 186 b/w ill. + 16 colour ill., 220 x 280 mm. *NEW ISBN 9782503523880.‎

‎During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context. New.‎

‎Reception of P.P. Rubens's Palazzi di Genova during the 17th Century in Europe: Questions and Problems,‎

‎Turnhout, Brepols, 2012 Paperback, 262 p., 200 b/w ill., 220 x 280 mm. ISBN 9782503513010.‎

‎Rubens book Palazzi di Genova' was well diffused in European countries as England, the Netherlands, France, Germany and Italy thanks to the numerous contacts the famous painter and diplomat maintained in humanistic, artistic and political circles. From 1622 on this book, containing two volumes, was edited at several times during the 17th and 18th Century. But the direct influences of the numerous facades, plans, cross-sections, staircases and building details on modern architecture look rather limited, especially in his own country. In this study, several scholars in architectural history analyse how the examples of Genoese palazzi and churches as presented by Rubens were accepted in different European countries. Much attention is given to the question if these examples inspired a new architectural typology, in which the inner court of the houses was substituted by a 'salone in mezzo'. An attempt is made to situate Rubens' book among the late 16th and early 17th Century treatises and model books. The way in which Rubens presented the new Genoese architecture of villa's, palaces and churches and the introduction he wrote as a 'painter-architect' to this book were so modern at that time, that the reception of this prestigious edition in folio had more to do with changes in considering architectural theory and practice as with the propagation of a late renaissance style influenced by Antique examples. Languages: English, French, German. New.condition !!‎

‎Faire soi meme la plomberie. ‎

‎Ingersheim, Saep, 1990; in-8, 99 pp., br.‎

‎.‎

‎Le nouveau Complexe Présidentiel d'Almaty - Tradition et renouveau kazakhs / New Almaty Presidential Complex. Kazakh tradition and revival ‎

‎Editions Daniel Briand, in-4 rel. cart. (24 x 33), 123 p., non daté (2000), texte trilingue français-anglais-kazakh, nombr. ill. coul., jaquette, bon état. ‎

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‎Présentation du nouveau Complexe Présidentiel d'Almaty auquel l'entreprise Bouygues a participé. ‎

‎Mus e du Louvre. Paris. III‎

‎Turnhout, Brepols, 2002 Couverture rigide sous jaquette illustr e, 2 vols, 612 pages, 29 x 22.5 cm, Fran ais. *Neuf. ISBN 9782870330104.‎

‎Le Corpus de la peinture des anciens Pays-Bas m ridionaux et de la Principaut de Li ge au quinzi me si cle est une collection destin e recenser les ?uvres des Primitifs flamands conserv es travers le monde. Chaque volume met la disposition des sp cialistes et des amateurs une analyse historique et une documentation photographique aussi compl te que possible. Le pr sent ouvrage est le troisi me et dernier tome de la s rie d but e en 1962. Il comporte deux volume (textes et illustrations) consacr s l? tude des tableaux de Rogier van der Weyden parmi lesquels le Triptyque de la famille Braque, Michel Sittow et les ma tres noms conventionnels comme le Ma tre au Feuillage en broderie, le Ma tre de Francfort, le Ma tre de la L gende de sainte Marie-Madeleine, le Ma tre la vue de sainte-Gudule et le Ma tre de 1499. A ce catalogue a t ajout e en compl ment l? tude de la Crucifixion du Parlement de Paris, ?uvre de tradition franco-flamande.‎