‎The story of architecture.‎

‎ 1902 George Newnes ltd., 1902, 211 pages + 59 illustrations, in 12 reliure éditeur cartonnée percaline bleue, titres argent, motifs en noir, coins et coiffes frottées.‎

‎Manuel complet de fortification. 2e édition‎

‎Paris-Nancy, Berger-Levrault et Cie 1890 In-8 22,5 x 14 cm. Cartonnage éditeur percaline vert foncé, XIII-724 pp., 26 planches, certaines repliées, 280 figures, table analytique des matières, répertoire alphabétique. Exemplaire en bon état.‎

6 Images

‎Contient : Fortifications passagères - Fortification permanente - Attaque et défense des places - Organisation et services du Génie - etc. Bon état d’occasion ‎

‎Praha ve fotografii - Prague en images‎

‎Praha, Panorama, 1991. Grand In-8 (340x250mm) relié en dtoile d'éditeur sous jaquette, 261 p. Nombreuses photographies en noir. Très bon état. ‎

‎Obsessie‎

‎Gent, Uitgeversfirma Snoeck-Ducaju en Zoon, 1941 Oorspronkelijk uitgevers omslag, 287 pagina's, met illustraties van Jozef Cantr . 21.5x16cm.‎

‎Mooi exemplaar. ‎

‎Early Modern Urbanism and the Grid, Town Planning in the Low Countries in International Context. Exchanges in Theory and Practice 1550-1800‎

‎, , 2011 272 p., 220 x 280 mm, Languages: English,Paperback. ISBN 9782503540733.‎

‎From the late sixteenth century until around 1800, new ideas and practices of urban planning and the implementation of public buildings, water works and fortifications from the Low Countries were disseminated across Europe and America. Engineers, mathematicians and other scientists in the Low Countries applied methods of design and land surveying that were gradually assimilated and often modified following exchanges within local practice. In some cases, models were projected onto the existing situation. This phenomenon of disseminating and exchanging theoretical models and practical methods between the Low Countries, Europe and its colonies during this period developed into a new Early Modern Urbanism movement within the Western World. Grid-like plans figured prominently in these processes of dissemination and exchange. In the Low Countries, grid-like structures allowed a comprehensive approach to a multitude of complex problems in urban planning (for example, the connection of canals, streets and fortifications) in parts of existing towns, as well as in city extensions and ex novo cities. Moreover, the experimental approaches in Antwerp and other urban laboratories resulted in new theories on town planning and fortification as well. Given the distinct cultures of the Catholic Spanish Southern Netherlands and the Republican, Dutch Calvinist Northern Netherlands, the Low Countries provide an excellent case for studying the identity of urban forms. Both engaged in enormous expansion overseas, and the simultaneous exchange of practices between the southern and northern parts of the Low Countries lead to the combination of identities. In this new volume in the Architectura Moderna series, various scholars examine the dissemination of practical methods and theoretical models of urban planning from the Northern and Southern Low Countries, in addition to exchanges with local practices in Northern and Central Europe and in the New World. ‎

‎Early Modern Urbanism and the Grid. Town Planning in the Low Countries in International Context. Exchanges in Theory and Practice 1550-1800,‎

‎Turnhout, Brepols, 2011 Paperback, XIV+408 p., 300 b/w ill., 220 x 280 mm. ISBN 9782503540733.‎

‎From the late sixteenth century until around 1800, new ideas and practices of urban planning and the implementation of public buildings, water works and fortifications from the Low Countries were disseminated across Europe and America. Engineers, mathematicians and other scientists in the Low Countries applied methods of design and land surveying that were gradually assimilated and often modified following exchanges within local practice. In some cases, models were projected onto the existing situation. This phenomenon of disseminating and exchanging theoretical models and practical methods between the Low Countries, Europe and its colonies during this period developed into a new Early Modern Urbanism movement within the Western World. Grid-like plans figured prominently in these processes of dissemination and exchange. In the Low Countries, grid-like structures allowed a comprehensive approach to a multitude of complex problems in urban planning (for example, the connection of canals, streets and fortifications) in parts of existing towns, as well as in city extensions and ex novo cities. Moreover, the experimental approaches in Antwerp and other urban laboratories resulted in new theories on town planning and fortification as well. Given the distinct cultures of the Catholic Spanish Southern Netherlands and the Republican, Dutch Calvinist Northern Netherlands, the Low Countries provide an excellent case for studying the identity of urban forms. Both engaged in enormous expansion overseas, and the simultaneous exchange of practices between the southern and northern parts of the Low Countries lead to the combination of identities. In this new volume in the Architectura Moderna series, various scholars examine the dissemination of practical methods and theoretical models of urban planning from the Northern and Southern Low Countries, in addition to exchanges with local practices in Northern and Central Europe and in the New World. New.‎

‎Hans Vredeman De Vries And The Artes Mechanicae Revisited ,‎

‎Turnhout, Brepols, 2005 Paperback, XII+261 pages ., 157 b/w ill., 220 x 280 mm. ISBN 9782503518138.‎

‎In this publication, attention is devoted to the technical aspects in the work of Hans Vredeman de Vries. Throughout his long career, he has perfected his skills as a painter, architect, fortification engineer and hydraulic engineer. Those technical aspects are considered not so much as discrete characteristics, but rather as a particular way in which this late sixteenth- century artist from the Low Countries typically dealt with a number of disciplines of the technical and applied arts. Indeed, from a predominantly traditional approach to his work, too much emphasis has until now been placed on his highly personal contribution to the dissemination of ornamental elements, whereby typical Renaissance characteristics, such as technical innovation and engineering, are relegated to the background. During Hans Vredeman de Vries's lifetime, attempts began to be made to define the arts and the sciences. Defining the demarcation criteria of the sciences would continue to gain in importance especially at the beginning of the seventeenth century. With his work, Vredeman de Vries raised Architectura together with all its technical acquisitions to the level of both the Artes and the Scienciae. Attempts were even made to establish some kind of hierarchy. Yet the artist never strictly separated fine and applied arts, nor did he explicitly distinguish between theory and practice. It was the intention of Vredeman de Vries to aim towards an equilibrium between the sciences and the arts. A team of thirteen distinguished art and architectural historians from North America, Germany, the Netherlands and Belgium focus upon Vredeman de Vries's diverse manifestations of knowledge: urbanism, fortification works, hydraulics, interior decoration, architecture (its practical and technical aspects), inlay work and furniture, tapestry and the use of scientific instruments. One author points out that the similarity between such 'technical' practices and the structure of, for example, sixteenth-century rhetorical practices, forces us to consider Vredeman de Vries not simply as an architect, an engineer, or a designer, but above all as an experimenter in multiple disciplines and various fields. New.‎

‎Innovation And Experience In Early Baroque In The Southern Netherlands. The Case Of The Jesuit Church In Antwerp. ‎

‎Turnhout, Brepols, 2008 Paperback, original editor's jacket, english, 22x28 cm., 266 pp., 186 b/w + 16 colour illustrations. ISBN 9782503523880.‎

‎ Architectura Moderna ARCHMOD 6. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. ‎

‎Innovation and Experience in Early Baroque in the Southern Netherlands. The Case of the Jesuit Church in Antwerp,‎

‎Turnhout, Brepols, 2008 Paperback, 266 p., 186 b/w ill. + 16 colour ill., 220 x 280 mm. ISBN 9782503523880.‎

‎During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context. New.‎

‎Reception of P.P. Rubens's Palazzi di Genova during the 17th Century in Europe: Questions and Problems,‎

‎Turnhout, Brepols, 2012 Paperback, 262 p., 200 b/w ill., 220 x 280 mm. ISBN 9782503513010.‎

‎Rubens book Palazzi di Genova' was well diffused in European countries as England, the Netherlands, France, Germany and Italy thanks to the numerous contacts the famous painter and diplomat maintained in humanistic, artistic and political circles. From 1622 on this book, containing two volumes, was edited at several times during the 17th and 18th Century. But the direct influences of the numerous facades, plans, cross-sections, staircases and building details on modern architecture look rather limited, especially in his own country. In this study, several scholars in architectural history analyse how the examples of Genoese palazzi and churches as presented by Rubens were accepted in different European countries. Much attention is given to the question if these examples inspired a new architectural typology, in which the inner court of the houses was substituted by a 'salone in mezzo'. An attempt is made to situate Rubens' book among the late 16th and early 17th Century treatises and model books. The way in which Rubens presented the new Genoese architecture of villa's, palaces and churches and the introduction he wrote as a 'painter-architect' to this book were so modern at that time, that the reception of this prestigious edition in folio had more to do with changes in considering architectural theory and practice as with the propagation of a late renaissance style influenced by Antique examples. Languages: English, French, German. New.condition !!‎

‎Faire soi meme la plomberie. ‎

‎Ingersheim, Saep, 1990; in-8, 99 pp., br.‎

‎.‎

‎Le nouveau Complexe Présidentiel d'Almaty - Tradition et renouveau kazakhs / New Almaty Presidential Complex. Kazakh tradition and revival ‎

‎Editions Daniel Briand, in-4 rel. cart. (24 x 33), 123 p., non daté (2000), texte trilingue français-anglais-kazakh, nombr. ill. coul., jaquette, bon état. ‎

4 Images

‎Présentation du nouveau Complexe Présidentiel d'Almaty auquel l'entreprise Bouygues a participé. ‎

‎DE NEDERLANDSE TEGEL : DECORS EN BENAMINGEN. 1570 - 1930. THE DUTCH TILE : DESIGNS AND NAMES. 1570 - 1930.‎

‎Leiden, Primavera Pers/ Nederlands Tegelmuseum, 2015 Gebonden/bound, hardcover geillustreerd in kleur/hardcover illustrated in colours, originele uitgeversomslag in kleur/original editor's jacket in colours, 25x18 cm., 712 pages., met een uitgebreid glossarium en ca. 3000 afbeeldingen waarvan 134 in kleur/with an extensive glossary and ca. 3000 illustrations of which 134 are in full colour, tweetalige editie Nederlands/English, bilingual edition Nederlands/English. Derde, herziene en vermeerderde druk. ISBN 9789059971417.‎

‎ Onmisbaar naslagwerk voor zowel de particuliere verzamelaar als de professionele museummedewerker. Indispensable reference work for both the private collector as the professional museum staff. De Nederlandse tegel bevat een overzicht over de Nederlandse tegel in de periode 1570-1930. Na een uitvoerige inleiding volgt een catalogus met ca. 2800 kleurenafbeeldingen die volgens een doordacht en verantwoord systeem zijn geordend. Aan de hand van dit boek is een willekeurige Nederlandse tegel uit de periode 1570-1930 op een eenduidige wijze te beschrijven en in de meeste gevallen te dateren en toe te schrijven.Derde, herziene en vermeerderde druk‎

‎"Ces maisons où vivent des architectes. (Collection: ""Architecture"")"‎

‎Editions du Moniteur. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 165 pages augmentées de nombreuses photos en noir et blanc et couleurs et de plans en noir et blanc dans et hors texte. Tampon ex-libris sur la page de garde.. . . . Classification Dewey : 720-Architecture‎

‎"Collection: ""Architecture"". Traduit par Marie-Constance Vacher. Classification Dewey : 720-Architecture"‎

‎Les Portes d'Arcueil, Orange Village. Un projet architectural, une aventure humaine‎

‎Chêne 2006 In-4 broché, format carré 27 cm sur 28. 127 pages. Couverture rempliée. Photographies en couleurs dont de nombreuses hors texte. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎L'art de tourner ou de faire en perfection toutes sortes d'ouvrages au tour.‎

‎Nogent-le-Roi, 1976 in-folio reliure éditeur simili cuir (xxvii-244 pages). Titre gravé et 79 planches en noir hors-texte.‎

‎fac-similé de l'édition de 1749. Parfait état. ‎

‎LA BRIQUE . Architecture et design‎

‎grans format cartonné. Jaquette. 224 pages. Illustrations n/b et couleurs. Bon état. Une expédition par Mondial Relay pourra vous être proposée 1993 Anthèse ‎

‎La brique. Architecture et design.‎

‎Anthèse, 1993, in-4 de 224 pages, reliure déditeur, jaquette illustrée, nombreuses photographies. Bel exemplaire à létat quasi neuf. ‎

‎La brique‎

‎Anthese 1993 In-4 reliure éditeur sous jaquette, 220 pp. Illustrations couleurs‎

‎ Très bon état d’occasion ‎

‎Architecture d'intérieur‎

‎ Dunod Dunod, 2011. In-4 broché de 192 pages très illustrées. Très bon état ‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎"Habiter New York; la forme institutionnalisée de l'habitat new-yorkais, 1850-1950."‎

‎Bruxelles/Liège, Pierre Mardaga, 1983. "22 x 24, 255 pp., 259 figures, broché, bon état (cachet ""service de presse"")."‎

‎Habiter New-York. La forme institutionnalisée de l'habitat new-yorkais 1850-1950.‎

‎Pierre Mardaga éditeur, 1983. In-8 broché (23,9 x 22 cm), 255 pages, illustrations & plans.- 780g.- Etat neuf.‎

‎Construire les horizons : hôtel Les Bords de Mer (récit d'un chantier hors du commun)‎

‎Atelier d'architecture Pluskwa 2019 21x30. 2019. Broché. 220 pages. Très bon état‎

‎MAISONS D'HABITATION ET D'EXPLOITATION POUR DEUX VIGNERONS, propriété de Mr Guinon, à Liergues, [Rhône] ‎

‎Paris Ducher et Cie 19° Le Recueil d'Architecture, 3 ème année, Architecture civile, 12 ème section, Constructions rurales, maisons de vignerons. Quatre planches gravées de 46 x 31 cm. Ducher et Cie, Librairie Générale de l'architecture et des travaux publics, imprimerie Dejey, Paris. Venez consulter l'ensemble de mes objets sur mon site antharedeschuyter.fr ! ‎

‎Envoi sous carton plat par lettre recommandée avec assurance ; pour plusieurs gravures (ou ensembles de gravures) les frais d'envoi ne sont comptés qu'une seule fois. Remise possible pour l'achat de plusieurs lots. Bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎ARCHITECTURES.‎

‎FLAMMARION. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126 pages - contre plats illustrés en couleurs - nombreuses illustrations en couleurs et en monochrome dans et hors texte - illustration en couleurs sur le 1er plat.. . . . Classification Dewey : 720-Architecture‎

‎Traduit de l'italien par Vérène Colombani. Classification Dewey : 720-Architecture‎