Turnhout, Brepols, 2005 Paperback, XII+261 pages ., 157 b/w ill., 220 x 280 mm. ISBN 9782503518138.
In this publication, attention is devoted to the technical aspects in the work of Hans Vredeman de Vries. Throughout his long career, he has perfected his skills as a painter, architect, fortification engineer and hydraulic engineer. Those technical aspects are considered not so much as discrete characteristics, but rather as a particular way in which this late sixteenth- century artist from the Low Countries typically dealt with a number of disciplines of the technical and applied arts. Indeed, from a predominantly traditional approach to his work, too much emphasis has until now been placed on his highly personal contribution to the dissemination of ornamental elements, whereby typical Renaissance characteristics, such as technical innovation and engineering, are relegated to the background. During Hans Vredeman de Vries's lifetime, attempts began to be made to define the arts and the sciences. Defining the demarcation criteria of the sciences would continue to gain in importance especially at the beginning of the seventeenth century. With his work, Vredeman de Vries raised Architectura together with all its technical acquisitions to the level of both the Artes and the Scienciae. Attempts were even made to establish some kind of hierarchy. Yet the artist never strictly separated fine and applied arts, nor did he explicitly distinguish between theory and practice. It was the intention of Vredeman de Vries to aim towards an equilibrium between the sciences and the arts. A team of thirteen distinguished art and architectural historians from North America, Germany, the Netherlands and Belgium focus upon Vredeman de Vries's diverse manifestations of knowledge: urbanism, fortification works, hydraulics, interior decoration, architecture (its practical and technical aspects), inlay work and furniture, tapestry and the use of scientific instruments. One author points out that the similarity between such 'technical' practices and the structure of, for example, sixteenth-century rhetorical practices, forces us to consider Vredeman de Vries not simply as an architect, an engineer, or a designer, but above all as an experimenter in multiple disciplines and various fields. New.
Turnhout, Brepols, 2008 Paperback, original editor's jacket, english, 22x28 cm., 266 pp., 186 b/w + 16 colour illustrations.*NEW ISBN 9782503523880.
Architectura Moderna ARCHMOD 6. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time.
Turnhout, Brepols, 2008 Paperback, 266 p., 186 b/w ill. + 16 colour ill., 220 x 280 mm. *NEW ISBN 9782503523880.
During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context. New.
Turnhout, Brepols, 2012 Paperback, 262 p., 200 b/w ill., 220 x 280 mm. ISBN 9782503513010.
Rubens book Palazzi di Genova' was well diffused in European countries as England, the Netherlands, France, Germany and Italy thanks to the numerous contacts the famous painter and diplomat maintained in humanistic, artistic and political circles. From 1622 on this book, containing two volumes, was edited at several times during the 17th and 18th Century. But the direct influences of the numerous facades, plans, cross-sections, staircases and building details on modern architecture look rather limited, especially in his own country. In this study, several scholars in architectural history analyse how the examples of Genoese palazzi and churches as presented by Rubens were accepted in different European countries. Much attention is given to the question if these examples inspired a new architectural typology, in which the inner court of the houses was substituted by a 'salone in mezzo'. An attempt is made to situate Rubens' book among the late 16th and early 17th Century treatises and model books. The way in which Rubens presented the new Genoese architecture of villa's, palaces and churches and the introduction he wrote as a 'painter-architect' to this book were so modern at that time, that the reception of this prestigious edition in folio had more to do with changes in considering architectural theory and practice as with the propagation of a late renaissance style influenced by Antique examples. Languages: English, French, German. New.condition !!
Editions Daniel Briand, in-4 rel. cart. (24 x 33), 123 p., non daté (2000), texte trilingue français-anglais-kazakh, nombr. ill. coul., jaquette, bon état.
Présentation du nouveau Complexe Présidentiel d'Almaty auquel l'entreprise Bouygues a participé.
Turnhout, Brepols, 2002 Couverture rigide sous jaquette illustrée, 2 vols, 612 pages, 29 x 22.5 cm, Français. *Neuf. ISBN 9782870330104.
Le Corpus de la peinture des anciens Pays-Bas méridionaux et de la Principauté de Liège au quinzième siècle est une collection destinée à recenser les ?uvres des « Primitifs flamands » conservées à travers le monde. Chaque volume met à la disposition des spécialistes et des amateurs une analyse historique et une documentation photographique aussi complète que possible. Le présent ouvrage est le troisième et dernier tome de la série débutée en 1962. Il comporte deux volume (textes et illustrations) consacrés à l?étude des tableaux de Rogier van der Weyden parmi lesquels le Triptyque de la famille Braque, Michel Sittow et les maîtres à noms conventionnels comme le Maître au Feuillage en broderie, le Maître de Francfort, le Maître de la Légende de sainte Marie-Madeleine, le Maître à la vue de sainte-Gudule et le Maître de 1499. A ce catalogue a été ajoutée en complément l?étude de la Crucifixion du Parlement de Paris, ?uvre de tradition franco-flamande.
Editions du Moniteur. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 165 pages augmentées de nombreuses photos en noir et blanc et couleurs et de plans en noir et blanc dans et hors texte. Tampon ex-libris sur la page de garde.. . . . Classification Dewey : 720-Architecture
"Collection: ""Architecture"". Traduit par Marie-Constance Vacher. Classification Dewey : 720-Architecture"
Paris, Paris-Musées / Nicolas Chaudun, 2005, 24,5 x 33, 270 pages sous cartonnage éditeur et jaquette illustrées. Iconographie noir & blanc et couleurs.
Bon état.
Plumian-Le Scornec Anne-Marie ; Abbadie Hervé
Reference : 116745
(2006)
ISBN : 2842776836 9782842776831
Chêne 2006 In-4 broché, format carré 27 cm sur 28. 127 pages. Couverture rempliée. Photographies en couleurs dont de nombreuses hors texte. Très bon état d’occasion.
Très bon état d’occasion
grand format, cartonné, jaquette.224 pages. Illustrations n/b et couleurs. Bon état. Une expédition par Mondial Relay pourra vous être proposée 1993 Anthese
Anthèse, 1993, in-4 de 224 pages, reliure déditeur, jaquette illustrée, nombreuses photographies. Bel exemplaire à létat quasi neuf.
Anthese 1993 In-4 reliure éditeur sous jaquette, 220 pp. Illustrations couleurs
Très bon état d’occasion
Dunod Dunod, 2011. In-4 broché de 192 pages très illustrées. Très bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Bruxelles/Liège, Pierre Mardaga, 1983. "22 x 24, 255 pp., 259 figures, broché, bon état (cachet ""service de presse"")."
Pierre Mardaga éditeur, 1983. In-8 broché (23,9 x 22 cm), 255 pages, illustrations & plans.- 780g.- Etat neuf.
Atelier d'architecture Pluskwa 2019 21x30. 2019. Broché. 220 pages. Très bon état
Leyden, Ian Paedts Iacobsz. ende Ian Bouwensz, 1603 Blind gestempeld perkament uit de tijd, 548 pagina's gedrukt in twee kolommen met gedrukte voetnoten, met register, 23.5 x 21 cm. *Prima staat.
T'Leven der doorluchtige Griecken ende Romeynen, tegen elck-anderen vergeleken door Plutarchus van Cheronea; Uut de Griecksche sprake overgeset door M. Iaques Amyot, mitsgaders het leven van Hannibal, Scipio den Africaen, uyt het Latijn verfranscht by Carolus Clusius. Voorder Het leven van Epaminondas, Philippus van Macedonien, Dionysius den ouden, (tyran van Sicilien), Augustus Cesar, ..., beschreven door Aemilius Probus. Met een cort begrijp op elcx leven: ..., tesamen van nieus tot gemeen nut verduyscht, door A.V.Z.V.N. (= Adam van Zuylen van Nyevelt). Tot Leyden, by Ian Paedts Iacobsz. ende Ian Bouwensz, (1603)
P. M. BAILLY, architecte, William & Farge, architectes directeurs, DUCHER et Cie, éditeur
Reference : 4453
Paris Ducher et Cie 19° Le Recueil d'Architecture, 3 ème année, Architecture civile, 12 ème section, Constructions rurales, maisons de vignerons. Quatre planches gravées de 46 x 31 cm. Ducher et Cie, Librairie Générale de l'architecture et des travaux publics, imprimerie Dejey, Paris. Venez consulter l'ensemble de mes objets sur mon site antharedeschuyter.fr !
Envoi sous carton plat par lettre recommandée avec assurance ; pour plusieurs gravures (ou ensembles de gravures) les frais d'envoi ne sont comptés qu'une seule fois. Remise possible pour l'achat de plusieurs lots. Bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
FLAMMARION. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126 pages - contre plats illustrés en couleurs - nombreuses illustrations en couleurs et en monochrome dans et hors texte - illustration en couleurs sur le 1er plat.. . . . Classification Dewey : 720-Architecture
Traduit de l'italien par Vérène Colombani. Classification Dewey : 720-Architecture
Ghent, Department of Architecture and urban planning, 1999 softcover 48 pages, 1/15 copies; number 13. has been with the Brazilian postage stamp issued on the occasion of expo 58. this book is SIGNED by Sergio Bernardes,. ISBN 9789076714028.
Expo 58: the Brasil Pavilion of Sergio Bernardes,
Turnhout, Brepols, 2008 Paperback, 136 p., 16 x 24. ISBN 9782902685455.
La reputation de la broderie de Bayeux tendrait a faire oublier que la ville conserve d'autres tresors d'art et d'histoire. Le medaillier de la mediatheque municipale en est un. C'est a sa composante gauloise 80 monnaies en tres bon etat de conservation, parfois d'un type tres rare, ou tous les metaux sont representes que s'attache ce catalogue.L'essentiel du fonds est, evidemment, constitue de monnaies originaires de l'actuelle Normandie et de l'Armorique, mais egalement d'exemplaires issus de la quasi-totalite de la Gaule (Belgique, Celtique, Aquitaine). Leur reunion dans le medaillier de Bayeux amene a se questionner sur les usages qui en ont ete faits, monetaires, economiques, sociaux, voire politiques. Dans un essai sur la circulation monetaire qui accompagne le catalogue, Pierre-Marie Guihard propose des pistes de reflexion.Replacer ces pieces dans le contexte de la vie quotidienne des Gaulois n'interdit en rien d'en apprecier la qualite graphique. Indispensable aux numismates, ce catalogue est aussi, par le plaisir visuel que procurent les photographies couleur de ces monnaies, un moyen original de decouvrir une periode trop mal connue. Languages : French.
BRAUN & Cie. 1960. In-Folio. Cartonné. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 79 pages + 249 planches de photos en héliogravures hors-texte. Cartonnage toilé rouge. . . . Classification Dewey : 720-Architecture
Illustrations de Jean Roubier. Classification Dewey : 720-Architecture
Braun & Cie. 1960. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 249 dont 79 pages de texte sur une ou deux colonnes. Nombreuses photos en noir et blanc hors texte. Jaquette en bon état. Ouvrage recouvert d'un film transparent de protection.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Illustrations de Jean Roubier. Classification Dewey : 720-Architecture
Paris Les Editions Braun & Cie, sans date 1969 in 4 (31x24) 1 volume reliure toilée rouge de l'éditeur sous jaquette illustrée, 79 pages de texte, avec à la suite 249 photographies hors-texte en noir et blanc de Jean Roubier. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Jaquette en parfait état Reliure