‎New York in Photographs : Includes 24 Framable Images‎

‎, Metropolitan Museum of Art, 2010 Paperback, 52 pages, ENG, 355 x 280 x 10 mm, Large Format, Full Page b/w photographs, in New condit. ISBN 9780764145605.‎

‎Titles in Barron's brand-new series of "Art Portfolios " each present 24 stunning reproductions of memorable works from the collection of New York's Metropolitan Museum of Art. Enlightening descriptive texts supplement these large reproductions, each of which is true to its original artwork. Pictures are printed on heavy matte-coated paper and are easily removable from its portfolio, which makes them suitable for framing. The skyscrapers of New York's financial district, the Flatiron Building, the bridges of Manhattan, and many other New York City landmarks are captured in 24 memorable black-and-white photographs from the New York Metropolitan Museum of Art's vast photography collection.‎

‎KOLLWITZ : TAKING A STAND ‎

‎, Hirmer Verlag (Thames), 2024 HB, 280 x 240 mm, ENG. edition, 240 pages, NEW , 192 illustrations, ****Expo : 18/06/2024 - 16/08/2024, Kunsthaus Zürich, Switzerland **** Zürich and Kunsthalle Bielefeld. ISBN 9783777442327.‎

‎Examines the art and passion of Käthe Kollwitz, who used art to bring a voice to political issues. Raw, unprettified, and decried in conservative circles as "gutter art," Käthe Kollwitz employed her art uncompromisingly as a political voice for the social and human misery of her time. Her focus always lay on the dignity of humankind. Taking a Stand provides wide-ranging insight into the commitment and creative work of the artist, whose achievements are more topical than ever. It covers the entire spectrum of Kollwitz's creative work, including the world-famous cycles of the graphic works A Weavers' Revolt and Peasants' War, rare proofs, moving drawings, and sculptures, each of which showcases all facets of her masterful skills. The political dimension of Kollwitz's art becomes tangible in a particularly impressive manner through her posters. The unbroken validity of her work is demonstrated in a juxtaposition with the interventions by the contemporary artist Mona Hatoum, which revolve around topics such as vulnerability, persecution, and the experience of conflict.‎

‎Mona Kuhn : Private‎

‎, Steidl, 2014 Hardcover, 110 pages, ENG, 315 x 305 x 18 mm, dustjacket, in NEW condition ! illustrated in soft colours. ISBN 9783869307091.‎

‎For a new monograph, Private, Kuhn's fifth publication for Steidl, the photographer focused her gaze on the bleached tones and broad expanses of light that bathe the Mojave Desert, a few hours drive from her Los Angeles home. In a series of thoughtful and intimate compositions, Kuhn catalogs flora and fauna, most of it coarse-grained and engineered for survival. Landscapes are windswept and invite introspection. Hard light falls on no-nonsense structures that are built to last. Punctuated throughout these pages are female nudes, bathed in the same supple light and shadow, their faces mostly serene. As in previous series by Kuhn, the artist employs glass as a secondary lens and means of filtration and dissolution of identity, shooting her subjects from outside of structures, allowing their features to soften and meld with the reflections of the surrounding terrain. The sequencing of the images in Private is expertly tuned to tease out the complex relationship between the vulnerability of the nude female form and the rugged natural context which Kuhn employs as a backdrop. Kuhn's models are mostly supine, the softness of their luminous skin a foil and a complement to the jagged, indomitable geology of the landscape in which they find themselves. Against this backdrop, the self is by turns magnified and diminished into a dreamy, sensual phenomenology.--Kevin Greenberg "The Last Magazine "‎

‎Les passages en Europe‎

‎Les éditions du Mécène 1993 In-4 relié 29,7 cm sur 22,5. 327 pages. Jaquette en bon état. Bon état d’occasion.‎

‎Edition réalisée par La Ségécé, compagnie bancaire Bon état d’occasion ‎

‎Villes Rêvées‎

‎Paris Les Éditions Du Mécène 1998 In Quarto , Oblong Avec la collaboration de Philippe Chiambaretta . IIlustré de nombreuses photographies et dessins en couleurs et noir et blanc . Architecture .- 192 p. , 1 kg 600 gr.‎

‎Couverture rigide Très Bon État . Jaquette en bon état 1ère Édition‎

‎Le Paris du Baron Haussmann. Paris sous le Second Empire. Centenaire du Baron Hausmann 1891-1991, les Mémoires‎

‎ 1991 Editions Seesam - RCI - 1991 - In-4, cartonnage éditeur, sous jaquette illustrée - 415 pages - Importante iconographie en noir et blanc et en couleurs en et hors texte‎

‎Bon état ‎

‎Vue générale de Venise.‎

‎Vue générale de Venise. Vue d’optique rehaussée en couleur. Belle épreuve du XVIIIème siècle, sur vergé, encadrée. Louis Joseph MONDHARE graveur, et éditeur. Signature à la pointe, en marge inférieure gauche. 365x210mm plus marge ; titre dans la marge inférieure. Sous passe-partout .Dimensions avec encadrement 390x 470mm.‎

4 Images

‎AIDE-MEMOIRE TRAVAUX PUBLICS / TOME 1 - A L'USAGE DES: INGENIEURS, ARCHITECTES, ENTREPRENEURS, CONDUCTEURS, AGENTS VOYERS, METREURS ET COMMIS DE TRAVAUX - 67ème EDITION.‎

‎DUNOD. 1954. In-16. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. XVIII + 234 + LXIV pages augmentées de nombreuses illustrations et formules mathématiques en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎"Assainissement général des villes et des petites collectivités; tome IV : Partie administrative."‎

‎Paris, Dunod, 1934. "16 x 25, 399 pp., broché, bon état (1 cachet d'ex-propriétaire; couverture défraîchie)."‎

‎Tome 4 seul.‎

‎Mondriaan compleet‎

‎, Atrium 2001, 2001 Softcover, 575 pagina's, NL, 215 x 170 mm, in goede staat, met illustraties / foto's in kleur en z/w. ISBN 9789066139299.‎

‎Pieter Cornelis (Piet) Mondriaan (Amersfoort, 7 maart 1872 ? New York, 1 februari 1944) was een Nederlandse kunstschilder en kunsttheoreticus, die op latere leeftijd in het buitenland woonde en werkte. Mondriaan wordt algemeen gezien als een pionier van de abstracte en non-figuratieve kunst. Vooral zijn latere geometrisch-abstracte werk, met de kenmerkende horizontale en verticale zwarte lijnen en primaire kleuren, is wereldberoemd en dient als inspiratiebron voor vele architecten en ontwerpers van toegepaste kunst. Hij was een van de belangrijkste medewerkers van het tijdschrift De Stijl en ontwikkelde een eigen kunsttheorie, die hij nieuwe beelding of neoplasticisme noemde. Hij is in het buitenland beter bekend als Mondrian, een wijziging die hij zelf invoerde nadat hij in Parijs was gaan wonen. In 1908 werd hij lid van de Theosofische Vereniging.‎

‎LE MUSEE DE L' ANNONCIADE : SAINT-TROPEZ‎

‎, RMN, 1993 Broches, 118 pages, Francais, Illustrations. ISBN 9782911809316.‎

‎THE MUSEE DE L'ANNONCIADE : Saint Tropez‎

‎, RMN, 1993 Paperback, 118 pages, English, Illustrated. ISBN 9782911809323.‎

‎I Eglises et Chapelles- Combrailles et patrimoine‎

‎Le regard et l'écriture. 1994. In-12. Broché. Bon état, Coins frottés, Dos frotté, Intérieur frais. 95 pages. Texte sur plusieurs colonnes. Nombreuses illustrations et photos en couleurs et en noir et blanc, in texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Forteresses et châteaux d'Auvergne‎

‎Editions De Borée 2001 24x30x2cm. 2001. reliure editeur. 160 pages. Très bon état‎

‎Le livre d'or du Lyonnais du Forez et du Beaujolais.‎

‎Bibliothèque De La Ville Lyon 1866 in-8 de 93 pages, en bon etat ,Archéologie ProvençaleProvincia.Recueil de Textes.Archéologie Provençale.Synopsis:- bibliographie ligure- Jean de Villages, Viguier de Marseille- Provence chrétienne, monuments, histoires, légendes- paléolithique en Provence‎

‎Boukhara, Samarakand, Turkestan, une histoire de l'architecture musulmane en Asie centrale‎

‎Esitions France-Kazakhstan Seine et Marne Reliure 2005 In-4 (21 x 29.7 cm), reliure thermocollée, 54 pages, iconographie en couleurs , léger fendillement en tête du mors postérieur, très bon état d'ensemble par ailleurs. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Philosophical Psychology in Late-Medieval Commentaries on Peter Lombard's Sentences. Acts of the XIVth Annual Colloquium of the Société Internationale pour l'Étude de la Philosophie Médiévale, Radboud Universiteit, 28-30 October 2009‎

‎, Brepols, 2020 Hardback, xxii + 445 pages, Size:156 x 234 mm, Language: English. ISBN 9782503589091.‎

‎Summary The proceedings of the SIEPM Colloquium at Nijmegen published in this volume bring together new evidence for how the corpus of late-medieval commentaries on the Sentences, especially from the second half of the fourteenth century, contributed to the development of philosophical psychology within the discipline of theology. The relation among the faculties of the soul, the limits of knowledge, hylomorphism and the union of soul and body, intuitive and abstractive cognition, the immortality of the soul, the experience of the beatific vision, divine foreknowledge and the knowability of species are some of the topics involving psychological issues that are examined in this volume. The wealth of new information presented in this volume results from the interpretation of previously unexplored sources. The essays in this volume demonstrate that the various parts and Books of Peter Lombard's Sentences, the standard textbook of theology in the Middle Ages, provided lecturers and commentators with a variety of loci for the discussion of philosophical topics, from the principia (Denys of Montina), the Prologue (Alfonsus Vargas of Toledo, Hugolino of Orvieto, John Regis, Francis Toti of Perugia), Book I (Gregory of Rimini, John of Mirecourt, Pierre Ceffons, Hugolino of Orvieto, Pierre d'Ailly, Peter of Candia, the Vienna Group, John Capreolus, Henry of Gorkum, Denys the Carthusian), Book II (Pierre Ceffons, Peter of Candia, Guillaume de Vaurouillon, Gabriel Biel, Denys the Carthusian), and Book III (Heymericus de Campo). This diversity, within large works on theology conceived broadly, constitutes a tradition parallel to that found in commentaries on Aristotle's De anima in the late Middle Ages. TABLE OF CONTENTS Monica BRÎNZEI, Introduction Christopher D. SCHABEL, Note on the Vernacular Name of Richardus de Mediavilla : of 'Menneville', Not 'Middleton' I. HUMAN COGNITION Amos CORBINI, Notitia intuitiva and complexe significabile at Paris in the 1340s: From Alphonsus Vargas Toletanus to Peter Ceffons Aurélien ROBERT, The Possibility of Cognizing Material Substances. The Evolution of a Philosophical Problem in Late-Medieval Commentaries on the Sentences Jeffrey C. WITT, Peter Plaoul and Intuitive Knowledge II. THE HUMAN SOUL Maarten J.F.M. HOENEN, Heymericus de Campo (?1460) Reads Peter Lombard: Late-Medieval Abbreviations of the Libri Sententiarum Thomas JESCHKE, Unum antiquum problema: Denys the Carthusian and John Capreolus on the Question Whether the Soul's Essence Is Distinct from Its Potencies. A Late-Medieval Starting Point William DUBA and Olivier RIBORDY, The Human Soul: Definitions and Differentiae in Late-Medieval Commentaries on the Sentences Kent EMERY, Jr., Denys the Carthusian's Sentential Teachings on the Nature and Operations of the Soul III. THEOLOGICAL ISSUES John T. SLOTEMAKER, Pierre d'Ailly and the Imago Trinitatis: The Sources of His Trinitarian Theology Severin KITANOV, Freedom in Heaven: Peter of Candia's Treatment of the Necessity or Contingency of Beatific Enjoyment Christopher D. SCHABEL, Henry of Langenstein, Henry Totting of Oyta, Nicholas of Dinkelsbühl and the Vienna Group on Reconciling Human Free Will with Divine Foreknowledge Monica BRÎNZEI, Epilogue: Commentaries on the Sentences in Paris around 1370 Index of Manuscripts Index of Ancient and Medieval Names Index of Modern and Contemporary Authors‎

‎Pseudo-Aristotelian Texts in Medieval Thought. Acts of the XXII Annual Colloquium of the Société Internationale pour l?Étude de la Philosophie Médiévale, Cluj-Napoca, 28?30 September 2016‎

‎, Brepols, 2023 Hardback, xxii + 360 pages, Size:156 x 234 mm, Illustrations:3 tables b/w., Language(s):English, German. ISBN 9782503606064.‎

‎Summary The Philosopher, the Master of Those Who Know, was the dominant pagan authority in all four of the main traditions of medieval philosophy: Arabic, Greek, Hebrew, and Latin. Yet we now know that a number of works attributed to Aristotle were in fact spurious, authored by others who claimed to be, or whom others claimed to be, the Stagirite, for example, the Secretum secretorum, the Liber de causis, De mundo, De proprietatibus elementorum, De pomo, and De plantis. These writings strongly impacted medieval thought in various and fascinating ways, both in the original language, be it Arabic, Greek, Hebrew or Latin, and in translation. The mechanisms of their production, dissemination, and translation are themselves worthy of attention. Many of these works spawned commentary traditions of their own, parallel to those involving the classic texts of Peripatetic philosophy. Apparent contradictions between ideas expressed in these treatises and those found in what we consider to be authentic works, for instance ideas that appeared to derive more from the Academy than from the Lyceum, provoked questions about authenticity and about the possible evolution of Aristotle's thought. Finally, these texts were employed in one way or another in many genres of philosophical literature in the Middle Ages, including metaphysics, natural and moral philosophy, theology, and even more exotic disciplines like chiromancy and alchemy. This volume aims to shed new light on various aspects of the history of Pseudo-Aristotelian texts in the Middle Ages. TABLE OF CONTENTS Introduction Pieter De Leemans (?) and Lisa Devriese, Translating and Reading Pseudo-Aristotle in the Latin West William Duba, Balancing Authority on a Column of Fire: The Secret of Secrets and the Salvation of Aristotle António Rocha Martins, The Secretum secretorum and the Idea of Political Happiness in the Latin Middle Ages Pavlína Cermanová, Greek and Arabic Inspirations for Organizing Medieval Banquets: The Pseudo-Aristotelian Secretum secretorum as a Source and a Model for Medieval Advice Literature Julie Loveland Swanstrom, Secondary Causes in the Liber de Causis and the Work of Thomas Aquinas Henryk Anzulewicz, Der Liber de causis als Quelle der Intellektlehre des Albertus Magnus Beate Ulrike La Sala, The Arabic Islamic Reception of the Arabic Plotinus and Maimonides' Theory of Emanation Marilena Panarelli, Spiritus and Plant Formation: Albert the Great's Rrestatement of the Pseudo-Aristotelian De plantis Evelina Miteva, From Pseudo-Aristotle to Pseudo-Albert: The Emancipation of Natural Philosophy Pavel Brazek, Iste liber videtur esse factus ab Aristotile: Bartholomew of Bruges and the Medieval Reception of the De Inundatione Nili Abraham Melamed, The Medieval Hebrew De pomo and the Myth of the Jewish Aristotle Ioana Curu?, The Medieval Latin Reception of Liber de Pomo in Questions De intentione Aristotelis on the Eternity of the World (Available in Open Access) Andrei Marinca, The Pseudo-Aristotelian De mundo and Fourteenth-Century Theologians (Available in Open Access) Index of Manuscripts Index of Names‎

‎Principia on the Sentences of Peter Lombard. Exploring an Uncharted Scholastic Philosophical Genre Across Europe‎

‎, Brepols, 2024 Hardback, 1204 pages, Illustrations:1 b/w, 25 tables b/w., Language(s):English, French, Latin. ISBN 9782503612089.‎

‎Summary Principia were an obligatory step on the medieval university path to becoming a master of theology. As inaugural lectures on the four books of the Sentences of Peter Lombard, they provided the first opportunity for a scholastic to defend a philosophical-theological worldview. These lectures were also a way for the theologian, now a sententiarius, to present himself and to make a name for himself, initially by delivering in a speech an introduction to the course and by debating with his fellows. The present book takes a collective approach to offer a survey of the evolution of the genre, mapping the dissemination of this exercise during the fourteenth and fifteenth centuries across Europe. As an academic exercise, principia bridge ideas, texts, authors, and institutions across time. Exploring the corpus of surviving principia illuminates the philosophical creativity cultivated in the faculties of theology. The papers in these volumes thus not only discuss the structural aspects of principia, but also treat the philosophical and theological ideas defended and attacked during the principial debates and the topics and imagery used in the speeches. The various chapters delve into the surviving material in a common attempt, firstly, to assemble pieces of evidence from Paris and Oxford into an image portraying how, when, and by whom the principia were performed in the first European universities. The second part illustrates the spread of the genre to the new faculties of theology in Central Europe and Italy, with case studies from Bologna, Cracow, Florence, Heidelberg, Prague, and Vienna, highlighting the pan-European diffusion of the practice. TABLE OF CONTENTS Volume I: Paris and Oxford Monica Brinzei and William O. Duba, Introduction Monica Brinzei, A Guide for Understanding Principia on the Sentences of Peter Lombard Paris William J. Courtenay, The Transformation of Sentential Principia in the Early Fourteenth Century Florian Wöller, Inaugural Speeches by Bachelors of Theology Principial Collationes and their Transmission (1317-1319) Chris Schabel, Francis of Marchia on Instrumental Causality: The Conclusion to Principium in IV in Question 2 on IV Sentences Chris Schabel, The Genre Matures. Parisian Principia in the 1340s, from Gregory of Rimini to Pierre Ceffons Chris Schabel, The Forgotten Principia of a Forgotten Theologian: Jean de Moyenneville, 1356-1357, and Parisian Theology in the Late 1350s Alexandra Anisie, Mediated Knowledge and Beatific Vision in the First Principium of John of Brammart William J. Courtenay, Principial Cohorts at Paris Oxford Siegfried Wenzel, Introductory Lectures on the Sentences by ?Frisby? Michael Dunne, Between Old and New at Oxford: The Introitus Sententiarum of Richard FitzRalph and the First Collatio of Adam Wodeham Pascale Bermon, À la recherche des Principia aux Questions sur les Sentences de Robert Holcot O.P. (? 1349) Chris Schabel, The Oxford Franciscan Robert Halifax's Principial Debate over Grace and Merit with His Pelagian Socius and Other Colleagues in 1332-133 Volume II: Blogona, Cracow, Florence, Heidelberg, Prague, and Vienna Bologna Chris Schabel, The Franciscan Guglielmo Centueri of Cremona's Bologna Principium of 1368, with an Appendix on Whether God Can Make the Past Not to Have Been Cracow Wojciech Baran, Survey on Medieval Principia on Peter Lombard's Sentences of Theologians from the University of Cracow Florence William O. Duba and Russell L. Friedman, A(nother) Florentine Principium on the Sentences. The Mystery of the Two "Prologues" in Peter of Trabibus' I Sentences Heidelberg Andrea Fiamma, John Wenck's Principia on the Sentences (1431) Prague Monica Brinzei, The Cistercian Matthew of Zbraslav (de Aula Regia / Königsaal), Socius of a Pre-Radical Jan Hus, and Their Prague Principial Debate Vienna Edit Anna Lukács, Prêcher sur les Sentences: sermons sur l'?uvre du Lombard à la bibliothèque des Dominicains de Vienne Ueli Zahnd, Disputing without Socii: The Principium on Book I of Conrad of Rothenburg, Vienna 1408/09 Matteo Esu, Peter of Pirkenwart's Textual Workshop from his Principium IV (1417) Matteo Esu and Ueli Zahnd, A joint Edition of Conrad of Rothenburg's and Peter of Pirchenwart's Principia on Book IV of the Sentences Index‎

‎Rise of an Academic Elite : Deans, Masters, and Scribes at the University of Vienna before 1400‎

‎, Brepols, 2022 Hardback, xi + 697 pages, Size:156 x 234 mm, Illustrations:15 col., Language(s):English, French, Latin. ISBN 9782503601021.‎

‎Summary Henry of Rheinfelden, a Dominican from Basel, spent the last decade of the fourteenth century at the University of Vienna studying theology. During this time he took notes on the academic activities of the first rectors of the university and deans of the Faculties of Arts and Theology. This volume explores Rheinfelden's contribution to our understanding of the doctrinal, curricular, administrative, and prosopographical history of the early University of Vienna. Deciphering Rheinfelden's surviving notebooks in the Universitätsbibliothek Basel sheds new light on the rise of an academic elite in Vienna. His manuscripts reveal a network of scholars sharing a passion for knowledge and supply a gallery of intellectual profiles, starting with the mentors of the group, Henry of Langenstein and Henry Totting of Oyta, and continuing with the lesser-known figures Stephen of Enzersdorf, Gerhard Vischpekch of Osnabrück, Paul (Fabri) of Geldern, Andreas of Langenstein, Rutger Dole of Roermond, Nicholas of Hönhartzkirchen, Nicholas of Dinkelsbühl, John Berwart of Villingen, John Stadel of Russbach, Peter de Treysa, Michael Suchenschatz of Hausleiten, Peter Schad of Walse, Thomas of Cleves, and Leonhard of Dorffen. The papers gathered in this volume highlight the intricate relationship between a commitment to administrative duty and an appetite for the creation of a doctrinal tradition via debating, forging arguments, defending and attacking positions, commenting on authorities, and adopting and adapting academic practices imported from Paris, since the majority of the authors in our gallery were educated in Paris and built their careers in Vienna. Through Rheinfelden's notebooks, this volume provides access to unique and previously unknown texts that together offer a new image of the medieval University of Vienna. TABLE OF CONTENTS Introduction - Monica BRÎNZEI Acknowledgements Adinel C. DINC? - Henry of Rheinfelden (?1433) The Identity of a Scribe Nadège CORBIÈRE - Henry of Rheinfelden's Collection of Quaestiones on Peter of Lombard Sentences in Basel, Univesitätsbibliothek, A IX 92 Aurora PANZICA - Une tentative de réductionnisme au Moyen Âge: la philosophie naturelle d'Henri de Langenstein, de Paris à Vienne Luciana CIOCA - The Parisian Background of Henry of Langenstein Through the Case of John of Calore's Vesperies Harald BERGER - Henry Totting of Oyta and his Quaestiones Sententiarum Andrei MARINCA - Stretching the Great Chain of Being: Stephen of?Enzersdorf on the Latitude of Creatures Mihai MAGA - A Law Professor Discussing a Theological Question in Vienna: Gerhard Vischpekch of Osnabrück on Peter Lombard's Sentences, Book 4, Dist. 18 Alexandra BANEU - Paul of Geldern - A Portrait of the Parisian artista as a Viennese Theologian Chris SCHABEL - Andrew of Langenstein (ca 1362-1399?) and His Question on Human Freedom from a Disputatio Aularis Monica BRÎNZEI - Discovering Rutger Dole of Roermond (?1409) via Henry of Rheinfelden's Collection of Notes Monica BRÎNZEI - Notes on Magister John of Russbach (?1417) With an Update of Paul Uiblein's Survey and Some Discoveries Matteo ESU - Pedagogical Practices at the University in Vienna: New Textual Evidence on Nicholas de Dinkelsbu?hl's Theological Training Edit Anna LUKÁCS and Daniel COMAN - Thomas of Cleves on the Universal Force of Charity Lavinia GRIJAC and Alexander BAUMGARTEN - Quelibet creatura est creativa. Traces of Peter Schad de Walse's Theological Debates in Vienna at the End of the 14th Century? Alexandra BANEU - Leonard of Dorffen's Question about Lucifer's Sin Monica BRÎNZEI - Nicholas of Anaskilch or Nicholas of Hönhartzkirchen (?1400) on Angelic Cognition Ioana CURU? - John Berwart of Villingen: Witness of Henry of Langenstein and the Viennese Opinio Communis on Predestination Daniel COMAN - Grace Meets Free Will Ruling in a Regal Government: Magister Michael Suchenschatz on Grace and Free Will Monica BRÎNZEI - Rectors and Deans as Scribes at the Medieval University from Vienna Indices‎

‎Kijk als een kunstenaar Van theedoek tot terpentine: hoe schildertechnieken en materialen de kunstgeschiedenis beïnvloeden‎

‎, Meulenhoff, 2021 softcover 319 Pagina's 240 x 170 x 20 mm. ISBN 9789029092135.‎

‎Kijk als een kunstenaar Van theedoek tot terpentine: hoe schildertechnieken en materialen de kunstgeschiedenis beïnvloeden Monica de Ruiter vertelt over beroemde Nederlandse schilderijen en hoe ze gemaakt zijn ? een verfrissende en inspirerende invalshoek om naar schilderkunst te kijken en erover te praten Als je naar een schilderij kijkt, vraag je je vast ook wel eens af hoe het gemaakt werd. Het is een vraag die Monica de Ruiter vaak krijgt wanneer ze rondleidingen geeft in het Rijksmuseum in Amsterdam. Maar over het algemeen vind je in de gangbare kunstboeken opvallend weinig antwoorden op die vraag. Daarom is Kijk als een kunstenaar niet zomaar een boek over kunst; het laat zien welke uitdagingen kunstenaars tegenkomen bij het maken van een werk, welke stappen ze moeten zetten en welke beslissingen ze moeten nemen. De Ruiter laat via onderzoek en gesprekken met schilders en restauratoren oude en nieuwe meesters aan het woord over hoe ze werken en waarom precies op die manier. De betekenis van een werk, zo blijkt, hangt nauw samen met de techniek. Zo laat De Ruiter zien hoe het gebruik van de verf in de loop der eeuwen veranderde. In de middeleeuwen is het fijnschilderen in zwang, Rembrandt smeert zijn verf al dikker en bij Van Gogh liggen de verfklodders, en daarmee de directe emotie, op het doek. Over Van Gogh gesproken: door de uitvinding van de tube kon hij buiten in de natuur schilderen. Zijn voorgangers moesten hun verf ter plekke maken van pigmentpoeder, die natuurlijk bij elk zuchtje wind zou wegwaaien. Ze bleven dus in hun studio. Kortom: zonder tube geen Van Gogh. Onze oude en nieuwe schilderijen (en hun makers) zitten vol dergelijke verrassende verhalen die ons de kunstgeschiedenis op een andere en bijzondere manier vertellen. Zo wordt naar kunst kijken nog leuker.‎

‎Paesaggi Della Memoria/Landscapes of Memory ‎

‎, Mandragora, 2007 Paperback,286 pages, English / Spanish, Illustrated, Fine condition. ISBN 9783115421182.‎

‎LISETTE MODEL Street Life‎

‎, Silvana Editoriale, 2021 Hardcover 280 x 230 mm, 128 p, 80 illustraties. Eng/ IT edition. ISBN 9788836648320.‎

‎With an ironic and brazen look, Lisette Model was able to capture in her shots the most grotesque aspects of postwar American society. Published on the occasion of the first Italian anthological exhibition dedicated to her, the volume retraces the successful work of Lisette Model, an artist of Austrian origin who had great importance in the development of photography in the Fifties and Sixties. Parallel to her teaching activity - she had among her students authors who later became famous such as Diane Arbus and Larry Fink - Lisette Model was an ironic and irreverent photographer, able to capture in her shots the most grotesque aspects of post-war American society. Alongside the most famous series - such as Promenade des Anglais, created in Nice, or the photographs dedicated to New Yorkers or the very suggestive ones made in jazz clubs - the book also proposes lesser-known projects, which account for her personal and sardonic photographic language. The close-up shots, the recurring use of the flash, the exasperated contrasts are the expedients that the author resorts to in order to accentuate the imperfections of the bodies and the coarse gestures of her subjects, transformed into the characters of a sneering human comedy: an approach to reality which made Lisette Model the forerunner of a way of using photography that would find full realization only in the following decades.‎

‎Dinan Ville d'Art‎

‎Rennes, Imprimerie bretonne, 38, rue du Pré-Botté Broché 1958 Grand In-8 (19x23,5cm), 499 pages, 411/1000 exemplaires sur papier offset, riche iconographie en noir et blanc (illustrations, photos, plans...) in et hors-texte ; plats légèrement insolés, dos insolé, intérieur frais, bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Sanctuaires , croix et fontaines. Nouvelles promenades autour de Dinan. Illustrations de L Lemarchand.‎

‎ Rennes, Imprimerie bretonne, 1962, fort et grand in8 br, 635pp Les bords des couvertures ont été renforcés à l' adhésif. Langue: Français ‎