‎Contemporary Japanese Architects ‎

‎ Taschen Taschen, 1994. In-4 broché, couverture illustrée et à rabats de 176 pages. Très belles photos couleurs. Parfait état.‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Eglises vaudoises. Dessinées et gravées (sur bois) par Henry Meylan. Notices de Frédéric Gilliard.‎

‎Lausanne, Imp. centrale S.A., 1937, in-folio, 22 gravures sur bois dans des pochettes illustr. et avec une ff. de texte, envoi signé par l'artiste en 1937, non relié en feuilles dans la brochure originale. (coiffe de la couverture lég. froissée).‎

‎L'ensemble se trouve souvent incomplète. Les églises montrent: St. François, Begnins, Bursins, St. Prex, St. Sulpice, Les Bioux, Bretonnieres, Romainmotier (2 grav.), Coppet, Orbe, Grandson, Ressudens, Payerne, Curtilles, Thierrens, St. Saphorin, Lutry, Belmont, Pully, St. Francois et Coppet. ‎

‎Landeskonservator Rheinland Wohnbauten in Köln-Ehrenfeld n : 23‎

‎ 1977 Koln, Rheinland-verlag, 1977, 21 x 30 cm, 136 pp , état neuf, couverture illustrée en N et B , ‎

‎Arbeitsheft : 23. ‎

‎L'EXPOSITION UNIVERSELLE DE 1867 ILLUSTREE. PUBLICATION INTERNATIONALE AUTORISEE PAR LA COMMISSION IMPERIALE. 60 livraisons.‎

‎M. E. DENTU / M. PIERRE PETIT. NON DATE. In-Folio. Relié demi-cuir. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 480 pages. Dos cuir marron à 4 nerfs. Titres dorés. Toile marron sur les plats. Nombreuses gravures en noir et blanc dans et hors texte. Texte sur 3 colonnes. Epidermures.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎CONSTRUCTION DES TOURS EN MER DANS LE SERVICE DES PHARES ET BALISES‎

‎A. Dumas, Paris 1924. In 8°, broché, 189 pages. Nombreuses planches hors textes et dépliantes en appendice. Épidermures sur couverture et premières pages. Intérieur très bon. Dos satisfaisant mais bénéficierait d'une reliure. Bon exemplaire‎

4 Images

‎EL ARTE EN ESPANA. ALHAMBRA I.‎

‎H. DE J. THOMAS, S.A.. NON DATE. In-12. Broché. Etat passable, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Premier plat illustré en couleurs. 48 pages de photos noir et blanc. Quelques pages de texte en espagnol, français et anglais.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les fouilles de Sain-Martin de Tours - Recherches sur les 6 basiliques successives élevées autour du tombeau de Saint-Martin‎

‎ 1888 TOURS, L. Pélicat - 1888 - In-8 - broché - VII-134 pages, dont table des planches au nombre de 7 dont 2 grandes dépliantes (usure à 1 planche) - Ex-libris Gwenc'han Le Scouezec - Bon exemplaire - envoi rapide et soigné ‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎"Symbolisme cosmique et Monuments religieux"‎

‎"1953. Paris Éditions des Musées Nationaux Musée Guimet 1953 - 2 vol. brochés 15 5 cm x 22 cm 106 pages+ XLVII planches Illustrés - Textes de J. Nougayrol R. Bloch P. Lévy J. Daniélou J. David-Weil A. Chastel M. Griaule ... - Quelques passages soulignés au stylo état correct" ‎

‎NOTRE-DAME DE CHARTRES + ENVOI DES AUTEURS‎

‎HACHETTE. 1957. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 107 pages. Jaquette illustrée en couleurs, abîmée (réparation de déchirures au ruban adhésif). Nombreuses photos en noir et blanc héliogravées, par Célestin Louis le Goff.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Envoi des auteurs et du photographe sur la page de faux-titres. Classification Dewey : 720-Architecture‎

‎L'Eglise Saint-Julien-le-Pauvre.‎

‎IMP. CLERC. Non daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. Plaquette de 24 pages. Quelques planches de photos en noir et blanc. Nombreux passages soulignés dans lae texte, au crayon à papier. Dos fendu.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎LES VILLES D'ART CELEBRES‎

‎H. LAURENS. 1957. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 140 pages. Couverutre contrepliée illustrée en couleurs. Nombreuses héliogravures en noir et blanc dans et hors texte. Un plan en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Stained Glass Windows‎

‎, Brepols - Harvey Miller, 1996 paperback. 90 pages ., 8 ill., 160 x 240 mm, Languages: English, Fine copy. Including an index. ISBN 9782503360768.‎

‎This study aims at providing a comprehensive overview of the scholarship on medieval stained glass windows.<br>This study provides an up-to-date overview of the scholarship on a single source material, stained glass. Included are an extensive bibliography, and brief chapters on the nature and development of this medium, the technique of making a window in the middle ages, post-medieval reception and documentation, and the historical significance of windows. Most examples are chosen from English or French sites, though the reference material is comprehensive; for instance, the bibliography includes all the catalogues published by thirteen countries in the Corpus Vitrearum series. The author guides the reader to recent literature on medieval attitudes to glass as a window material, the encoding of exegetical and theological systems, the structuring of narrative, and the function of windows as luminous altar-pieces or as memorials. Researchers are invited to cull from windows information concerning technology, latinity, piety, heraldry and genealogy, dress, and attitudes to class and gender. In order to understand the present condition of windows, brief accounts are given of iconoclasm, early restoration practices, and patterns of collecting. There are nine black and white illustrations that serve to clarify technical details; one of them, illustrating the paint layers in a group of twelfth century heads, was drawn especially for this book. The author, Madeline H. Caviness, is Mary Richardson Professor and Professor of Art History at Tufts University, and served as President of the International Board of the Corpus Vitrearum from 1987 to 1995. Her last book, The Sumptuous Arts at the Royal Abbeys in Reims and Braine (1990), was awarded the Haskins Medal of the Medieval Academy of America for 1993.<br>Review<br>"There is no one more qualified to present an overview of current scholarship in the field of stained glass studies than Madeline H. Caviness. (...) the present volume is a welcome addition to anyone's library of reference tools and pedagogical resources." (H. M. Sonne, in: The Medieval Review, 99.01.07)‎

‎Stained Glass Windows‎

‎, Brepols 1996, 1996 90 pages., + 8 ill., 160 x 240 mm, English, Paperback, . ISBN 9782503360768.‎

‎This study aims at providing a comprehensive overview of the scholarship on medieval stained glass windows. This study provides an up-to-date overview of the scholarship on a single source material, stained glass. Included are an extensive bibliography, and brief chapters on the nature and development of this medium, the technique of making a window in the middle ages, post-medieval reception and documentation, and the historical significance of windows. Most examples are chosen from English or French sites, though the reference material is comprehensive; for instance, the bibliography includes all the catalogues published by thirteen countries in the Corpus Vitrearum series. The author guides the reader to recent literature on medieval attitudes to glass as a window material, the encoding of exegetical and theological systems, the structuring of narrative, and the function of windows as luminous altar-pieces or as memorials. Researchers are invited to cull from windows information concerning technology, latinity, piety, heraldry and genealogy, dress, and attitudes to class and gender. In order to understand the present condition of windows, brief accounts are given of iconoclasm, early restoration practices, and patterns of collecting. There are nine black and white illustrations that serve to clarify technical details; one of them, illustrating the paint layers in a group of twelfth century heads, was drawn especially for this book. The author, Madeline H. Caviness, is Mary Richardson Professor and Professor of Art History at Tufts University, and served as President of the International Board of the Corpus Vitrearum from 1987 to 1995. Her last book, The Sumptuous Arts at the Royal Abbeys in Reims and Braine (1990), was awarded the Haskins Medal of the Medieval Academy of America for 1993. Review "There is no one more qualified to present an overview of current scholarship in the field of stained glass studies than Madeline H. Caviness. (...) the present volume is a welcome addition to anyone's library of reference tools and pedagogical resources." (H. M. Sonne, in: The Medieval Review, 99.01.07)‎

‎Geschiedenis van het Gasthuis te Geel 1286-1969‎

‎Geel, Geels Geschiedkundig Genootschap, 1969 Gebonden, Hardcover, 239 pagina's, 25.5 x 18 cm, Bibliotheekstempel en rugnummer.‎

‎L’ame populaire du Moyen Âge dans l’art à la Chaise-Dieu.‎

‎ La Chaise-Dieu, Editions la Casadeene 1980, 290x230mm, 129pages, reliure d'éditeur. Bel exemplaire.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Prague : passages et galeries‎

‎1993, NORMA. In-4, broché sous jaquette illustrée, 173 pages. Riche iconographie n&b et couleurs. Jaquette très légèrement émoussée. Très bon exemplaire‎

‎Bologna Cope: Patronage, Iconography, History, and Conservation‎

‎, Brepols - Harvey Miller, 2022 Hardback, 228 pages, Size:225 x 300 mm, Illustrations:160 col., Language: English. ISBN 9781912554874.‎

‎Summary This second volume in the series Studies in English Medieval Embroidery is dedicated to the Opus Anglicanum Cope of St Domenico, Bologna now housed in the Museo Civico Medievale. Essays are by the Director, curators and conservation staff of the Museo Civico in collaboration with new archival research by leading scholars in the field of textiles and the production of medieval liturgical vestments. It is edited by Dr. M.A. Michael, head of the Opus Anglicanum Project at the University of Glasgow. This volume presents the first detailed investigation of the iconographical cycle depicted on the cope and provides new evidence for dating which places the Bologna Cope within the short-lived patronage of Pope Benedict XI before 1304. A comprehensive investigation of the archival materials relating to the Cope and its rediscovery in the 19th century is also accompanied by a detailed historiography of the literature and exhibition history of the cope and an account of the challenges faced during its recent conservation. TABLE OF CONTENTS Massimo Medica ? A King's Gift to a Pope: Benedict XI and the Bologna Cope M.A. Michael ? The Cultural Context of the Bologna Cope: The Design and Production of Opus Anglicanum Liturgical Vestments in England Franco Faranda and M. A. Michael ? The Iconography of the Cope of San Domenico in Bologna Giancarlo Benevolo ? The San Domenico Cope in the Inventories of the Sacristy and Convent of the Friars Preachers, Bologna: 14th -19th centuries Silvia Battistini ? An Historiography of the Bologna Cope Marta Cuoghi-Costantini ? Textiles and Embroidery in Italy between 1200 and 1300 Manuela Farinelli ? The Conservation of the Bologna Cope Silvia Battistini ? The Bologna Cope (Catalogue description) Bibliography Glossary Index‎

‎Faïences d'azur ‎

‎Paris, Imprimerie Nationale, 1995 Reliure éditeur pleine toile sous jaquette illustrée couleurs, 313 pages, 26 x 30cm, textes en français. *état très bien. ISBN 9782743300500.‎

‎De "splendides décors des coupoles célestes, des parois et des minarets" (d'Afghanistan, Iran, Ouzbekistan, Turquie, Maroc, Pakistan, Inde) présentés parallèlement avec un grand poème iranien médiéval: textes, traductions et calligraphies de Mike BARRY, spécialiste états-unien de l'Afghanistan et de l'art islamique, et sa traduction d'extraits de "Le pavillon des sept princesses", "chef-d'oeuvre de la littérature islamique médiévale chanté en 1197 par le poète persan Nezâmî de Gandjeh" (Ne m Gan av , 1141-1209), qui offre "la clé symbolique des "Sept Couleurs" utilisées par les céramistes. Réunies sur les coupoles célestes et les parois des mosquées, ces teintes refléteront la totalité du Cosmos"; très nombreuses photos couleurs de Roland et Sabrina MICHAUD (céramiques, paysages, miniatures); carte couleurs double page; chronologie (622-1722); glossaire; index avec légendes des monuments photographiés; bibliographie.‎

‎Cities and Complexity : Understanding Cities with Cellular Automata, Agent-Based Models, and Fractals‎

‎Cambridge, Mass., United States, MIT Press Ltd 2007, 2007 Paperback, 565 pages, ENG, 230 x 205 mm, in very good condition, with over 180 images/ illustrations in b/w. ISBN 9780262524797.‎

‎Mario Carpo provides a subtle and insightful discussion of the intellectual structures that guide architectural composition and the ways that these structures were transformed by the historic shifts from script to print and from hand-made drawings to mechanically reproduced images. He goes on to suggest that the current shift from print to digital representations will have similarly profound consequences. This is a crucial text for anyone interested in the interrelationships of media and design processes. As urban planning moves from a centralized, top-down approach to a decentralized, bottom-up perspective, our conception of urban systems is changing. In Cities and Complexity, Michael Batty offers a comprehensive view of urban dynamics in the context of complexity theory, presenting models that demonstrate how complexity theory can embrace a myriad of processes and elements that combine into organic wholes. He argues that bottom-up processes--in which the outcomes are always uncertain--can combine with new forms of geometry associated with fractal patterns and chaotic dynamics to provide theories that are applicable to highly complex systems such as cities. Batty begins with models based on cellular automata (CA), simulating urban dynamics through the local actions of automata. He then introduces agent-based models (ABM), in which agents are mobile and move between locations. These models relate to many scales, from the scale of the street to patterns and structure at the scale of the urban region. Finally, Batty develops applications of all these models to specific urban situations, discussing concepts of criticality, threshold, surprise, novelty, and phase transition in the context of spatial developments. Every theory and model presented in the book is developed through examples that range from the simplified and hypothetical to the actual. Deploying extensive visual, mathematical, and textual material, Cities and Complexity will be read both by urban researchers and by complexity theorists with an interest in new kinds of computational models.‎

‎Settlements and Strongholds in Early Medieval England. Texts, Landscapes, and Material Culture‎

‎, Brepols, 2020 Hardback, 231 pages, Size:156 x 234 mm, Illustrations:13 b/w, Languages: English, Old English, Latin. ISBN 9782503583846.‎

‎Summary In recent years numerous advances in archaeological and historical studies have enhanced our understanding of the form and function of settlements and strongholds in the landscapes of early medieval England. Until now, this groundbreaking work has not been matched in studies of early English literature, where no concerted effort has been made to investigate how these findings can inform our understanding of their representation in texts - and vice versa. This study shows that literary works offer considerable insight into the ways their authors, readers, and other audiences thought and felt about the constructed places and spaces in which they lived their lives. Covering a broad range of evidence from the end of Roman rule to the Conquest, it is the first study of its kind to offer an interdisciplinary account of the relationship between the built environment as it appears in the material record, and in a range of textual productions. Settlements and Strongholds interrogates correlations and disjunctions between the stories found in the soil and in written works of various kinds, focusing on vernacular texts and Latin works that informed their development. It argues for a deeper appreciation of the relationship between imaginative works and the material contexts in which they were created, revealing the parallel development of ideas and concepts that were fundamental in shaping early medieval England. TABLE OF CONTENTS List of Illustrations Acknowledgements Abbreviations Chapter 1. Introduction: Texts and Landscapes in Early Medieval England Texts Materials Contexts Chapter 2. Ruin Mythologies The Desolation of Britain Origin Mythologies Roman Buildings in the Exeter Book Elegies Roman Buildings in Andreas Rural Settlements in Early-Saxon England Loci Amoeni in the Vernacular Tradition Conclusion Chapter 3. Settlements Before the 'Viking Age' Rebuilding Christendom in the Ruins of Rome Cosmic Halls in Beowulf and Cædmon's Hymn Minster Authority: Cædmon in the Historia Ecclesiastica Building the English Church in De Templo Structuring the Everyday in the Exeter Book Elegies W?cs in Old English Poetry? Burhs in Middle-Saxon England Conclusion Chapter 4. Settlements, Strongholds, and the Alfredian Reinvention Reclaiming the Urban Landscape in Andreas The Archaeology of the Burghal Hidage Society, Settlements, and the 'Alfredian' Translations Society, Settlements, and Asser's Vita Alfredi Conclusion Chapter 5. Spiritual Strongholds in Late-Saxon England Bethulia as Burh in the Old English Judith Cities of Good and Evil in Elene, Juliana, and Daniel Ælfric, Wulfstan, and the Building of Christendom The Anglo-Norman City in Durham Conclusion Chapter 6. Afterword Of Time and the City Earth, Wood, Stone Structures of Community Works Cited Index‎

‎Michael Borremans Fire from the Sun,‎

‎, David Zwirner Books , 2018 Gebonden, Hardcover met stofomslag compleet. HB, 254 x 178 mm, 80 pages, throughout colour illustrations. English edition. ISBN 9781941701836.‎

‎Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell .takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong,‎

‎Michael Borremans Mark Manders - Double Silence‎

‎, 21st Century Museum Of Art, 2020 Softcover, 164 pages, ills colour & bw, 21 x 27 cm, pb, Japanese/English. *NEW CONDITION ISBN 9784903205878.‎

‎Published in conjunction with a combined exhibition of work by Michaël Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.‎

‎With a Grace Not to Be Captured: Representing the Georgian Theatrical Dancer, 1760-1830‎

‎, Brepols, 2021 Paperback, x + 198 pages, Size:216 x 280 mm, Illustrations:2 b/w, 77 col., Language: English. ISBN 9782503583563.‎

‎Summary If dance on the London stage can be said to have had a 'golden age', it might be thought to be the years between 1760 and 1830. The changes included the arrival on the London stage of ballet d'action, and the appearance of Vestris and Noverre. Dance in the theatre and the opera house continued to be essential to the financial success of any season, and it was a ubiquitous element in the London theatrical season both in dramatic works and as entr'acte pieces. These years also saw important changes that affected theatrical dance and thus public perceptions of celebrity dancers. Despite this, and in comparison with other performers, far fewer portraits of dancers were produced. This can be explained in part by a visual culture that privileged a particularly national view of celebrity. As one of the contributors argues in this volume, 'The rhetoric of a "British school of art" contributed to marginalizing foreign singers and dancers on the London stage, as well as other immigrant artisans who had a major role to play in the economics of eighteenth-century London leisure life.' Through the examination of a series of major dancers, this volume examines the way in which the images created represented a dancer's image, which was then often exploited through the medium of print. The images discussed in the volume include formal and informal portraits, portraits in character, prints, and caricatures. TABLE OF CONTENTS Preface I. The London Dancer Portrait in Context Portraiture and the Import of Dancers in Eighteenth-Century London - Shearer West II. Dancers of the Opera and Playhouse Garrick's Muse? Eva Maria Veigel and her Husband - James Harriman-Smith Portraits of Jean-Georges Noverre - Jennifer Thorp Dancers Acting in 1781: The Vestris, père et fils, Adelaide Simonet, and Giovanna Baccelli - Judith Milhous Natural Beauty or 'Paint-Painted'? Giovanna Baccelli by Thomas Gainsborough - Joanna Jarvis 'Grace, Beauty, and Surprising Agility' - Representations of Barbarina Campanini, 1742-48 - Samantha Owens Portraying Heroic Masculinity: James Harvey D'Egville on Stage - Keith Cavers III. The 'Other' Dancers Philip Astley and the Amphitheatre - Joe Lockwood Tumbling Images: Carlo Antonio Delpini at Work - Michael Burden Bibliography About the Authors Index‎

‎Art and Architecture of the Cistercians in Northern England, c.1300-1540‎

‎, Brepols, 2019 Hardback, xlvii + 328 pages, Size:156 x 234 mm, Illustrations:110 b/w, 8 col., 4 tables b/w., Language: English. ISBN 9782503581934.‎

‎Summary The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle Ages, and questions many long-held opinions about the Order's perceived decline during the period c.1300-1540. Extensive building works were conducted between the fourteenth and sixteenth centuries at well-known abbeys such as Byland, Fountains, Kirkstall, and Rievaulx, and also at lesser-known houses including Calder and Holm Cultram, and at many convents of Cistercian nuns. This study examines the motives of Cistercian patrons and the extent to which the Order continued to enjoy the benefaction of lay society. Featuring over a hundred illustrations and eight colour plates, this book demonstrates that the Cistercians remained at the forefront of late medieval artistic developments, and also shows how the Order expressed its identity in its visual and material cultures until the end of the Middle Ages. TABLE OF CONTENTS Acknowledgements List of Illustrations Abbreviations Colour Plates Introduction: Debates and Definitions Chapter 1: The Evidence Chapter 2: Patronage Chapter 3: Religious Art Chapter 4: Death and Commemoration Chapter 5: The Art and Architecture of Cistercian Nuns Chapter 6: Suppression and Survival Conclusion Bibliography Index‎

‎Someone is in my House. David Lynch. *FR. ed.‎

‎, Hannibal Kannibaal , 2025 304 pages / Softcover / Quadrichromie illustrations / Texte en Francais / 30 x 24,3 cm. *Neuf. . ISBN 9789493416253.‎

‎David Lynch (1946) est indéniablement l'un des réalisateurs et cinéastes américains majeurs du xxe siècle. Mais alors qu'il se considère avant tout comme un plasticien et n'a jamais cessé, tout au long de ses cinquante ans de carrière, de dessiner et de peindre, on connaît moins son oeuvre plastique. Cet ouvrage illustre en une centaine de peintures, dessins, photos, sculptures-lampes, photos de plateau et installations le talent exceptionnel de cet artiste. Comme dans ses célèbres films et séries télévisées, Lynch y dépeint un univers sombre, équivoque, imprévisible, menaçant, parfois drôle, toujours original et marqué de son empreinte. Avec des textes de Michael Chabon, Petra Giloy- Hirtz, la biographe de Lynch Kristine McKenna et Stijn Huijts. Cet ouvrage est édité à l'occasion de l'exposition David Lynch - Someone is in my House, présentée du 30 novembre 2018 au 28 avril 2019 au Bonnefantenmuseum à Maastricht.‎