‎Marcel Mariën, Homogeneous heterogeneity.‎

‎, New York, Landry-Bonino Gallery,, 1972 couverture originale, agrafé in-4°, 25,5 x 19,5 cm, 12 nn pp, ill. en couleur et en noir et blanc, .‎

‎(Catalogue d'exposition). New York, Galerie Landry-Bonino, 28 novembre 1972‎

‎Between Body and Soul in Old Norse Literature. Emotions and the Mutability of Form‎

‎, Brepols, 2024 Hardback, 224 pages, Size:156 x 234 mm, Language: English. ISBN 9782503605883.‎

‎Summary What did the body mean for inhabitants of the medieval Norse-speaking world? How was the physical body viewed? Where did the boundary lie between corporality and the psychological or spiritual aspects of humanity? And how did such an understanding tie in with popular literary motifs such as shape-shifting? This monograph seeks to engage with these questions by offering the first focused work to delineate a space for ideas about the body within the Old Norse world. The connections between emotions and bodily changes are examined through discussion of the physical manifestations of emotion (tiredness, changes in facial colour, swelling), while the author offers a detailed analysis of the Old Norse term hamr, a word that could variously mean shape, form, and appearance, but also character. Attention is also paid to changes of physical form linked to flight and battle ecstasy, as well as to magical shapeshifting. Through this approach, diametrically different ways of thinking about the connection between body and soul can be found, and the argument made that within the Old Norse world, concepts of change within the body rested along a spectrum that ranged from the purely physical through to the psychological. In doing so, this volume offers a broader understanding of what physicality and spirituality might have meant in the Middle Ages. TABLE OF CONTENTS Acknowledgements Introduction. Searching for the Body Methodological Limitations Influence of Continental Writings Chapter 1. Somatic Aspects of Emotion The Study of Emotions Genre Specifics and Saga Style The Emotional Content of Physical Displays Exhaustion and Fatigue Change of Facial Colour Swelling Eye Pain Death The Concept of the Body in Light of the Semantic Field of Emotions as Physical Experiences Chapter 2. Change of Form The Concept of hamr The Etymology of the Root ham- and its Compound Words The Compound Words hamingja and líkamr Interpretive Dilemmas Changes Associated with Flight Changes Linked with Strong Animals Transformations in the Context of Battle Ecstasy Hybrid Forms The Transformations of Magic Practitioners Witches Journeying of hamr The Disappearance of hamr The Surface of the Body The Post-medieval Development Scandinavian Ballads Modern Icelandic The Concept of the Body in Light of the Semantic Field of hamr Conclusion. The Period of Transition Appendix. Occurrences of the ham- Root in Old Norse Literature The Poetic Edda Skaldic Poetry Snorra Edda (Prose Edda) Landnámabók (Book of Settlements) The Sagas Kings' Sagas (konungas?gur) Tales (þættir) Sagas of Icelanders (Íslendingas?gur) Legendary Sagas (fornaldars?gur) Indigenous Romances (lygis?gur) The Chivalric Sagas (riddaras?gur) Christian Sagas Contemporary Sagas (samtíðars?gur) Scholarly Literature Works Cited Index ‎

‎Palais et Médinas‎

‎Éditions de Lodj, 2006. In-4, relié, cartonnage éditeur sous jaquette illustrée, 287 pages. Bon exemplaire‎

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‎MAISONS PREFABRIQUEES EN BOIS ET EN DUR.‎

‎Non daté / Composé de 43 planches. Relié avec jaquette. Editions Charles Massin.‎

‎Jaquette présentant des frottements épars et rescotchée sur le dernier plat, intérieur très frais malgré des rousseurs sur la page de faux titre, la planche N°16 est détachée de la reliure. Bon état.‎

‎Augustin exégète et prédicateur dans les Sermons sur Matthieu‎

‎, Brepols, 2021 Paperback, 722 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213037.‎

‎Summary In his preaching, does Augustine of Hippo adapt his biblical commentaries and, if so, according to what criteria? To answer this question, this book studies the exegesis of some twenty sermons preached on the Gospel of Matthew. The first chapter places them in their historical, geographical, polemical and liturgical contexts. The following chapters investigate the patristic tradition and the Augustinian works in order to shed light on the specificity of the interpretations; the rhetorical dimension is also taken into account. Through their scriptural interpretations, these sermons assume the concrete situation of the audience and are inserted into the dynamics of the liturgy from which they receive the material for the commentary and the finality that guides it. Their exegesis is situated at the intersection between the Word of God which it extends and implements (chapters 2 to 4) and the responses it seeks to elicit from the listeners (chapters 5 to 7). This desire to edify the listeners, both personally and communally, while aiming at spiritual progress and orthopraxis rooted in the confessed truth, helps to enlighten the preacher's adaptation of the Sermons on Matthew. Dans sa prédication, Augustin d'Hippone adapte-t-il ses commentaires bibliques et, si oui, selon quels critères ? Pour répondre à cette question, cet ouvrage étudie l'exégèse d'une vingtaine de sermons prêchés sur l'Évangile de Matthieu. Un premier chapitre les replace dans leurs contextes d'énonciation, historiques, géographiques, polémiques et liturgiques. Les chapitres suivants procèdent à une enquête dans la tradition patristique et dans l'oeuvre augustinienne pour, le cas échéant, mettre en lumière la spécificité des interprétations ; la dimension rhétorique est aussi prise en compte. Ces sermons assument par leurs interprétations scripturaires la situation concrète de l'assemblée et s'insèrent dans la dynamique de la liturgie dont ils reçoivent la matière du commentaire et la finalité qui l'oriente. Leur exégèse se situe à l'intersection entre la Parole de Dieu qu'elle prolonge et met en oeuvre (chapitres 2 à 4) et les réponses qu'elle cherche à susciter de la part des auditeurs (chapitres 5 à 7). Cette volonté d'édifier les auditeurs, à la fois personnellement et communautairement, en visant tout autant un progrès spirituel et une orthopraxie découlant de la vérité confessée, contribue à éclairer l'adaptation du prédicateur dans les Sermons sur Matthieu. TABLE OF CONTENTS Ante omnia Sigles Introduction Chapitre 1. Prolégomènes. Contextes des Sermones in Matthaeum Première partie: Per ministrum sermonis. La médiation du prédicateur Introduction Chapitre 2. Médiations et annonce (S. 66). Mt 11, 2-11. Lc 7, 18-28 Chapitre 3. Ministerium sermonis. Le ministère du prédicateur Chapitre 4. "Petite! Quaerite! Pulsate!" Enseigner l'exégèse Per ministrum sermonis. Conclusion Seconde partie: Fructus quaeritur. Les fruits de la prédication Introduction Chapitre 5. Images bibliques de la fructification Chapitre 6. Fides. La foi, fruit de la prédication Chapitre 7. Caritas. L'amour de Dieu et du prochain, fruits de la prédication Fructus quaeritur. Conclusions Conclusion Annexes Indices‎

‎Chromo-Architecture - L'art de construire en couleur‎

‎Edité par Editions Alternatives, Paris, 2007. Broché avec rabats, 22 x 24 cm. 160pp. Nombreuses illustrations en couleurs. Très bon état. ‎

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‎Construire aujourd'hui, et demain ? Liberte, responsabilite & engagement de l'architecte - rapport d'activite avril 2023‎

‎STRASBOURG ecole d'architecture. 2023. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages - quelques illustrations en couleur. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Art Belge II / Belgische Kunst II‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Art Belge II / Belgische Kunst II - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎BLINKY PALERMO‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Éditeurs originaux, couverture cartonnée, 21 x 15 cm. 20 pages. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS BLINKY PALERMO CATALOGUE DE L'EXPOSITION‎

‎Cadere / Köpcke / Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Cadere / Köpcke / Coleman CATALOGUE DE L'EXPOSITION‎

‎David Lamelas‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1991 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS David Lamelas CATALOGUE DE L'EXPOSITION‎

‎Jacques Charlier‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Jacques Charlier CATALOGUE DE L'EXPOSITION‎

‎James Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Coleman CATALOGUE DE L'EXPOSITION‎

‎James Ensor‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1989 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Ensor CATALOGUE DE L'EXPOSITION‎

‎Koroliov / Tzereteli / Zamkov / Zhilinksy‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Koroliov / Tzereteli / Zamkov / Zhilinksy CATALOGUE DE L'EXPOSITION‎

‎Marina Abramovic - Becoming Visible‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Marina Abramovic - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Paysages - Landschappen‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Paysages - Landschappen CATALOGUE DE L'EXPOSITION‎

‎Peter Archer‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Peter Archer CATALOGUE DE L'EXPOSITION‎

‎Piero Manzoni ‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Piero Manzoni - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Wolfgang Laib‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonnée, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Wolfgang Laib CATALOGUE DE L'EXPOSITION‎

‎#07 Anne Rondia architecte et paysagiste‎

‎, Archidoc, 2023 Paperback, 320 pages, Texte en Francais , 190 x 150 x 24 mm, Tres bien condition, illustr. / foto's en couleur / n/b. ISBN 9782960192278.‎

‎Architecte et paysagiste formée à l?Institut d?architecture Saint-Luc de Liège, Anne Rondia développe une pratique professionnelle qui l?amène à aborder tant l?insertion paysagère d?infrastructures de transport en divers milieux que la conception et la gestion d?espaces publics d?échelles et de natures très variées en milieu urbain, principalement en tant qu?auteur de projet au sein de la Ville de Liège (1994-2017). Son apport dans la redéfinition des espaces publics est fondamental. Il se caractérise entre autres par une vision sociétale engagée, orientée vers les pratiques habitantes, respectueuse du contexte historique et paysager tout en soutenant l?intégration d??uvres d?art dans l?espace public. Les aménagements portés par Anne Rondia sont nombreux : quai des Tanneurs, place Émile Wiket, cour du Cinéma Sauvenière? Mais c?est surtout en remportant le concours pour le parc Saint-Léonard (en association avec Arlette Baumans et Aloys Beguin, 1994) et avec les projets du parc Sainte-Agathe (Prix de l?urbanisme, 2015) et de valorisation touristique des Coteaux de la Citadelle à Liège qu?Anne Rondia touche à la reconnaissance tant de la critique que du grand public. Ce dernier projet obtient en 2016 le prix du paysage de Wallonie et une mention spéciale pour la participation du public, au prix européen du paysage 2017. De 1980 à 2013, Anne Rondia partage ses expériences et son expertise en tant qu?assistante puis chef de travaux à Saint-Luc puis à la faculté d?architecture de l?Université de Liège et exerce actuellement en tant que conseillère ou partenaire pour le paysage dans le cadre d?équipes pluridisciplinaires.‎

‎Sublime Truth and the Senses: Titian's Poesie for King Philip II of Spain‎

‎, Brepols - Harvey Miller, 2019 Hardback, iv + 232 pages, Size:220 x 280 mm, Illustrations:71 b/w, 77 col., Languages: English, Italian, Latin. ISBN 9781909400276.‎

‎Summary The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.‎

‎L'HISTOIRE EN SAVOIE, REVUE TRIMESTRIELLE HISTORIQUE, N°31/32, MAI 1981. NUMERO HORS SERIE: CHAMBERY, UN CERREFOUR, UNE CAPITALE, UN STYLE.‎

‎AU BUREAU DE LA REVUE. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages. Premier plat illustré en couleurs. Quelques photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215)‎

‎, Brepols, 2019 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503581514.‎

‎Summary The Fourth Lateran Council (1215) was groundbreaking for having introduced to medieval Europe a series of canons that sought to regulate encounters between Christians and Jews and Muslims. Its canon 68 demanded that Jews and Muslims wear distinguishing dress, in order to prevent Christians from entering into illicit sexual relations with them, restricted the movement of Jews in public spaces during Holy Week, and exhorted secular authorities to punish Jews who in any way "insult" or blaspheme against Christ himself. Other canons sought to exercise greater control over moneylending, to provide relief to Christian borrowers, to extract tithes from Jews who held Christian properties as pledges, and prohibited Jews from exercising power as public officials over Christians. The canons condemned converts who preserved elements from their former religion, promoted a fifth Crusade to the East, exempted Crusaders from taxes and from interest payments to Jewish moneylenders, restricted trade with Muslims or Saracens, and condemned Christians who provided arms or assistance to Saracens. The Council's canons affected the missionary efforts of the late medieval Church and its attempts to convert Jewish and Muslim minorities, and established essential guidance on minority relations not to be surpassed until Vatican II in the 1960s. TABLE OF CONTENTS John Tolan, Introduction Part I-Jews under the Fourth Lateran Council Valerie Ramseyer, Wellesley College, Rethinking Boundaries between Christian, Jewish, and Muslim Communities in Pre-Lateran IV, Southern Italy Alex Novikoff, Kenyon College, Performance and the Audio-Visual Jew in the Age of Pope Innocent III Irven Resnick, University of Tennessee-Chattanooga, The Jews' Badge Anna Sapir Abulafia, Lady Margaret Hall, Oxford University, The Fourth Lateran Council through the Lens of Jewish Service Rebecca Rist, University of Reading, From a Jewish Text: Anti-Jewish Papal Policy of the Lateran IV Decrees Part II-Muslims under the Fourth Lateran Council Ryan Szpiech, University of Michigan, Saracens and Church Councils, from Nablus (1120) to Vienne (1313-1314) Giulio Cipollone, Pontificia Università Gregoriana, Christian and Muslim Captives Taken in Crusades and Jih?d: Not a Single Word Spoken at the Fourth Lateran Council Yvonne Friedman, Bar-Ilan University, The Crusade/Peacemaking Dichotomy: A Nuanced Approach Clara Almagro Vidal, Universidade de Évora/CIDEHUS, Military Orders, Muslims, and the Fourth Lateran Council in Castile Ana Echevarria, Universidad Nacional de Educación a Distancia, The Marks of the Other: The Impact of Lateran IV in the Regulations Governing Muslims in the Iberian Peninsula Josep Hernando Delgado, Universitat de Barcelona, From Islam to Christianity: Preaching, Conversion, and the Religious Practices of Muslim Slaves from the Fourth Lateran Council through the Fifteenth Century Appendix Bibliography Index‎

‎ Baga, Visions of Africa‎

‎, 5 Continents, 2019 softcover, 148 pages, 72 ills. 16,5 x 24 cm., test in English, *new. ISBN 9788874398201.‎

‎The Baga, along with the Nalu and the Landuma, are a small rice-growing community living along the coast of Guinea, in West Africa. They became famous following the discovery of their extraordinary sculptures by explorers, colonial administrators, ethnologists, collectors, and art dealers towards the end of the nineteenth century. Nowadays, the art of the Baga is admired in the public and private collections of northern European countries. Their works consist mainly of different types of wooden masks and statues of various sizes, as well as wonderful percussion instruments, chiefs' seats, and other skillfully carved utilitarian objects. All these sacred objects were once created and used as important features in their ritual behavior based on the manifestation of their divinities, ancestor worship, rites of passage, secret brotherhoods, and the performance of important social ceremonies like weddings, funerals, and harvesting. But more recently they have also included entirely new sculpted works created by talented, highly skilled craftsmen who were influenced by colonization and newly introduced religions, while at the same time finding inspiration in traditional myths and legends. Fascinating examples of this eclecticism are the figures of colonists depicted standing, on horseback, or riding birds, the many different kinds of female busts representing Mami Wata, the sea goddess, winged figures, bestiaries associated with tales and legends, and the personifications of the heroic founders of their villages.‎