‎La décoration monumentale des églises de la France septentrionale du XIIe au XIIIe siècles. Thèse pour le doctorat, Université de Paris.‎

‎Couverture souple. Broché. 234 pages.‎

‎Livre. Editions Ernest Leroux, 1911.‎

‎Mens Acris in Corpore Commodo. Festschrift in Honour of the 70th Birthday of Ivan Matej?i?‎

‎, Brepols, 2023 Paperback, 452 pages, Size:200 x 280 mm, Illustrations:74 b/w, 238 col., Language(s):English, Italian. ISBN 9789538250163.‎

‎Summary This volume, dedicated to Ivan Matej?i?, a distinguisehd Croatian art historian and conservator, in honour of his 70th birthday, contains thirty articles covering the fields of art history, archaeology and history. These are all original contributions to debates regarding mostly the period from Late Antiquity to the Renaissance, but not disregarding the Baroque and thus reflecting the broad interests of the celebrant. While several contributions discuss themes related to Dalmatia or Italy, the foucs of the volume is on istria, the meeting point of Central, Mediterranean and Southeast Europe, which was also the region to which Ivan Matej?i? dedicated most of his outstanding work. Therefore it will, withouth doubt, find an interested readership among scholars from many different counries and fields of interest, Byzantine and Carolingian Europe being only the two most prominent. - Prof Neven Budak, University of Zagreb The reviewed book presents more than 30 original scientific papers dealing mostly with Middle Ages and the Renaissance, practically all in the field of art history or archaeology, authored by some of the most qualified international researchers in these fields. It includes diachronical research related to medieval architecture and liturgy, ecclesiastic history, medieval paintings mostly focusing on Christian history and material culture. Most topics published in this book are presented for the first time. The interest of the scientific immunity will be visible in the use of new methodologies in a quite prolific number of papers, with new interpretations of old known material. All former studies of the topics elaborated in this volume are questioned - providing andwers and new perspectives of old problems, while giving new methodologies of interpreting the past. - Prof. Alexandra Chavarria Arnau, University of Padova TABLE OF CONTENTS Miljenko Jurkovi? - Marijan Bradanovi?, Predgovor / Foreword Marijan Bradanovi?, ?ivjeti povijest umjetnosti, raditi ?uvaju?i ba?tinu / Living Art History - Working Preserving Heritage Bibliography of Ivan Matej?i? Branko Orbani?, Gard Ivana Matej?i?a u borbi za ba?tinu / Fighting for Heritage - the Stance of Ivan Matej?i? Gaetano Ben?i?, Parenzo dal IV al VII secolo alla luce delle evidenze archeologiche Pascale Chevalier, Antonivs, Eufrasivs, Frvgifervs, Probinvs, Helias : des v ques b tisseurs et leurs sceaux de pierre Ivan Josipovi?, Et Verbum caro factum est - Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Pore? in the Context of a Final Confrontation with Arian Heresy Ranko Starac, La basilica in localit ?Mire? a Ba?ka sull'isola di Krk (Veglia) Morana ?au?evi? Bully, S bastien Bully, Jessy Crochat, avec la collaboration de Pascale Chevalier, Quelques consid rations sur l'architecture et les installations liturgiques de l' glise pal ochr tienne de Martin??ica (Punta Kri?a, le de Cres) Gian Pietro Brogiolo, Santa Giustina di Padova, sepolture presso il sacello Michelle Beghelli, On the Road and in the Tavern. Practical Aspects of the Master Builders' Mobility: Distances, Journey Durations, Stopovers and Hospitality, Costs (7th-9th c.) Miljenko Jurkovi?, Carolingian Istria - an Introduction to a Renaissance of the Late 8th Century Ivan Basi?, Patriarch or Bishop? Aemilianus of Pula at the Turn of the 9th Century Ante Milo?evi?, Early Medieval Belt Strap-end from Dubrovnik between the West and the East Josip Bani?, Marchionatus Istrie origo mythosque Wodalrici marchionis: (Re)interpreting the Genesis of the March of Istria and the Socio-Genealogical Background of its First Margraves (c. 1060 - c. 1100) Nikolina Marakovi? - Sun?ica Musta?, I capitelli della chiesa di S. Martino a San Lorenzo del Pasenatico nel contesto della scultura del primo romanico nel Nord Adriatico Nata?a Nefat, Due absidi per il professor Matej?i? - contributo allo studio del gruppo di chiese biabsidiali in Istria ?eljko Pekovi?, Fortification Architecture on the Islet of St. Mary on the Island of Mljet Jean-Pierre Caillet, La tavola Bembo attribu e Paolo Veneziano : contextualisation hagiographique et typologique Nikola Jak?i?, Sant'Oronzo nei reliquiari medievali a Zara e Nona Zoraida Demori Stani?i?, The Icon of Virgin Glykofilousa in Vodnjan Marijan Bradanovi?, Andanti e in moleca per Ivan Matej?i? Danijel Cikovi?, Tre aggiunte al catalogo della bottega di Paolo Campsa Giovanna Valenzano, Primizie da un restauro in corso: le sante dipinte da Giotto sull'intradosso della cappella di Santa Caterina al Santo di Padova ?eljko Bistrovi?, Gotische Wandmalereien in der Kapelle der Hl. Dreifaltigkeit des ehemaligen Augustinerklosters des Hl. Hieronymus im mittelalterlichen Sankt Veit am Pflaum (heutiges Rijeka in Kroatien) Goran Nik?i?, Creation of the World on the Fa ade of the Kor?ula Cathedral Josip Belamari?, The Church of St Jerome on Marjan Hill - a Renaissance camera picta Predrag Markovi?, The Relief of St John the Evangelist from Marjan (Split) - At Least ?the First Consideration? Samo ?tefanac, Nuove osservazioni sull'architettura del duomo di Ossero Xavier Barral i Altet, Ravenne tardo-antique et m di vale comme nouvelle J rusalem : propos d'une vue de la ville de 1664 Radoslav Tomi?, Il pittore Giovanni Francesco Fedrigazzi: nuove opere a Tra Vinni Lucherini, Due lettere inedite per l'edizione muratoriana (1725) della Cronaca altomedievale dei vescovi di Napoli Jasenka Gudelj, Il cerimoniale e la storia: le committenze del vescovo Marino Bozzatini (1742-1754) a Cittanova e Buie Mirjana Repani?-Braun, Caspar Franz Sambach's Painting on the High Altar of the Cathedral of St Theresa in Po?ega‎

‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

‎Philippe Van Snick the project‎

‎, S.M.A.K. - Stedelijk Museum voor Actuele Kunst Gent, 2019 softcover, 142 pag. met illustraties, 29.5x23.5cm. ISBN 9789075679571.‎

‎Philippe Van Snick (1946-2019) is een Belgisch kunstenaar die woonde en werkte in Brussel, waar hij jarenlang lesgaf aan de kunsthogeschool Sint Lukas.Hij was in de jaren 60 en 70 actief als een conceptueel en minimalistisch kunstenaar en werkte met diverse materialen zoals film, fotografie, en installaties. Weerkerende thema's zijn de ellips, het dualisme, en het decimaal systeem. Vanaf 1979 en vooral in de jaren 80 en 90 zal hij zich vooral wijden aan de abstracte minimalistische schilderkunst. Bekende motieven van Philippe Van Snick zijn dan het dag-nacht motief, gesymboliseerd in de kleuren blauw en zwart, en het tiendelige kleurenpalet met de kleuren rood, geel en blauw (als hoofdkleuren),oranje, groen en violet (als secundaire kleuren), goud en zilver (als kleuren met fysische waarde) en wit en zwart(als niet-kleuren). Aan dit boek werd heel geconcentreerd samengewerkt door de reeds terminaal zieke kunstenaar en grafisch ontwerpster Inge Ketelers. Helaas heeft hij de gedrukte publicatie niet meer in handen kunnen nemen.‎

‎FACE TO FACE WITH HUGO VAN DER GOES : Old Master, New Interpretation‎

‎, Hannibal Books, 2022 HB, 300 x 250 mm, 144 pages, illustr. *English edition. ISBN 9789464366716.‎

‎In this fascinating introduction to the work and life of Flemish Primitive Hugo van der Goes (c. 1440-1482/1483), several experts and researchers shed light on the virtuosity of the master himself. The Death of the Virgin is one of the most important works in Musea Brugge's world-renowned collection of Early Netherlandish painting. After an intensive five-year restoration the masterpiece has come into its own again, with many brilliant elements, a bright colour palette and newly uncovered details. Face to Face with Hugo van der Goes - Old Master, New Interpretation offers an insight into the timeless yet contemporary character of the masterpiece and pays attention to the iconic value of a work waiting to be discovered. With text contributions by Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert and Anne van Oosterwijk. This publication is issued on the occasion of the exhibition Face to face with Death. Hugo van der Goes, Old Masters and New Interpretations at the Sint-Janshospitaal in Bruges from 28 October 2022 to 5 February 2023.‎

‎Oog in oog met Hugo van der Goes, Oude meester, nieuwe blik‎

‎, Hannibal Books, 2022 Gebonden, hardcover, , 292 x 245 mm, 144 pages Nederlandse uitgave. . ISBN 9789464366723.‎

‎In deze fascinerende introductie tot het werk en leven van de Vlaamse primitief Hugo van der Goes (ca. 1440-1482/1483) belichten verschillende experts en onderzoekers de virtuositeit van de meester himself. Zijn Dood van Maria is een van de belangrijkste werken in de wereldbefaamde collectie Vlaamse schilderkunst van Musea Brugge. Na een intensieve restauratie van vijf jaar komt het meesterwerk weer volledig tot zijn recht met talloze schitterende elementen, een fel kleurenpalet en recent ontdekte details. Oog in oog met Hugo van der Goes ? Oude meester, nieuwe blik biedt een inkijk in het tijdloze en hedendaagse karakter van het topstuk en besteedt aandacht aan de iconische waarde van een te ontdekken oeuvre. Met tekstbijdragen van Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert en Anne van Oosterwijk. Publicatie naar aanleiding van de tentoonstelling Oog in Oog met de Dood. Hugo van der Goes, oude meesters, nieuwe blikken in het Sint-Janshospitaal in Brugge van 28 oktober 2022 tot 5 februari 2023.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎Amsterdam / Brussel, Nederlandse Stichting Openbaar Kunst, 1969 Ingenaaid, beige linnen hardcover met goudopdruk, 27.4x23.8 cm., 88 pp., 55 illustraties in kleur en in z/w.‎

‎kunstcatalogi, Bruegel, Pieter, Stedenbouw, Architectuur, Kunst, Fotografie, Film, Radio, Televisie, Bruegel, Pieter (de Oude), schilderkunst, Schilderkunst‎

‎Dialogue avec l'Oeuvre Ravagee apres 250 Ans de Restauration ‎

‎BE - , Mercator/ Mercatorfonds , 1995 Couverture reliee sous jaquette + slipcase, 275 pp.; Texte en Francais, Illustrated. *Bon etat. ISBN 906153341.‎

‎Un examen approfondi de l'histoire de la conservation de l'art et de ses m thodes, ainsi que de certaines des ?uvres qu'elle a r v l es et, ironiquement, de certaines des ?uvres qu'elle a endommag es. ----- An in-depth examination of the history of art conservation and its methods, as well as some of the works it has uncovered and, ironically, some of the works it has damaged.‎

‎BRUEGEL, Arcade, 1969 FR‎

‎, Brussel, Arcade, 1969 Reli , avec couverture, titre dor et cachet dor sur la planche avant, dos d cor de titre dor , couverture originale illustr e en couleur, 27x30,5cm, 387pp, illustr e n / b et en couleur.‎

‎Biographie. Le temps et le travail de Bruegel. Tableau synoptique. Le livre est en bon tat.‎

‎BRUEGEL, Arcade, 1969 NL.‎

‎, Brussel, Arcade, 1969**, Gebonden, vergulde titel en vergulde bandstempel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde stogomslag in kleur, 27x30,5cm, 387pp, geillustreerd z/w en in kleur.‎

‎Biografie. Bruegels Tijd en Werk. Synoptische tabel. Boek is in prima staat.‎

‎ORNAMENTENPRENTEN IN HET RIJKSPRENTENKABINET 1: 15 EN 16 EEUW‎

‎, Sdu Uitgevers 1988, 1988 Softcover, 327 pagina's, Nederlands, 297 x 210 mm, met 664 prenten en illustraties, Index, zeer veel informatie voor de liefhebber. ISBN 9789012055819.‎

‎Kijk mij ! : Geborduurde boekbanden 1585-1670 ‎

‎, Sterck & De Vreese, 2023 Hardcover, 216 pag. NL, 260 x 205 mm, NIEUW, prachtige illustraties in kleur / z/w. ISBN 9789464710571.‎

‎Boeken kan je niet alleen lezen, je kan er ook mee pronken. De schitterendste boekbanden zijn de geborduurde, gemaakt van zijde, goud, zilver en parels afkomstig uit de hele wereld. Pure luxe, maar ook stille getuigen van een maatschappij in beweging. Meer dan dertig geborduurde boekbanden uit de periode 1585-1670 hebben de tand des tijds doorstaan. Ze liggen zorgvuldig opgeslagen in musea en bibliotheken in de hele wereld. Dit was d bloeiperiode van de borduurkunst, maar er is bijzonder weinig werk bewaard gebleven. Textiel versleet, goud en parels werden hergebruikt. Samen met de vele portretten van mannen en vrouwen in rijkelijke kleding met fijn geborduurde lijfjes en handschoenen vertellen de boekbanden een uitzonderlijk verhaal. De eigenaars van deze pronkstukjes, veelal kerkboeken, lijken te zeggen: Kijk mij! Ik ben rijk, ik verkeer in de beste kringen, maar ik ben ook een goed christen. MARIKE VAN ROON is sinds 2022 zelfstandig kunsthistoricus, gespecialiseerd in textielgeschiedenis. Als hoofdconservator bij het Allard Pierson, de erfgoedinstelling van de Universiteit van Amsterdam, ontdekte zij de betekenis van de geborduurde boekband.‎

‎Inspiring Reform : Boston's Arts and Crafts Movement‎

‎, Harry N. Abrams, 1997 Hardcover, 248 pages, English, 365 x 230 x 30 mm, In Fine Condition!.,Oblong, Illustrated dustjacket, illustrations in colour / b/w. ISBN 9780810963412.‎

‎This book reproduces more than 150 works dating from the 1890s to the 1930s. They include examples of furniture, ceramics, metalwork, jewellery, textiles, photography, book arts and typography, and wood-block prints. Boston's Society of Arts and Crafts was the first such organization in the USA. Published to mark the centenary of its founding, and examining Boston's role in the growth of the nation's Arts and Crafts movement. Essays by specialists explore each medium, and there is also discussion of Boston's many reform societies, settlement houses, trade schools, craft workshops and publishers, which helped to propel the Arts and Crafts movement to national significance.‎

‎This Land Is Your Land : Across America by Air‎

‎, Aperture Book 1997, 1997 Hardcover, 106 pages, English, 325 x 290 mm, book in fine condition, with pictures in b/w, . ISBN 9780893816049.‎

‎This Land Is Your Land offers a unique perspective on the American landscape, making the familiar fantastic, as well as an aesthetic experience of dizzying proportions. Marilyn Bridges takes us on an inspiring journey, as we look down together on the fleeting moments and lasting signatures of the United States that are etched on our continent. An aerial photographer who has explored ancient cultures around the world for more than a decade, Bridges has now focused her attention on a subject no less intriguing: the grandeur of America. By flying and photographing at low altitudes, and by maintaining a sensuous closeness with her subject, Bridges avoids the simplistic representation of landscape as mere design. Divided regionally, This Land Is Your Land accents the variety of America, but follows civilization's uneasy interaction with the environment as a common thread. We see the earth shaped and reshaped to service humanity. Monuments rise to celebrate our achievements even as nature wards off intrusion. Fledgling communities spring up among lava and sand. Scars left by clear-cutting, mining, and nuclear waste raise concerns for the future. Yet here, too, there is ironic wit. The towering presidential portraits at Mount Rushmore appear dwarfed by surrounding mountains. The Statue of Liberty hides in plain sight, completely swathed in scaffolding. From the intimacy of a farmhouse to the majesty of the Grand Canyon, Bridges's original vision provides an unequaled perspective on the land in which we live. In the Book's Essay by acclaimed writer William Least Heat-Moon, and the Afterword by Bridges, we are given insight into the photographer's working process and the inspiration behind her images. Certainly, This Land Is Your Land contains an urgent environmental message; in every photograph we sense a longing for a purer time, before humanity dismissed the land's indigenous curves and flow in favor of the urban grid. Still, Bridges offers no facile solutions or sentimental appeals. Faced with the jumble of American progress, we look for a vision of nature as idyllic--only to be awed by the savage forces unleashed by Mount St. Helens and the Kilauea volcano. Never what you expect, This Land Is Your Land provides page after page of visual surprises. The book inspires in us a haunting and profound admiration for a vibrant land which will prevail long after our civilization has gone.‎

‎Medieval art‎

‎, Harper & Row 1986-1988, 1986-88 Paperback, 446 pages, ENG, 235 x 185 mm, book is in fine order, dozens of illustrations in b/w and some in colour, . ISBN 9780064301329.‎

‎This survey of over a thousand years of Western art and architecture, from ancient Rome to the age of exploration, introduces the reader to a period of extraordinary historical and geographical extent. The monumental arts of architecture and sculpture and the diverse minor arts of the Middle Ages are presented here within social, religious, political, and intellectual framework of lands as varied as France and Denmark, Spain and Germany. Medieval Art covers all the major monuments, describing each important work clearly and in detail. Marilyn Stokstad's descriptions are sensitive and articulate, giving the reader a sense of the beauty of the work. They also teach the reader how to look at medieval artwhich aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are dealt with clearly, and the author presents medieval art in an aesthetic and social context so that it can be fully understood and appreciated. The book consists of twelve chapters and covers the period from the second to the fifteenth centuries‎

‎F lix Vallotton La vie La technique L'oeuvre peint‎

‎, Edita, 1989 Couverture reliee sous jaquette 163 pages, Illustrated. ISBN 9782880012489.‎

‎Histoire d'une oeuvre. La vie, la technique, l'oeuvre peint.‎

‎Les sciences humaines dans leurs maisons.‎

‎Parenthèses. 2017. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages - couverture contrepliée - nombreuses photographies en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Préface de Bertrand Jouve - Introduction de Brigitte Marin. Classification Dewey : 720-Architecture‎

‎Architecture navale tome IV constitution du navire. ‎

‎Paris, Ecole nationale supérieure du génie maritime , 1948; in-4, cartonnage de l'éditeur. Planches sous pochette cartonné : Architecture navale tome IV constitution du navire.‎

‎Planches sous pochette cartonné : Architecture navale tome IV constitution du navire.‎

‎Bureau Véritas. Registre international de classification de navires. Fondé en 1828. REGLEMENT pour la CONSTRUCTION et la CLASSIFICATION des NAVIRES en ACIER. Année 1946.‎

‎ P., Véritas, 1946, in 4° carré, cartonnage demi-percaline à coins de l'éditeur, XVIII-226 pages ; texte sur deux colonnes ; cartonnage frotté et taché. ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................‎

‎Industrie et Soci t en Hainaut et en Wallonie du XVIIe au XXe Si cle, Recueil d'articles de Marinette Bruwier.‎

‎Bruxelles, Credit Communal, 1996 cartonnage illustre de l' diteur, pages 414, 24 x 16 cm. ISBN 5411572080942.‎

‎Industrie et Soci t en Hainaut et en Wallonie du XVIIe au XXe Si cle, Recueil d'articles de Marinette Bruwier.‎

‎I Mosaici della Basilica di Aquileia. A cura di : Graziano Marini. Infografie di : Enzo Andrian‎

‎CISCRA 2003 Livre en italien. In-4 reliure éd. sous jaquette 30,5 cm sur 24,5. 209 pages, couverture illustrée. Ouvrage illustré. Très bon état d’occasion.‎

6 Images

‎Sommaire. Très bon état d’occasion ‎

‎La Basilique des Frari.‎

‎Venise, Ardo, Editions d'art, 1979. 19 x 24, 58 pp., nombreuses illustrations en couleurs, broché,très bon état.‎

‎texte en français.‎

‎La Basilique des Frari.‎

‎Milan, Kina Italia, 2000. 19 x 24, 61 pp., très nombreuses illustrations en couleurs, broché, très bon état.‎

‎La Basilique des Frari‎

‎Ardo 1979 in4. 1979. Broché.‎

5 Images

‎Bon Etat de conservation intérieur propre propre accroc sur le haut du premier plat petite tache sur la première page‎

‎Tomaso Buzzi: At Venini ‎

‎, Skira, 2015 Hardcover with dusjacket 448 pages, Illustrated. 39x31cm. *Fine. ISBN 9788857222479.‎

‎The refined output of vases and bowls by the great architect and designer for the long-standing Venetian glasshouse. An architect, designer, interior decorator, and columnist for Domus magazine, Tomaso Buzzi (1900?1981) was one of the most important trendsetters for Italian taste in the 1930s and 1940s. This volume provides a complete overview of the refined oeuvre of Buzzi, who worked in close partnership with Venini & Co. in 1932 and 1933‎