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Frankish Manuscripts: The Seventh to the Tenth Century
, Brepols - Harvey Miller, 2022 Hardback, 2 vols, 708 pages, Size:230 x 330 mm, Illustrations:29 b/w, 302 col., Language: English. ISBN 9781872501253.
Summary Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France. The two volumes explore those manuscripts that originate in the period before the kingdom of France emerged at the end of the tenth century. From the seventh to the tenth century most of modern France was ruled by kings of the Franks, from dynasties known as Merovingian and Carolingian, whose territories also included significant portions of other modern nations, especially the Low Countries, Germany, Switzerland and Austria. The introductory essay in Volume I offers an overview of salient issues in this creative period, formative for later medieval manuscripts produced in France and elsewhere, in the former Frankish territories and beyond; the volume includes 341 photographs from the manuscripts in the catalogue, the great majority reproduced in colour. Volume II comprises a detailed catalogue of 100 manuscripts from this large region, each with a detailed description, an interpretive commentary focused on the decoration of the text as well as illustrations, and a survey of previous scholarly literature, including digital access when available. The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations. In the spirit of a survey intended to show the range of Frankish illumination, it also includes manuscripts of ancient and contemporary poems, scientific works, commentaries, a cookbook, and one manuscript in a vernacular language. Together, these two volumes provide the most comprehensive survey of manuscript illumination in Francia, its large corpus of illustrations making the manuscripts more readily available for study not only by scholars of illumination but also by others interested in early medieval culture. TABLE OF CONTENTS Volume One Map of Writing Centres and Sites Mentioned Preface List of Manuscripts Catalogued in Volume Two Introduction 1 Frankish Manuscripts 2 Illumination and Illustration 3 Insular Manuscripts 4 Bibliography and Historiography 5 'Renaissance' and Copying 6 Places of Production and 'Schools' 7 Artists and Scribes 8 Description and Materials The Illustrations List of Illustrations Bibliography Volume Two List of Manuscripts Catalogued Catalogue Index of Manuscripts Cited General Index List of Illustrations in Volume One
THE PAINTINGS OF HENDRICK GOLTZIUS (1558 - 1617) A Monograph and Catalogue Raisonne.
, Davaco, 2013 Cloth bound with dust jacket, 4to. 466 pp. text, 207 plates and ills. (145 in colour). Fine condition! ISBN 9789070288281.
This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012. Goltzius abandoned his engraver's burin and turned to painting in the year 1600. Exploring the new medium, he worked on small coppers, as well as large canvases and panels. Goltzius's determination to work in oil, after acquiring international fame as a printmaker, was a deliberate decision to embrace an even greater challenge and to seek greater recognition for his artistry. Although archival records show that Goltzius painted more portraits than has previously been assumed, it was the depiction of the human nude that was his primary goal. He mostly chose to paint biblical and mythological themes: the same subject matter, in fact, that he had treated in his engraved histories. The difference, however, was that Goltzius now began to paint figures that were nearly life-size. His manner of depicting figures may be considered an extension of what he had learned during his stay in Rome (1590-91) and subsequently pursued in his prints of the 1590s. Only rarely are traces of his Spranger-inspired, anti-classical past encountered in his paintings. Instead, Goltzius strove with his brush to portray human forms at once idealized and naturalistic. His points of departure were antique Roman sculpture, the sixteenth-century masters - Michelangelo, Raphael, Titian, Veronese, Durer, and Van Heemskerck - and Rubens, his contemporary. Four chapters are dedicated to a consideration of the reasons for Goltzius's conversion to painting, his biography in the years 1600 to 1617, an examination of the style and iconography of his works in oil, and a thorough review of the critical appraisal of his paintings from his day to the present. The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings.The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison. A complete bibliography and three indexes enhance the accessibility and usefulness of this volume.
Maisons rustiques
Gründ Album cartonné avec jaquette 1994 In-4 (24,5 x 29 cm.), album cartonné sous jaquette illustrée, 144 pages, nombreuses photographies couleurs in-texte ; plats à peine défraîchis, légers frottements aux coiffes et coins, intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
VAN DYCK PAINTINGS AND DRAWINGS
, PRESTEL, 1999 Hardcover, 143 pages, English, 305 x 245 mm, in good condition, with fine illustrations,. ISBN 9783791320908.
Best known for his lavish portraits of 17th-century nobility at the court of King Charles I in particular, Anthony van Dyck was also a master in the arts of drawing, watercolour and engraving. While his formal commissions are couched in the language of conspicuous wealth and power, his sketches and drawings display a taste for the dramatic action scene as well as a keen sense of character and humour. This book published on the occasion of the 400th anniversary of Van Dyck's birth takes a close look at all aspects of the master's techniques, his subject matter from highly stylised royal portraits to sketches of a beloved dog, and the modernity of his watercolour landscapes. Through a wide variety of ink and chalk drawings the text explores the relationship of the painter with the different media, and with the artistic conventions of his time. The biography places van Dyck in his historical context and completes a fresh, unorthodox view of this artist.
VAN DYCK PAINTINGS AND DRAWINGS
, PRESTEL, 1999 Hardcover, 143 pages, English, 305 x 245 mm, in good condition, with fine illustrations,. ISBN 9783791320908.
Best known for his lavish portraits of 17th-century nobility at the court of King Charles I in particular, Anthony van Dyck was also a master in the arts of drawing, watercolour and engraving. While his formal commissions are couched in the language of conspicuous wealth and power, his sketches and drawings display a taste for the dramatic action scene as well as a keen sense of character and humour. This book published on the occasion of the 400th anniversary of Van Dyck's birth takes a close look at all aspects of the master's techniques, his subject matter from highly stylised royal portraits to sketches of a beloved dog, and the modernity of his watercolour landscapes. Through a wide variety of ink and chalk drawings the text explores the relationship of the painter with the different media, and with the artistic conventions of his time. The biography places van Dyck in his historical context and completes a fresh, unorthodox view of this artist.
LA ARQUITECTURA ROMÁNICA EN LA PROVINCIA DE GUADALAJARA
Madrid 1971 Livre en espagnol. In-8 broché 23,7 cm sur 16,5. 284 pages. Bon état d’occasion.
Seconde édition Bon état d’occasion
Neolit Centralnog Balkana / Les Regions Centrales Des Balkans A L'Epoque Neolithique.
Beograd / Belgrade: , Musee National / Narodni muzej, , 1968 Original publishers paper-covered boards, 61 pages + photo's b/w. Texte en Francais.
Neolit Centralnog Balkana / Les Regions Centrales Des Balkans A L'Epoque Neolithique
Les styles de l'architecture et du mobilier -Gisserot patrimoine culturel- art egyptien, art grec, art romain, art gothique, art roman, art nouveau, renaissance francaise, second empire, la regence, epoque louis XVI, louis XV, louis XIV et louis XIII,....
JEAN PAUL GISSEROT. 2000. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. Très nombreux dessins en noir et blanc, dans et hors texte, de LAZE.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Hommage à Henri Matisse - XXe siecle
XX° siècle / Spadem 1970 In-4, cart. éditeur sous jaquette, 30 planches couleurs et 125 illustrations en noir et blanc.
Très bon état d’occasion
HENRY MOORE. SCULPTUREN/ SCULPTURES. TEKENINGEN/ DRAWINGS.
Antwerpen , Openluchtmuseum voor Beeldhouwkunst/ MUseum van Hedendaagse Kunst, 1999 Gebonden, ge llustreerde kartonomslag, 205 x 275mm., 143pp., zeer uitgebreide illustratie in kleur en z/w. ISBN 9072828070.
Tentoonstelling van 23-5-1999 / 15-8-1999. Boek is in goede staat.
"L'Architecture Communale Française"
"1948. Paris Éditions S.E.P.T. OEuvres et Maitres d'Oeuvre n°10 1948 - Broché 24 cm x 31 cm 62 pages - Eai de doctrine d'après les documents contemporains réunis et commentés par L. Boulonnois : plans et photos noir documents divers - Bon état bien complet de l'erratum"
Rogier van der Weyden and Spain - Rogier van der Weyden y Espana
, Brepols - Harvey Miller, 2017 Paperback, /200 p., 100 b/w ill. + 36 colour ill., 200 x 250 mm, languages: English, Spanish . ISBN 9788484803744.
Lorne Campbell, The Late Style of Rogier van der Weyden Francisco de Paula Canas Galvez, Juan II de Castilla y el Triptico de Miraflores: marco espiritual, proyeccion politica y propaganda regia en torno a una donacion real (1445) Stephan Kemperdick, The Miraflores Triptych and the Issue of Rogier van der Weyden's ?authenticated? Paintings David Chao Castro, Egas Cueman en Castilla y el desarrollo de la tipologia sepulcral con imagen orante Griet Steyaert, "A Deposition including two Men on two Ladders", Carel van Mander?s Description of Rogier?s Deposition and the Deposition by the Master of the Legend of Saint Catherine Bart Fransen, One Altarpiece, one Way: From Brussels to Laredo Yao Fen-You, Another Piece of the Rogerian Puzzle: Recent Findings on the Arenberg Lamentation Catherine Reynolds, Evolution or Derivation: The Prado Descent from the Cross and the lost Carrying of Christ?s Body to the Tomb Jose Juan Perez Preciado, En torno al Triptico de la Redencion del Museo del Prado Lisa Monnas, Textiles in the Paintings of Rogier van der Weyden Maite Jover, Laura Alba, Maria Dolores Gayo, Maistros viajerosm obras importadas. Las tablas del Maestro de Sopretan Laura Alba, El Descendimiento de Rogier Van der Weyden. Aspectos tecnicos de sus copias mas fieles Maria Antonia Lopez de Asiain, La restauracion de La Crucifixion del Maestro de la Leyenda de santa Catalina en el Prado Maria Dolores Gayo, Maite Jover de Celis, El Calvario de Rogier van der Weyden: los materiales del soporte y de la pintura Loreto Arranz Gozalo, La restauracion de la capa pictorica del Calvario de Rogier van der Weyden Jose de la Fuente, La restauracion del soporte del Calvario de Rogier van der Weyden
ABREGE DE GEOMETRIE PRATIQUE - APPLIQUE AU DESSIN LINEAIRE, AU TOISE ET AU LEVER DES PLANS - suivi DESPRINCIPES DE L'ARCHITECTURE ET DE LA PERSPECTIVEZ - et orné de 400 gravures en taille douce / 16e EDITION.
MAME ALFRED ET CIE / POUSSIELGUE-RUSAND. 1844. In-16. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 180 PAGES + 60 planches en noir et blanc - Rousseurs naturelles essentiellement sur la page de titre - 1 petite etiquette rouge collée sur page de titre - 2 PHOTOS DISPONIBLES - . . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Esthétique composition et décoration - TOME CINQUIEME --- Traité d'architecture - éléments de l'architecture - hygiène - types d'édifices - esthétique et composition
Ch. Béranger 1901 in8. 1901. Relié. illustrations en noir et blanc
couverture défraîchie frottée rousseurs sur tranche intérieur propre
TRACTS ARTISTIQUES. L'ART MONUMENTAL DES EGYPTIENS ET DES ASSYRIENS.
DESCLEE DE BROUWER / SOCIETE DE SAINT-AUGUSTIN. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 98 pages. Couverture contrepliée. Premier plat illustré en noir sur fond bleu. Nombreuses gravures en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
TRACTS ARTISTIQUES N°III. L'ART MONUMENTAL DE LA GRECE.
DESCLEE DE BROUWER / SOCIETE DE SAINT-AUGUSTIN. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 101 pages. Couverture contrepliée. Premier plat illustré en noir sur fond bleu. Nombreuses gravures, photos et une carte en noir et blanc dans et hors texte. Accrocs au dos.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
TRACTS ARTISTIQUES N°II. L'ART MONUMENTAL DES INDOUS ET DES PERSES.
DESCLEE DE BROUWER / SOCIETE DE SAINT-AUGUSTIN. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 96 pages. Couverture contrepliée. Premier plat illustré en noir sur fond bleu. Nombreuses gravures, photos et une carte en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
TRACTS ARTISTIQUES N°V. L'ART MONUMENTAL. STYLE LATIN.
DESCLEE DE BROUWER / SOCIETE DE SAINT-AUGUSTIN. NON DATE. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos fané, Intérieur frais. 102 pages. Couverture contrepliée. Premier plat illustré en noir sur fond bleu. Nombreuses gravures, illustrations et plans en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
EGLISES EN BEARN
ASSOCIATION DES AMIS DES EGLISES ANCIENNES DU BEARN. 1988. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 87 pages. Premier plat illustré en noir et blanc. Nombreuses photos en couleurs et noir et blanc hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Dictionnaire d'Histoire et de G ographie Eccl siastiques - Fascicule 197
, Brepols, 2024 Paperback, 128 pages, Size:195 x 280 mm, Language: French. ISBN 9782503606415.
Honderd Hoogtepunten uit de Koninklijke Bibliotheek / a Hundred highlights from the Koninklijke Bibliotheek
Zwolle, Uitgeverij Wbooks 1994, 1994 Hardcover, 223 pagina's, / pages, Nederlands/English, 295 x 255 mm, sporen van gebruik maar boek in goede staat /traces of previous use but book in fine order, illustraties in kleur/ coloured illustrations, . ISBN 9789066304901.
De Koninklijke Bibliotheek te Den Haag beheert een essentieel deel van ons cultureel erfgoed: collecties handschriften, oude drukken, boekbanden en sierpapieren. Honderd Hoogtepunten uit de Koninklijke Bibliotheek toont de mooiste voorbeelden uit deze verzamelingen. In deze uitgave presenteren deskundigen de ontwikkeling van de kunstgeschiedenis en letteren aan de hand van 100 paginagrote kleurenillustraties. Het accent ligt op handschriften en gedrukte boeken in Nederland. Voorbeelden zijn Spiegel Historiael van Jacob van Maerlant, een boekband van Christoffel Plantijn en La Proph tie de Joel, gedrukt door Charles Nypels. Honderd Hoogtepunten uit de Koninklijke Bibliotheek kan worden beschouwd als een platenatlas van onze cultuurgeschiedenis.
Kan ik 120 jaar worden? : van levenselixir tot celtherapie
, Davidsfonds 1997, 1997 Paperback, 262 pagina's, Nederlands, 220 x 150 mm, boek in prima staat, . ISBN 9789061529798.
De mens droomt van onsterfelijkheid, al eeuwenlang. Hij dook daarvoor in verjongingsbronnen, zocht naar het levenselixir, geloofde in de kracht van edelstenen. Vandaag zoekt hij zijn heil in hormonen, kosmetische chirurgie of melatonine. En er is de belofte van de moderne celtherapie...: heel oud worden lijkt niet langer onmogelijk. Geriater Lucien de Cock plaatst d uitdaging van het nieuwe millennium in een breder kader. Wat is dat: verouderen? Welke rol speelt ons genetisch materiaal? Hoe werken behandelingen als enzymtherapie, organotherapie of voedingstherapie? Waaraan stergt men vandaag de dag? En kunnen we met gratie oud worden? Kunnen we niet alleen langer, maar ook beter leven? En welke zijn de maatschappelijke consequenties van de vergrijzing? Want we worden nu gemiddeld dubbel zo oud als een eeuw geleden, en dat is een hele uitdaging. Kan ik 12O jaar worden? brengt duidelijke informatie, ondersteund door toegankelijk cijfermateriaal, en realistische adviezen van de man in de
Le château de Bagatelle - étude historique et descriptive suivie d'une notice sur la Roseraie
in4. Sans date. Broché. iconographie en noir et blanc
circa 1900 - couverture défraîchie frottée sous papier de soie intérieur jauni propre
Figuranten in het naoorlogse Antwerpen
, Booekscout, 2021 Paperback 12,5 cm x 20 cm, 258 pagina's, Ge llustreerd. ISBN 9789462067080.
Toen de Tweede Wereldoorlog eindigde, kon het alleen maar beter worden, dachten de Antwerpenaars. Zij hadden een onwrikbaar geloof in de toekomst. Voor de meesten van hen werden hun dromen werkelijkheid. Voor sommigen niet? Dit is het vervolg van de lotgevallen van de Antwerpse familie De Schrijver, gezegend met een onverwoestbaar optimisme. Na de oorlog leefde de economie opnieuw op; dus de mannen vonden werk in bedrijven. Tegelijkertijd bracht de Koude Oorlog spanningen en angst voor een derde wereldoorlog. Daarom emigreerden sommige familieleden naar Canada. Hoe het hen allemaal verging, leest u in dit tweede deel van de kroniek van de familie De Schrijver
PROPOS SUR L'ART FRANCAIS V. LES PONTS DE FRANCE.
LABORATOIRES LEBEAULT. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Environ 35 pages. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
