, , 2004 Hardcover, 368 pages, ENG / FR / GER, 375 x 290 x 40 mm, illustrated dustjacket, book is in very good condition, Full page coloured photographs, Large and Heavy ex. ISBN 9783822835043.
A monumental series of over a hundred color-photographic portraits of Americans. Shot against luminous painted backdrops devoid of any other imagery, each figure is presented alone and calmly posed (except for the corpses). Each image clings to the surface value of the photograph, yet alludes to the subject beneath. This is a work whose sentiment towards its subject matter occurred post-9.11: it opens with the image of a fresh-faced boy scout and closes with the image of "Blood on the Flag." The vast circuitry of lives between these bookends' divides the book into several series, after "America": A History of Sex, The Morgue, Nomads, The Church, Budapest, Bodily Fluids & more. W/Interview.
, Brepols, 2024 Hardback, 350 pages, Size:216 x 280 mm, Illustrations:5 b/w, 139 col., Language: English.* NEW ISBN 9782503611235.
Summary This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: 'Why did Sculpture from the Low countries matter' and 'Why will Sculpture from the Low Countries matter for future research'. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse. TABLE OF CONTENTS Preface Julie Beckers and Hannah De Moor Introduction Ethan Matt Kavaler Chapter 1: Use and Function of Sculpture Accommodating Altarpieces: The Impact of Circumstantial Factors on the Design of Altar Decorations in Medieval Churches Justin Kroesen Working Sculpture: The Forms and Functions of Netherlandish Brass Lecterns Douglas Brine The Church's a Stage: Late Medieval Altarpieces as Part of an Ever-Changing Environment Wendy Wauters The Stem of a Once Ornate Fountain: The Use of a Table Fountain Fragment at Museum Mayer Van den Bergh in Antwerp Julie Beckers Chapter 2: Patronage of Sculpture Patronage Jeffrey Chipps Smith Noble Expectations of Memorial Sculpture: Commissioning the Jauche Monuments in Brugelette (c. 1527-1573) Ruben Suykerbuyk The Chapel Space and Interiority in the Ringsaker Altarpiece Lynn F. Jacobs Prestige and Display: Noble Patronage of Sculpture in the Low Countries Elizabeth Rice Mattison Chapter 3: Production and Workshop Continuity and Discontinuity in the Sculpture Workshop Practice Aleksandra Lipi?ska The Leuven Connection: A New Look at the Social and Artisanal Network of Leuven Late Gothic Sculptors (c. 1475-1525) Marjan Debaene Te maken ende te leveren: The Transport of Netherlandish Carved Altarpieces Hannah De Moor Epilogue: Seeing Sculpture Stephanie Porras
, Brepols, 2023 Hardback, 1068 pages, Size:178 x 254 mm, Illustrations:1 col., 73 tables b/w., 17 maps b/w, 41 maps color, Language(s):French, Latin.*New. ISBN 9782503607764.
Summary Fondée en 1113 au pied de la montagne Sainte-Geneviève, l'abbaye de Saint-Victor de Paris s'est rapidement dotée de petits établissements, des prieurés simples et des prieurés-cures, pour gérer un patrimoine dispersé et desservir des églises paroissiales entre Senlis et Orléans. Le réseau prioral victorin, de taille réduite, reste très dynamique aux XIIe-XIIIe siècles, période d'intense essaimage et de développement des domaines gérés par les chanoines forains. À partir de 1330 et jusqu'au milieu du XVe siècle, ces petites dépendances directes subissent de plein fouet les crises. Mais dès 1460, le grand mouvement de reconstruction économique donne l'occasion aux prieurs d'être plus actifs dans l'administration de leurs établissements et d'utiliser de nouvelles méthodes de gestion. En analysant les aspects institutionnels, économiques, sociaux et spirituels de la vie des frères dans les petites dépendances directes de l'abbaye, cette étude approfondie met en lumière le fonctionnement des prieurés canoniaux du XIIe au XVIe siècle. Ce volume montre comment les relations mère-fils évoluent au cours du temps en fonction des réformes abbatiales et révèle la fossé qui sépare parfois la conception du réseau édictée par l'abbé et le convent, et l'attitude des chanoines forains sur le terrain. TABLE OF CONTENTS Avant-propos Introduction Première partie : Les sources Chapitre premier : Présentation des archives victorines Chapitre II : Étude des sources priorales et abbatiales Deuxième partie : Création et structuration du réseau prioral victorin (début XIIe - milieu du XIVe siècle) Chapitre premier : Fondation et développement du réseau prioral Chapitre II : Consolidation économique et seigneuriale du réseau de dépendances victorines Chapitre III : Le contrôlé économique des paroisses Chapitre IV : L'attractivité religieuse des prieurés Conclusion de deuxième partie Troisième partie : Détérioration et redressement des prieurés victorins (milieu du XIVe siècle - première moitié du XVIe siècle) Chapitre premier : Les prieurés face aux malheurs du temps (milieu du XIVe siècle - seconde moitié du XVe siècle) Chapitre II : Reconstruction priorale et reprise en main du réseau par Saint-Victor (v. 1370-1420) Chapitre III : Reconstruction matérielle et reconquête des biens et des droits (v. 1460-1540) Chapitre IV : De nouvelles dynamiques économiques et judiciaires (v. 1460-1540) Chapitre V : Les nouvelles dynamiques religieuses et institutionnelles au sein du réseau (fin XVe - première moitié du XVIe siècle) Conclusion de troisième partie Conclusion générale Répertoire des seize prieurés victorins Présentation de la base de données Ambert - Ambertus (Notre-Dame) Amponville - Amponvilla (Notre-Dame) Athis - Athiis (Saint-Denis) Bois-Saint-Père - Nemus Sancti Petri (Notre-Dame) Bray-sur-Aunette - Brayum (Saint-Victor) Bucy-le-Roi - Buciacum Regis (Saint-Pierre) Chanteau - Cantolium (Notre-Dame) Corbeil - Corbolium (Saint-Guénault) Faronville - Farunvilla (Sainte-Madeleine/Saint-Éloi) Fleury-en-Bière - Floriacum (Notre-Dame) Montbéon - Montebeonis (Notre-Dame) Puiseaux - Puteolis (Notre-Dame) Saint-Donain - Sanctus Donnini Saint-Paul-des-Aulnois - Sanctus Pauli de Alnetis Vaujours - Vallegaii (Saint-Nicolas) Villiers-le-Bel - Villaribellum (Saint-Didier) Annexes Sources et bibliographie Index des noms de personnes Index des noms de lieux Cahier de planches en couleur
, Drawn & Quarterly Publications, 1999 Paperback, 104 pages , ENG, 230 x 155 x 10 mm, As New !, illustrated in b/w. ISBN 9781896597249.
Julie Doucet is widely regarded as one of the most prominent cartoonists to emerge in the past decade. Now, Drawn & Quarterly is publishing Doucet's third book, her longest and most ambitious story collected for the first time in one beautifully produced softcover edition. The New York Diary documents in compelling and graphic detail the events in Doucet's life during a six-month period in 1991. At that time, she packed her bags and moved to New York and waiting for her in anticipation was her new boyfriend, an aspiring cartoonist himself who took Julie into his upper west side apartment. The excitement of this new beginning was short-lived; gradually, her boyfriend's over-bearing jealousy became more evident, and the confines of her surroundings slowly became more suffocating. Rounding up this new book are two more stories that complete the obsessive-boyfriend triptych: the sad and revealing "My First Time" and the 25-page "Julie in Junior College".
Spéracèdes : Éditions TAC Motifs, 1999. 120 pages illustrées en noir et couleur (photographies Alain Volpi), glossaire, bibliographie.
Site (relief, climat, végétation, cultures et élevage) / Établissement de l'habitat rural (historique, choix des sites, définition, habitat groupé et dispersé) / Différents types d'habitation rurale (mas, bastide ou château, cabanon, hameau) / Matériaux employés (pierre et mortier, tuile et génoise, tomette, bois) / Bâti à usage collectif (chapelles rurales, oratoires, cimetière, fontaines, lavoirs, bassins et citernes, puits, cercle, moulins) / Évolution de l'habitat rural (transformations récentes, nouvelles techniques architecturales, évolution du bâti ancien, apparition des constructions neuves)
Gent, Borgerhoff & Lamberigts / MER, 2025 Hardcover, 320 pagina's, 266 mm x 215 mm, NL. *NIEUW. ISBN 9789493429116.
België is al lange tijd een vruchtbare bodem voor baanbrekende hedendaagse kunst, en ART.BE legt die buitengewone artistieke dynamiek als nooit tevoren vast. Dit rijkelijk geïllustreerde boek toont meer dan 150 artiesten die de Belgische kunstscene hebben gevormd?en blijven herdefiniëren, van de conceptuele genialiteit van Marcel Broodthaers tot de pioniers van vandaag. Samengesteld door Julien Delagrange, oprichter van het invloedrijke platform CAI ? Contemporary Art Issue, is dit boek een levendig eerbetoon aan de rijkdom, diversiteit en dynamiek van de Belgische hedendaagse kunst. Met zijn overvloed aan beeldmateriaal en een vlot geschreven biografische schets van elke kunstenaar is ART.BE een uitnodiging om het voortdurend evoluerende landschap van een van de meest dynamische creatieve scènes in Europa te ontdekken. Of je nu een kunstliefhebber, verzamelaar of nieuwsgierige nieuwkomer bent, ART.BE is jouw gids naar de artiesten die grenzen verleggen en indruk maken in België en daarbuiten.
Relié, 408 pages, paru le 9 novembre 2016 chez Actes Sud, livre en très bon état général, quasi neuf.
Le Croît Vif, in-4 broché,, 190 pp, illustrations. Couverture en bon état (petite trace de pli en coin), intérieur en très bon état.
C.I.L.. 1981. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages augmentées de nombreuses photos en couleurs dans et hors texte. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Julien van Remoortere ; Hugo Maertens ; Pascal Moens ; Gerrit Op de Beeck
Reference : 55300
, France Loisirs, 1997 Hardcover, 239 pages, FR. edition, 305 x 240 x 25 mm, jaquette illustreé, Tres belle exemplaire , illustrations en couleur. ISBN 9782744105944.
, COB , 1980 Hardcover, 176 pages, Texte en Francais, 295 x 220 x 27 mm, illustrations en couleur / n/b. Tres belle exemplaire. ISBN 9789031004911.
COB] guide illustré pour un voyage de découverte, une réserve naturelle, richesse du folklore, conserver le passé, verdure, richesses archéologiques, in-4 175
, Tervuren, Koninklijk Museum voor Midden - Afrika,, 2018 HB, 260 x 215 mm, 176 pages, English edition. FINE. ISBN 9789085867760.
This book, which is being published to mark the opening of the museum, unveils an ensemble of 77 important works from the collection held by the Royal Museum for Central Africa. A range of academics, conservators, and experts on African art provides an examination and analysis of each of these pieces. Many of the works brought together here can be found in the gallery assigned to the temporary exhibition Unrivalled Art. Others can be encountered in the rooms devoted to the permanent exhibition. And some of the works afford a glimpse behind the scenes at the RMCA, in the hushed atmosphere of the depots, about which the general public is largely unaware. Researcher and curator Julien Volper has selected pieces that come not only from the Congo, but also from other countries, such as Angola or Gabon. Sometimes they are physical testaments to lost cultures dating from the eighth to tenth century, or even dating to tens of thousands of years ago! However, most of the works belong to the more recent period of the nineteenth and twentieth centuries. All of these masks, statuettes, ivories, weapons, receptacles and other artefacts express a genuine creativity - a creativity described so aptly in 1919 by the theorist Vladimir Markov: '[.] this [African] art is unrivalled anywhere else in the world.'
Tervuren, Koninklijk Museum voor Midden - Afrika, 2018 Illustrated hardcover, 176 pages, 260x215 mm, richly illustrated, ENG. *Fine condition. ISBN 9789085867760.
This book, which is being published to mark the opening of the museum, unveils an ensemble of 77 important works from the collection held by the Royal Museum for Central Africa. A range of academics, conservators, and experts on African art provides an examination and analysis of each of these pieces. Many of the works brought together here can be found in the gallery assigned to the temporary exhibition Unrivalled Art. Others can be encountered in the rooms devoted to the permanent exhibition. And some of the works afford a glimpse behind the scenes at the RMCA, in the hushed atmosphere of the depots, about which the general public is largely unaware. Researcher and curator Julien Volper has selected pieces that come not only from the Congo, but also from other countries, such as Angola or Gabon. Sometimes they are physical testaments to lost cultures dating from the eighth to tenth century, or even dating to tens of thousands of years ago! However, most of the works belong to the more recent period of the nineteenth and twentieth centuries. All of these masks, statuettes, ivories, weapons, receptacles and other artefacts express a genuine creativity - a creativity described so aptly in 1919 by the theorist Vladimir Markov: '[?] this [African] art is unrivalled anywhere else in the world.'
, MER Paper Kunsthalle, 2011 Oorspronkelijk uitgevers omslag, groot formaat, 48 pages, ill. 42 x 30 cm. ISBN 9789490693251.
Een belangrijk deel van zijn oeuvre bestaat uit architecturale installaties, gebaseerd op bestaande ruimtes: van een architectenkantoor ('re-flex/ flex/re-flection', Sint-Niklaas, 2010) tot een anonieme doorgangsruimte in een kunstencentrum ('Who Framed this House?', Leuven, 2010) of de Kortrijkse Broeltoren ('Shifting Grounds', Kortrijk, 2010). Die ruimtes analyseert en meet de kunstenaar eerst meticuleus op om ze op hun mogelijkheden te onderzoeken. Daarna realiseert hij een veranderde, verschoven of geconverteerde reproductie. Gipswanden en houten latten, balken en panelen vormen daarbij zijn voornaamste materiaal.''
Paris, Editions Dilecta, , 2015 Hardcover , 144 pages , 19 x 24 cm, text ENG / FR. ISBN 9791090490710.
Martial Raysse: Dessins/Drawings aantalIn winkelmand New Realistic France, a close friend of the artists of Pop Art in New York and Los Angeles, director of psychedelic films? Raysse is a major artist of the contemporary scene. While his portraits of women of the sixties are become icons and its allegorical frescoes surprise again, Dilecta Publishing has released a book presenting a selection of his drawings, from its beginnings to the present. Still little known, these works on paper are fraught with the same audacity and impertinence that his paintings, eroticism haloed and mythologies updated. One hundred selected drawings constitute this publication, showing the practice of drawing, not as one preparatory step to his paint job, but especially as plastics experiences, very free, allowing him to explore techniques as diverse as mine graphite, pastel or watercolor. After literary studies, in 1959 Martial Raysse made his first assemblages by enclosing small toys and toiletries in transparent boxes, in order to foreground, unfussily, the charge of emotion and visual intensity these cold little objects can hold. In 1960, his Visual Hygiene series of household implements hung around a long-handled scrubbing brush, or sunscreen products and beach toys crowned by an advertising dummy, ushered into the realm of art «a world that is new, antiseptic and pure», that of the supermarkets and advertising for the consumer society. This reappropriation of objects that are supremely banal aligned him with the experiments of Arman, Spoerri and Tinguely, with whom he founded the New Realists group in 1960. Soon regarded as the young French artist who came closest to American Pop Art, between 1961 in 1966 Raysse participated in numerous artistic events throughout Europe and the United States. After 1968, Raysse underwent a shift which led him to make a sudden break with the circuit of dealers and galleries, and to withdraw to the south of France. Within the community he formed with a number of friends, he made works using craft techniques, and subsequently returned to the most traditional modes of painting. «Martial Raysse», monographic exhibition dedicated to French artist Martial Raysse. Curated by Caroline Bourgeois in collaboration with the artist. From 12 April 2015 to 31 November 2015, Palazzo Grassi, Venice (It.)
, Brepols, 2022 Paperback, 483 pages, Size:156 x 234 mm, Illustrations:6 tables b/w., Language: French. ISBN 9782503596341.
Summary Quel est le rôle du philosophe dans la cité ? Comment celui que l'on appellerait aujourd'hui « l'intellectuel » remplit-il au mieux ses devoirs d'homme et de citoyen ? Est-ce en choisissant l'action, notamment politique, dans la sphère publique ? Est-ce plutôt en « contemplant », c'est-à-dire en se consacrant à la recherche et à l'écriture ? Ou encore en enseignant ? Ces questions sont centrales dans l'Antiquité. Présent dès Platon, le débat sur les genres de vie devient prégnant dans les philosophies hellénistiques et prend une tournure singulière à Rome, où les concepts grecs de praxis et de theoria rencontrent les notions d'otium et de negotium. L'?uvre de Sénèque s'avère, sur cette question, tout à fait novatrice. Dans une approche qui mêle des enjeux philosophiques et culturels, mais aussi linguistiques et littéraires, le philosophe romain renouvelle à la fois le débat philosophique et la notion romaine d'otium, synonyme chez lui de retraite philosophique. Prolongeant les réflexions de Cicéron sur la légitimité de l'étude philosophique, mais poussant plus loin que ce dernier la promotion de la contemplation et précisant la posture sociale du philosophe, Sénèque est le premier penseur romain à construire une véritable éthique de l'otium. L'intérêt philosophique de l'?uvre sénéquienne se double d'un intérêt littéraire dans la mesure où l'écriture est une activité majeure du philosophe retiré dans l'otium. La réflexion de Sénèque sur l'activité intellectuelle du philosophe est aussi une réflexion littéraire sur la fonction et les modalités de l'écriture philosophique.
, ludion, 2022 Hardcover, 280 x 230 mm, 192 pages, throughout colour illustrations, ENG edition only. fine!. ISBN 9789493039735.
Paper was a source of pleasure for Magritte. Where his oil paintings demanded meticulousness and patience, this was a medium in which he could give his ideas free rein. Fresh approaches were tried out first on paper - in his correspondence as well as in drawings, collages and gouaches. Magritte's many sketches, grid drawings, scribbles in letters and book illustrations demonstrate the extent to which drawing lay at the core of his work. While this aspect of the artist's oeuvre has rarely been examined, it nevertheless underpins all his painting. His drawings help us understand how his ideas evolved. For the first time, this comprehensive publication brings together more than 200 works on paper by René Magritte, many of which have not previously been published.
, Carpet Bombing Culture, 2019 Hardcover, 252 pages, 24.5 x 20 cm English text. *fine condition. ISBN 9781908211798.
Colossus is the definitive showcase of epic European street art. From Berlin to Barcelona, Budapest to Lisbon it's a visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in the expansive collection. This book is the culmination of years of obsessively keeping up with the explosion of the art form. Featuring QR codes for many of the major European cities, you too will be able to visit the artwork in person.
Julio Escalona Monge, Alvaro Carvajal Castro, Cristina Jular Pérez-Alfaro (eds)
Reference : 63332
, Brepols, 2024 Hardback, 678 pages, Size:156 x 234 mm, Illustrations:5 b/w, 3 tables b/w., 1 maps b/w, Language: English. ISBN 9782503603896.
Summary Isabel Alfonso is one of the finest scholars on the rural and political history of the European Middle Ages. She is widely known for her contributions to the study of the peasantry, social conflict, and political discourses. Her research has transcended the boundaries of medieval studies, incorporating insights from disciplines beyond including legal anthropology, philology, and discourse analysis, among others. Over her academic career Isabel Alfonso has made a continued effort to make the work of international scholars known in Spain and to communicate advancements in Spanish historiography to international audiences; and yet most of her own research has only been published in Spanish. As a means to acknowledge her long-standing commitment to bridge different historiographies and overcome national boundaries, this unusual Festschrift offers a selection of her most relevant publications, many of which appear in English for the very first time. Each paper is preceded by commentaries by leading scholars that discuss the enduring relevance of Isabel Alfonso,s work, its richness and complexity, and its potential to inspire further research along a vast array of lines. Commentaries by Jean Birrell, François Bougard, Warren Brown, Peter Coss, Wendy Davies, Chris Dyer, Ros Faith, François Foronda, Paul Freedman, Piotr Gorécki, John Hudson, André Evangelista Marques, Jesús Rodríguez-Velasco, Phillipp Schofield, Stephen D. White, Chris Wickham. TABLE OF CONTENTS Abbreviations, Foreword Introduction: Dealing with the Past, Dealing with the Present: Yet another talk with Isabel Alfonso Part I: Medieval Minds: Language and Concepts Chapter 1: On Friendship, with a Commentary by François Foronda Amicitia: Early Writings, a Revelation, and the Identity of a Historian On Amicitia in Medieval Spain: A Document that Merits Study Chapter 2: On the Language and Practice of Negotiation, with a Commentary by Wendy Davies Commentary The Language and Practice of Negotiation in Medieval Conflict Resolution (Castile-León, Eleventh-Thirteenth Centuries) Chapter 3: On Judicial Rhetoric and Political Legitimation, with a Commentary by John Hudson Justice, Power, and Legitimation Judicial Rhetoric and Political Legitimation in Medieval León-Castile Chapter 4: On Memory and Identity, with a Commentary by Piotr Górecki Words, Again? Memory and Identity in Judicial pesquisas in Medieval Leon-Castile Chapter 5: Two Approaches to Justice and Vengeance, with a Commentary by Stephen D. White Commentary Vengeance, Justice, and Political Struggle in Castilian Medieval Historiography Vengeance and Justice in the Poem of the Cid Part II: Community Ties and Social Differenciation 200 Chapter 6: On Social Differentiation in Rural Communities, with a Commentary by Christopher Dyer Middlemen and Intermediaries in Medieval Village Society Local Power and Internal Differentiation in the Rural Communities of Galicia Chapter 7: On Social Differentiation within Rural Communities, with a Commentary by Phillipp R. Schofield Commentary Exploring Difference within Rural Communities in the Northern Iberian Kingdoms, 1000-1300 Part III: Conflict and Competition: from Local Disputes to Political Struggles Chapter 8: On Violence, with a Commentary by André Evangelista Marques The Social Logic of Vengeance: Towards a Reading of Isabel Alfonso,s Work on Conflict Resolution Death without Vengeance? The Regulation of Violence in Local Settings (Castile-León 13th c.) Chapter 9: On Peasants and the Law, with a Commentary by Paul Freedman The Historiography of Peasant Resistance to Seigneurial Authority Peasants and the Law: Legal Avenues in their Struggle (Castile and León, 10th-13th Centuries) Chapter 10: On Rural Churches and Peasant Struggles, with a Commentary by Chris Wickham On Rural Churches and Peasant Struggles Rural Churches in the North of Castile: A Religious Dimension to Peasant Struggles during the Middle Ages Chapter 11: Two Anthropological Approaches to Peasants and Lords, with Commentaries by Jean Birrell and Rosamond Faith A Commentary on ?Peasant Opposition to Labour Services, and ?The Rhetoric of Seigneurial Legitimation, Pacts, Conventions and Contracts between Lords and Peasants in Anglo-Norman England Peasant Opposition to Labour Services in Castile and León. Forms and Symbolic Significance The Rhetoric of Seigneurial Legitimation in the Fueros of León (11th to 13th centuries) Chapter 12: On Punishment and Exemplary Violence, with a Commentary by Warren C. Brown Commentary Corpus Delicti and Exemplary Violence Chapter 13: On Disputes and Wrongdoings, with a Commentary by François Bougard Written Disputes: Just the Tip of the Iceberg Land Disputes and malfetrías among the Medieval Nobility in Castile and León Chapter 14: On Revolting Noblemen, with a Commentary by François Foronda Questioning the Evidence: Political History and Social Mentality Desheredamiento and Desafuero, or the Alleged Justification of a Revolt of the Nobility Part IV: Historians, Minds. Concepts, Language and Debates Chapter 15: On Cistercians and Feudalism, with a Commentary by Peter Coss Commentary Cistercians and Feudalism Chapter 16: Three Review Articles, with a Commentary by Jesús Rodríguez Velasco How to Read Continuity and Documentary Revelation, or Mutation and Feudal Revolution? Historical Discourse as History Naming Violence and Controlling its Legitimation Appendix: Full List of Publications by Isabel Alfonso
, Brepols, 2019 Hardback, xviii + 430 pages, Size:156 x 234 mm, Illustrations:14 b/w, 39 maps, 6 graphs, Language: English. ISBN 9782503581682.
Summary How were early medieval people connected to each other and to the wider world? In this collection, archaeologists and historians working in very different areas of early medieval Europe explore diverse evidence - from landscape and burial archaeology to charters and chronicles - to discuss the relationships that constituted neighbourhoods and the roles these played in the processes of state formation that can be observed in the peripheries of the Frankish world. What these case-studies teach us, the contributors argue, is that polities are formed not through the exclusive operation of either top-down or bottom-up agencies, but from the interplay between them. By exploring the ways in which local knowledge, social ties, and understandings of landscape interacted with higher-level authorities and institutions, we can gain real insights into the nature of early medieval power and people's experiences of it. Marking the culmination of a collective effort that has spanned over a decade and three funded projects, this volume brings together case-studies from Spain, Italy, England, northern Frankia, Norway, and Iceland to offer a comparative view of polities and neighbourhoods in early medieval Europe. Drawing on new research, and offering new perspectives driven by an interdisciplinary approach, this volume is of relevance to a range of disciplines including archaeology, history, onomastics, geography, and anthropology. TABLE OF CONTENTS Introduction - JULIO ESCALONA, ORRI VÉSTEINSSON, AND STUART BROOKES Polities, Neighbourhoods, and Things In-Between - JULIO ESCALONA, ORRI VÉSTEINSSON, AND STUART BROOKES Understanding the Identities and Workings of Local Societies in Early Medieval England, AD 800-1100 - GRENVILLE ASTILL Peasant Communities and Landscape Change in Northwest Iberia - MARGARITA FERNÁNDEZ MIER Early Medieval Burials and Settlements: Some Reflections on Northern Italian Archaeological Evidence - ALEXANDRA CHAVARRÍA Ancestors and Landscape: Early Medieval Burial Sites in the Central-Western Regions of the Iberian Peninsula - IÑAKI MARTÍN VISO The Thing and the King: The Formation of the Norwegian Medieval Kingdom - FRODE IVERSEN Meeting Places, Markets, and Churches in the Countryside between Madrid and Toledo, Central Spain, c. AD 500-900 - ALFONSO VIGIL-ESCALERA State Formation and World View: Commonwealth Iceland as a Part of the Norwegian Realm - ORRI VÉSTEINSSON 'Est haec effera gens': Landscapes of Negotiation on the Former Island of Walcheren, the Netherlands - LETTY TEN HARKEL Territoriality and Social Stratification: The Relationship between Neighbourhood and Polity in Anglo-Saxon England - STUART BROOKES AND ANDREW REYNOLDS Regions and Micro-Regions of Scribal Practice - WENDY DAVIES The Use of the Term Villa in Early Medieval León: A Review of the Economic Base of the Astur-Leonese Monarchy, Ninth-Eleventh Centuries - ÁLVARO CARVAJAL CASTRO Dense Local Knowledge: Grounding Local to Supra-local Relationships in Tenth-Century Castile - JULIO ESCALONA Local Places and Local People in Anglo-Saxon Wessex - ALEX LANGLANDS Conclusion - JULIO ESCALONA, ORRI VÉSTEINSSON, AND STUART BROOKES Index
, Benno Filser verlag 1921, 1921 Hardcover, 184 seiten, 128 abbildungen, Deutsche sprache, 100 jahre alt aber in guten zustand,.
Dieses Buch versucht die Stilwandlungen der deutschen Bildnerkunst des 14. Jahrhunderts an dem Beispiele schwäbischen Kunstschaffens darzulegen. Das individuelle Gestalten der einzelnen Künstlerpersönlichkeit wird durch zwei Triebkräfte entscheidend beeinflußt. (aus dem Buch) aus dem Inhalt: Die Wandlungen der Formgestaltung - Zum Verständnis des Inhaltes - Kunstgeschichtliche Nachweise - Verzeichnis der Abbildungen - Quellennachweis der Abbildungen
in4 reliure cartonnée, dos toilé, 385pp, nombreuses photos nb, plans, qq planches couleurs. Certains bâtiments sont Art Déco
traces de mouillures sur la couverture, coins légèrement écrasés, mors fendus, intérieur impeccable
, Taschen, 2024 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 576 pages, Multilingual (English, French, German). ISBN 9783836599931.
Discover the latest and the greatest of Japan?s manga scene. This extensive overview features classic maestros like Osamu Tezuka (creator of Astro Boy) and Katsuhiro Otomo (creator of Akira) as well as the most exciting newcomers and, of course, their fictional superstars. rom Astro Boy to Akira, the superstars of the manga scene Since the original TASCHEN edition of Manga Design, Japan?s comic phenomenon has produced yet more captivating characters and a whole host of hot new talents. This revised edition delivers the lowdown on the latest and the greatest makers and shapers of the manga scene. Through an A?Z directory, we discover the superstars?both human and fictional?of what is now a vast global industry, inspiring advertisers, filmmakers, creative professionals, millions of avid fans, not to mention an entire cosplay lifestyle, in which manga devotees in elaborate costume meet to celebrate the existence of their characters at huge conventions from Los Angeles to Leipzig. From classic maestros?like Osamu Tezuka (creator of Astro Boy) and Katsuhiro Otomo (creator of Akira)?to newcomers such as Hajime Isayama, each entry includes biographical and bibliographical information, descriptions of main characters, and, of course, plenty of examples of the artist?s finest manga spreads and covers.
, MER. Paper Kunsthalle, 2013 HC / 112 pages / 27 x 21 cm. ISBN 9789490693428.
The artist Julião Sarmento grew up with a somewhat complicated background. This book is a testimony to his 'real' biological family and his 'other' foster family. The first part of the book; 'Bloodline', has all the photographs the artist could find of his biological family up to his birth, they show persons he often doesn't feel connected to or hardly knows. 'Heartline' has all the photographs he could find of the two people in his foster family. They are close to his heart, far from his blood. The book is signed and numbered by the artist in an edition of 250 copies.
BE, MER.paperkunsthalle, 2012 Hardback, 210x270mm, 112 pages . ill. ISBN 9789490693428.
I have a very small, complicated and a bit weird family. In fact I almost had two families: my real biological one (a very mysterious group of people some of whom I hardly knew... others I never even met!....) and also some other people who were kind of my foster family. There are very few photographs, or memories left of both of them. "Bloodline" has all the photographs I could find of my real, biological family up to my birth. The existing blood trail up to me, so to speak... "Heartline" has all the photographs I could find of the two people in my foster family. Close to my heart, far from my blood. On the occasion of the exhibition Retrospective Juliao Sarmento, Serralves Museum, O'Porto, 23.11.2012