Gent, ludion, 2024 Hardcover, 288 pages, 29 x 23.5 cm, 150 illustrations.
The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints. Hokuei: Masterpieces of Japanese Actor Prints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828-1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in color, are largely drawn from the most extensive collection of Hokuei's works to be found anywhere. The book presents two chapters on the artist's life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). An early chapter discusses the production of Japanese prints and leads into a central section highlighting fifty-six meticulously researched masterworks in remarkable condition. The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonné of 270 prints-the artist's entire known print oeuvre-including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei's prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage. - This is the first book about Hokuei - one of the most intriguing artists ever in kabuki-actor prints. Lavishly illustrated with over 150 prints, it brings the world of kabuki alive in fascinating detail. The book includes a fully illustrated and annotated catalogue raisonné of 270 prints (the artist's entire known print oeuvre). John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e ("Osaka prints") and Sosaku Hanga ("Creative prints"). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites "ViewingJapanesePrints.net " (since 1999) and "OsakaPrints.com " (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board.
, ludion, 2024 Hardcover, 290 x 235 mm, 288 pages, 150 iColor illustrations , ENG edition. ISBN 9789464781151.
The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints. Hokuei: Masterpieces of Japanese Actor Prints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828-1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in color, are largely drawn from the most extensive collection of Hokuei's works to be found anywhere. The book presents two chapters on the artist's life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). An early chapter discusses the production of Japanese prints and leads into a central section highlighting fifty-six meticulously researched masterworks in remarkable condition. The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonné of 270 prints-the artist's entire known print oeuvre-including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei's prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage. - This is the first book about Hokuei - one of the most intriguing artists ever in kabuki-actor prints. Lavishly illustrated with over 150 prints, it brings the world of kabuki alive in fascinating detail. The book includes a fully illustrated and annotated catalogue raisonné of 270 prints (the artist's entire known print oeuvre). John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e ("Osaka prints") and Sosaku Hanga ("Creative prints"). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites "ViewingJapanesePrints.net " (since 1999) and "OsakaPrints.com " (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board.
Thirteen Colonies Press 1987 In-4 broché à l’italienne, 241 pp. Illustrations et schémas en noir in et hors-texte. Plats un peu gauchis, nénamoins inétérieur frais, bon état d’occasion.
Fac-simile. Exemplaire en anglais. Bon état d’occasion
, Lisse, Rebo voor Robas Weesp 1992, 1992 Gebonden, hardcover, 385 x 290 mm, Nederlands, inclusief stofomslag; 1992; 224pp.; Conditie: Goed. ISBN 9789072770288.
, Brepols 2018, 2018 165 p., 110 x 180 mm, Texte en Francais, Paperback, . ISBN 9782503579627.
Ce livre est une invitation au voyage dans le temps, un voyage en musique dans le Moyen Âge. Comme le chant médiéval semble loin ! Ce voyage, forcément, il nous faut le commencer là où nous sommes, assaillis par le vacarme des temps modernes. Ô chants évanouis ! Chants d?hommes et surtout de femmes dans leur besogne quotidienne, dans leurs guérisons, divinations et danses ! Voix féminines puissantes, voix envoûtantes reliant la vie à la mort ! Chants retentissant pendant les siècles du Moyen Âge, vous ne retentirez plus jamais ! Mais la trace de votre symphonie immense demeure avec nous, pâle murmure, dans les harangues de l?homme contre les chants du diable. Ce livre est une invitation à voyager dans le temps, à entendre tous les chants du Moyen Âge et non seulement ceux du grand homme. En partant du vacarme des temps modernes, le lecteur découvrira une panoplie de musiques quotidiennes que les autorités ecclésiastiques nommaient jadis « les chants du diable ». John Haines is Professor of musicology and medieval studies at the University of Toronto, where he holds a joint appointment at the Faculty of Music and Centre for Medieval Studies.
Arts Council of Great Britain, London, 1973. In-8, broché sous couverture illustrée en noir et blanc, 232 pp. Preface - Foreword - Chronology - Catalogue note - Part I. Jones in the Making : The early years : 1573-1605. - The festival tradition. - The architectural tradition. - The jacobean romantic : Jones and Robert Cecil, Earl of ...
Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
B.T. BATSFORD LTD. 1963. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 187 pages. Premier plat illustré en couleurs. Texte en anglais.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Fonds Mercator 1985, 1985 Hardcover, 401 pages, Texte en Francais, 305 x 240 mm, dans un manteau solide, Tres belle exemplaire. ISBN 9789061531489.
Elsevier Sequoia 1976 in4. 1976. Cartonné jaquette. illustré en noir et blanc et couleurs
Bon état rousseurs sur tranche intérieur propre avec sa jaquette (petit accroc en bas du 4e plat) annotation au crayon à papier sur la page titre
, Matthew Marks Gallery, 2009 Softcover in slipcase, 80 pages. 35 images, 10 3/4 x 8 3/5 inches. *Fine condition. ISBN 9781880146477.
Essay by John Kelsey, an interview by Michael Fried, and text by Charles Ray on each work of art. Charles Ray is a catalogue of the artist s work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Fully illustrated in color throughout, the catalogue includes pieces such as Father Figure, 2007, a large-scale sculpture of a toy tractor, and a selection of works from the series of untitled flower drawings that was featured in the 2010 Whitney Biennial. Includes custom-made slipcase that was designed under the supervision of the artist.
London 1999 Phaidon Incorporated Limited Hardcover
Hardcover, 30 x 30 cm, 180 pp., English, Illustrations, book condition: Very Good. Part of a series that places buildings within their historical context, thisext considers the Engineering Department Building at Leicester University,he Willis Faber Dumas Building and the Lloyd's Building. It includespecially produced technical drawings that explain how the buildings wereetailed and put together. By looking at the buildings together, the readeran analyze and chart the development of modern British architecture andxamine the distinctive approaches taken by three different partnerships.
, Brepols, 2021 Hardback, 324 pages, Size:156 x 234 mm, Illustrations:6 b/w, 1 col., Language(s):English, French. ISBN 9782503589909.
Summary This interdisciplinary collection examines the notion of sedition in the period of the French Wars of Religion (1560-1600) and focuses not only on France itself, but also on Scotland during the reign of the French-born Mary Queen of Scots. Composed of eleven chapters written by an international team of experts, this volume concentrates on the political aspects of sedition rather than religious heresy, and covers writings and publications in a wide range of fields: politics, history, law, literature, and gender. A complementary feature of this collection is the spectrum of writings studied; they include edicts and treatises, pamphlets, broadsides, legal documents, dialogues, and satirical prose and poetry. Several chapters also address visual representations of sedition. An Introduction and a Conclusion provide synthetic analyses of the material studied in the individual chapters. This is a collection which will appeal to readers with interests in the history of political ideas and thought, the comparative study of monarchical government, and concepts of tyranny and resistance, discord, rebellion, and revolt. TABLE OF CONTENTS Acknowledgements, List of Figures Introduction Sedition: From Disobedience to Revolt - John O'Brien and Marc Schachter The Language of Sedition La sédition pendant les guerres civiles (France, 1560-1600): une histoire sans événement - Paul-Alexis Mellet The Language of Religious Conflict: Seditions, Assemblies, Emotions, Violences? - George Hoffmann Sources of Sedition Heresy and Sedition in Pierre de Ronsard's Discours des misères de ce temps (1562) and Pierre Boton's La France divisée (c. 1595) - Andrea Frisch The Role of John Knox and his Seditious Writings in the Outbreak of the French Wars of Religion - Éric Durot Cicero the Revolutionary: Some Seditious Motifs in the Literature of the French Wars of Religion - John O'Brien Genre and the Question of Sedition 'Books with Sharp Teeth': The Perception of Seditious Books in Early Modern France - Natalia Wawrzyniak How Not to Be (and Sound) Seditious: The Prince de Condé's Justifications for Starting the First War of Religion (1562-63) - Ullrich Langer Political Crime in the Wars of Religion: François Brigard's Sedition - Tom Hamilton Gender, Sedition, and Literature The Sempill Ballats: Gendering Sedition and Rebellion - Armel Dubois-Nayt The Seditious Pleasures of the Prince in the Reveille-matin's Denunciation of Tyranny - Marc Schachter Styling Sedition in The Island of Hermaphrodites (L'Isle des hermaphrodites, 1605) - Kathleen Long Conclusion The Several Faces of Sedition - Mark Greengrass (with Dénes Harai) Index
, Brepols, 2020 Hardback, 417 pages, Size:156 x 234 mm, Illustrations:10 col., Languages: English, Latin. ISBN 9782503585116.
Summary This is the first translation in any language of John of Garland's poem about the historical events of his lifetime (c. 1195- c. 1258), together with revised Latin text, introduction and notes. This work gives a vivid picture of Anglo-French relations, of studies in Toulouse after the Albigensian Crusade, and of the need for faith following Louis' catastrophic defeat in the Seventh Crusade. John gives us insights into his own life, and a stream of stories, holy and profane. The translation and notes bring to life for a wide range of medievalists this eye-witness account by an Englishman in France of major events of the age, especially 1242-52. They make clear John's debts to classical authors and to contemporaries, especially Alan of Lille and Matthew Paris. Through re-ordering the lines, this edition now generates clarity from the single manuscript. It also offers fresh insights and a new perspective on John of Garland himself. TABLE OF CONTENTS Introduction Chapter 1. Life and Works of John of Garland Chapter 2. The Manuscript Tradition and Previous Scholarship Chapter 3. De triumphis Ecclesie Chapter 4. Literary Influences and Sources Chapter 5. John's Teaching and Preaching Chapter 6. 'Arma crucemque cano': Church and Crusade Chapter 7. The Main Political Sub-Plots Chapter 8. Countering the 'Other': Heretics, Mongols, Jews, and Muslims Chapter 9. The Seenth Crusade (1248-54) Chapter 10. Conclusions Critical Edition (with translation on facing pages) Guide to the text Preface Prologue Book 1-8 Bibliography
, National Gallery of Art 1994, 1994 Hardcover, 215 pages, ENG, 295 x 230 mm, in fine order, with illustrations / images in colour and b/w. ISBN 9780521450935.
This catalogue contains entries on fifteenth- and sixteenth- (and one seventeenth-) century German (and Austrian) paintings in the National Gallery of Art, Washington DC, both German and Austrian. Entries are arranged alphabetically by artist and there is a short biography and bibliography for each artist. Individual entries follow the model established by earlier systematic catalogues and full scholarly and technical information is provided for each painting. Questions of attribution, iconography, and social and religious function and context are discussed and, where relevant, comparative examples, reconstructions of altarpieces, x-radiography and infra-red reflectogram assemblies are included. The catalogue also contains the results of dendrochronological examinations of the paintings.
Editions du Moniteur, 1982. Format 22x24 cm, broche, 119 pages.Bon etat, petites traces d'usage sur un livre d'occasion.
, Phaidon, 1979 Softcover, 128 pages, English, 335 x 255 mm, Many Illustrations, In Fine Condition !. ISBN 9780714820156.
Brilliant reproductions and magnified details of the newly restored Garden of Earthly Delights let readers enter Bosch's fantastic worldand leave with a beautiful poster. This poster-and-book combination provides clear evidence of why Bosch's triptych continues to fascinate and intrigue us nearly five hundred years after its creation. The book offers stunningly close examination of the work after its recent restoration. Accompanied by a brief, fascinating essay that offers cultural and historical background on Bosch and his art, these numerous details allow readers to appreciate fully the breadth and magnificence of Bosch's achievement. A detachable poster of the painting, suitable for framing, makes this package an extraordinary gift for the artist's many devotees.
JARROLD AND SONS LTD. NON DATE. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages. Couverture et jaquette illustrées de photos en couleurs. Nombreuses photos couleurs et noir et blanc dans et hors texte. Jaquette légèrement passée.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Landshoff, 1979 Hardcover with dusjacket, 263 pages, fine !. ISBN 9029080612.
Five themes--the village of Vitebsk, avant-garde Paris, love, the theater, and the message of the Bible--provide the organizing framework for a work that combines Chagall's prose and poetry with the paintings, drawings, prints, and etchings to which theyrelate Chagall by Chagall. With an introduction by the artist, edited by Charles Sorlier and translated from the French by John Shepley.
, Réunion des musées nationaux, 2004 Paperback, 232 pages, Texte en Francais / Tres belle exemplaire, 300 x 245 mm, illustr. en couleur / n/b. ISBN 9782711847556.
Jongkind (1819-1891) aimait à représenter canaux et moulins de sa patrie, la Hollande, dans des scènes d'hiver où évoluent dies patineurs, ainsi que les ports. En France, son pays d'adoption, il trouva son inspiration le long des quais de Seine, dans les rues de Paris et sur la côte normande. Le peintre, qui manifesta un merveilleux talent d'aquarelliste, de dessinateur, et de graveur, acheva son existence près de Grenoble, à La Côte Saint-André. Si les Néerlandais sont sensibles à la tradition du paysage hollandais à laquelle se rattache Jongkind, les Français ont retenu très tôt ce dernier comme un des leurs. Jongkind en vint à être considéré comme appartenant à leur lignée, selon une filiation reconnue par Signac : " Il faut donc placer ce rénovateur du paysage moderne entre Corot et Monet, en tête de ces autres précurseurs de l'Impressionnisme : Boudin, Cals et Lépine. Et, comme il le souhaitait, comme il l'indiquait en se proclamant, dans les livrets du Salon, élève d'Isabey [...], il doit être classé parmi les maîtres de l'Ecole française. "
, Van Spijk , 1981 Paperback, 30-40 pagina's, geen nummering, NL, 255 x 255 mm, in prima staat, illustraties in kleur en z/w. ISBN 9062169155.
Flammarion, 2003 - Grand In 8°, broché couv rempliée souple solide et glacée, 192 pages, bibliographie, ensemble raisonné richement illustré à pp en couleurs, recto.
Très Bon Etat à Neuf Franco de port France jusqu'à 29 euros iclus. PAYPAL immédiat. MONDIAL RELAY pour : FRANCE, Portugal, Pologne, Espagne, Allemagne, Autriche, Pays Bas, Luxembourg, Italie, Belgique. Toutes les étapes sont accompagnées. Achat, estimations et listages (Papiers, Archives, monographies, arts et métiers, sciences humaines et bibliophilie) France / Suisse (sur rdv).
Thunder Bay Press 2008 In-4 cartonné 33,5 cm sur 31,2. 48 pages. Très bon état d’occasion.
Très bon état d’occasion
Le bélial " Une heure Lumière ", 2016 - In-12°, broché, couverture souple élégante rempliée illustrée pont, rappel du graphisme en manière de frontispice, 124 pages.
Franco de port France jusqu'à 29 euros iclus. PAYPAL immédiat. MONDIAL RELAY pour : FRANCE, Portugal, Pologne, Espagne, Allemagne, Autriche, Pays Bas, Luxembourg, Italie, Belgique. Toutes les étapes sont accompagnées. Achat, estimations et listages (Papiers, Archives, monographies, arts et métiers, sciences humaines et bibliophilie) France / Suisse (sur rdv).
Rome, Editions Gremese 1997. 27 x 30, 224 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.
A+U publishing 1979 1 vol. broché in-4, broché, couv. illustrée à rabats, 301 pp., nombreuses photos en couleurs. Textes en japonais et en anglais. Numéro spécial de cette revue japonaise entièrement consacré à l'architecte précurseur américain.