Write to the booksellers-
Century
20th (5)
21st (4)
-
Countries
Belgium (1)
France (9)
Switzerland (5)
-
Syndicate
ILAB (4)
SLAM (4)
AUPRES DE MOI TOUJOURS
DES 2 TERRES. MARS 2006. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 440 pages. Non illustré. Couverture rempliée.. . . . Classification Dewey : 843.083-Le roman social, psychologique, réaliste
Classification Dewey : 843.083-Le roman social, psychologique, réaliste
L'iconsolé
Calmann-Lévy. 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 510 pages.. . . . Classification Dewey : 840.091-XX ème siècle
Classification Dewey : 840.091-XX ème siècle
L' INCONSOLÉ
EDITIONS 10/18 N° 3077. 1999. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 605 Pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
"Traduit de l'anglais par Sophie Mayoux. "" Domaine étranger"" dirigée par Jean- Claude Zylberstein Classification Dewey : 820-Littératures anglaise et anglo-saxonne"
Quand nous étions orphelins
Folio 2017 2017. Kazuo Ishiguro: Quand nous étions orphelins/ Folio 2017 R E-D
Très bon état
THE REMAINS OF THE DAY.
Faber and faber.. 1996. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 245 pages. 1ère de couverture illustrée en couleurs.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Texte en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Klara et le soleil
Folio (02/02/2023)
Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
Un artiste du monde flottant
FOLIO (19 février 2009)
Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
Quand nous étions orphelins
FOLIO (5 novembre 2009)
Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.
Paul Graham
, Phaidon Press Ltd 1996, 1996 Softcover, 160 pages, English, 290 x 250 mm, book in fine state, . ISBN 9780714835501.
The ecstatic face of a disco dancer in Berlin; a rural panorama in Derry, where a country road has been made into a Pollock-like canvas of red, white and blue; an ashtray, framed by a lacy spray of blood in a Barcelona toilet. Paul Graham uses and abuses classic genres of photography - the portrait, the landscape, the still life - to map a cultural topography. His jewel-like colours and unsettling compositions reveal how social relations and political trauma are inscribed in the everyday. This book brings together for the first time all of Graham's successive series, from his journey along the A1 in Britain to intimate studies of Japan. Graham's work has been celebrated in exhibitions around the world, including The Museum of Modern Art, New York, and Tate Britain, London. Art historian Andrew Wilson has written extensively on contemporary European art and is the author of Gustav Metzger: Damaged Nature, Auto-Destructive Art. He charts the development of Graham's most significant series as defined by the journeys the artist has taken, weaving relations between an emerging aesthetic and the specifics of time and place. In the Interview, Paul Graham speaks with British artist Gillian Wearing, internationally renowned for her photographs and videos that explore the imaginary worlds of ordinary people. Focusing on a triptych from the New Europe series is the celebrated American writer Carol Squiers, Senior Editor at American Photo magazine and editor of The Critical Image: Essays on Contemporary Photography. In juxtaposition with this work, Graham has chosen texts by Japanese authors Kazuo Ishiguro and Haruki Murakami. A series of notes by the artist and an interview with Lewis Baltz provide further insight.
