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Günther Brus, Otto Muehl, Hermann Nitch, Rudolf Schwarzkogler Sous la direction de Malcolm Green
Reference : AP002
(1999)
ISBN : 1900565102
Writings of the Vienna Actionist
Translated, edited and introduced by Malcolm Green. Brus, Muehl, Nitsch, Schwarzkogler: four artists who, during the Sixties, became notorious for pushing the possibilities of art to an extreme which has yet to be surpassed. Variously fined, jailed, and forced into exile, they were ignored by the art establishment of the day, only to be hailed in recent years as one of the most outstanding and unique contributions to post-war art in Europe. Exaggeration and myth still obscure their activities, however, and their actual motives for an art centred on the examination of taboos, the “hidden” secrets of the body, the aesthetics of destruction and the possibilities of regeneration have remained elusive. Subsequent generations of artists have claimed them as their forefathers or unscrupulously borrowed their ideas (but without approaching the intensity of their actions), and while international exhibitions have reclaimed their work for the visual arts, their writings have remained largely unpublished since they first appeared in small mimeographed editions. This anthology of photo-documentation and writings — which includes manifestos, theoretical texts action scores, press reports, letters, police, psychiatric (!) and court reports and extensive photographic documentation covering the most intensive period of the Actionists’ productions (1962-1974) — has been assembled in collaboration with the three surviving artists. It provides the first comprehensive survey of their work, and for the first time illuminates their differing intentions. These texts employ humour and vitriol to elaborate a position in total opposition to contemporary social, political and aesthetic mores. A lucid narrative emerges of a determined exploration of these conditioning factors, by means of an art that used life itself as material. The Vienna Actionists were indeed unique — at the very outset of post-war performance art they trod a path very different from the “happenings” in the USA or the belated neo-Dada pranks of many of their contemporaries. They not only established a new territory for art but they explored it so thoroughly as to make most subsequent “body art” simply irrelevant. Principal events covered include: The Blood Organ, The Festival of Psycho-Physical Naturalism, Material Action and Direct Art, the Destruction in Art Symposium, the Orgies Mysteries Theatre, the Vietnam Party, Body Analysis, Zock and The Zock Festival, the Art and Revolution scandal.
Coffret de luxe. Signatures des auteurs sur la première de couverture. Edition limitée, signé par Günther Brus, Otto Muehl et Hermann Nitch. Inclue une plaquette des photographies en supplément.
Oulipo Compendium
Edition limited to 100 copies signed by many of the members of Oulipo (this copy numbered 1), square 8vo, pp. 336; white paper wrappers, blind embossed on upper wrappers and with over 20 signatures plus personal stamps, including those of Paul Fournel, Michelle Grangaud, Hervé Le Tellier, Harry Matthews, etc.; light foxing to cover, mostly around spine, near fine, in original slipcase. Oulipo is a creative group composed of Francophones and mathematicians, who create works using constrained writing techniques. It has included in its ranks Italo Calvino, Jean Lescure, and Jacques Roubaud.
With additional sections devoted to Oulipopo and Oupeinpo: Oulipopo edited by Alsatair Brotchie, Paul Gayot et Francis Debyser. Oupeinpo edited by Thieri Foulc
