8 books for « zweite armin »Edit

‎Marcel Broodthaers; Catalogue/Catalogus, Marcel Broodthaers, Palais des Beaux-Arts Bruxelles, Brussel, 1974.‎

‎Bruxelles / Brussel, Soci t des Expositions du Palais des Beaux-Arts de Bruxelles, 1974 Original publishers paper-covered boards, Couverture originale de l' diteur, 24x31cm, 77 pages beige paperback with black lettering / illustr es en noir et en couleurs. dition originale de ce catalogue dont le syst me a t con u par Marcel Broodthaers. Texte en Francais / Nederlands. ***Texts and interview with the artist and texts in French, German, Dutch and English by Jost Herbig, Armin Zweite, Barbara Reise Michael Oppitz, Irmeline Lebeer. Without the advertised large plate, ‎

‎First Edition. In very FINE condition!!!‎

‎Markus Lüpertz : Belebte Formen und Kalte Malerei. Gemälde und Skulpturen.‎

‎München Prestel 1986 1 vol. relié petit in-4, cartonnage sous jaquette illustrée, 135 pp., nombreuses reproductions en noir et en couleurs. Texte en allemand. Très bon état.‎

‎Beuys zu Ehren. Zeichnungen, Skulpturen, Objekte, Vitrinen und das Environment "Zeige deine Wunde" von Joseph Beuys. Gemälde, Skulpturen, Zeichnungen, Aquarelle, Environments und Video-Installationen von 70 Künstlern.‎

‎ München, Lenbachhaus, 1986 Fort vol. in-4, cartonnage d'éditeur illustré, 566 p., nombreuses reproductions en couleurs et en noir. ‎

‎ Très bon état. - ‎

‎Gerhard Richter: And the Catalogue Raisonn , 1993-2004‎

‎, Richter Verlag, 2005 Hardcover, 324 pages, ENG, 305 x 245 x 35 mm, dustjacket, as New !, illustrated in colour / b/w. ISBN 9783937572215.‎

‎Over the past half-century, Gerhard Richter (born 1932) has built up a stylistically heterogeneous and conceptually complex body of painting, photography, sculpture and artist's books that firmly establishes his status as the most important living artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works. In February 2012, Hatje Cantz announced the first volume of their Gerhard Richter catalogue raisonne--the first of a projected five volumes, to be issued over the next seven years. Edited by Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, who has spent years researching and preparing the publication, this third volume encompasses the works Richter assigned numbers 389-651/2, which span the years 1976 to 1988. Alongside nearly 700 full-color plates (many of them full-page), it includes full technical specifications, information about the artist's handwritten notes, and the provenance, bibliography and exhibition history for each individual work. This information is further supplemented by commentary, quotations from the artist and comparison images.‎

‎Francis Bacon : The Violence of the Real ‎

‎, Thames & Hudson, 2006 Hardcover, 256 pages, ENG, 305 x 230 mm, in Good condition, dustjacket, illustrated in colour / b/w. ISBN 9780500093351.‎

‎Dramatic depictions of human forms ? writhing painfully, dissolving, wrestling or engulfing one another, seated or in motion ? are ubiquitous in the work of Francis Bacon (1909-1992), one of the most eminent painters of the 20th century. Bacon portrayed the ordeal of the vulnerable, defencelessly exposed body like no other artist of his generation. His individuals are usually alone, isolated from their surroundings, trapped in empty, windowless rooms or behind the bars of cages. Bacon?s figures act on stage-like platforms, doubled over in torment, sliding into formlessness. By wiping, scratching and erasures, Bacon converted the picture surface into a field of perpetual activity ? and in the process, created images of great forcefulness, sensibility and beauty. Bacon found his models not only in the history of art, but also in photographs of athletes, soccer players, or boxers in combat. He also betrayed a strong interest in the photographic sequences through which Eadweard Muybridge, in the later 19th century, registered the phases of a path of animal movement. Such instinctively performed motions disclosed to Bacon actions of an original sensuality which he strove to capture in his pictures.‎

‎Picasso Kunstlerbucher ‎

‎, Hirmer Verlag GmbH, 2010 Hardcover, 300pp., 23x29cm., ills. in col. and b/w., very good copy. ISBN 9783777431017.‎

‎English summary: Picasso was one of the most prolific artists of the 20th Century, including in the decorative art of book design. Between 1905 and 1973, he designed more than 150 books, the most important of which are shown in a superb exhibition at the Museum Brandhorst in Munich. The focus of the exhibition lies on Picasso's experimentation with techniques and expressive possibilities in this fascinating medium. This catalog and the exhibition present the artist's book by Picasso as a complex object, not as a commercial art. The universal artist scratched, cut, stabbed or drew illustrations, but he also wrote poems, dedications and political texts. Page sequences, layout and typography inspired him as much as book covers and slipcases. He used almost every previously known printing technique and drove new technologies to their limits. The earliest illustrations were created at the request of his friend, the author Max Jacob. They were followed in the coming decades by projects with Paul Eluard, Tristan Tzara, Pierre Reverdy, and many others. Picasso also responded to the invitations of major publishers such as Pierre Andre Benoit, Iliazd and Georges Hugnet, and with them he created some of the most beautiful art books of the 20th Century. The catalog Pablo Picasso: Kunst am Buch traces the stimulus that books exerted on Picasso and his friends. Pictures of side tracks, covers and slipcases clearly highlight the diversity of the medium. In-depth articles explain the collaboration with various authors and publishers and provide insight into some of the most exciting artist books. German text. German description: Picasso war einer der produktivsten Kuenstler des 20. Jahrhunderts, auch auf dem Gebiet des Kuenstlerbuchs. Zwischen 1905 und 1973 gestaltete er mehr als 150 Buecher, von denen die bedeutendsten in einer auaergewohnlichen Ausstellung im Museum Brandhorst in Muenchen gezeigt werden. Im Mittelpunkt steht Picassos Experimentierfreude mit den Techniken und Ausdrucksmoglichkeiten dieses fesselnden Mediums. Katalog und Ausstellung prasentieren das Kuenstlerbuch Picassos erstmals als komplexes Objekt, nicht als Gebrauchsgraphik. Der Universalkuenstler ritzte, schnitt, stach oder zeichnete Illustrationen, er verfasste aber auch selbst Gedichte, Widmungen und politische Texte. Seitenabfolge, Layout, Typographie inspirierten ihn ebenso wie Bucheinbande und Schuber. Er benutzte fast jede bis dahin bekannte Drucktechnik und trieb neue Techniken an ihre Grenzen. Die ersten Illustrationen schuf Picasso auf Bitten seines Freundes, des Autors Max Jacob. Es folgten in kommenden Jahrzehnten Projekte mit Paul Eluard, Tristan Tzara, Pierre Reverdy und anderen. Picasso reagierte zudem auf die Einladungen bedeutender Verleger wie Pierre Andre Benoit, Iliazd und Georges Hugnet und schuf mit ihnen einige der schonsten Kuenstlerbuecher des 20. Jahrhunderts. Den entstandenen Buchkunstwerken merkt man die Freude ihrer Schopfer an jedem Detail an, sie kitzeln beim Durchblattern alle Sinne. Der Katalog "Pablo Picasso. Kunst am Buch" spuert dem Reiz nach, den Buecher auf Picasso und seine Freunde ausgeuebt haben. Aufnahmen von Seitenstrecken, Einbanden und Schubern machen die Vielfalt des Mediums anschaulich. Vertiefende Texte erlautern die Zusammenarbeit mit einzelnen Autoren und Verlegern und geben Einblick in einige der spannendsten Kuenstlerbuecher.‎

‎Picasso Künstlerbücher. Werke aus der Sammlung Udo und Anette Brandhorst.‎

‎Munich Hirmer Verlag 2010 In 4 relié toile, 287 pages, très nombreuses illustrations.‎

‎ALEXEJ JAWLENSKY : 1864 - 1941, Städtische Galerie im Lenbachhaus, München, 23. Februar - 17. April 1983 ; Staatl. Kunsthalle Baden-Baden, 1. Mai - 26. Juni 1983. ‎

‎1983 / 359 pages. Broché. Editions Prestel.‎

‎Très bon état / Very good condition.‎