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[Albrecht DÃŒrer] - Wouk, Edward H., Jennifer Spinks
Reference : 123572
(2023)
ISBN : 9781526167606
Albrecht Durer's material world
Wouk, Edward H., Jennifer Spinks: Albrecht Durer's material world. Exhibition: Manchester, Manchester Art Gallery, 2023. 216 pages, over 100 illustrations. Paperback. 24.5x19cms. An exploration of how Renaissance Nuremberg's changing material world and consumer culture informed Durer's oeuvre. Fourteen essays and thematic texts consider Durer's works on paper and techniques against contemporary objects and innovations. Juxtaposed works and objects include ceramic stoves and 'The Temptation of the Idler' and 'Melencolia I' with devices for measurement. Also discusses Whitworth's restored Pieta. Includes an illustrated catalogue of 104 works of fine art and domestic objects.
An exploration of how Renaissance Nurembergâs changing material world and consumer culture informed Durerâs oeuvre. Fourteen essays and thematic texts consider Durerâs works on paper and techniques against contemporary objects and innovations. Juxtaposed works and objects include ceramic stoves and âThe Temptation of the Idlerâ and âMelencolia Iâ with devices for measurement. Also discusses Whitworthâs restored Pieta. Includes an illustrated catalogue of 104 works of fine art and domestic objects. Text in English
Frans Floris Imagining a Northern Renaissance.
, Brill, 2018 Hardcover with dustjacket, xlix, 808 pp.; 391 color ills. 255 x 180 x 48 mm. Fine. ISBN 9789004307254.
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liege and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris?s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print. Brill's Studies on Art, Art History, and Intellectual History Brill's Studies in Intellectual History, Volume: 267/19
