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The Hobbitus Ille
Harper Collins UK
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780007445219
AGE OF EMPIRES, II, THE AGE OF KINGS (FRANCAIS)
Microsoft Press. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 437 pages. Illustré de nombreuses captures d'écran en noir et blanc dans le texte.. . . . Classification Dewey : 4-Traitement des données. Informatique
Tactiques de jeu. Trucs et astuces pour stratèges. Classification Dewey : 4-Traitement des données. Informatique
DARK VINEYARD
Quercus. 2009. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 309 pages. Illustré d'une carte en noir et blanc sur double-page.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Novel. A Bruno Couurèges investigation. Classification Dewey : 420-Langue anglaise. Anglo-saxon
[BOUGUEREAU (William)] - ARGENCOURT (Louise d'), avec la collaboration de WALKER (Mark Steven).-
Reference : 49112
William Bouguereau, 1825-1905. Musée du Petit-Palais, Paris, 9 février-6 mai 1984. Musée des Beaux-Arts de Montréal, 22 juin-23 septembre 1984. The Wadsworth Atheneum, Hartford, 27 octobre 1984-13 janvier 1985.
P., Nouvelle Imprimerie Moderne du Lion, 1984in 8° carré broché, 269 pages ; innombrables illustrations, la plupart en noir ; couverture illustrée en couleurs.
...................... Photos sur demande ...................
Phone number : 04 77 32 63 69
Genre and the Production of Gendered Identity on the Lyric Stage
, Brepols, 2025 Hardback, Pages: xxii + 317, Size:210 x 270 mm, Illustrations:22 b/w, 5 tables b/w., 17 music examples, Language: English. ISBN 9782503615585.
Summary The lyric stage is a cultural site at which constructions of gender have been developed, mitigated and, at times, hindered by musical performance. From the castrati of the seventeenth century to Mozart and Massenet's cross-dressed Cherubinos, musical works created for lyric stages have often complicated traditional and normative readings of the gender and sexual identities of their characters, allowing composers, performers, and audiences to move beyond simple biological understandings of gender and sex. The erotically charged sights and sounds of such productions called into question accepted generic conventions, thus revealing the very instability of normative identity and musical convention that European societies presumed integral to their social codes and generic constructs. The fourteen case studies in this volume explore these topics through various geographical, historical, and musical perspectives: from Italian opera seria to Parisian music-hall ballet and Greek operetta during the interwar years, these essays shed new light on the complex and complementary ways in which gender and the production of gendered identities were invariably contingent upon - but nevertheless moved beyond - the expectations of genre on the lyric stage. TABLE OF CONTENTS Mark Everist and Jennifer Walker, Introduction Gender, Genre, and Gender Crossing Orsolya Gy rf s, Too Soft and Tender : Opera Seria Masculinity and the Case of Mozart's La clemenza di Tito Nicola Badolato, Effeminate Heroes and Female Warriors in Seventeenth-Century Venetian Libretti: Between Cross-Casting and en travesti Luis Antonio Gonz lez Mar n, Women in Men's Costume: Heroic Roles and Female Singers in Hispanic Baroque Lyric Theatre Luc a Mag n Abollo, The Voice of Heroes: Catalina Pacheco or 'la mujer vestida de hombre' in the Eighteenth-century Spanish Theatre (1738-1760) Valeria De Lucca, Norma travestie (1841) and its 'Male Heroines' Gender, Genre, and Eroticism Sarah Gutsche-Miller, Imagined Eroticism: The Art of Suggestion in Parisian Music-Hall Ballet Kimberly Francis, The Sounds of Sex: The French Garment Worker of the Belle poque Jonathan Mallada lvarez, Sexuality and Eroticism at the Teatro Apolo in Madrid (1900-1910) Carl Tertio Druml, Dance Craze and Eroticism: Operetta as a Carrier of Zeitgeist Peter Mondelli, What Use is mile Zola to the Operetta Historian? Reconsidering the Roles of Courtesans on the Operetta Stage Gender, Genre, and Lyric Space Mark Everist, 'Opera' off the Stage: Gender and Genre in op ra de salon Elena Luporini, Do Not Open that Door: Perspectives on Gender in B la Bart k's Bluebeard's Castle Sonja Starkmeth, Taking Centre Stage: 'Chorus Girls' in Late Victorian Popular Musical Theatre Evi Nikita, Women in Greek Operetta between the Wars: Gender, Identity and Sexuality Index of Names
SPIEGELMAN ART ROBERT SIKORYAK R. Crumb, Matt Groening (Les Simpson), Mort Walker (Beetle Bailey) , Will Eisner (L’Esprit), Gary Panter, Charles Burns, Julie Doucet, Lynda Barry, Joe Sacco, Justin Green, Ben Katchor, Kaz, Mark Beyer, Richard Sala, Peter Bagge, Savage Pencil, Gilbert Shelton, Joost Swarte
Reference : 104210
The narrative corpse: a chain story by 69 artists
Richmond, Gates of Heck – A Raw Book, 1995, 20pp., sous couverture cartonnée illustrée.
«Cadavre exquis en bande dessinée» l’histoire laisse le soin à 69 artistes de dessiner les chacun trois cases d’une histoire mettant en scène un bonhomme allumette nommé «sticky», puis le passe à l’artiste suivant qui continue l’histoire. L’artiste suivant ne voit que les trois précédentes panneaux et ainsi de suite. Le résultat: les mésaventures folles de Sticky qui subit de multiples défenestrations, des attaques de femmes géantes, des changements de sexe, et autres.Avec R. Crumb, Matt Groening (Les Simpson), Mort Walker (Beetle Bailey) , Will Eisner (L’Esprit), Gary Panter, Charles Burns, Julie Doucet, Lynda Barry, Joe Sacco, Justin Green, Ben Katchor, Kaz, Mark Beyer, Richard Sala, Peter Bagge, Savage Pencil, Gilbert Shelton, Joost Swarte et bien d’autres.Neuf sous blister.(104210)
[BOUGUEREAU William] Thérèse Burollet, Mark Steven Walker, Gilles Chazal, Georges Brunel, Louise d'Argencourt, Robert Isaacson.
Reference : 6220
WILLIAM BOUGUEREAU, 1825-1905.
Paris, Musée du petit Palais, 1984. Fort in-8 carré, broché, illustrations.
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