, Antwerpen, Fonds Mercator, 1989., grand In-4 relie pleine toile blanche pour le dos, marron pour les plats, etui, 372pp.bon etat !! Texte en Francais / .258 Photographies en noir et en couleurs + petites ill. en noir dans le catalogue en fin de volume.Sous etui cartonne ISBN 9061532116.
In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Texte en Francais
Fonds Mercator 1989 In-folio reliure éd. sous jaquette sous étui cartonné noir. 33,7 cm sur 25,7. 372 pages. Jaquette en très bon état. Très bon état d’occasion.
Très bon état d’occasion
Brussel, Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, ( treatise of the Royal Belgian Acadamy ) , 1986, in-8°, 26 x 18 cm, xiii pp + 130 pp + 61 black/white ills., bibliography. On the influence of Early Netherlandish painting on the work of the Upper-Rhine artist Konrad Witz ( ca. 1400 - 1445). Text in Dutch.
, Mercatorfonds, Antwerpen, 1989, Gebonden in linnen met kleur-omslag, 25,5x33,5cm, 367pp, geillustreerd in kleur en z/w., bibliografie, register. Tekst in het Nederlands ISBN 9061532108.
Rijkelijk geillustreerd met zeer mooie kleur illustraties. pracht van een uitgave. In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures.
[Gerard David] - Miegroet, Hans J. van
Reference : 073345
(1989)
ISBN : 9061532124
Miegroet, Hans J. van: Gerard David. Fonds Mercator, 1989. 372 pages with colour frontispiece, 258 plates and illustrations, mostly colour, and 119 monochrome figures in the text. Cloth in a slipcase. 34x25.5cms. Major work on the Flemish Primitive painter, well-illustrated. With: fully illustrated catalogue raisonné; documentation; bibliography; index.Text in English.
Major work on the Flemish Primitive painter, well-illustrated. With: fully illustrated catalogue raisonné; documentation; bibliography; index.Text in English. Text in English
Antwerpen 1989 Mercatorfonds Hardcover Very Good
Gerard David, Reliure en lin vert avec jacquette et etui, 345 x 260 mm, 367 p, illustrations en couleur , très bon état
Anvers ( Antwerpen ) , Fonds Mercator, 1989, in-4°, 372 pp , illustrations en couleurs, index, bibliographie, reliure d'éditeur en demi-velin, avec jaquette. Livre en français. (text in French).