<meta charset="utf-8"><span data-mce-fragment="1">Dans l'art japonais du XX- siècle, shln hanga désigne les « nouvelles estampes. Relativement méconnues, elles se distinguent des gravures sur bols traditionnelles par leur langage visuel ancré dans la modernité. Les femmes, autnfols Idéalisées et stylisées, sont désormais dessinées à partir de modèles réels dont on devine les émotions. Les paysages, Impressionnistes plus que réalistes, se caractérisent par une gamme chromatique très évocatrice. Ces fascinantes « nouvelles estampes » témoignent aussi d'une perfection technique exceptionnelle, résultat de la collaboration entre des artistes tels Goy6, Kotondo, Shlnsul et Hasul, des éditeurs, des graveurs et des Imprimeurs.</span><br data-mce-fragment="1"><span data-mce-fragment="1">La sélection d'estampes présentée ici, Issue de deux grandes collections privées, est enrichie d'œuvres provenant des Musées royaux d'Art et d'Histoire de Bruxelles et- apport Inestimable d'emprunts à la collection de la famille de l'éditeur Watanabe Sh6zabur6, l'homme par qui tout commença.</span> 2022 Hazan 224 p., nombreuses illustrations couleur, cartonnage éditeur. 24 x 29,5
Neuf
, Ludion , 2022 Hardcover, 224 pagina's, NL, 290 x 235 mm, ****Nieuw, onuitgepakt! met illustraties in kleur en z/w, , . ISBN 9789493039650.
De twintigste-eeuwse Japanse prentkunst heeft relatief weinig aandacht gekregen. Klassieke landschappen van Hokusai en Hiroshige en de prachtige vrouwenafbeeldingen van Utamaro blijven de dominante vorm. Toch tonen musea en particuliere verzamelaars sinds de jaren negentig een groeiende belangstelling voor shin hanga ('nieuwe prenten'): uitgebalanceerde ontwerpen gedrukt op luxueus papier, met de fijnste pigmenten en in kleinere oplagen. Ze zijn het resultaat van de traditionele, maar zeer succesvolle samenwerking tussen kunstenaar, uitgever, bloksnijder en drukker. Het is niet zozeer in hun onderwerp als wel in hun beeldtaal dat de shin hanga prenten zich onderscheiden van hun traditionele voorgangers. Dit boek biedt een unieke selectie om de Japanse prentkunst van de twintigste eeuw te verkennen. De gereproduceerde prenten zijn grotendeels afkomstig uit twee grote priv -collecties, samen met enkele werken uit de Koninklijke Musea voor Kunst en Geschiedenis in Brussel en, bij wijze van grote uitzondering, stukken uit de familiecollectie van uitgever Watanabe, de man die aan de wieg stond van dit alles ***.Expo: 14/10/2022 - 15/1/2023, K.M.K.G., Brussels ***
, Ludion , 2022 Hardcover, 224 pagina's, ENGLISH 290 x 235 mm, 200 illustraties , . ISBN 9789493039599.
Twentieth-century Japanese printmaking has come in for relatively little attention. Classic Hokusai and Hiroshige landscapes and Utamaro's beautiful images of women remain the dominant form. All the same, since the 1990s museums and private collectors have shown a growing interest in shin hanga ('new prints'): balanced designs printed on luxurious paper, with the finest pigments and in smaller editions. They are the fruit of the traditional yet highly successful collaboration between artist, publisher, block-cutter and printer. It is not so much in their subject matter as their visual language that shin hanga prints set themselves apart from their traditional precursors. Where the classically depicted women were stylized and idealized, their more recent counterparts are based on real models, individually recognizable and full of emotion. The modern landscapes, meanwhile, are impressionistic rather than figurative, using a range of colour nuances to achieve highly atmospheric results. This book offers a unique selection with which to explore twentieth-century Japanese printmaking. The prints it reproduces are mostly drawn from two large private collections, and, by way of great exception, items from the family collection of the publisher Watanabe, the man who started it all.g, stukken uit de familiecollectie van uitgever Watanabe, de man die aan de wieg stond van dit alles ***.Expo: 14/10/2022 - 15/1/2023, K.M.K.G., Brussels ***
, Ludion , 2022 HB, 295 x 240 mm, ENG, 224 p, NEW, 200 illustrations in colour. ISBN 9789493039599.
Twentieth-century Japanese printmaking has come in for relatively little attention. Classic Hokusai and Hiroshige landscapes and Utamaro's beautiful images of women remain the dominant form. All the same, since the 1990s museums and private collectors have shown a growing interest in shin hanga ('new prints'): balanced designs printed on luxurious paper, with the finest pigments and in smaller editions. They are the fruit of the traditional yet highly successful collaboration between artist, publisher, block-cutter and printer. It is not so much in their subject matter as their visual language that shin hanga prints set themselves apart from their traditional precursors. Where the classically depicted women were stylized and idealized, their more recent counterparts are based on real models, individually recognizable and full of emotion. The modern landscapes, meanwhile, are impressionistic rather than figurative, using a range of colour nuances to achieve highly atmospheric results. This book offers a unique selection with which to explore twentieth-century Japanese printmaking. The prints it reproduces are mostly drawn from two large private collections, and, by way of great exception, items from the family collection of the publisher Watanabe, the man who started it all.