9 books for « taylor richard »Edit

‎The joys of beekeeping.‎

‎Couverture rigide. Cartonnage de l'éditeur. Jaquette défraîchie. Rousseurs. 166 pages. Rousseurs.‎

‎Livre en anglais. Illustrated by Meri Shardin. Barrie and Jenkins, 1976.‎

‎Bois et forêts. Aquarelle‎

‎Paris, éd. Le Temps apprivoisés, 2004, in-8, cartonnage souple, couv. ill. coul. éd., 96 pp., très nb. aquarelles coul., sommaire, index, Guide pratique pour amateur d'aquarelles sur la nature. Pas courant Très bon état ‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎

‎Peindre le paysage. Les gestes techniques, les pas à pas, les trucs et astuces des experts.‎

‎Editeur : De Vecchi, 2007, in-4 broché (28 x 2 x 22 cm), 256 pages. 1100 L. Bel exemplaire, à l'état quasi neuf. ‎

‎Dancing in The Sun‎

‎Essential Media Grp 2008 13x14x1cm. 2008. CD.‎

‎Albert the Great and his Arabic Sources. Medieval Science between Inheritance and Emergence‎

‎, Brepols, 2024 Hardback, 473 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503609379.‎

‎Summary Albert the Great created a new programme of science in the thirteenth-century Latin world by extensively commenting upon Aristotle's philosophical corpus and supplementing that corpus with works of his own wherever he saw gaps. What were the preconditions for the emergence of such a comprehensively new scientific agenda and its centuries of success at the University of Paris and Dominican study houses across Europe? One answer is found in the rich Arabic sources that Albert had at his disposal in Latin translation, including Alfarabi, Avicenna, and Averroes, as well as Isaac Israeli, Maimonides, and more. Never before in the history of Albert scholarship has there been a collected volume that examines this inheritance from the Arabic-speaking lands in its role as a major condition for the emergence of Albert's scientific programme. In the present volume, twelve leading scholars in the field offer studies that range from Albert's early theological works to his late philosophical writings. The volume focuses on the teachings that Albert actively inherited from the Arabic sources, the ways in which he creatively implemented those teachings into his scientific corpus, and the effects that these implementations had on his own programmatic take on scientia. TABLE OF CONTENTS Chapter 1. Introduction: Albert's Philosophical scientia: Origins, Geneses, Emergences KATJA KRAUSE AND RICHARD C. TAYLOR Chapter 2. Albert the Great's Definition of the Good: Its Arabic Origins and Its Latin Transformations JORGE USCATESCU BARR N Chapter 3. Albert the Great and Two Momentous Early Misconstruals in the Interpretation of Averroes RICHARD C. TAYLOR Chapter 4. Albert's Invocations of Averroes in His Account in Super Ethica of the Relation between Philosophical and Theological Ethics MARTIN J. TRACEY Chapter 5. Albert and 'the Arabs': On the Eternity of Movement JOSEP PUIG MONTADA Chapter 6. Albert the Great's Treatment of Avicenna and Averroes on a Universal Flood and the Regeneration of Species IRVEN M. RESNICK Chapter 7. Against Averroes's Naturalism: The Generation of Material Substances in Albert the Great's De generatione et corruptione and Meteorologica IV ADAM TAKAHASHI Chapter 8. Albert the Great's Use of Averroes in His Digressions on Human Intellectual Knowledge (De anima III.3.8-11) LUIS XAVIER L PEZ-FARJEAT Chapter 9. Is There an Intellectual Memory in the Individual Human Soul? Albert the Great between Avicenna and Aquinas J RN M LLER Chapter 10. What Makes a Genius? Albert the Great on the Roots of Scientific Aptitude HENRYK ANZULEWICZ Chapter 11. Source Mining: Arabic Natural Philosophy and experientia in Albert the Great's Scientific Practices KATJA KRAUSE Chapter 12. Inheritance and Emergence of Transcendentals: Albert the Great between Avicenna and Averroes on First Universals AMOS BERTOLACCI Chapter 13. The Emanation Scheme of Albert the Great and the Questions of Divine Free Will and Mediated Creation DAVID TWETTEN Index of Subjects and Names Index of Books, Ancient and Premodern‎

‎Vie et mort des étoiles , (Les étoiles et le cosmos - La formation des étoiles - Complexes géants de nuages moléculaires dans la galaxie - Des étoiles très jeunes dans la constellation d'Orion - La formation des étoiles et la structure des galaxies - Epsilon Aurigae - Un objet superlumineux dans le grand nuage de Magellan - Le spectre étrange de SS 433 - Les étoiles symbiotiques - La couronne solaire - Les cycles d'activité des étoiles - Les Novae et leurs enveloppes - Les vents stellaires - Etoiles émettrices de rayons X dans les amas globulaires - Les émetteurs de rayons Gamma - Les ondes gravitationnelles émises par un pulsar - Les quasars : Des témoins du début de l'Univers - Un mirage gravitationnel)‎

‎Belin , Bibliothèque Pour la Science Malicorne sur Sarthe, 72, Pays de la Loire, France 1985 Book condition, Etat : Bon relié, cartonnage éditeur blanc, illustré par une photographie de traces d'étoiles dans le ciel prise au laboratoire anglo-australien des îles Canaries In-4 1 vol. - 191 pages‎

‎très nombreuses illustrations dans le texte en noir et blanc, quelques-unes en couleurs nouvelle édition française, 1985 Contents, Chapitres : Hubert Reeves : Introduction : Les étoiles et le cosmos - Alan Boss : La formation des étoiles - Léo Blitz : Complexes géants de nuages moléculaires dans la galaxie - Gareth Wynn-Williams : Des étoiles très jeunes dans la constellation d'Orion - Nick Scoville et Judith Young : La formation des étoiles et la structure des galaxies - Margherita Hack : Epsilon Aurigae - John Mathis, Blair Savage, et Joseph Cassinelli : Un objet superlumineux dans le grand nuage de Magellan - Bruce Margon : Le spectre étrange de SS 433 - Minas Kafatos et Andrew Michalitsianos : Les étoiles symbiotiques - Richard Wolfson : La couronne solaire - Olin Wilson, Arthur Vaughan et Dimitri Mihalas : Les cycles d'activité des étoiles - Robert Williams : Les Novae et leurs enveloppes - Ray J. Weymann : Les vents stellaires - George W. Clark : Etoiles émettrices de rayons X dans les amas globulaires - Bradley Schaefer : Les émetteurs de rayons Gamma - Joel Weisberg, Joseph Taylor et Lee Fowler : Les ondes gravitationnelles émises par un pulsar - Patrick Osmer : Les quasars : Des témoins du début de l'Univers - Frédéric Chaffee : Un mirage gravitationnel - Index - Auteurs et Bibliographie cartonnage légèrement jauni, coins de la couverture légèrement frottés , légères tâches de rousseurs sur les deux premières et dernières pages, sinon en bon état, intérieur propre, papier à peine jauni‎

‎The Modern Factory System - ‎

‎ 1891 London - Kegan' Paul, Trench, Trubner and Co - 1891 - 1 volume in8 de VII - 476 pages - reliure percaline rouge éditeur - petites taches au dos sans gravité - ‎

‎Edition originale dédicacée: "James Lesbre de son ami très affectionné l'Auteur" - rare - ‎

‎Creative Drawing Course : How to Develop Spontaneity and Style‎

‎, David & Charles 2002, 2002 Hardcover, 128 pages, English, 290 x 225 mm, fine copy, lots of illustrations, . ISBN 9780715312544.‎

‎After a brief introduction to drawing tools and materials, the first section of the book explores drawing as a means of recording the world around you. The emphasis is on drawing through observation in order to create realistic representations of your subject. It covers tried and tested means of sharpening your observational skills such as measuring with a pencil, looking at negative shapes and so on. The next chapter examines the physicalities of drawing. This is something that many drawing books overlook: drawing is actually a very physical process and you can use this as a means of getting a greater sense of energy and emotion into your drawings. Some subjects - botanical illusrations, for example - require very tight control of the drawing materials, while others - such as brooding skies in a stormy landscape - simply cry out for great sweeps of charcoal to convey the swift movement of rolling clouds. This chapter will help you assess what type of approach is best suited to the mood you want ot express The final chapter is all about developing new ways of seeing - taking an everyday subject such as a kitchen still life, for example, and homing in on a small area so that you're forced to look at textures and interlocking shapes in a way that you wouldn't normally do. This helps you to discover what it is that excites you visually about your subject matter - whether it's the colours, textures, shapes or patterns - so that you can take the first steps towards creating images that express what You as an artist want to say, rather than merely copying what's in front of you. Packed with easy-to-follow exercises, useful tips and inspiring images. The Creative Drawing Course will help you build up your skills and confidence step by step.‎