DUERLOO, Luc en THOMAS, Werner; W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten.
Reference : 54732
, MRAH - BREPOLS, 1998 Paperback , 368 pages, English/French /SP / NL. Illustrations. Fine. ISBN 9782503507262.
Dit boek, uitgegeven naar aanleiding van de succesvolle tentoonstelling in 1998, is een unieke bron van informatie voor de regeerperiode van Albrecht en Isabella in de Nederlanden (1598-1621). Zo?n 400 jaar geleden was het hof te Brussel, dankzij hun mecenaat en cosmopolitische geest, een model voor de andere Europese vorstenhuizen van die tijd. De aartshertogen leverden een belangrijke bijdrage tot de uitstraling van wat later de ?Vlaamse barok? zal genoemd worden. De eeuw van Pieter Paul Rubens lijkt nu ondenkbaar zonder de steun van dit vorstenpaar. This book is a selected collection of essays on the court of Archdukes Albert and Isabella in the Low Countries as a flourishing centre of arts, and on their great contribution towards the radiation of the style later known as Flemish Baroque. The Rule of the Archdukes Albert & Isabella over the Low Countries began in 1598, exactly 400 years ago. Their highly cosmopolitan court became a flourishing centre of the arts, a showcase for other courts throughout Europe. The archdukes made a great contribution towards the radiation of the style later known as 'Flemish Baroque'. The century of Peter Paul Rubens would never have been the same without the support of Albert and Isabella. In the Habsburg Netherlands, a region split by civil war, the protestant Northern Provinces had broken away from Catholic Spain, while Spanish rule was established in the Southern Netherlands. The confidence between sovereign and subject would be restored by the Archdukes. The Twelve Year Truce (1609-1621) brought the necessary peace for a political, economic and in particular cultural revival. Albert and Isabella surrounded themselves with a score of artists, including the architects Wenzel Coebergher and Jacques Franckaert, the composer Peter Philips and the court painters, Peter Paul Rubens in the first place, but also Jan I Brueghel, Otto Van Veen and Theodoor van Loon. The South-Netherlandish humanists, Justus Lipsius in particular, brought about an intellectual apogee. With contributions by: W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten.
Princeton, Princeton University Press 1993 xix + 325pp.with 69 bl/w illustrations in text, 25cm., hardcover (editor's brown cloth), illustrated dustwrapper, in the series "Princeton Essays on the Arts", very good condition, rare, S85084
Chicago, The University of Chicago Press 1995 576pp.with ills. in bl/w, hardcover (editor's blue cloth), illustrated dustwrapper, 24cm., very good, S85091
Flammarion 1985 In-4, 336 pp., cartonnage éditeur sous jaquette, nombreuses illustrations en noir & couleurs. Jaquette avec de gros manques.
Etat correct d’occasion
Turnhout, Brepols, 2005 Hardback, XLVIII+308 p., 280 b/w ill. + 25 colour ill., 210 x 280 mm. ISBN 9781872501246.
Central European Drawings in the Crocker Collection presents a survey of five centuries of draftsmanship from Central Europe. An interpretive and fully illustrated (with many illustrations in color) catalogue of one of the oldest public collections in the United States, it considers a wide variety of types of drawings. Works by well known masters Albrecht Durer, Johann Rottenhammer, and Johann Georg von Dillis, are included, but many surprises are also in store, among them comparatively rare sheets by such important figures as Karel Skreta, Wenzel Hollar, and Johann Holzer. A major reference work, this book is an important contribution to scholarship that will be of use to students, professors, collectors, and amateurs alike. Languages: English.
The Art Museum, Princeton University, New Jersey 1992 In-4, broché couv. illustrée, 310 pp. En anglais.
Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Bon état d’occasion