Ashby parva, White House Tune Books N°6 2001 4° 21 x 29 beige paperback brochure 36 pp., 70 tunes The English Bagpipe and its Music ; Compiled by Pete STEWART; notes, bibliography;
Pete Stewart's original groundbreaking work on the Bagpipe in England. Essential reading for all those interested in English bagpipe history. He has been playing traditional dance music for over forty years and has been piping for thirty of them. The fruits of his playing and researching English piping are contained in this long awaited collection. The book combines literary descriptions, pictorial and sculptural representations and an historical commentary with 70 tunes from across eight centuries, many unavailable in print elsewhere, to present a vivid picture of a more or less forgotten aspect of English musical life, as well as offering a unique repertoire to today’s players. This publication is an important contribution to the reclamation of piping traditions and should be in every piper’s instrument case. “Bagpipes were a feature of the English scene for many centuries and Pete Stewart has done a grand job of collecting, editing and playing the music of this neglected tradition.” (Roderick Cannon, author of ‘The Highland Bagpipe and its Music” and “A Bibliography of Bagpipe Music”) ;
Ashby parva, White House Tune Books N°7 2005 4° 21 x 29 illustrated blue paperback brochure VI-92 pp. (1-92), 110 tunes The Lowland Scots Bagpipe and its Music 1400 to 1715; VI appendix, bibliography, indexes ;
This is Pete Stewart’s Scottish companion volume to ‘Robin with the Bagpipe’. It contains music played by bagpipers described in Scots sources from the 15th to the 17th centuries and charts the history of piping in the Lowlands from the 15th century to the first appearance of music set for bagpipes in the early 18th century. "In bringing together this splendid repertoire with the historical context within which it was set, Pete Stewart has set a new standard in the published scholarship of the lowland piping tradition ... his research is meticulous and penetrating .. yet remains highly readable .. he has achieved a synthesis of music and history that greatly enhances our understanding of both" (Dr Gary West, Dept of Scottish and Celtic Studies, University of Edinburgh
Pencaitland, Hornpipe Music 2008 4° 21 x 29 illustrated black paperback brochure VI-168 pp. (1-166), 126 tunes Piping in the Scottish Lowlands 1690-1900; VI appendix, bibliography, indexes
The second volume in Pete Stewart's history of Lowland piping pieces together the story of the bagpipe in the Lowlands from its heyday to its decline It is a detective story too, using contemporary sources and long-forgotten images to reclaim history from legend and like all good detective stories, it has a twist in the tail. Includes more than 120 tunes from 18th century manuscripts and rare publications.
BLIVEN, Steve, GOODACRE, Julian, STEWART, Pete,
Reference : 168
ISBN : 0 90 7772 52 8
Ashby parva, White House Tune Books N°10 2011 4° 21 x 29,7 illustrated brown paperback VII sections-116 pp. A handbook of history, tunes, and techniques for playing double-chantered bagpipes ; New and enlarged edition by Steve BLIVEN, Julian GOODACRE and Pete STEWART ; 300 tunes;
Teaching yourself to play these double pipes is an exciting challenge, but there is always lots we can learn from others. With this in mind Cornish piper Steve Bliven contacted most players and compiled a very impressive Handbook based on their collective suggestions, arrangements, discoveries. This new, enlarged edition has 114 A4 pages packed with helpful suggestions, articles on the history of double pipes and thirty tunes and arrangements for these double pipes.
STEWART, Pete, MARSDEN, Thomas, WRIGHT, Daniel, WALSH, John.
Reference : 165
ISBN : 0 90 7772 52 8
Pencaitland, Hornpipe Music 2007 4° 21 x 29,7 illustrated light brown paperback brochure IV-119 pp. (1-119) Early 18th century Dance Music for those that play Publick; 252 tunes ; II appendix, bibliography, notes, index to the 145 tunes ;
The period between the last decades of the 17th century and the middle of the 18th was a dramatic one for music in England and Scotland. It proved to have a major effect on the repertoire of ‘traditional’ musicians. However, except for the well-known dance collections of the Playford family, very little music has survived from the era either in manuscript or as publications. The three published collections (Thomas Marsden, Daniel Wright and John Walsh) brought together here for the first time in their entirety provide a unique glimpse of these changes. Of particular value is the substantial number of early hornpipes, music which more or less disappeared from the repertoire but which is here in abundance. The book also contains concordances for the published tunes and an extended essay on the English Hornpipe