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On the Trail of the Immigrant.
New York, Fleming H. Revell Company, 1906, in-8°, 375 pp, 16 pl. de photos hors texte, index, reliure toile verte éditeur, titres dorés au 1er plat et au dos, coiffes arasées, bon état. Texte en anglais
"Around 1907, just as 1.5 million newcomers arrived, the greatest one-year total ever, Edward Steiner, a Jewish immigrant from western Russia, began to publish a series of books: On the Trail of the Immigrant (1906), The Immigrant Tide (1909), The Broken Wall (1911), From Alien to Citizen (1914), and Nationalizing America (1916), all evocative of this young immigrant’s tramping through eastern and southern Europe, wandering into the great cities of the northeast, following immigrants into Pittsburgh’s great steel mills, watching the building of churches and synagogues, observing the birth of new nationalisms among immigrant peoples, seeing immigrants’ powerful push into politics; and envisioning the amalgamation of diverse people..." (Josef Barton, Becoming American: Immigration and Assimilation in Late 19th Century America) — "This volume is easily one of the most interesting, accurate and important discussions of the immigrant yet produced in this country. The author is unusually well qualified. Born in southeastern Europe, educated in the German universities, with ancestors of Jewish faith, he is himself a Christian minister and professor in Iowa College. Coming to this country as an immigrant, he has repeatedly crossed and recrossed the ocean to see and observe other immigrants. He is a man who has found in this country not the "land of the mighty dollars but the land of great ideals." He is the master of many languages, with wide observation of the peoples in Europe and of the immigrant in America, and possessed withal of no mean literary ability. Who could be better prepared to interpret to the rest of us the essential facts in the lives and characters of our immigrants ? The author begins by discussing the home conditions in southeastern Europe, and in later chapters telling of the Slavs, the Jews, the Bohemians, the Italians and the Greeks, describing their journey to this country and the opportunities the various groups have found here. The volume contains many excellent illustrations which lend force to the arguments of the writer. Throughout all the study the difficulties, the dangers of immigration, the poverty and the crime of the immigrant are frankly recognized and freely stated. Through all runs a powerful undercurrent of optimism – an optimism based on knowledge. Professor Steiner finds a greater menace to the ideals of America in the attitude of the froth of American society than in the physical and moral weaknesses of the immigrants. To our immigration department, particularly to Mr. Robert Watchorn, himself, be it remembered, an immigrant, many compliments are paid. Professor Steiner has given us a very sympathetic and intelligent interpretation of the immigrant, and to all students of the problems of immigration his production will be invaluable." (The Annals of the American Academy of Political and Social Science, Vol. 29, Jan. 1907)
Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner, Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj, Lawrence Weiner
Reference : 100144
(1968)
SMS (Shit Must Stop). N°1 à 6 ; collection complète.
New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
Artistes ayant collaboré: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner, Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj.Broken Music page 230 ; Urawa Art Museum 2000 ; Documenta 6 catalogue 3 p.335 ; Söhm 319 ; Moeglin-Delcroix Esthétique du livre d'artiste, 1997, p.116. Papier-gesänge 107 ; Pop Art Store p.77; ; Marie Boivent : Revue d'Artistes Une sélection p.62 à 66;, p.335; Expositions : New York 1988, 1992 ; Paris, Berlin, Tokyo 1989., catalogue p.181-182. Parfait état dans les boîtes originales d’expédition. Pdf détaillé sur demande.(100144)
Phone number : +33 1 48 01 02 37
Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner, Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj
Reference : 101726
(1968)
SMS (Shit Must Stop)
1968 6 N°1 à 6 ; collection complète en édition de luxe. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire et un total de 75 multiples originaux (au lieu de 73 dans l’édition ordinaire)) : deux pièces supplémentaires de Mischa Petrov (n°6) et John Battan (John Sebastian Matta) (n°3) ayant été créées spécialement pour ces exemplaires.
Tirage prévu de 100 exemplaires signés par les artistes suivants: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner. Les artistes suivants n’ayant pas signé leur œuvre pour des raisons diverses : Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj. Dans ces exemplaires les pièces musicales de La Monte Young et Terry Riley sont les bandes magnétiques originales copiées une à une (remplacées par des cassettes éditées en 1988 dans le tirage ordinaire). A la suite d’une destruction ou d’un vol 43 des pièces de La Monte Young et Marian Zazeela disparurent (voir lettre de Billy Copley fils de William Copley en annexe), ce qui limite le nombre d’exemplaires de luxe à 57. L’œuvre de Man Ray The Father of Mona Lisa est justifiée sur 100 exemplaires. Broken Music page 230 ; Urawa Art Museum 2000 ; Documenta 6 catalogue 3 p.335 ; Söhm 319 ; Moeglin-Delcroix Esthétique du livre d'artiste, 1997, p.116. Papier-gesänge 107 ; Pop Art Store p.77; ; Marie Boivent : Revue d'Artistes Une sélection p.62 à 66;, p.335; Expositions : New York 1988, 1992 ; Paris, Berlin, Tokyo 1989., catalogue p.181-182Parfait état dans les boîtes originales d’expédition. Pdf détaillé sur demande. (101726)
Phone number : +33 1 48 01 02 37
