5 books for « schulz anne markham »Edit

‎La Cappella Badoer-Giustinian in San Francesco della Vigna a Venezia: The Badoer-Giustinian Chapel in San Francesco della Vigna, Venice‎

‎Schulz, Anne Markham: La Cappella Badoer-Giustinian in San Francesco della Vigna a Venezia: The Badoer-Giustinian Chapel in San Francesco della Vigna, Venice. Florence: 2003. 289 pages. 3 colour and 170 monochrome illustrations. Wrappers. 28x24cms. Presents the results of new research on an important private Venetian chapel of the late 15th to early 16th century and its sculptures, following recent restoration. Text in English and Italian.‎

‎Presents the results of new research on an important private Venetian chapel of the late 15th to early 16th century and its sculptures, following recent restoration. Text in English and Italian‎

‎The sculpture of Bernardo Rossellino and his workshop‎

‎Schulz, Anne Markham: The sculpture of Bernardo Rossellino and his workshop. Princeton University Press, 1977. xxiii, 176pp plus 225 monochrome illustrations. Cloth. 28.5x22cms. Detailed study of 9 works of monumental sculpture, with catalogue of works, chronologies, documentation.‎

‎Detailed study of 9 works of monumental sculpture, with catalogue of works, chronologies, documentation‎

‎Giambattista and Lorenzo Bregno: Venetian Sculpture in the High Renaissance‎

‎Schulz, Anne Markham: Giambattista and Lorenzo Bregno: Venetian Sculpture in the High Renaissance. Cambridge University Press, 1991. 564 pages, with over 340 illustrations. Cloth. 28.5 x 22cms. The first monograph dedicated to the Venetian Renaissance sculptor brothers. Includes a catalogue of accepted and rejected attributions.‎

‎The first monograph dedicated to the Venetian Renaissance sculptor brothers. Includes a catalogue of accepted and rejected attributions‎

‎Late Gothic Sculpture in Northern Italy: Andrea da Giona and I Maestri Caronesi. An Addition to the Pantheon of Venetian Sculptors‎

‎, Brepols - Harvey Miller, 2022 Hardback, 2 vols, 660 pages, Size:225 x 300 mm, Illustrations:505 b/w, 27 col., Language: English. ISBN 9781912554805.‎

‎Summary Over the course of a century and a half more than forty late Gothic sculptures have been recognized as sharing a vocabulary of figure and facial types, drapery, wings, and hair. Despite the fact that all the works date from the second quarter of the fifteenth century, they were widely distributed throughout Northern Italy - from Udine in the east to Venice, Ferrara, Vicenza, Verona, Milan, Genoa, and Savona in the west. Payments for the greatest of these works, the Milanese Tomb of Giovanni Borromeo, name as its authors Filippo Solari and Andrea, both from Carona or its satellite Giona, towns in the Ticino close to Lake Lugano which gave birth to several famous dynasties of stonecarvers. How Filippo and Andrea and their numerous assistants, known generally as maestri caronesi, were linked and what kinds of organizations permitted such wide-spread activity over such a narrow span of time are questions asked here for the first time. On the basis of close analyses of comparable works, moreover, it proves possible - not only to identify the chief among these maestri caronesi as Andrea da Giona (d. 1449) - but to follow his career in Castiglione Olona, Milan, and Venice where he was preeminent during the transition from late Gothic to Renaissance sculpture. TABLE OF CONTENTS VOLUME ONE Acknowledgments Chapter 1 Introduction Chapter 2 The Critical Fortune of Filippo Solari and Andrea da Giona Chapter 3 The Written Evidence Chapter 4 The Visual Evidence Chapter 5 Conclusion Catalogue Bibliography Illustrations Comparative illustrations Index VOLUME ONE Plates Figures‎

‎Giambattista and Lorenzo Bregno. Venetian Sculpture in the High Renaissance.‎

‎ Cambridge, C.U.P., 1991, in-4°, 29 x 22 cm, 564 pp with 252 b/w ills, indices, bibliography, publisher's cloth with d.w. (out of print).‎