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Minimalismus in Deutschland Die 1960er Jahre.
, Hatje Cantz, 2012 softcover, 520 pages, 573 illustr. 253 in color29,1 x 24,8 x 5,1 cm. ISBN 9783775733663.
In the exploration of abstraction and the Zero avant-garde, of constructive and concrete tendencies, an independent strand of minimalism developed in Germany in the sixties. This publication is devoted to reductionist works by German artists who produced large sculptures, series of visual objects, and action-oriented work concepts, representing a specifically German aspect of Minimal Art as an international phenomenon of the sixties. Essays on minimalist tendencies in Germany in the areas of art, architecture, literature, film, and design of this period expand the context. The catalogue features around one hundred works, most of them part of the Daimler Art Collection, by about forty artists, including artistic stances as diverse as those of Hartmut Boehm, Imi Giese, Hanne Darboven, Hermann Gloeckner, Heinz Mack, Peter Roehr, Charlotte Posenenske, Ulrich Ruckriem, and Franz Erhard Walther. Exhibition schedule: Daimler Contemporary, Haus Huth, Berlin, March 30-September 30, 2012
