4 books for « sandberg willem »Edit

‎Handwritten letter to ‘Monsieur Sandberg’ (Conservateur of Stedelijk Museum Amsterdam) inside the Exhibition invitation folder on Radio sculptures.- Exhibion held in ‘November 27 to December 30. In collaboration with Dwan Gallery, Los Angeles, Calif.‎

‎Alexander Iolas Gallery 123 East 55 Street N.Y.C. 22, 1961, in-4to, Double-leaf with 2 photographic illustrations inside ‘Radio, Elektromotor und Metallbefestigungen’ + a folded leaf with a text by (Willem) Sandberg, printed on ‘pergamin’ paper, with text ‘the only stable thing is motion TINGUELY’ (&) ‘For Repair Service’ 2 Gallery addresses , + over the whole length handwritten letter to ‘Monsieur Sandberg’ with ‘Amicalement Jean Tinguely’ (&) ‘Salutation à Madame Sandberg’, bordeaux-red invitation folder with black lettering ‘TINGUELY’, Gallery names on the back.‎

‎Tinguely, Jean - Sandberg, Willem. (Radio Sculptures). (New York, Alexandre Iolas (in collaboration with Dwan Gallery, LA), November 27 to December 30, 1962). 24,8:33 cm. Doppelblatt mit 2 Abb. und einem lose eingelegten Druck in Orange/Weiß, der wiederum mit einem auf Pergamin gedruckten Text von Willem Sandberg versehen ist: „in spring 61 the "emotional movement" overflows the stedelyk / for six weeks we are camping between Tinguely's work / hear the sound feel the rhythm live the moment / I confess Tinguely liberated, converted me/ goodbye aesthetic prejudice / the work of the moment starting nowhere, nowhere ending makes its vital appearance in a new world. Sandberg." Erschien anlässlich der Ausstellung in Amerika. Image disp.‎

‎ARDON.‎

‎Amsterdam, Stedelijk Museum, 1961 Geniet, originele papieren uitgeversomslag in z/w., 19x26 cm., pagina's zonder nummering, geillustreerd in z/w.‎

‎Catalogus nr. 251 tentoonstelling Stedelijk Museum Amsterdam 1 dec 1960 - 9 jan 1961.‎

‎Experimenta typografica 11. Tektonike.Das Konstruktive.‎

‎ Verlag Galerie der Spiegel, 1956, In-8, br., [ 58 pp.]. ‎

‎Imprimé sur Kraft, papier de couleur et papier transparent, illustré de compositions typographiques sur des textes en français-allemand-anglais de Le Corbusier, Karl Marx, Goethe, etc...Graphiste, typographe, conservateur du Stedelijk Museum d'Amsterdam ( il y crée la quasi totalité des supports de communication), résistant néerlandais pendant la seconde guerre mondiale, W. Sandberg utilise la technique des papiers déchirés et l'emploi du papier kraft. ‎

‎Eenige bezwaren tegen de voorwaardelijke veroordeeling en hare invoering ten onzent‎

‎Utrecht, P.Den Boer 1892 58pp., 22cm., rug hersteld, Academisch proefschrift [Rijks-Universiteit te Utrecht, 1892, Doctoral dissertation]‎