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The Stained-Glass Windows in the Sint Janskerk at Gouda 1556-1604. volume 3. Corpus Vitrearum, The Netherlands 3
Ruyven-Zeman, Zsuzsanna van: The Stained-Glass Windows in the Sint Janskerk at Gouda 1556-1604. volume 3. Amsterdam: 2000. Series: Corpus Vitrearum, The Netherlands 3. 369pp with 21 colour and 163 monochrome plates 6 colour and 47 monochrome illustrations. Cloth. 31.5x25cms. The second volume to be published of three, documenting the 16th-century stained glass windows, concentrating on the Pre Reformation windows and those erected between 1593-1604 which comprise the earliest surviving cycle of Protestant stained glass in the Netherlands.
The second volume to be published of three, documenting the 16th-century stained glass windows, concentrating on the Pre Reformation windows and those erected between 1593-1604 which comprise the earliest surviving cycle of Protestant stained glass in the Netherlands. Text in English
Lambert van Noort inventor
Brussel, Paleis der Academiën 1995 211pp.+ 52pp. illustraties, 26cm., gebroch., mooie staat, in de reeks "Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten. Klasse der Schone Kunsten" jg.57 nr.61, S57407
Stoning of Paul and Scourging of Paul, Designs by Abraham Van Diepenbeeck (1596-1675) for a series of stained glass windows in St Paul's Church in Antwerp PHOEBUS FOCUS XXII
, Phoebus Focus XXII, 2021 PB, 210 x 148 mm, 88 pages, Color illustrations, ENG edition, ISBN 9789463887991.
In this edition of 'Phoebus Focus', no less than three specialists examine two of the sketches that Baroque master Abraham Van Diepenbeeck made for the stained-glass windows of the Antwerp St. Paul's Church. The stained-glass windows themselves have not survived the ravages of time and so these sketches are invaluable for the reconstruction of the church's original interior. Madeleine Manderyck (1952) studied antiquity and art history at the University of Leuven and took a postgraduate course in heritage preservation at the Hoger Architectuur Instituut van het Rijk in Antwerp. Since 1976, she has worked for the Flanders Heritage Agency of the Flemish government. She was responsible for cases related to historical interiors, with a specialization in stained glass window art. She is the chairwoman of the Flemish and Belgian committee of Corpus Vitrearum. This is an international research project under the auspices of the Union Acad mique Internationale with the aim of studying monumental stained glass windows worldwide. Jan Van Damme is an art historian and a member of the Corpus Vitrearum Medii Aevi, which is dedicated to the study of stained glass window art. Zsuzsanna van Ruyven-Zeman (1953) studied art history at the Vrije Universiteit Amsterdam. In 1990 she obtained a doctorate for her thesis on the painterdesigner Lambert van Noort (c.1520-1570/1571). She specialized in Dutch art of the sixteenth and seventeenth centuries, and has published articles and exhibition contributions on many aspects of it, with an emphasis on stained glass window art and drawings. She is the author of the volumes of Corpus Vitrearum on the stained glass windows in Gouda and in the Netherlands before 1795, and of the ten-volume catalogue of the prints of the Wierix family in the Hollstein series. She is an independent researcher.
LAMBERT VAN NOORT INVENTOR.
, Brussel, Paleis der Academien, 1995., softcover, originele uitgeversomslag, 17,5x25,5cm, 211pp+ 52pp platen z/w. ISBN 9789065696229.
Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie: Klasse der Schone Kunsten.
PAULUS GESTENIGD EN PAULUS GEGESELD : Abraham Van Diepenbeecks (1596-1675)
, Phoebus Focus XXII, 2021 PB, 210 x 148 mm, 88 p, NL Kleurenillustraties, NL edition, Publication date: Aug. 21, XXII. ISBN 9789463887984.
Rubens, Van Dyck, Jordaens. Antwerpen staat bekend om zijn vele getalenteerde artiesten. Maar hoe zit het eigenlijk met Brussel? Onderzoekster Lara Yeager-Crasselt voert de lezer mee naar de brullende Brusselse kunstscene, meer bepaald naar de buitengewone portretkunst, met Michael Sweerts als pionier. In de reeks 'Phoebus Focus' gaan experts en wetenschappers in op topstukken uit de rijke collectie van kunststichting The Phoebus Foundation. Lara Yeager-Crasselt ( 1983) is een kunsthistorica die zich specialiseerde in de vroegmoderne Nederlandse kunst. Zij is curator van The Leiden Collection, een priv collectie van Nederlandse en Vlaamse kunst die gevestigd is in New York. Haar onderzoek focust op schilderkunst, beeldhouwkunst en wandtapijten in de Zuidelijke Nederlanden (vooral in en rond Brussel), de dynamiek van de artistieke uitwisseling met Itali en bredere thema's van artistieke mobiliteit, identiteit en samenwerking. Ze is de auteur van Michael Sweerts (1618-1664): Shaping the Artist and the Academy in Rome and Brussels (2015) en publiceerde in tijdschriften als Dutch Crossing en De zeventiende eeuw, alsook in bundels, collectie- en tentoonstellingscatalogi.
