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L'histoire de l'amérique.
A Paris, Chez Panckoucke, libraire, hotel de Thou, rue des Poitevins., 1778; in-12, 305-502-453-366 pp., pleine basane d'époque, qlq coiffes manquante coins émoussé, plats un peu frotté - bon état. Les 4 volumes. (Robertson, principal de l'université d'Edimbourg, & Historiographe de sa Majesté Britannique pour l'Ecosse - traduite de l'Anglois.
(Robertson, principal de l'université d'Edimbourg, & Historiographe de sa Majesté Britannique pour l'Ecosse - traduite de l'Anglois.
Original photograph of the Bridge of the Porta Reale, Valletta, Malta. - [EARLY PHOTOGRAPH OF MALTA]
[Beato & Robertson, ca 1856.] Original photograph. Side view of entrance to Valletta (Porta Reale), with two men standing on the arched entry bridge, offering perspective on the scale of the buildings. Behind the bridge is part of the fortification. Salted paper measuring 25,3 x 26,2 cm. ""bridge of the Porta Reale / Malta"" in contemporary hand to lower left corner. Mounted on cardboard measuring 35,5 x 43 cm with stamp and paperlabel to upper right corner, do not touch the photograph.
![Original photograph of the Bridge of the Porta Reale, Valletta, Malta. - [EARLY PHOTOGRAPH OF MALTA]. "[ROBERTSON, JAMES] (+) [FELICE BEATO]](https://static.livre-rare-book.com/pictures/LLX/55268_1_thumb.jpg)
![Original photograph of the Bridge of the Porta Reale, Valletta, Malta. - [EARLY PHOTOGRAPH OF MALTA]. "[ROBERTSON, JAMES] (+) [FELICE BEATO]](https://static.livre-rare-book.com/pictures/LLX/55268_2_thumb.jpg)
Rare original photograph for the earliest part of Felice Beato's career where he worked closely with James Robertson, his brother-in-law. In 1853 Robertson began photographing with the British-Italian photographer Felice Beato and the two formed a partnership called Robertson & Beato either in that year or in 1854 when Robertson opened a photographic studio in Pera, Constantinople. Robertson and Beato were joined by Beato's brother, Antonio on photographic expeditions to Malta in 1854 or 1856.""Felice worked especially closely with him [Robertson], consigning architectural views made in Malta and Constatinobel. We do not know when the collaboration between James Robertson and Felice Beato became a partnership. In some cases, some prints made from the same negative bear the signature ""Robertson"""" other bear the signature ""Robertson & Beato"", suggesting that Robertson was the author was the author of these negatives, and the prints were cosigned when the two men became equal partners."" (Felice Beato, A Photographer on The Eastern Roas).
Rossov Dmitry Nikolaevich. Robertson James. Crimean War. Sevastopol. Blindage
Rossov Dmitry Nikolaevich. Robertson James. Crimean War. Sevastopol. Blindage of the head of the third division. In Russian (ask us if in doubt)/Rossov Dmitriy Nikolaevich. Robertson Dzheyms (Robertson James). Krymskaya voyna. Sevastopol. Blindazh nachalnika tretego otdeleniya.Tone lithography. Moscow 1858. Sheet size: 28x36 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbdb88ccfd67eeb206
Ross Dmitry Nikolaevich. Robertson James. Crimean War. Part of Aleksandrovsky
Ross Dmitry Nikolaevich. Robertson James. Crimean War. Part of Aleksandrovsky Barracks after leaving Sevastopol. In Russian (ask us if in doubt)/Rossov Dmitriy Nikolaevich. Robertson Dzheyms (Robertson James). Krymskaya voyna. Chast Aleksandrovskikh kazarm po ostavlenii Sevastopolya.Tone lithography. Moscow 1858. Sheet size: 26x33 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb3bf3eb18f6e778a2
Ross Dmitry Nikolaevich. Robertson James. Crimean War. Sevastopol. English Cam
Ross Dmitry Nikolaevich. Robertson James. Crimean War. Sevastopol. English Camp. In Russian (ask us if in doubt)/Rossov Dmitriy Nikolaevich. Robertson Dzheyms (Robertson James). Krymskaya voyna. Sevastopol. Angliyskiy lager.Tone lithography. Moscow 1858. Sheet size: 26x33 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb6900fb6718286db2
[ART, LES GRANDS SIÈCLES DE LA PEINTURE] - ROBERTSON (Martin) -
Reference : 201701898
La peinture grecque.
Geneve, Skira - les grands siècles de la peinture, 1959; in-4, 193 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette et son étuis.
Très bon état avec sa jaquette et son étuis.
Quel jeu jouez-vous, Mr. Scott ?
Paris, Librairie des champs élysées, 1962; in-12, 241 pp., cartonnage de l'éditeur souple. E.O. N°760.
N°760.
Dieppe jour de honte jour de gloire.
Paris, Presses de la cité , 1963; in-8, 379 pp., cartonnage de l'éditeur. Avec jaquette.
Avec jaquette.
Peter gayleigh sur la riviera.
Paris, Albert pigasse, 1966; in-12, 190 pp., br. N.908.
N.908.
Un hold-up qui finit mal.
Paris, Librairie champs elysée, 1963; in-12, 240 pp., br. N°789.
N°789.
Piège nocturne.
Paris, Librairie des champs élysée / collection le masque, 1961; in-12, 240 pp., cartonnage de l'éditeur souple. Eo n°738.
Eo n°738.
Par le trou de la serrure.
Paris, Librairie des champs élysée / collection le masque, 1957; in-12, 241 pp., cartonnage de l'éditeur souple. Eo n°594.
Eo n°594.
Adieu , GÉRALD.
Paris, Librairie des champs élysée / collection le masque, 1958; in-12, 242 pp., cartonnage de l'éditeur souple. Eo n°617.
Eo n°617.
L'heure du crime.
Paris, Librairie des champs élysées / collection le masque, 1962; in-12, 239 pp., cartonnage de l'éditeur souple. Eo n°769.
Eo n°769.
Un hold-up qui finit mal.
Paris, Librairie des champs élysées / collection le masque, 1963; in-12, 239 pp., cartonnage de l'éditeur souple. Eo n°789.
Eo n°789.
Le singe bleu ( enquête de peter gayleich ).
Paris, Librairie des champs élysées / collection le masque, 1960; in-12, 242 pp., cartonnage de l'éditeur souple. Eo n°681.
Eo n°681.
Le singe bleu ( enquête de peter gayleich ).
Paris, Librairie des champs élysées / collection le masque, 1960; in-12, 242 pp., cartonnage de l'éditeur souple. Eo n°681.
Eo n°681.
Un crime prémédité.
Paris, Librairie des champs élysées / collection le masque, 1957; in-12, 242 pp., cartonnage de l'éditeur souple. Eo n°584.
Eo n°584.
