15884 books for « richard a et j »Edit

‎Richard Wright‎

‎Bradley, Will. : Martin Clark, Tim Ingold, Richard Wright et al: Richard Wright. 2023. 362 pages, illustrated in colour throughout. Hardback. 31 x 25cms. Signed.‎

‎Signed.‎

‎Jonathan Lasker: When Expressions Become Things. From Sketch to Study to Painting‎

‎Milazzo, Richard: Jonathan Lasker: When Expressions Become Things. From Sketch to Study to Painting. 2005. 87 pages, fully illustrated in colour. Very good used condition with clean unmarked pages. Hardback. 33 x 24cms. Catalogue of 13 works showing the creative process of Jonathan Lasker, as discussed in the essay by Richard Milazzo. Text in English and Italian.‎

‎Catalogue of 13 works showing the creative process of Jonathan Lasker, as discussed in the essay by Richard Milazzo. Text in English and Italian‎

‎Josiah McElheny: Towards a Light Club‎

‎Bremner, Ann, Karen Kelly, Richard Fletcher, Lisa Florman, et al: Josiah McElheny: Towards a Light Club. Exhibition: Columbus, Wexner Center for the Arts, 2013. 162pp., with 97 colour illustrations. Cloth. 17.3 x 22.8cms. American artist Josiah McElheny (b.1966) uses glass as his primary medium to create dazzling objects that address the nature of visual perception and the narratives of modernism. Here, his 'Light Club' works are brought into focus, as he investigates the role of glass in utopian ideas about modernist architecture. Includes essays by curators, film scholars, visual artists and classicist Richard Fletcher.‎

‎American artist Josiah McElheny (b.1966) uses glass as his primary medium to create dazzling objects that address the nature of visual perception and the narratives of modernism. Here, his 'Light Club' works are brought into focus, as he investigates the role of glass in utopian ideas about modernist architecture. Includes essays by curators, film scholars, visual artists and classicist Richard Fletcher.‎

‎The Dating of Poussin's Landscapes with Polyphemus and Hercules and Cacus‎

‎Verdi, Richard: The Dating of Poussin's Landscapes with Polyphemus and Hercules and Cacus. 1966. 52 pages, 16 tipped-in black & white illustrations. 29 x 23cms.‎

‎A Catalogue of the Greek and Roman Sculpture in the Fitzwilliam Museum, Cambridge.‎

‎Budde, Ludwig and Richard Nicholls: A Catalogue of the Greek and Roman Sculpture in the Fitzwilliam Museum, Cambridge. Cambridge: Fitzwilliam Museum, 1967. xvii, 139pp plus 62pp monochrome illustrations. Hardback. 29x22.5cms. Descriptions of 217 pieces remarkable for their wide range, including some of the finest surviving ancient copies of masterpieces such as Polykleitos' Kyniskos, and Silanion's Plato. With full index and glossary of technical terms.‎

‎Descriptions of 217 pieces remarkable for their wide range, including some of the finest surviving ancient copies of masterpieces such as Polykleitos' Kyniskos, and Silanion's Plato. With full index and glossary of technical terms. Text in English‎

‎The Emergence of the Classical Style in Greek Sculpture‎

‎Neer, Richard: The Emergence of the Classical Style in Greek Sculpture. University of Chicago Press, 2010. 262 pages, illustarted in black & white. Hardback.‎

‎Alexander Romance in Persia and the East‎

‎Stoneman, Richard, Kyle Erickson und Ian Netton:: Alexander Romance in Persia and the East. Groningen: Barkhuis Publishing, 2012. 416 pages, some colour illustrations. Hardback.‎

‎Britain and Greece Six Open Lectures‎

‎Boardman, John, Xenophon Zolotas, Richard Stoneman, Jonathan Barnes et al.: Britain and Greece Six Open Lectures. Athens: 1991. unpaginates, not illustrated. Quarter leather. Text in English and Greek.‎

‎Text in English and Greek‎

‎L'Oeuvre gravà de FranÃois Boucher dans la Collection Edmond de Rothschild. MusÃe du Louvre. Cabinet des Dessins. Collection Edmond de Rothschild. Inventaire general des gravures. Ãcole Francaise 1‎

‎Jean-Richard, Pierrette: L'Oeuvre gravà de FranÃois Boucher dans la Collection Edmond de Rothschild. MusÃe du Louvre. Cabinet des Dessins. Collection Edmond de Rothschild. Inventaire general des gravures. Ãcole Francaise 1. Paris: Editions des MusÃe Nationaux, 1978. 435pp, profusely illustrated in black & white. Cloth. Text in French.‎

‎Text in French‎

‎Abstract Works Catalogue 2008 - 2009‎

‎Dyer, Richard; Patrick Javault: Abstract Works Catalogue 2008 - 2009. Paris: onestar press, 2009. 116 pages; colour; contains a detailed technical plan and a Braille Alphabet card. Paperback. 28.9 x 18.2cms. Text in English and French.‎

‎Text in English and French‎

‎The prints of Armand Seguin. 1869-1903‎

‎Field, Richard S. et al:: The prints of Armand Seguin. 1869-1903. Exhibition: Middletown, Connecticut, Davison Art Center, Wesleyan University, 1980. 84pp with 108 monochrome illustrations. Wrappers. 25.5x20.5cms. Fully illustrated catalogue of 93 prints, with essay, checklist of paintings and drawings, transcript of Gauguin's preface to Seguin's 1895 exhibition catalogue, bibliography.‎

‎Fully illustrated catalogue of 93 prints, with essay, checklist of paintings and drawings, transcript of Gauguin's preface to Seguin's 1895 exhibition catalogue, bibliography‎

‎Pier Francesco Mola‎

‎Cocke, Richard: Pier Francesco Mola. London: at the Clarendon Press, 1972. 93pp plus 146 monochrome illustrations. Hardback. 30x22.5cms. Catalogue raisonnà of the paintings.‎

‎Catalogue raisonnà of the paintings. Text in English‎

‎The Carpets of Afghanistan‎

‎Parsons, Richard D.: The Carpets of Afghanistan. Suffolk: 2016. 224 pages; 154 colour and 90 Black & white illustrations. Hardback. 30 x 23.7cms. The book displays a wide variety of Afghan rugs, from sumptuous piled purdahs to flat woven prayer rugs, all of them well illustrated.‎

‎The book displays a wide variety of Afghan rugs, from sumptuous piled purdahs to flat woven prayer rugs, all of them well illustrated.‎

‎Imperia: Georg Baselitz Photographed by Elke Baselitz‎

‎Baselitz, Georg, Elke Baselitz and Richard Calvocoressi: Imperia: Georg Baselitz Photographed by Elke Baselitz. Gagosian Gallery, 2021. 204 pages. Hardback. 31 x 26cms.‎

‎Sara Radstone: conversation pieces‎

‎Stubbs, Richard: Sara Radstone: conversation pieces. 2014. 48 unnumbered pages, illustrated in colour throughout. Spiral binding. 27 x 19cms.‎

‎Text in English‎

‎Rodrigo Moynihan the end of the picnic‎

‎Shone, Richard: Rodrigo Moynihan the end of the picnic. Exhibition: London, Imperial War Museum, 1998. 32 pages. 25 colour and black and white illustrations. Wrappers. 28x22cms.‎

‎Text in English‎

‎Italian Etchers of the Renaissance & Baroque‎

‎Welsh Reed, Sue and Richard Wallace: Italian Etchers of the Renaissance & Baroque. 1989. Paperback. 29.5 x 21cms.‎

‎A Collection of Etchings by Rembrandt Harmensz. Van Rijn (1606-1669) Formed by Joseph R. Ritman, Presented for Sale by Artemis and Sotheby's‎

‎Nancy Baialler; Adrian T. Eeles; Richard Godfrey; Katharina Mayer Haunton (eds): A Collection of Etchings by Rembrandt Harmensz. Van Rijn (1606-1669) Formed by Joseph R. Ritman, Presented for Sale by Artemis and Sotheby's. 1995. Cloth. 28.5 x 22cms.‎

‎Alfred Gilbert‎

‎Dorment, Richard: Alfred Gilbert. New Haven and London: Yale University Press, 1985. 350pp with 9 colour plates and 200 monochrome illustrations. Cloth. 26.5x20cms. Detailed scholarly study of the Edwardian sculptor, covering his life, and career from 1881-1901.‎

‎Detailed scholarly study of the Edwardian sculptor, covering his life, and career from 1881-1901. Text in English‎

‎Howard Hodgkin: Large Paintings 1984-2002‎

‎Rosenblum, Robert and Richard Kendall: Howard Hodgkin: Large Paintings 1984-2002. Exhibition: Edinburgh, National Galleries of Scotland, 2002. 74pp with 20 colour plates. Hardback. 23x25cms. Celebrating Hodgkin's 70th birthday this exhibition includes 20 large recent paintings and smaller works from his early career.‎

‎Celebrating Hodgkin's 70th birthday this exhibition includes 20 large recent paintings and smaller works from his early career. Text in English‎

‎Benjamin Franklin in Terra Cotta. Portrait Medallions by Jean-Baptiste Nini at the Chateau of Chaumont‎

‎Margolis, Richard: Benjamin Franklin in Terra Cotta. Portrait Medallions by Jean-Baptiste Nini at the Chateau of Chaumont. 2015. 232 page, fully illustrated in colour. Hardback. 34 x 26cms. In the late 1770s Jean-Baptiste Nini created a series of terra cotta portrait medallions at the Chateau de Chaumont. Amongst them were portraits of Benjamin Franklin, who was in France in 1776 on a critical diplomatic mission. This volume describes Nini's earliest plaster medallions and moulds, followed by a detailed catalogue of those in terra cotta, including a few of the frequently encountered aftercasts. All the Franklin portraits are illustrated. Includes an annotated bilbiography.‎

‎In the late 1770s Jean-Baptiste Nini created a series of terra cotta portrait medallions at the Chateau de Chaumont. Amongst them were portraits of Benjamin Franklin, who was in France in 1776 on a critical diplomatic mission. This volume describes Nini's earliest plaster medallions and moulds, followed by a detailed catalogue of those in terra cotta, including a few of the frequently encountered aftercasts. All the Franklin portraits are illustrated. Includes an annotated bilbiography. Text in English‎

‎Joan Mitchell‎

‎Bonet, Juan Manuel, Richard D Marshall, Marcelin Pleynet, et al: Joan Mitchell. Exhibition: Valencia, IVAM Centro Julio González, 1997. 128 pages, illustrated throughout in colour. In good used condition with likght shelf wear and clean pages. Paperback. 27.5 x 29cms. Text in Spanish and English.‎

‎Text in Spanish and English‎

‎Harmony Korine: Young Twitchy‎

‎Prince, Richard: Harmony Korine: Young Twitchy. Exhibition: New York, Gagosian Gallery, 2019. Paperback. 28.5 x 23.5cms.‎

‎Gothic: Art for England 1400-1547‎

‎Marks, Richard and Paul Williamson: Gothic: Art for England 1400-1547. Exhibition: London, Victoria & Albert Museum, 2003. 496pp with 355 colour and 75 monochrome illustrations, plus maps and tables. Hardback. 28.7x25cms. 360 catalogue entries including tapestries, paintings, sculpture, and jewellery, tombs, altarpieces, stained glass, gold and silver plate and wood carving serve to explore the period between 1400 and the Tudor age in English art. This publication aims to be the only one of its size and range to cover art and culture during this glorious period of English art. With essays by leading medievalists ranging in scope from religion to war, politics, music and architecture.‎

‎360 catalogue entries including tapestries, paintings, sculpture, and jewellery, tombs, altarpieces, stained glass, gold and silver plate and wood carving serve to explore the period between 1400 and the Tudor age in English art. This publication aims to be the only one of its size and range to cover art and culture during this glorious period of English art. With essays by leading medievalists ranging in scope from religion to war, politics, music and architecture. Text in English‎

‎The Effect - Haim Steinbach‎

‎Wentworth, Richard: The Effect - Haim Steinbach. Exhibition: London, Waddington, 2008. 36 pages; illustrated. Paperback. 22.2 x 25.6cms.‎