, Aetas Aurea,Vol. XIII , Cloth bound with dusjacket, as new !! 1999. in 4to. 600 pp. of text, 468 illustrations, including 32 color plates. ISBN 9070288966.
The monograph of Cornelis Cornelisz van Haarlem (1562-1638) is presented as an adherent of sixteenth-century artistic theory, in particular as taught by Karel van Mander in the so-called Haarlem academy. According to this erudite Flemish immigrant, Dutch artists were shamefully backward with respect to mastery in rendering the nude, the great accomplishment of the modern Italian masters. He must have viewed the art of his younger friend - who had taken his advice and overcome these shortcomings by pursuing a lengthy period of intense study 'from life' - as the ultimate fulfilment of his ambition to elevate Dutch history painting to the level of Italian art. Eight chapters are dedicated to the biography of Cornelis Cornelisz, his triple training as an artist, his artistic development, his training of pupils, his influence on the art of his time, his reputation among contemporaries, and the appreciation of his art through the centuries. A ninth, concluding chapter treats the iconographical aspects of two exceptional commissions which the artist received from the Amsterdam poet Hendrick Laurensz Spieghel, and the programmatic underpinnings of his greatest performance, the decoration of the Prinsenhof in Haarlem. Six appendixes contain original transcriptions of seventy-five documents concerning the artist and his family, including the unique list of art left by Cornelis Cornelisz, as well as other relevant sources. Five catalogues list the complete oeuvre of Cornelis Cornelisz, which comprises 303 paintings, either preserved or known from contemporary sources, a mere thirteen drawings, seven works in oil on paper, five models for prints, and twenty-three prints after his inventions.The catalogues are ordered iconographically, whereas the thirty-two colour plates and 365 plates in black and white are arranged in chronological order.Extensive indexes enhance the accessibility and usefulness of the volume.
, Zwolle, Waanders, 1991**, softcover originele uitgeversomslag geillustreerd in kleur, 24,5x29cm, 396pp, geillustreerd in kleur en z/w. ISBN 9066302984.
Schilderijen. Rijksmuseum Amsterdam. In goede staat.
Pieter J J, ; Rijksmuseum (Netherland Rembrandt Harmenszoon van Rijn; van Thiel
Reference : 58168
(1969)
Amsterdam: Rijksmuseum 1969 In-4 broché. 270 pages. Bon état d’occasion.
Bon état d’occasion
Amsterdam, 1976. Large 4to. Orig. full cloth. 911 pp. Profusely illustrated.
BEVERS, HOLM/ SCHATBORN, PETER/ WELZEL, BARBARA/ BROWN, CHRISTOPHER/ KELCH, JAN/ VAN THIEL, PIETER.
Reference : 55533
Zwolle, Waanders 1991, 1991 Gebonden, in stevig hardcover foedraal, originele uitgeversomslag geillustreerd in kleur, 24,5x29cm, 288pp + 396pp, geillustreerd in kleur en z/w, ISBN 9789066303010.
Tentoonstelling Rijksmuseum Amsterdam 4 december 1991 - 19 januari 1992.
Seymour Slive; Martin Bijl; Karin Groen; Ella Hendriks; Irene Van Thiel-Stroman; Pieter Biesboer
Reference : 020342
(1989)
1989 Ludion Soft cover As New
Frans Hals catalogue of the exposition in the national art gallery of Washington Softcover, 295 x 245 mm, 439 pp, many illustrations, as new
National Gallery Publications / Yale University Press 1991
in4, souple, 396p, 1991, bon etat, contours legerement frottes, nombreuses reproductions en noir et blanc et en couleurs, texte en anglais, National Gallery Publications / Yale University Press
Brown, Christopher. Kelch, Jan. Thiel, Pieter Van.
Reference : 012883
(1991)
ISBN : 9066302984
Zwolle 1991 Museum of Fine Arts, Boston Soft cover
Rembrandt: De Meester & zijn werkplaats. cataloog hard cover,290 x 255 mm, 396 pages, met talrijke d'illustraties, in goede staat
Brown, Christopher. Kelch, Jan. Thiel, Pieter Van.
Reference : 016696
(1991)
ISBN : 9066302984
Zwolle 1991 Museum of Fine Arts, Boston Soft cover
Rembrandt: De Meester & zijn werkplaats. cataloog Softcover, 290 x 255 mm, 396 pages, met talrijke d'illustraties, in goede staat