Turnhout, Brepols, 1998 Paperback, 372 p., 210 x 295 mm. ISBN 9782503506654.
Arabian Studies R. Boucharlat, M. Mouton, Les pratiques funeraires dans le peninsule d'Oman. Repartition et mode de construction des tombes de Mleiha ( E.A.U. ). G. de Ceuninck, Les Petroglyphes du Fujairah, Emirats Arabes Unis. H. Cleere, Beatrice de Cardi and the Council for British Archeology. H. Crawford, Tokens of Esteem. W. Dostal, On Stimulating Interdisciplinary Conversation between Anthropologists and Archeologists. E. Glover, Mangroves, Molluscs and Man. Archeological Evidence for Biogeographical Changes in Mangrove around the Arabian Peninsula. E. Haerinck, Petroglyphs at Sinadil in the Hajjar Mountains ( Southeast Arabia ). C. Hardy-Guilbert, Villages cotiers abandonnes du Qatar. D. Kennet, Evidence for 4th/5th-Century Sasanian Occupation at Khatt, Ras al-Khaimah. G. King, C. Tonghini, The Western Islands of Abu Dhabi Emirate. Notes on Ghagha. K.A. Kitchen, Three Sabaean Dedications: a Well and Three Statues. P. Lombard, Quand la tradition tue l'innovation: reflexions sur la glyptique de l'Age du Fer a Rumeilah ( E.A.U. ). S. Mery, C. Phillips, Y. Calvet, Dilmun Pottery in Mesopotamia and Magan from the end of the 3rd and Beginning of the 2nd Millenium B.C. T.C. Mitchell, An Inscribed South Arabian Bronze Seal. P.R.S. Moorey, Did Easterners Sail round Arabia to Egypt in the Fourth Millenium B.C. ? D.T. Potts, Namord Ware in Southeastern Arabia. J. Reade, Assyrian Illustrations of Arabs. M. Rice, Beatrice de Cardi: an Appreciation. S. Searight, A Pilgrim Flask from Julfar ? C. Velde, The Dilmun Cemetery at Karanah 1 and the Change of Burial Customs in Late City II. C. Vita-Finzi, Ancient Shorelines of Oman and Qatar. B. Vogt, State, Problems and Perspectives of Second Millenium B.C. Funerary Studies in the Emirate of Ras al-Khaimah ( U.A.E. ). T.J. Wilkinson, Human Environment Interactions in the Highlands of Yem. New.
New York:, Phillips de Pury & Company,, 2005 Softcover, 33X26 CM. 2 Volumes Color and B/w reproductions. .
2 VOLUMES Auction Catalogues. CONTEMPORARY ART PART I + PART II - November 10 + 11 2005 New York
(London, Royal Meteorological Society, 1956). 8vo. Extracted and with a nice marbled paper-backstrip (kind of representing the elements). Damp-staining to lower part of leaves. Pp. 123-164. Illustrated.
First printing of Phillips' seminal paper, in which he presents for the first time his mathematical model that could realistically depict monthly and seasonal patterns in the troposphere. This became became the first successful general circulation model of climate (GCM). ""Numerical models (General Circulation Models or GCMs), representing physical processes in the atmosphere, ocean, cryosphere and land surface, are the most advanced tools currently available for simulating the response of the global climate system to increasing greenhouse gas concentrations. While simpler models have also been used to provide globally - or regionally-averaged estimates of the climate response, only GCMs, possibly in conjunction with nested regional models, have the potential to provide geographically and physically consistent estimates of regional climate change which are required in impact analysis...GCMs depict the climate using a three dimensional grid over the globe, typically having a horizontal resolution of between 250 and 600 km, 10 to 20 vertical layers in the atmosphere and sometimes as many as 30 layers in the oceans."" (IPCC - International Panel on Climate Change). In 1956, Norman Phillips developed a mathematical model that could realistically depict monthly and seasonal patterns in the troposphere, thus revolutionizing weather and climate change predition. It became the first successful climate model. Following Phillips' work, several groups began working to create GCMs that are now essential to predict climate change. ""Steady improvements to short-range NWP accrued during the early 1950s, in large part due to more realistic models that accounted for energy conversion in extratropical cyclones. Encouraged by the success of these forecasts, IAS team member Norman Phillips began to contemplate longer-range prediction using the IAS computer. His work took the form of a numerical simulation of the atmosphere's general circu lation for a period of 1 month. The work was completed in 1955 and Phillips communicated the results to von Neumann, who immediately recognized their significance. Von Neumann hastily arranged a conference in October 1955, Application of Numerical Integration Techniques to the Problem of the General Circulation, held at Princeton University. In his opening statement at the conference, von Neumann said I should like to make a few general remarks concerning the problem of forecasting climate fluctuations and the various aspects of the general circulation that cause such fluctuations. Specifically, I wish to point out that the hydro-dynamical and computational efforts which have been made in connection with the problem of short-range forecasting serve as a natural introduction to an effort in this direction . . . With this philosophy in mind, we held our first meeting nine years ago at the Institute for Advanced Study to discuss the problem of short-range weather prediction. Since that time, a great deal of progress has been made in the subject, and we feel that we are now prepared to enter into the problem of forecasting the longer period fluctuations of the general circulation. (von Neumann 1955, 9-10) Following this conference, which highlighted his numerical experiment, Phillips entered the research into competition for the first Napier Shaw Memorial Prize, a prize honoring England's venerated leader of meteorology, Sir Napier Shaw (1854-1945), on the occasion of the centenary of his birth (the competition was announced in April 1954). The subject for the first competition was ""the energetics of the atmosphere."" On 20 June 1956, ""the adjudicators recommended that the prize be given to Norman A. Phillips of the Institute of Advanced Study, Princeton, U.S.A. for his essay 'The general circulation of the atmosphere: a numerical experiment,' which had been published in the Quarterly Journal [of the Royal Meteorological Society] (82, p. 1230) [April 1956] ..."" (Quarterly Journal of the Royal Meteorological Society 1956b)"" (Lewis: Clarifying the Dynamics of the General Circulation: Phillips's 1956 Experiment).
1920 une brochure (21,5 x 55,5 cm) grand in-octavo à l'italienne, dos muet couverture verte, 1ère de couverture avec titre illusté en noir légèrement insolée (lightly fading), orné de 22 pages de photographies "vues panoramique de Sydney" par Phillips H., sans date (vers 1920) Katoomba (New South Wales) Phillips H. photographe Editeur,
superbes vues Panoramiques de SYDNEY - greetings New south wales (Australie).............en bon état malgré le petit défaut signalé (very good condition in spite of the small defect indicated).
Boethius(auth), Brian Donaghey, Noel Harold Kaylor, Philip Edward Phillips, Paul E. Szarmach (eds)
Reference : 65980
, Brepols, 2019 Hardback, xxviii + 496 pages, 156 x 234 mm, Language: English. ISBN 9782503584676.
Summary This volume is a reference work, organized chronologically in its sections, with a separate entry for each translator's work. The sections are defined by the type of translations they comprise, whether complete, partial, meters only, etc. The plan of the book is encyclopedic in nature: some biographical material is provided for each translator; the translations are described briefly, as are their linguistic peculiarities, their implied audiences, their links with other translations, and their general reception. Sample passages from the translations are provided, and where possible these are two of the most well-known moments in the Consolatio: the appearance of Lady Philosophy, narrated by the Prisoner, and the cosmological hymn to the Deus of the work, sung by Lady Philosophy. TABLE OF CONTENTS Preface Acknowledgments Prologue: The Foundation of the Tradition: The Latin De consolation philosophiae Part I: Complete Translations into English of De consolation philosophiae Part II: Partial or Abridged Translations into English of De consolation philosophiae Part III: Translations into English of the Meters or Selected Meters of De consolation philosophiae Part IV: Spurious, Mislabeled, or Lost Translations of De consolation philosophiae Part V: Modern English Translations of Old English Prose and Verse Translations of De consolation philosophiae Part VI: An Early Adaptation of Chaucer's Translations into English of De consolation philosophiae with Commentary Interspersed Part VII: Some Minor Uses of Translations or Adaptations of Passages from De consolation philosophiae Part VIII: Two Early Discussions on De consolation philosophiae translation Epilogue: Some Relevant Definitions: Samuel Johnson's Dictionary Notes on the Editors
, Vromant & Cie, 1935 Couverture originale de l' diteur, 31 pages, 14x9.5cm.
Cette plaquette imprime sur les presses de la maison Vromant, papier verg Muller, a t edit e par Philips S.A Belge Anderlecht / Bruxelles
Turnhout, Brepols, 2009 Hardback, X+217 p., 16 b/w ill., 156 x 234 mm. ISBN 9782503531328.
Pre-modern European history is replete with moments of encounter. At the end of arduous sea and land journeys, and en route, Europeans met people who challenged their assumptions and certainties about the world. Some sought riches, others allies; some looked for Christian converts and some aimed for conquest. Others experienced the forced cultural encounter of exile. Many travelled only in imagination, forming ideas which have become foundational to modern mentalities: race, ethnicity, nation, and the nature of humanity. The consequences were profound: both productive and destructive. At the beginning of the third millennium CE we occupy a world shaped by those centuries of travel and encounter. This collection examines key themes and moments in European cultural expansion. Unlike many studies it spans both the medieval and early modern periods, challenging the stereotype of the post-Columbus 'age of discovery'. There is room too for examining cross-cultural relationships within Europe and regions closely linked to it, to show that curiosity, conflict and transformation could result from such meetings as they did in more far-flung realms. Several essays deal with authors, events, and ideas which will be unfamiliar to most readers but which deserve greater attention in the history of encounter and exploration. Languages : English.
, Steidl Dap 2006, 2006 Hardcover, 144 pages, ENG, 350 x 285 mm, book is in good condition, with photo's in clear colours, . ISBN 9783865212740.
Since 2002, Sze Tsung Leong has been photographing the dramatic changes that are transforming the cities of China, revealing a process that begins with the destruction of traditional neighborhoods and ends in the mass construction of new urban environments. He travels with a large-format view camera, visiting cities including Beijing, Shanghai, Chongqing, Nanjing, Pingyao and Xiamen, and the resulting highly detailed images portray the immense scale of the upheaval and of the contradictions created by its uncertain and fluctuating environment. Traditional buildings in the process of being demolished are juxtaposed against the glass walls that are about to replace them; seemingly abandoned buildings on the verge of destruction, or in the midst of construction, reveal clues of habitation; historic areas survive as a result of neglect and isolation rather than intent; and obscured in the midst of expansive, culturally ambivalent spaces, small Chinese script on indistinct signs serves as the only hint that these environments are in China. Collectively, the photographs in History Images capture the erasure and subsequent absence of history, and the moment of anticipation for the new future to unfold; it is an urban reality caught in the tenuous period after the end of one history and at the beginning of another.
Phillips S. Stephen Phillipss New Hell, with 16 illustrations by Vernan HS.Pb.In Russian /Fillips S. Novyy Ad Stivena Fillipsa s 16 illyustratsiyami Vernana Khilla. The New Inferno by Stephen Phillips with Sixteen Drawings by Vernon Hill, London-NY: John Lane 1911, 4, 145 pp. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb037f69f2b24815b9.
Katoomba, H. Phillips, (circa 1920). album in-8 long, 10 folios portant 71 photogravures noir & blanc. Couverture de papier mauve, imprimée or.
Vues pittoresques photographiées, imprimées et publiées par H. Phillips. - Bon état.
( CD Rock Progressif - CD Albums Dédicacés ) - Milen Vrabevski - Stefanov - Simon Phillips - Ronnie Romero - John Payne - Richard Grisman - Bisser Ivanov - Ivaylo Zvezdomirov.
Reference : 5429
(2019)
Rare CD digipack auto-produit, neuf, scellé, de 2020 signé en couverture par Simon Phillips, Richard Grisman et Ronnie Romero. Intelligent Music Project V est un groupe de Rock progressif, formé par le guitariste, multi-intrumentiste et compositeur Milen Vrabevski. Les musiciens sont Stefanov aux claviers, Simon Phillips à la batterie, Ronnie Romero, ex-Raibow, John Payne, ex-Asia, et Richard Grisman au chant, Bisser Ivanov, aux guitares et Ivaylo Zvezdomirov à la basse. Rare. Collection personnelle.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
(London, Taylor & Francis, 1869) Large 4to. Without wrappers. Extracted from ""Philosophical Transactions of the Royal Society of London."". 1868. Vol. 158. Pp. 333-345 a. 3 fine lithographed plates.
First appearance of this paper in which Phillips summarizes his importen work on the moons surface.""In 1852 John Phillips brought maturee geological experience to his own personal observations of the physiocal features ofthe surface of the moon, using first the great telescope belonging to the Earl of Rosse...The drawings (of surfaces of the moon) were to be made under a set of standard conditions of representation and on a uniform scale...By 1853 he was recording his observations photographically on collodion palets and employing his great artuistic skill in accurate and detailled drawings...In a summary of his findings published in 1868 (the paper offered), Phillips drew vivid analogies between many of the features seen on the surfaceof the moon and those known to him intimately by observation and measurement on the earth.""(DSB X, p. 584.).
Lancaster, American Physical Society, 1935. Lex8vo. Entire volume in the original printed blue/grey wrappers. Minor miscolouring and soiling to extremities. A fine and clean copy. Pp. 500-2. [Entire issue: Pp. 491-572].
First printing of this important paper in which the Oppenheimer-Phillips process was presented for the first time - Oppenheimer's ""most important contribution in this area"" (Oppenheimer. A Life. P. 29).A deuteron, entering a heavy nucleus, is split into proton plus neutron, one of these particles being retained by the nucleus while the other is re-emitted. After the second world war this became a fundamental tool in the study of nuclear energy levels and their properties. Phillips was Oppenheimer's research associate in 1933-4.In ""The Physical Review - The First Hundred Years. A Selection of Seminal Papers and Commentaries"".
Image Comics (1/2024)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781534398269
Leipzig, Insel-Verlag. 1904. 8°. 41 S. Mit illustriertem Doppeltitel und Vignetten von Walter Tiemann in Rot und Schwarz gedruckt. Originalpergamentband mit reicher goldgeprägter Deckel- und Rückenverzierung.
Sarkowski 1245. - Einzige Auflage. - Eines von 300 handschriftlilch numerierten Exemplaren, gestaltet von Walter Tiemann und gedruckt bei Drugulin in Leipzig. Versepos des heute im deutschen Sprachraum vergessenen englischen Poeten (1864-1915). Mit dem schönen präraffaelitischen Buchtitel. Erschien im gleichen Jahr im Insel-Verlag wie der Erstling von Robert Walser "Fritz Kochers Aufsätze". - Am unteren Rand mit leicht durchlaufendem kleinen Flecken. Einband leicht gewellt. Innendeckel mit schwachen Spuren eines entfernten Exlibris. Vorsatz mit kleinem Monogrammstempel.
London E. King 1829 Caricature originale de 1829, commentant la démission d'Eldon en tant que Lord Chancelier après l'adoption de la loi sur l'émancipation des catholiques en 1829. Eldon avait retardé les travaux de la Chambre en apportant des amendements à de nombreux textes législatifs, qu'on voit ici tomber de son chariot à ordures. 23,5 cm x 33 cm. La coloration originale à la main est encore propre et brillante. Petite déchirure au bord inférieur de la feuille. John Phillips (1808-1847) était un caricaturiste et satiriste britannique. Son travail a été utilisé dans le premier numéro de Punch. Après 1830, il se concentre davantage sur les portraits miniatures et les peintures plus artistiques que les caricatures.
Original caricature from 1829, commenting on the resignation of Eldon as Lord Chancellor following the passing of the Catholic Emancipation Act in 1829. Eldon had held up the business of the House by putting amendments to many pieces of legislation, shown here falling from his rubbish cart. 23.5cm x 33cm. Original hand colouring is still clean and bright. Small closed tear to the bottom edge of the sheet. John Phillips (1808-1847) was a British caricature artist and satirist. His work was used in the first issue of Punch. After 1830, he focussed more on miniature portraits and paintings that were more artistic than caricature. .
London J Ganns. 1829 Des personnalités de l'establishment anglais, dont un juge et probablement Wellington, s'inclinent devant le pape, tandis que le diable leur verse de l'onguent sur la tête. Commentaire sur la loi d'émancipation des catholiques de 1829. Couleurs originales. Propre et bien rangé, avec seulement quelques marques légères. Il y a une ancienne déchirure fermée à un coin, réparée par derrière. L'image mesure 22 cm x 32,5 cm. La feuille mesure 26 cm x 36,5 cm. Une pièce rare, nous n'avons pas trouvé d'autres copies disponibles au moment du catalogage. John Phillips (1808-1847) était un caricaturiste et satiriste britannique. Son travail a été utilisé dans le premier numéro de Punch. Après 1830, il se concentre davantage sur les portraits miniatures et les peintures plus artistiques que les caricatures.
Leading figures of the English establishment including a judge and probably Wellington, bow before the pope, whilst the devil pours ointment on their heads. A commentary on the Catholic Emancipation act of 1829. Original colouring. Clean and tidy, with a few light marks only. There is an old closed tear to one corner, repaired from behind. Image is 22cm x 32.5cm. Sheet is 26cm x 36.5 cm. A scarce item, we can find no other copies available at the time of cataloguing. John Phillips (1808-1847) was a British caricature artist and satirist. His work was used in the first issue of Punch. After 1830, he focussed more on miniature portraits and paintings that were more artistic than caricature. .
Agence Musicale Internationale 1967
Bon état Format Coquille
Princeton University Press Broché D'occasion bon état 01/01/1707 150 pages
( Illustration ) - Howard Phillips Lovecraft - Jean-Marie Picard.
Reference : 29318
(2001)
Editions Medium Rare 2022. Portrait de Howard Phillips Lovecraft en gravure originale sur bois, imprimée sur papier vélin BFK Rives à bords frangés au format 16,7 x 12 cm. Tampon sec. Tirage unique à 50 exemplaires, signé et justifiée à la mine de plomb par l'artiste. Rare édition originale.Jean-Marie Picard est un graveur sur bois formé aux Beaux Arts de Nîmes. Il débute dans les années 90, en collaboration avec latelier Jacomet. C'est aux côtés de Garouste, Arroyo, Debré et Moebius quil réalise ses premières estampes. En 2013 il participe à la création de latelier DPJ à Sète spécialisé dans la gravure. Latelier édite de nombreuses estampes avec Combas, Di rosa , Ocampo, Pencreach, Ichiba. Par la suite il crée sa propre maison d'éditions " Medium Rare ", et collabore avec Jean-Michel Alberola, Willem, Charles Burns, Paquito Bolino, Pat Andréa.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
Editions Néo / Collection " Fantastique / Science-Fiction / Aventures " n° 22 de 1980. In-8 broché de 289 pages au format 20,5 x 14 cm. Couverture illustrée par Jean-Michel Nicollet, représentant Howard Phillips Lovecraft en diable. Dos carré. Plats et intérieur frais, malgré et minuscules rousseurs en pages de garde et sur les tranches. Préface et traduction de François Truchaud pour ce magnifique roman en hommage à Howard Phillips Lovecraft. Rare édition originale, surtout dans un tel état général de fraicheur.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
Editions Bragelonne / Collection " Les Récits de Howard Phillips Lovecraft, illustrés par François Baranger " 2020. In-4 cartonnage éditeur, non paginé, au format 35,5 x 27 cm. Couverture illustrés avec titre imprimé. Dos carré. Plats et intérieur frais. Complet de la superbe jaquette illustrée. Préface de Préface de John Howe. Photos avec courte biographie des auteurs en fin d'ouvrage. Nouvelle de H.P. Lovecraft superbement illustrée par François Baranger. Deuxième édition en état superbe, proche du parfait.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
Editions Bragelonne / Collection " Les Récits de Howard Phillips Lovecraft, illustrés par François Baranger " tome 2 et 3 de 2019 et 2020. Deux volumes in-4 cartonnage éditeur, non paginés, au format 35,5 x 5 x 27 cm. Couverture illustrés avec titre imprimé. Dos carré. Plats et intérieur frais. Complet des superbes jaquettes illustrées. Préface de Maxime Chattam. Photos avec courte biographie des auteurs en fin d'ouvrage. Nouvelle de H.P. Lovecraft superbement illustrée par François Baranger. Editions originales en état superbe, proche du parfait.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
Famous Music Corporation 1930
Etat moyen Grand format Piano