Write to the booksellers15 books for « penny nicholas »Edit
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Book (13)
New book (2)
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English (4)
French (11)
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20th (6)
21st (3)
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Belgium (2)
France (9)
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ILAB (6)
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Italian Paintings in the Norton Simon Museum. The Seventeenth and Eighteenth Centuries
Penny, Nicholas: Italian Paintings in the Norton Simon Museum. The Seventeenth and Eighteenth Centuries. 2021. 416 pages, 203 colour illustrations. Hardback. 29 x 25cms.
Text in English
The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1
Penny, Nicholas: The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1. London and New Haven: 2004. 430pp with 74 colour and 89 colour and 128 monochrome illustrations. Hardback. 29x22.5cms. 16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography.
16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography. Text in English
The Arrogant Connoisseur: Richard Payne Kinight, 1751-1824
Clarke, Michael; Penny Nicholas: The Arrogant Connoisseur: Richard Payne Kinight, 1751-1824. 190 pages; black and white and colour illustrations. Paperback. 20 x 26cms.
Text in English
ROSENBERG Pierre, PENNY Nicholas & ROSENBLUM Robert et collectif
Reference : 21694
(1985)
Sir Joshua Reynolds (1723-1792)
Catalogue Réunion des Musées Nationaux, 1985. Petit in/4 carré (24 x 22 cm) broché, couverture illustrée en couleurs, illustrations en noir et en couleurs, 269 pages.
Catalogue d'expositions à Paris et à Londres. Joshua Reynolds est un peintre britannique spécialiste du portrait. Il fut le premier président de la Royal Academy
Church Monuments in Romantic England
Yale University Press 1977 NO DUST JACKET / Pas de jaquette. Livre en anglais. In-4 reliure toile grise. 25 cm sur 20. 236 pages. Bon état d’occasion.
Bon état d’occasion
Collectif, Rosenberg Pierre, Penny Nicholas
Reference : 58167
(1992)
ISBN : 2711820173
Sir Joshua Reynolds / 1723-1792 / Catalogue Exposition Galeries Nationales du Grand Palais, Paris, 7 Octobre - 16 Décembre 1985
RMN 1992 In-4 broché 24 cm sur 21,5. Bon état d’occasion.
Bon état d’occasion
Sir Joshua Reynolds 1723-1792
Ministère de la culture/Editions de la Réunion des musées nationaux. 1985. In-8. Broché. Etat passable, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 269 pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. Texte sur une ou deux colonnes.. . . . Classification Dewey : 750-La peinture et les peintres
Classification Dewey : 750-La peinture et les peintres
(SETTIGNANO (da) Desiderio) / BORMAND Marc, PAOLOZZI STROZZI Beatrice, PENNY Nicholas & al.
Reference : SCULPTURE9130322
(2006)
ISBN : 9788874393565
Desiderio da Settignano, - sculpteur de la Renaissance florentine
Paris, Musée du Louvre / 5 Continents Editions, 2006, 21 x 28, 287 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Ouvrage qui accompagne l'exposition présentée à Paris, Florence et Washington entre le 27 octobre 2006 et le 8 octobre 2007.
Très bon état.
Sir Joshua Reynolds 1723-1792
Editions de la R.M.N., Paris, 1985. In-8, broché sous couverture illustrée en couleur, 269 pp. Avant-propos - Reynolds est-il un grand peintre?, par Pierre Rosenberg - "Un homme ambitieux" : la carrière et l'œuvre de Sir Joshua Reynolds, par Nicholas Penny - "L'emprunt ne saurait être traité de plagiat". Reynolds et le contexte international, par ...
Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Most Beautiful Statues: Taste for Antique Sculpture, 1500-1900
Haskell, Francis & Nicholas Penny: Most Beautiful Statues: Taste for Antique Sculpture, 1500-1900. Exhibition: Oxford, Ashmolean Museum, 1981. xiv 82 pages. 15 black and white illustrations. Wrappers. 23.5x18.5cms.
Text in English
Pour l'amour de l'Antique - La statuaire gréco-romaine et le goût européen - 1500-1900
Editions Hachette, Paris, 1988. In-4, reliure pleine toile éditeur sous jaquette illustrée en noir, 415 pp. Préface à l'édition française - Introduction - I. Une nouvelle Rome. - II. Les collections publiques et privées de Rome. - III. Moulages et gravures. - IV. Contrôle et codification. - V. Moulages et copies dans les cours du XVIIe ...
Avec 182 illustrations en noir & blanc.Editions revue et augmentée traduite de l'anglais par François Lissarague. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Taste and the Antique The Lure of Classical Sculpture: 1500-1900. Revised and Amplified Edition
, Brepols - Harvey Miller, 2024 hardcovers, 3 vols, 1684 pages, Size:220 x 280 mm, Illustrations:186 b/w, 1592 col. Language(s):English. ISBN 9781909400252.
For several hundred years, until about 1900, a limited number of antique sculptures were as much admired as are the Mona Lisa, Botticelli?s Birth of Venus or Michelangelo?s David today. They were reproduced in marble, bronze and lead, as plaster casts in academies and art schools, as porcelain figurines for chimneypieces and as cameos for bracelets and snuffboxes. They were celebrated by poets from Du Bellay and Marino to Byron and D?Annunzio, and memorably evoked by novelists as diverse as Marcel Proust and Nathaniel Hawthorne, George Eliot and Charles Dickens. Copies of some of these statues can be seen at Pavlosk and Madrid, at Stourhead, Charlottenburg, Malibu and Versailles, and in countless gardens, houses and museums throughout the world. How and when did these particular sculptures achieve such a special status? Who were the collectors, restorers, dealers, artists, dilettanti, scholars and archaeologists who created their reputations? Under what names (often wildly fanciful) did they first become famous? How were they interpreted, and how and when and why did their glamour begin to wane? These are some of the problems that are confronted in Taste and the Antique. Taste and the Antique has become a classic of art history since its original publication in 1981. This revised and amplified edition significantly updates the information based on new research undertaken in the last several decades, as well as expanding examples of the reception and influence of these works by artists and collectors from the Renaissance through to contemporary art. The original edition has been expanded into three volumes: Volume 1 is a revised and amplified version of the 1981 edition. Fifteen chapters trace in narrative form, with the support of a wide variety of plates, the rise and decline of this highly important episode in the history of taste. These chapters are followed by catalogue entries for 95 of the most celebrated sculptures, all of them illustrated, which provide information on when and where they were discovered, changes of ownership and nomenclature, as well as a record of varying critical fortunes designed to complement the more general discussion in the earlier chapters. Volume 2 contains especially commissioned new photography of over 90 statues catalogued in Volume 1. Volume 3 is entirely devoted to a visual survey of the full range of replicas and adaptations of the works catalogued and illustrated in the previous volumes. The book is indispensable for historians of taste, and to art historians concerned with the debt owed by numerous artists from the Renaissance onwards to the art of ancient Greece and Rome; and it is also of great value to students and collectors of the many surviving copies of the sculptures discussed. TABLE OF CONTENTS Volume I: Text Preface to the Revised and Amplified Edition An Updated Note on the Presentation of the Essay and Catalogue Introduction I. ?A New Rome? II. The Public and Private Collections of Rome III. Plaster Casts and Prints IV. Control and Codification V. Casts and Copies in Seventeenth-Century Courts VI. ?Tout ce qu?il y a de beau en Italie? VII. Erudite Interests VIII. Florence: The Impact of the Tribuna IX. Museums in Eighteenth-Century Rome X. The New Importance of Naples XI. The Proliferation of Casts and Copies XII. New Fashions in the Copying of Antiquities XIII. Reinterpretations of Antiquity XIV. The Last Dispersals XV. Epilogue Notes to the Text Updated Bibliography Catalogue Appendix Bibliography Index Volume II: Originals Volume III:Replicas and Adaptations
Raffaele de GRADA - Marc LE CANNU - Anton HENZE - Nicholas B. PENNY
Reference : 7724
(1985)
Giornale di Viaggio in italia - l'attivita dei pittori europei in Italia nell'800 occasioni e memorie (Les peintres européens en Italie)
1985 Bramante editrice -1985 - In-4 cartonnage éditeur avec jaquette illustrée en couleurs - 34 + 101 reproductions certaines en couleurs - 182 pages - très propre
Bilingue Français-italien pour la partie française - Bilingue anglais-italien pour la partie anglaiseBilingue allemand-italien pour la partie allemande - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
[" The Artist "] - Nicholas Penny, Robert Flynn Johnson ; Lucian Freud
Reference : 59916
Lucian Freud : Works on Paper
, Thames & Hudson, 1988 Hardcover, 128 pages, ENG, 285 x 260 mm, dustjacket, book is as new, with illustrations in color and b/w, here and there some texts underlined with pencil, better that than with a ballpoint pen, apart from that, the book is really as new. ISBN 9780500091852.
Lucian Michael Freud ( 8 December 1922 - 20 July 2011) was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War. His early career as a painter was influenced by surrealism, but by the early 1950s his often stark and alienated paintings tended towards realism. Freud was an intensely private and guarded man, and his paintings, completed over a 60-year career, are mostly of friends and family. They are generally sombre and thickly impastoed, often set in unsettling interiors and urban landscapes. The works are noted for their psychological penetration and often discomforting examination of the relationship between artist and model. Freud worked from life studies, and was known for asking for extended and punishing sittings from his models
[REYNOLDS] Pierre Rosenberg, Nicholas Penny, Robert Rosenblum, Kirby Talley, David Mannings.
Reference : 7601
SIR JOSHUA REYNOLDS, 1723-1792.
Paris, Éditions de la réunion des musées nationaux, 1985. Catalogue in-8 carré, broché, reproductions.
[7601]
