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Otto Pacht. Venetian Painting in the Fifteenth Century. Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna
, Brepols Publishers, 2004 paperback, 260 p., 219 b/w ill. 41 colour ill., 210 x 280 mm English. ISBN 9781872501239.
Otto Pacht, one of the most significant art-historians of the ?Vienna School?, and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo?s work, interpreting it as the basis for his sons? later development. He analyses Jacopo?s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht?s examination of Mantegna?s work, where the construction of space and depth is the key to our understanding of Mantegna?s creative process. Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile?s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! "Pacht's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48)
Practice of Art History Reflections on Method.
, Brepols - Harvey Miller, 2000 Hardcover with dusjacket.152 p., incl. 67 ills., with 1 in colour, 200 x 280 mm, Languages: English. ISBN 9781872501260.
Pacht's well-known, fundamental text approaches art history by means of analyses of works of art and exploration of the theories of major thinkers, yet emphasizes on showing the student and general reader alike how to practise art history in their own encounters with works of art. Here, for the first time in English, is Pacht?s well-known, fundamental text, Methodisches zur Kunsthistorischen Praxis. Pacht?s approach to art history is shaped by his conviction that visual art, like music, can say things in its own medium that cannot be said in any other. He aims to sharpen our perceptions by recreating the social and cultural context in which an object was made, clarifying unfamiliar notions of space and time or significant gestures and symbols which are no longer recognizable. Each part of Pacht?s analysis is illustrated by reference to a specific manuscript, painting, building or sculpture, and his examples range fro medieval and Renaissance art through to the works of Rembrandt. He explores the theories of major thinkers from Riegl, Wolfflin and Croce to Panofsky and Gombrich. But the emphasis always returns to the activity of looking, and Pacht?s greatest achievement is in showing the student and general reader alike how to practise art history in their own encounters with works of art.
Early Netherlandish Painting from Rogier van der Weyden to Gerard David
, Brepols, 2010 Paperback, 264 p., 221 ills., 33 in colour, 210 x 280 mm, Languages: English . ISBN 9781905375707.
Otto Pacht examines the great Netherlandish painters of the 15th and early 16th century by putting emphasis on formal analysis and on direct contact with the works of art themselves, and by discussing every facet of the works including style, mood, iconography, symbolism and construction of space. Otto Pacht's studies of the Early Netherlandish painters are the fruit of a lifetime's research. Following his book on the brothers Van Eyck and their circle, this volume deals with the next generation of artists, the great figures of the 15th and early 16th century: Rogier van der Weyden, Petrus Christus, Aelbert van Ouwater, Dieric Bouts, Justus van Gent, Hugo van der Goes, Geertgen tot Sint Jans, Hans Memling and Gerard David. In the tradition of the Vienna School, Pacht's approach puts emphasis on formal analysis and on direct contact with the works of art themselves. Taking certain key works by each artist as examples, he discusses every facet of the work including style, mood, iconography, symbolism and construction of space. The chapters are linked by the theme of imitation and continuation: the author compares the same subject as treated by various artists and shows how artists adopted developed ideas and motifs first employed by their predecessors. Although his touchstone was the evidence of his eyes, Pacht was always responsive to the theories of other scholars, and this volume is a gateway to an influential period in the history of art. The proximity of the illustrations to the text enhances his account of the great figures of the period, and there is a folding plate, in colour, of Rogier van de Weyden's Last Judgement alterpiece for the chapel of the hospital, the Hotel-Dieu, in Beaume.
Book Illumination in the Middle Ages (Studies in Medieval and Early Renaissance Art History)
Oxford 1987 Oxford University Press Hardcover 1st Edition
Book Illumination in the Middle Ages (Studies in Medieval and Early Renaissance Art History) 285 x 205 mm, hardcover with dustwrapper , 224 pp , illustrated, good condition
L'enluminure médiévale
Editions Macula, Paris, 1997. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleur, 222 pp. Préface de François Avril - Introduction - I. L'insertion de l'ornementation picturale dans structure organique du livre - II. L'initiale - Planches - III. Illustrations de la Bible - IV. Illustrations didactiques - V. Illustrations de l'Apocalypse - VI. Illustrations ...
Avec 210 illustrations en noir in texte et 32 planches couleur en hors texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
paysage dans l'art italien : Les premieres etudes d'apres nature dans l'art italien et les premiers paysages de calendrier
, Brionne, Gerard Montfort Editeur, 1991., softcover, couverture d' editeur illustre en couleur, 16,5x22cm., 128 pp., plein d' illustrations hors texto. ISBN 2852260468.
Traduit de l'Anglais par Patrick Joly.
The St. Albans Psalter (Albani Psalter) - The Full Page Miniatures by Otto Pacht - The Initials by Dodwell - Preface and Description of the Manuscript by Worwald
London, 1960, in-4, 294pp & 172pl, broché, Superbe exemplaire! De la bibliothèque d'André Crépin! 294pp & 172pl
[Claude Vignon] - Bassani, Paola Pacht (with a preface by Jacques Thuillier)
Reference : 032472
(1993)
ISBN : 2903239169
Claude Vignon 1593-1670
Bassani, Paola Pacht (with a preface by Jacques Thuillier): Claude Vignon 1593-1670. Exhibition: Tours, Musée des Beaux-Arts, 1993. 620pp with 45 colour plates and 650 monochrome illustrations. Hardback. 28x21cms. The fruit of 15 years' research, this catalogue raisonné (published for a travelling exhibition celebrating the fourth centenary of the birth of Claude Vignon) is the first monograph devoted to the life and work of the artist, now considered one of the greatest of his time. The catalogue includes: uncertain attributions; works in the style of Vignon; rejected paintings, drawings and engravings; unknown works; lost works of certain and possible attribution and those in the style of Vignon. With bibliography, index. Text in French.
The fruit of 15 years' research, this catalogue raisonné (published for a travelling exhibition celebrating the fourth centenary of the birth of Claude Vignon) is the first monograph devoted to the life and work of the artist, now considered one of the greatest of his time. The catalogue includes: uncertain attributions; works in the style of Vignon; rejected paintings, drawings and engravings; unknown works; lost works of certain and possible attribution and those in the style of Vignon. With bibliography, index. Text in French
Claude Vignon 1593-1670
Editions Arthéna, Paris, 1993. Fort in-4, reliure pleine toile éditeur sous jaquette illustrée en couleur, 619 pp. I. A propos de l'exposition Claude Vignon - II. Monographie de Claude Vignon : Plaidoyer pour Claude Vignon, par Jacques Thuillier. - Vignon et Compagnie, par Antoine Schnapper. - Introduction. - Biographie : Des débuts mal connus (1593-1622). - Paris ...
Nombreuses illustrations en noir et blanc et 42 planches couleur. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Marie de Médicis un gouvernement par les arts
Somogy, Editions d'Art, Paris/château de Blois, 2004. In-4, broché sous couverture rempliée et illustrée en couleur, 263 pp. Un gouvernement par les arts : Le "siècle de Marie", Marc Fumaroli. - L'histoire de Marie, Bernard Barbiche. - L'architecture française au temps de Marie de Médicis, Claude Mignot - La princesse florentine : Art de la politique et politique ...
Nombreuses illustrations et planches en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Claude Vignon (1593-1670).
P., Arthena, 1993, fort in-4, toile et jaquette éd., 616 pp., illustrations en noir, 45 planches en couleurs, bibliographie, index. (SS211A)
Catalogue raisonné, plus de 1200 oeuvres décrites. Première monographie sur l'artiste, l'un des grands peintres du XVIIe siècle, qui révèle la richesse et la variété de son inspiration. Suivi de Vignon et Compagnie. Étude d'Antoine Schnapper. Préface de Jacques Thuillier.
Claude Vignon. 1593-1670.
Paris, Arthena, 1992. In-4, pleine toile rouge titrée à l'or, sous jaquette illustrée en couleur. (Imperceptibles frottements au plat inférieur de la jaquette.)
Catalogue d'exposition. Tours. 11 Décembre 1993 - 28 Février 1994. Arras. 19 mars 13 juin 194. Toulouse. 1 Juillet 30 septembre 1994. Nombreuses illustrations en noir et quelques unes en couleur au début de l'ouvrage. * Voir photographie(s) / See the picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
FRANZÖSISCHE SCHULE I und II. Österreichische Akademie des Wissenschaften - Philossophish-historische Klasse Denkschriften, Reihe I. 118 Band
Wien 1974. 2 vol. in-4 (texte et planches), reliure d'édition pleine toile bordeaux, titre doré au dos et sur le 1er plat, réunis sous étui de même toile, illustré d'une reproduction en couleurs, 198pp, 49 fig. en noir; le second voL contient 375 illustrations en N/B et 8 planches en couleurs
Comme neuf - Frais de port : -France 8,45 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €)
The Master of Mary of Burgundy
London, 1948, in-8, 72pp & 48 vignettes, broché, Superbe exemplaire! 72pp & 48 vignettes
Flämische Schule II. 2 vols.
Wien, Verlag der Österreichischen Akademie der Wissenschaften, 1990. Folio. In the original 2 uniform red full cloth bindings with gilt lettering to spine and front board housed in matching casette. Ex-libris pasted on to verso of front board. A very fine and clean set. [Text vol.:] 158, (58) [Plate volume:] 13, (168) pp.
Veröffentlichungen der Kommission dü Schrift- und Buchwesen des Mittelalters, Reihe I, Band 7
Flämische Schule I. 2 Bde. (Textbd. + Tafelbd.).
Wien, Akademie der Wissenschaften, 1983. 4to. 2 orig. full cloth in orig. slipcase. 214 pp. and 109 illustrations on plates + Platevolume with 9 colourplates and 221 illustrations on plates. Clean and fine.
The Master of Mary of Burgundy.
London, Faber and Faber, (1948). Royal8vo. Orig. full cloth. Frontispiece in colour. 72 pp., 3 colouplates and 48 illustr. on plates.
Le paysage dans l'art italien.
1991 Saint-Pierre-de-Salerne, Gérad Monfort Editeur, 1991, broché, couverture illustrée, 16,5x22 cm., 128 pages. 31 illustrations en noir et blanc.
bon état.
Claude Vignon 1593-1670
1992 Arthena reliure pleine toile éditeur, jaquette, 622p. très bon état.
Phone number : 04 76 97 79 28
Claude Vignon. 1593- 1670. Préface de Jacques Thuillier.
P., Arthéna, 1992. Fort in-4 rel. pleine toile éditeur sous jaquette ill. en coul., 619 pp. sur deux colonnes, plus de 1200 oeuvres décrites, dont 555 largement commentées, la plupart reprod. en noir dans le texte, importante bibliographie, index.
Cet important catalogue raisonné recense notament les oeuvres d'attribution incertaine, celles dans la manière de Vignon, rejettées, inconnues, perdues, ... Très bonne condition. - Frais de port : -France 8,45 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €)
The Master of Mary of Burgundy.
London, Faber & Faber, 1948, in-8°, coloured frontispiece + 72 pp + 3 col. pl. + 48 b/w ills., publisher's cloth. (cloth and spine a bit soiled, some notes in ink on title page).
Phone number : 02 31 23 48 44
