458 books for « nicola j p »Edit

‎Les Vraies Jeunes Filles ‎

‎Paris Nrf Gallimard 1955 In8 - broché - non coupé - 185 pages - exemplaire du service de presse - Envoi autographe signé de l'auteur à Germaine Beaumont éditrice et critique . Poucette ( 1933/2006) pseudonyme de Nicola Ortiz fut mêlée au mouvement lettriste - Elle fut mariée a Marc'O . Ce fut son seul livre , elle fit ensuite une carrière de peintre .‎

‎Bon Dédicacé par l'auteur ‎

‎MOSE‎

‎Incisione religiosa che rappresenta "Mosè" inciso da Nicola Sangiorgi (1844-1875) su disegno di P. Guglielmi. Autore: Nicola Sangiorgi (1844-1875) su disegno di P. Guglielmi. Data: 1860 circa Tecnica: acquafort Dimensione del foglio: 19x27,5 cm Dimensione dell'incisione: 15,5x25 cm Condizioni: Buone. Alcune fioriture. Religious engraving representing "Mosè" engraved by Nicola Sangiorgi (1844-1875) after di P. Guglielmi. Date: 1860 circa Author: Nicola Sangiorgi (1844-1875) after di P. Guglielmi Technique: etching Size of the page: 19x27,5 cm Size of the engraving: 15,5x25 cm Conditions: Good conditions. Some foxing. <BR><BR> ‎

‎Nicola Francesco Haym, Thesauri Britannici, 1763, Vienna‎

‎In Latin. Short description: Nicola Francesco Haym. Thesauri Britannici, seu Museum Numarium, quo continentur numi Graeci et Latini, omnis metalli et formae, necdum editi ab autore ipso coelati. Vindobon?, Vienna, 1763-1765. Richly illustrated full-leather edition by Nicola Francesco Jaim (1678 - 1729) - Italian opera librettist, composer, theater manager and numismatist. He is best known for his adaptations for the adaptation of texts in the libretto for the London operas by George Friedrich Handel and Giovanni Bononcini. He was also a bibliographer and author of the book Biblioteca Italiana, o sia Notizia de 'Libri Rari nella lingua Italiana - a bibliography of Italian books from the beginning of printing until 1715, compiled in 1726. He published his book on numismatics in 1719-20 - Del tesoro britannico parte prima is the first work on ancient Greek and Roman coins in the British Museum collection to be printed in London in Italian. Thesauri Britannici, seu, Museum numarium quo continentur numi Graeci et Latini, omnis metalli et formae, necdum editi, ab autore ipso caelati is the rarest copy that presents a collection of more than 500 engravings of ancient coins on 296 pages. The edition also contains indexes and prefaces. The 1763 edition is the first publication of the book in Latin. Please feel free to contact us for a detailed description of the copies available. SKUMS000905 kn_nat‎

‎ASSISI E DINTORNI‎

‎S. MARIA DEGLI ANGELI (PERUGIA) TIPOGRAFIA INDUSTRIALE 1921‎

‎Edizione del 1921 di questa guida di Assisi scritta dal Padre Nicola Cavanna. La prima parte dell'opera è dedicata a Santa Maria degli Angeli All'interno sono presenti 53 illustrazioni qualcuna delle quali a piena pagina che rappresentano vedute ( Basilica di Santa Maria degli Angeli, Porziuncola, Il roseto di San Francesco, Assisi, Via Moiano ad Assisi, Casa Gualdi, Basilica Superiore, Piazza Vittorio Emanuele, Chiesa di San Nicolò, Chiesa Nuova, Casa del Beato Bernardo di Chiaravalle; Chiostro e Chiesa delle Carceri; Grotta del Beato Bernardo delle Carceri; Abbazia di san Benedetto sul Subasio; Antico Monastero di Panso; Chiesa di Rivotorto; Cannara; Piandarca; Abside di San Paolo presso Bastia ecc... In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con rare fioriture. In 16. Dim. 18x13 cm. Pp. 125+(3).Edition of 1921 of this guide of Assisi written by the Father Nicola Cavanna. The firrst part is dedicated to Santa Maria degli Angeli Inside there are 53 illustrations some fo them are full page with some views ( Basilica di Santa Maria degli Angeli, Porziuncola, Il roseto di San Francesco, Assisi, Via Moiano ad Assisi, Casa Gualdi, Basilica Superiore, Piazza Vittorio Emanuele, Chiesa di San Nicolò, Chiesa Nuova, Casa del Beato Bernardo di Chiaravalle; Chiostro e Chiesa delle Carceri; Grotta del Beato Bernardo delle Carceri; Abbazia di san Benedetto sul Subasio; Antico Monastero di Panso; Chiesa di Rivotorto; Cannara; Piandarca; Abside di San Paolo presso Bastia ecc... In good conditions. Editorial cover in good general conditions lightly worn in the extremities. Binding in good conditions. Inside pages are in very good conditions with occasional foxing.In 16. Dim. 18x13 cm. Pp. 125+(3).‎

‎MARIANNA DIONIGI E LE SUE OPERE ‎

‎ROMA 1896‎

‎Prima edizione del 1896 di questa pubblicazione sulla pittrice Marianna Dionigi (Roma 1756- ivi 1826) scritto da Nicola Marcone. L'artista dipinse per lo più paesaggi romani, stampe e illustrazioni. Fu anche studiosa di archeologia e musicista (Rif. Treccani online). Ritratto della pittrice in antiporta. In discrete condizioni Copertina editoriale in discrete condizioni generali con lievi usure ai margini e dorso. Piatto posteriore assente. Legatura quasi assente. Pagine in buone condizioni con fioriture. Piccolo strappo all'incisione in antiporta. In 8. Dim. 21,5x13,5 cm. Pp. 111+(1). First edition of 1896 of this pamphlet about the painter Marianna Dionigi (Roma 1756- ivi 1826) written by Nicola Marcone. The artist painted mostly roman views, plates and illustrations. She was also scholar of archeology and musician (Rif. Treccani online) Portrait of the painter in the frontspice. In fair conditions. Editorial cover in fair general conditions lightly worn in the extremities. Back plate lacks. Binding almost missing. Inside pages are in good conditions with foxing. Little tear in the plate in the frontspice. In 8. Dim. 21,5x13,5 cm. Pp. 111+(1). ‎

‎VIBRATIONS DU COEUR VALZER ‎

‎Partitura per orchestra degli anni '30 delle melodie "Vibrations du coeur" di R. Cuconato e "Minuetto" di Nicola Romano. Copertina assente. GENERE: Valzer, Minuetto<BR>STRUMENTI: pianoforte, violino, cello, flauto, contrabasso, clarino, trombone, oboe, corni, batteria<BR>ANNO: anni '30 DIMENSIONI: In 8. cm 25,5x17,5<BR>PAGINE: pp. 32 CONDIZIONI: Discrete condizioni. Copertina assenteScore for orchestra of 1930's of the melodies "Vibrations du coeur" by R. Cuconato and "Minuetto" by Nicola Romano. Cover lacks. MUSIC: Valzer, Minuetto STRUMENTI: piano, violin, cello, flute, clarinet, trombone, contrabass, oboe, horns, drums<BR>YEAR: 1930's SIZE: In 8. cm 25,5x17,5 PAGES: pp. 32 CONDITIONS: Fair conditions. Ex libris in the cover ‎

‎TERAPIA MEDICA SPECIALE‎

‎MILANO CROMOTIPIA ETTORE SORMANI 1932‎

‎In 8. Dim. 24x17 cm. Pp. 967+(1). Edizione del 1932 di questo manuale di terapia medica speciale scritto da Nicola Pende (1880-1970) medico, endocrinologo italiano. A lungo Pende venne considerato sostenitore delle teorie razziste, accuse poi risultate infondate. Professore universitario a Bari, Genova e Roma, fu il primo rettore dell'Università Adriatica Benito Mussolini. All'interno: terapia delle malattie endocrine, monoendocrinosi, Sindromi di alterata crescenza, Sindromi metaboliche, Emopatiche, Dermatosi, Miopatiche, Infettive generali e parassitarie, neoplasmi, Circolatorie, Digestive, Epatiche, Renali e vie urinarie, Nervose funzionali, Cerebrospinali, Psicopatie, Malattie sociali, Avitaminosi, Terapia medica d'urgenza ecc... In ottime condizioni. Copertina editoriale in ottime condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Edition of 1932 of this manual of special medical theory written by Nicola Pende (1880-1970) italian physician and endochrinologist. Pende for a long time was considered as a substainer of racist theories, accuses retained without any basis. Universitary teacher in Bari, Genova and Roma, he was the first director of the University Adriatica Benito Mussolini. Inside: therapy of endocrine deseases, monoendocrinosis, Metabolic theories, Skin problems, Infectous, Circolatory deseases, Digestive, Liver, Kidneys, Nervous, Psycopaties, Social deseases, Avitaminosis, Urgece medical therapy etc... In very good conditions. Editorial cover in very good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in very good conditions with occasional foxings.‎

‎Guide de Rome centre de la chrtient par... Nicola Turchi et Mgr. Pierre Pfister avec... plans et... illustrations originales de Jos Fabri-Canti... Pierre Guynot... ëtienne Lks. ëdition franºaise rvise par Pierre Petit et Paul Delerce‎

‎ëditions du eTmoignage chrtiene Broch D'occasion tat correct 01/01/1950 348 pages ‎

‎Nicola Vaccaj - Metodo pratico di canto (Soprano o Tenore) - Revisione critico-tecnica di Elio Battaglia‎

‎Casa Ricordi CD 1996 "1 CD ""Metodo pratico di canto (Soprano o Tenore) - Revisione critico-tecnica di Elio Battaglia"" par Nicola Vaccaj, avec la soprano Nuccia Focile, le bariton Lucio Gallo, et l'accompagnement au piano, CD accompagnant le livre de méthode du même nom ; quelques incidents sur la pochette, par ailleurs les sceaux n'ont pas été déchirés et le CD en très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."‎

‎LRBT. Dall'archeologia all'epigrafia / De l'arch ologie l' pigraphie. Studi in onore di Maria Giulia Amadasi Guzzo / tudes en hommage Maria Giulia Amadasi Guzzo‎

‎, Brepols, 2021 Paperback, 370 pages, Size:216 x 280 mm, Illustrations:65 b/w, 1 col., 10 tables b/w., Language(s):French, English, Italian. ISBN 9782503596679.‎

‎Summary Questa Festschrift rende omaggio a Maria Giulia Amadasi Guzzo (Universit degli studi di Roma ?La Sapienza?), una tra le pi autorevoli voci nel campo dell'epigrafia fenicio-punica e della filologia semitica. Il volume, riflettendo i molteplici interessi intellettuali di questa studiosa, raccoglie diciotto contributi originali di studenti, amici e colleghi. Il Mediterraneo fenicio-punico del I millennio a.C. costituisce il principale focus di quest'opera, che si estende per a regioni limitrofe e arriva ad includere anche il periodo imperiale romano. I diversi contributi ricorrono ad una grande variet di approcci e tradizioni di ricerca e comprendono l'edizione di nuove iscrizioni e corpora epigrafici, il riesame di reperti e siti archeologici di notevole interesse, talvolta poco noti o inediti, cos come saggi di carattere storico-archeologico e religioso. TABLE OF CONTENTS Aneddoti e svaghi propos de Maria Giulia (Corinne Bonnet) "Perch ha ascoltato la voce delle nostre parole". Un'introduzione (Nicola Chiarenza, Bruno D'Andrea & Adriano Orsingher) Abbreviazioni / Abr viations Pottery variability and site function: Late Punic and Early Roman ceramic assemblages from Ras ir-Raheb and other archaeological sites in the Maltese Islands (Maxine Anastasi & Nicholas Vella) Formes et aspects des puissances divines ph niciennes Chypre. Le cas de Kition : approche compar e des pith tes et de l'anthroponymie (Maria Bianco) Note sulla religione dei Fenici in Egitto (Luisa Bonadies) Sur les configurations des dieux dans le monde ph nicien et punique (Corinne Bonnet) Astarte ed Era-Giunone: considerazioni su interpretatio e rituale. Una prospettiva dal santuario di Tas-Silg a Malta (Francesca Bonzano) Phoenician writing in Greece: content, chronology, distribution and the contribution of Cyprus (Giorgos Bourogiannis) Dediche di stranieri a el-Hofra, 2: i Libici (Alessandro Campus) Retour Lap thos : une mise au point historique et pigraphique (Anna Cannav ) La dea in cucina: un bruciaprofumi a testa femminile fra pratiche domestiche, interazioni e ibridazioni nella Sicilia punico-ellenistica (Nicola Chiarenza) nouveau sur la gens Bacchuiana et le Saturne d'Acha e (Mich le Coltelloni Trannoy) Note sulla presenza e sugli usi degli equini nelle comunit fenicie e puniche del Mediterraneo occidentale (Bruno D'Andrea) Marqueurs fun raires de Kition l' poque classique (Sabine Fourrier) Organizzazione degli spazi, strategie economiche e cultura materiale di una comunit eterogenea: ancora sul caso di Huelva (Sara Giardino) A Phoenician ostracon from the Delphinion: Abdalonim the "gardener king" in Miletos? (Alexander Herda & Maria Gorea) Cyprus in the context of Phoenician studies: the homeland evidence (Maria Iacovou) Ivory networks in the Iron Age Mediterranean: a lid from Tharros (Adriano Orsingher) Trois nouvelles inscriptions n opuniques du nord-ouest tunisien (Mohamed Tahar) ?Where were the Jews of the Diaspora buried?? Riflessioni a pi di vent'anni dal lavoro di David Noy (Cinzia Vismara) Riassunti / R sum s / Abstracts‎

‎Journal de Toulon‎

‎Numéro 44 du journal de Toulon daté du samedi 2 décembre 1809, signé par Aurel l'imprimeur du journal et par BLOTTIÈRES Nicola Chaubry de, maire de Toulon. Broché Bon Toulon Aurel 1809 ‎

‎édition originale‎

‎De Diritti dell'Uomo libri VI. Ne'quali si dimostra, che la piu sicura Custode de' medesimi nella Societa Civile e la religione cristiana ; ‎

‎Assisi, 1791 [ e che pero l'unico progretto utile alle presenti circostanze e di far rifiorire essa religione. Opera di Nicola Spedalieri siciliano], xvi + 448pp.+ frontispice (portrait of author), text in italian, [first edition of this treaty on human rights, which is the most important work by Spedalieri], modern cloth (spine in vellum), 25cm., 3 stamps on titlepage, VG, [SPEDALIERI Nicola, born 6 dec.1740 at Bronte, died 26 Nov.1795 in Rome]‎

‎Valse d'une nuit d'été - créée par Rose Temps - Didier Gold & Nicola Moleti (partition chant)‎

‎Editions Franchi et Cie Partition "In-4 (17,5 x 27 cm), partition en feuilles pour chant, 4 pages, ""Valse d'une nuit d'été"", créée par Rose Temps, paroles de Didier Gold, musique de Nicola Moleti ; un coin corné, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."‎

‎Nicola De Maria.‎

‎Ludwigsburg & Montbéliard Kunstverein Ludwigsburg, Musée et Centre d'art contemporain de Montbéliard 1994 1 vol. relié in-4, cartonnage illustré de l'éditeur, 77 pp., reproductions en couleurs à pleine page. Catalogue de l'exposition au Kunstverein Ludwigsburg et au Centre d'art contemporain de Montbéliard en 1994. Très bon état.‎

‎Nicola De Maria : Elegia Cosmica.‎

‎Milano Electa 2004 1 vol. relié in-4, cartonnage illustré de l'éditeur, 298 pp., nombreuses reproductions en couleurs à pleine page. Catalogue de l'exposition organisée au Macro - Museo d'Arte Contemporanea de Rome, janvier-mars 2004. Textes en italien. Très bon état.‎

‎Nicola De Maria : Testa Orfica.‎

‎Nîmes Musée des Beaux-Arts 1991 1 vol. relié in-4, cartonnage illustré de l'éditeur, étui illustré, 257 pp., nombreuses reproductions en couleurs à pleine page. Edition originale à tirage limité et numéroté. Catalogue de l'exposition organisée au Musée des Beaux-Arts de Nîmes, juillet-septembre 1990. Très bon état.‎

‎Nicola De Maria : Musica del Mare.‎

‎Paris Galerie Lelong, "Repères - Cahiers d'art contemporain" n° 74 1992 1 vol. broché in-4, broché, couv. illustrée à rabats, 53 pp., nombreuses reproductions en couleurs à pleine page. Préface de Georges Raillard. Très bon état.‎

‎Nicola De Maria : O vita, nell'Arte maintieni intatto il tuo misterio.‎

‎Paris Galerie Lelong, "Repères - Cahiers d'art contemporain" n° 131 2005 1 vol. broché in-4, broché, couv. illustrée à rabats, 63 pp., nombreuses reproductions en couleurs à pleine page. Textes de Jean Frémon et de l'artiste. Très bon état.‎

‎Cy Twombly: Catalogue Raisonn of Drawings, Vol. 1 - 8 (complete set) ‎

‎Munchen, Schirmer/Mosel, 2011 8 Volumes in slipcase, each in linen binding and illustrated dustjacket, 25.5 x 35 cm, Fully illustrated. English edition. *Fine condition.‎

‎Cy Twombly Catalogue Raisonn of Drawings Vol. 1, 1951?1955 Cy Twombly Catalogue Raisonn of Drawings Volume 2, 1956 - 1960 Cy Twombly Catalogue Raisonn of Drawings Volume 3, 1961?1963 Cy Twombly Catalogue Raisonn of Drawings Volume 4, 1964?1969 Cy Twombly Catalogue Raisonn of Drawings Volume 5, 1970?1971 Cy Twombly Catalogue Raisonn of Drawings Volume 6, 1972?1979 Cy Twombly Catalogue Raisonn of Drawings Volume 7, 1980?1989 Cy Twombly Catalogue Raisonn of Drawings Volume 8, 1990?2011. Cy Twombly Catalogue Raisonn of Drawings Vol. 1 includes works on paper produced between 1951 and 1955. It includes several works on paper that the artist produced in Lexington, VA between 1951 and 1952 which will be of particular interest to scholars focused on his early practice. It also catalogues entries from early sketchbooks as well as his famed North African Sketchbooks (1953). It is an indispensable resource for scholars writing about either the sketchbooks themselves or their substantive connections to subsequent paintings, as the sketchbooks are reproduced here in their entirety. The volume also includes Study for Tiznit (1953), a preliminary for one of Twombly?s more frequently exhibited early paintings, and sketches completed in Augusta, Georgia while Twombly was stationed there during his brief military service. The latter will be of particular interest to those writing about Twombly?s line and his idiosyncratic hand, as this was the method through which he later reported developing his signature childlike (but never childish) scrawl. The volume also includes a large set of drawings the artist reportedly intended to publish as an album, though this project never came to fruition. It will be of interest to scholars researching Twombly?s printmaking practice as well, as there are numerous formal resemblances to his later prints throughout; see Cy Twombly Catalogue Raisonn of Printed Graphic Work 1953?2002, ed. Heiner Bastian. Those researching the North African Sketchbooks might also consult Anne-Grit Becker?s ?Marks and Material in Cy Twombly's North African Sketchbooks? (2017) and Cycles and Seasons, ed. Nicholas Serota (2008). The relationship between early paintings and drawings is discussed in Carol A. Nigro?s ?Cy Twombly?s Humanist Upbringing? (2008). For more on early works, including those produced at Black Mountain College, primary sources are gathered and reproduced in Writings on Cy Twombly, ed. Nicola del Roscio (2002). Those interested in Twombly?s line and the ?unlearning? of his hand, as well as later iterations like the ?blackboard? paintings, should consult Roland Barthes?s classic text ?The Wisdom of Art? (1979) as well as the catalogue in which it originally appeared, Cy Twombly: Paintings and Drawings 1954?1977. The Gagosian Gallery catalogue In Beauty it is finished: Drawings 1951?2008 (2018) also includes relevant material, as does Cy Twombly at the Hermitage: Fifty Years of Works on Paper, ed. Julie Sylvester (2008). There are also many connections to the sculptures, especially via the North African Sketchbooks, on which see Kate Nesin, Cy Twombly?s Things (2014). (Publication description by Jamie Danis)‎

‎Cy Twombly: Catalogue Raisonn of Sculpture, Vol. I+II (complete set) ‎

‎Munich, Schirmer / Mosel, 2019 Two volumes, each in their own slipcase, linen binding and dustjacket, 349 + 352 pages, 35 x 26 cm, fully illustrated. English edition. ISBN 3888148758.‎

‎Cy Twombly Catalogue Raisonn of Sculpture Volume I, 1946?1997 Cy Twombly Catalogue Raisonn of Sculpture Vol. I encompasses the period from Twombly?s earliest sculptures to 1997, the date of publication. The introductory text by Arthur Danto, ?Monuments and Metamorphoses: The Sculptures of Cy Twombly,? centers on the transformations and metamorphoses Twombly enacted in producing his sculptures, offering a sustained consideration of the relationship between materiality and content. Danto characterizes Twombly as engaging in ?transformative play? (16), allowing the sculptures to be simultaneously abstract and representational. He also considers Twombly?s use of found objects and refuse, the Platonic and Homeric references in the sculptures, and the relationships between Twombly?s much better-known paintings and the then-rarely exhibited sculptures. Danto argues that the sculptures assume a uniquely significatory role in Twombly?s practice, existing in more legible relationships to Twombly?s beloved myths and historical references than his work in other media through the transformations of readymade materials. This essay is likely to be of particular interest to scholars researching Cycnus (1978), which Danto considers throughout. The entries in this volume of the catalogue raisonn will be of special interest to scholars and students researching Twombly?s recurring sculptural motifs, including panpipes, palm leaves, columns, and carts or chariots. The volume also highlights the many direct connections to his painting practice throughout the same time period, with the same subjects explored in multiple media: e.g., Orpheus serves as a subject of a 1979 sculpture as well as multiple paintings produced in the 1970s, and Twombly?s interest in boats surfaces in sculptures such as Winter?s Passage: Luxor (1985) synchronously with its sustained emergence in his paintings. Though his use of white to ?unify? his sculptures?as Danto and others term it?is prevalent throughout, this volume also meticulously catalogues Twombly?s use of polychromy. This ranges from small traces on otherwise-white sculptures to other relatively unknown but exceptionally vibrant works. His engagements with both Greco-Roman antiquity?especially Homer?and Egyptian mythology are prevalent throughout. Eight entries of sculptures completed before 1950 also offer a rare glimpse into Twombly?s early practice. The catalogue raisonn is an indispensable specialist resource for students and scholars researching any of these core features of Twombly?s practice. This volume is also particularly useful to those focusing on the artist?s time in Rome, Bassano in Teverina, Gaeta, and Jupiter Island, Florida; those focused on the artist?s time in Lexington, VA should primarily reference vol. II. For further reading, Kate Nesin?s Cy Twombly?s Things (2014) provides a foundational account of the sculptures and their materiality; the catalogues raisonn s and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochd rfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures. Cy Twombly Catalogue Raisonn of Sculpture Volume II, 1998?2011 Cy Twombly Catalogue Raisonn of Sculpture Vol. II includes sculptures produced from 1998 until the artist?s passing in 2011. The introductory text by Nicola Del Roscio offers a vital account of the sculptures ?based, not just on curatorial or statistical facts, but on what Cy said about his works and circumstances, memories and experiences that infused their meaning? (7). Del Roscio also explores the connections between Twombly?s sculptures and his works in other media (e.g., photography) and references embedded in the sculptures (e.g., the Gaeta skyline) that might otherwise be opaque to those without similar firsthand knowledge of Twombly?s practice. The connections Twombly drew between his sculptures and nature, as well as his working practices in producing them (?practical, immediate, and of a pitiful brutality? [13]) are addressed throughout. This later set of sculptures includes rare instances of fully polychromatic sculptures without any white paint (e.g., Turkish Delight, 2000), many of which reflect a major thematic concern with Middle Eastern references present throughout the later sculptures. These are contextualized alongside the more austere white sculptures for which Twombly is best known. Though primarily of interest to researchers interested in the sculptures themselves, this volume also provides many vital connections to other aspects of Twombly?s practice. See e.g., the entry for Untitled (2001, cat. no. 43), which notes that ?the colored paper tissues [used in the sculpture] are leftovers the artist used to dry the paint during the production of his series Lepanto? (100). Despite consistent returns to funerary themes, many of the sculptures are lighthearted and witty, embodying what Danto calls ?a pervasive spirit of play? (15) in his introduction to Vol. I. The catalogue includes exceptional sections of particular interest, including a selection of tombstones the artist designed for close friends?echoing the funerary themes present throughout many of the sculptures?and a selection of rejected and unfinished sculptures, both of which will be of interest to researchers focusing on the artist?s process. This catalogue will also be helpful for scholars researching Twombly?s time in Lexington, Virginia and Pfaffikon, Switzerland, where many of these sculptures were produced. Many sculptures in both Vols. I and II were produced in Twombly?s residences in Italy as well (note, however, that most in Vol. II were produced in Gaeta rather than Rome or Bassano in Teverina). Vol. II also includes biographical notes, lists of one person exhibitions, one person exhibition catalogues, group exhibitions, group exhibition catalogues, monographs, and general literature (until 2019). As with volume I, this is an indispensable reference for students and scholars working on the sculptures or on any of their thematic and material connections to the rest of Twombly?s practice. For further reading, see Kate Nesin?s Cy Twombly?s Things (2014), a foundational account of the sculptures and their materiality. The catalogues raisonn s and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochd rfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures.‎

‎Nicola Harding‎

‎Rizzoli New York (9/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780847875689‎

‎Giorni Del Secolo Nuovo‎

‎Eindhoven 1985 Van Abbemuseum Hardcover 1st Edition ‎

‎Hardcover, 30 x 23 cm, 216 pp., 1st Edition, Illustrations, book condition: Very Good. ‎

‎GIULIO CESARE / GEORG FRIEDRICH HAENDEL / OPERA NATIONAL DE PARIS 1996-97 [Paperback] GEORG FRIEDRICH HAENDEL / NICOLA FRANCESCO HAYM‎

‎ BROCHE EN TRES BON ETAT. ‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.‎

‎Crazy horse saloon vu par Simbari‎

‎Wally Findlay Galleries | New York 1976 | 24 x 22.50 cm | broché‎

‎Edition originale du catalogue de l'exposition s'étant tenue à la Wally Findlay Galleries à New York du 5 au 30 novembre 1976. Pliures et petites déchirures en pieds des plats, sinon agréable exemplaire. Textes de Pierre Restany, Alain Bernardin, Pierre Mazars. Catalogue illustré de reproductions d'oeuvrs de Nicola Simbari. - Photographies et détails sur www.Edition-Originale.com -‎