San Diego, Harcourt Brace Jovanovich. 1986. 28,5x26,5 cm. 124 S. Mit 114 s/w Fotos. Originalbroschur.
First Edition. - Einband leicht angestaubt. Vorderdeckel und Vorsatz mit Knickspuren.
1979 New York Graphic Society - 1979 - In-4, cartonnage pleine toile rouge sous jaquette illustrée de l'éditeur - 16 pages + 50 reproductions photographiques en N&B hors texte - Ouvrage en anglais
Bon état - Menus frottements sur la jaquette - Dos de la jaquette quelque peu insolé
LAROUSSE. 1990. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages augmentées de nombreuses planches photos en couleur dans et hors texte . jaquette en bon etat. Avec Jaquette. . . Classification Dewey : 580-Botanique
TRADUCTION DE PATRICE LERAULT Classification Dewey : 580-Botanique
Catalogue de l'exposition présentée à la gallerie Rudolf Kicken à Köln en Allemagne du 29 septgembre au 4 octobre 1999 - un volume 27,8x21,4 cm cartonné sous couverture illustrée, 55 pages illustrées de 29 hors texte en noir et blanc - bon état - texte en anglais -
Simoni Philippi ; Arnold Newman, Philip Brookman : translation : Sophie Manceau
Reference : 60907
, Taschen, 2000 Hardcover , 276 pages, ENG / FR / GER , 330 x 275 x 32 mm, dustjacket, book is As New !, full page photographs in colour / b/w , Large Format !. ISBN 9783822871935.
Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: Arnold Newman's photographs are classics of portraiture. His subtle arrangements constituted the foundations of "environmental portraiture." His photographs integrate the respective artist's characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman's portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer's beginnings, on the other hand, were none too promising. During the Great Depression Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Max Ernst, Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning and Alexander Calder. With his unmistakable style, Newman became the star photographer of artists, writers and musicians.
Un ouvrage de 248 pages, format 240 x 315 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1990, Larousse
Traduction de Patrice Leraut
Phone number : 04 74 33 45 19